Fine Arts Communication

Total Page：16

File Type：pdf, Size：1020Kb

FINE ARTS & COMMUNICATION UNIVERSITY ADVANCEMENT 2019 AND FINE ARTS COMMUNICATION As Pirates,™ our sights are always set on exploring new horizons. Our college’s goal is to build on its reputation as a rich and dynamic academic community where creativity, culture and ideas flourish and provide a fertile environment for the artists, educators, communicators, performers and designers of the future. We can’t do that without your support. Our Golden Horizon The College of Fine Arts and Communication houses Art and Design, Communication, Music, and Theatre and Dance. In addition to preparing students for success in life, we regularly bring international artists and family programming to the region. To go even further, we need more funding for student scholarships, study abroad, and a performing arts center that will provide a venue equal to the professional settings that students will find themselves in after graduation. FINE ARTS & COMMUNICATION UNIVERSITY ADVANCEMENT 2019 Our Golden Stats Our Golden Examples LARGEST BFA ART PROGRAM HOWELL BINKLEY is a lighting designer on Broadway who won the Tony Award for Best Lighting Design in a Musical for “Jersey Boys” in 2006, and again in 2016 for “Hamilton.” EDWARD JACOBS IN THE STATE is a music composition professor who received a prestigious Guggenheim Foundation Fellowship for his work as a composer. Eddie has made the composition program at ECU’s School of Music a model for the country. Communication alumni TAYLOR REED working for CNN, NBC is the first ECU student to win the Erasmus+ Scholarship to and NASCAR attend Krosno State College in Poland. Taylor is a theatre arts major who wants to teach youth theatre when she graduates. NIA FRANKLIN is a music composition graduate who went on to win Miss America 2019. Nia ran on a platform advocating for the arts and UNC Board of Governor’s Award for Teaching sang opera for the talent competition, wowing the judges. Excellence in 2017-18 and 2018-19 Pirates, Let’s Go The unique opportunities that come with an education from ECU’s College of Fine Arts and Communication lead to life-changing outcomes. We enable students to discover their passions and prepare them for success on the world’s stage. With your help, we can continue transforming lives that transform the world. ecu.edu/give.

Copy Link

Recommended publications

Public Meeting Access Will Be Provided Online At
NOTICE OF PUBLIC MEETING Wednesday, December 2, 2020 10:00 AM- 2:30 PM Public meeting access will be provided online at https://arts.ca.gov/about/council-meetings/ 1. Call to Order N. Lindo 2. Acknowledgment of Tribal Land A. Bown-Crawford 3. Roll Call and Establishment of a Quorum L. Barcena 4. Voting Item: Approval of Minutes from September 10, 2020 N. Lindo Council Meeting (TAB A) 5. Chair’s Report (TAB B) N. Lindo 6. Director’s Report (TAB C) A. Bown-Crawford 7. Public Comment N. Lindo Two forms of public comment will be offered: - Written comments will be accepted online prior to and during the Council meeting - Live comment will be accepted during this agenda item in the meeting via Zoom or phone. Live public comment may be limited to 2 minutes per person. Access and instructions will be provided at https://arts.ca.gov/about/council-meetings/ 8. Committee Updates: a) Equity Committee (TAB D) K. Gallegos L. Gonzales-Chavez b) Programs Policy Committee (TAB E) L. Baza J. Evans c) Legislative Committee (TAB F) C. Montoya J. Moscone d) Governance Committee K. Gallegos D. Harris 9. Presentation: Strategic Framework Committee (TAB G) The J. Galli Strategic Framework Committee will provide an overview of A. Israel the Aspirations and Decision Support Tool. 10. Discussion Item: Council’s Direction N. Lindo J. Galli 11. Voting Item: 2021 Chair and Vice-Chair Elections K. Gallegos The Nominating Committee will present the nominees for the J. Galli Council vote of chair and vice-chair for 2020. 12.
[Show full text]
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 3.12.20 - 3.31.20 Hamilton @ Pantages LA.indd 1 2/27/20 4:29 PM HOLLYWOOD PANTAGES THEATRE March 12-March 31, 2020 Jeffrey Seller Sander Jacobs Jill Furman AND The Public Theater PRESENT BOOK, MUSIC AND LYRICS BY Lin-Manuel Miranda INSPIRED BY THE BOOK ALEXANDER HAMILTON BY Ron Chernow WITH Rubén J. Carbajal Nicholas Christopher Joanna A. Jones Taylor Iman Jones Carvens Lissaint Simon Longnight Rory O’Malley Sabrina Sloan Wallace Smith Jamael Westman AND Sam Aberman Gerald Avery Amanda Braun Cameron Burke Yossi Chaikin Trey Curtis Jeffery Duffy Karlee Ferreira Tré Frazier Aaron Alexander Gordon Sean Green, Jr. Jared Howelton Sabrina Imamura Jennifer Locke Yvette Lu Taeko McCarroll Mallory Michaellann Antuan Magic Raimone Julian Ramos Jen Sese Willie Smith III Terrance Spencer Raven Thomas Tommar Wilson Mikey Winslow Morgan Anita Wood SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Korins Paul Tazewell Howell Binkley Nevin Steinberg HAIR AND WIG DESIGN ARRANGEMENTS MUSIC COORDINATORS ASSOCIATE MUSIC SUPERVISOR Charles G. LaPointe Alex Lacamoire Michael Keller Matt Gallagher Lin-Manuel Miranda Michael Aarons EXECUTIVE PRODUCER PRODUCTION SUPERVISOR PRODUCTION STAGE MANAGER MUSIC DIRECTOR Maggie Brohn J. Philip Bassett Scott Rowen Andre Cerullo MARKETING & COMMUNICATIONS TECHNICAL SUPERVISION CASTING Laura Matalon Hudson Theatrical Associates Telsey + Company John Gilmour Bethany Knox, CSA ASSOCIATE & SUPERVISING DIRECTOR ASSOCIATE & SUPERVISING CHOREOGRAPHER Patrick Vassel
[Show full text]
A-Bronx-Tale-Program-0F4ae47f5e
TOMMY MOTTOLA THE DODGERS TRIBECA PRODUCTIONS EVAMERE ENTERTAINMENT NEIGHBORHOOD FILMS in association with PAPER MILL PLAYHOUSE present Book by Music by Lyrics by CHAZZ PALMINTERI ALAN MENKEN GLENN SLATER Based on the Play by CHAZZ PALMINTERI with JOE BARBARA RICHARD H. BLAKE JOEY BARREIRO MICHELLE ARAVENA BRIANNA-MARIE BELL ANTONIO BEVERLY FRANKIE LEONI SHANE PRY MIKE BACKES MICHAEL BARRA SEAN BELL JOSHUA MICHAEL BURRAGE JOEY CALVERI GIOVANNI DiGABRIELE ALEX DORF JOHN GARDINER PETER GREGUS HALEY HANNAH KIRK LYDELL ASHLEY McMANUS CHRISTOPHER MESSINA ROBERT PIERANUNZI BRANDI PORTER KYLI RAE PAUL SALVATORIELLO BRITTANY WILLIAMS JASON WILLIAMS Scenic Design Costume Design Lighting Design Sound Design BEOWULF BORITT WILLIAM IVEY LONG HOWELL BINKLEY GARETH OWEN Hair and Wig Design Makeup Design Fight Coordinator Technical Supervision PAUL HUNTLEY ANNE FORD-COATES ROBERT WESTLEY HUDSON THEATRICAL ASSOCIATES Orchestrations Music Direction Period Music Consultant Music Coordinator DOUG BESTERMAN BRIAN P. KENNEDY JOHNNY GALE JOHN MILLER Associate Director Associate Choreographer Company Manager Production Stage Manager STEPHEN EDLUND MARC KIMELMAN JEFF MENSCH KELSEY TIPPINS Production Manager Casting Tour Booking, Marketing & Press General Management NETWORKS PRESENTATIONS TARA RUBIN CASTING BROADWAY BOOKING OFFICE NYC GENTRY & ASSOCIATES WALKER WHITE MERRI SUGARMAN, CSA GREGORY VANDER PLOEG Executive Producers Associate Producer DANA SHERMAN LAUREN MITCHELL SETH WENIG Music Supervision and Arrangements by RON MELROSE Choreography by SERGIO TRUJILLO
[Show full text]
“Howell Binkley: a Celebration of Light And
Press Contact: Rick Miramontez [email protected] 212 695 7400 FOR IMMEDIATE RELEASE, PLEASE PARSONS DANCE AND FRIENDS AND FAMILY OF HOWELL BINKLEY ANNOUNCE “ HOWELL BINKLEY: A CELEBRATION OF LIGHT AND LOVE ” A VIDEO TRIBUTE IN MEMORY OF HOWELL BINKLEY SUNDAY, OCTOBER 25, 2020 AT 8:00 PM ET New York, NY (October 13, 2020) Parsons Dance and Friends and Family of Howell Binkley are pleased to announce that Howell Binkley: A Celebration of Light and Love, a video tribute in memory of lighting designer Howell Binkley, created by Suspension Productions, will be available for viewing on howellbinkley.com beginning Sunday, October 25 at 8:00 PM ET. The 60-minute tribute, honoring Binkley’s award-winning career, beginning in 1978 until his death on August 14, 2020, features dance and Broadway luminaries discussing his impact on their lives and on their professional communities. Binkley designed the lighting for fifty-two Broadway shows. He received 9 Tony Award nominations and won 2 Tony Awards. His immense success in theatrical lighting is explored throughout A Celebration of Light and Love by those who worked with him and cherished his friendship. Among these are Broadway and West End producers Cameron Macintosh, Jeffrey Seller, and Richard Winkler; directors Thomas Kail and Des McAnuff; choreographers David Parsons and Sergio Trujillo; actors Ariana DeBose, Chita Rivera and Paul Nolan; and creators Bob Gaudio and Lin-Manuel Miranda. Joining them and others in remembrances of this remarkably talented man are his former assistants, his family, and his friends. Binkley began his career with the Paul Taylor Dance Company, where he met choreographer David Parsons, then a dancer with the company.
[Show full text]
Binkley Personal
Howell, Thank you for Benny & Nina’s sunrise. Thank you for Hamilton’s hurricane & Burr’s self-made walls. Thank you for sculpting in light & elevating every moment you touched. Where will I hide now if not at your tech table? I miss your smile & kindness already. Rest easy, pal. – Lin-Manuel Miranda Our beloved friend and collaborator Howell Binkley passed away today. He painted with light and took us to places and times we could only dream of going. One of the finest lighting designers in the business and an even better human being. We will miss him terribly. – Hamilton Family I’m so blue. – King George Light to Howell was what paint is to a great master of the canvas. I hope his victories and accomplishments, both professional and personal, will serve to inspire us. His contribution to the work we’ve done and his support for all of us sets an example that will surely live on if we welcome it. – Des McAnuff, Director, Jersey Boys, Ain’t Too Proud Howell Binkley’s work was the best in the world. I would have watched Hamilton with the sound off just to watch his lighting. More than that, he was such a truly good person, always smiling and encouraging to everyone. – Sankoff and Hein, Writers of Come from Away He could see actors and sets and costumes and staging and choreography and hear sound and music and speech and then, somehow, illuminate all of it to bring our stories just a little bit closer to our souls. – Jeffrey Seller, Producer, Hamilton, Director, Fly Howell Binkley July 25, 1956 – August 14, 2020 .
[Show full text]
P.2007 Drama Desk Award Nominations
Member Login HOME Boston· Chicago · DC Metro· Florida· Las Vegas · London · Los Angeles· New York · Philadelphia· San Francisco· Seattle More Places » BROADWAY Kids Nightlife FEATURES T H E A T E R N E W S Apr 26, 2007 Gotta Lotte Living to Do 2007 Drama Desk Award Nominations Announced Loose Lips Photo File By: Brian Scott Lipton Blonde Has More Fun Broadway stars Beth Leavel and James Naughton Holm Sweet Holm announced the nominees for this year's Drama Desk Keeping Score Awards this morning at The Friars Club. The awards Casting a Soap Net honor the best of Broadway, Off-Broadway, and Off- More Features » Off-Broadway. REVIEWS As previously announced, Kristin Chenoweth -- who Coram Boy New York was nominated as Outstanding Actress in a Musical Beauty on the Vine for The Apple Tree -- will host the awards ceremony on New York Sunday, May 20 at the F.H. LaGuardia Concert Hall. Linda Eder: This Time The event will be telecast by PBS on Sunday, May 27 Around New York at 12:30pm and by NYC TV (Channel 25) on John Pizzarelli and Thursday, May 24 at 8pm and Saturday, May 26 at Jessica Molaskey at 10pm. The ceremony will be webcast live by the Café Carlyle TheaterMania.com. New York Legally Blonde Manhattan Theatre Club's production of LoveMusik, a New York new musical about the love affair between composer Billy Crudup and Brían F. O'Byrne Exposed New York Kurt Weill and singer Lotte Lenya, received 12 in The Coast of Utopia I Land New York nominations -- the most for any show.
[Show full text]
JOE DORAN Lighting Design and Production
JOE DORAN Lighting Design and Production 400 West 37th Street, #4F +1 (804) 304-1043 New York, NY 10018 [email protected] CORPORATE ENTERTAINMENT Roundabout Theatre Company, NY Master Teaching Artist, Lighting Design Jennifer DiBella, Director of Education The New 42nd Street Studios Production Assistant Alma Malabanan-McGrath, and the Duke Theatre in NY Director of Operations Walt Disney World, FL Audio-Visual Technician Rick Neely, Supervisor BROADWAY & NATIONAL TOURS Doctor Zhivago, the Musical, Broadway Asst. Lighting Designer Howell Binkley, Lighting Designer Hamilton, the Musical, Broadway Asst. Lighting Designer (Sub.) Howell Binkley, Lighting Designer Magic/ Bird, Broadway Asst. Lighting Designer Howell Binkley, Lighting Designer In the Heights, US National Tour Asst. Lighting Designer Howell Binkley, Lighting Designer West Side Story, US National Tour Asst. Lighting Designer Howell Binkley, Lighting Designer Flashdance the Musical, US National Tour Asst. Lighting Designer Howell Binkley, Lighting Designer Anything Goes, US National Tour Asst. Lighting Designer Howell Binkley, Lighting Designer Joseph... Dreamcoat, US National Tour/ Japan Asst. Lighting Designer Howell Binkley, Lighting Designer PROFESSIONAL THEATRE 2016 A Christmas Story, The Musical, VA Repertory Theatre Lighting Designer Chase Kniffen, Director A Tuna Christmas, Swift Creek Mill Theatre Lighting Designer Tom Width, Director Almost Maine, Swift Creek Mill Theatre Lighting Designer Tom Width, Director Avenue Q, SPARC Lighting Designer Robin Arthur, Director
[Show full text]
Marshall Brickman & Rick Elice Bob Gaudio Bob Crewe Des Mcanuff
Dodger Theatricals Joseph J. Grano Tamara and Kevin Kinsella Pelican Group NETworks Presentations with Latitude Link and Rick Steiner present The Story of Frankie Valli & The Four Seasons Book by Music by Lyrics by Marshall Brickman Bob Gaudio Bob Crewe & Rick Elice with Jonathan Cable Eric Chambliss Corey Greenan Jonny Wexler Ashley Bruce Tony L. Clements Rick Desloge Todd DuBail Caitlin Leary Kevin Patrick Martin Barnaby Reiter Jeremy Sartin Chloe Tiso Kit Treece Jessica Wockenfuss Scenic Design Costume Design Lighting Design Sound Design Klara Zieglerova Jess Goldstein Howell Binkley Steve Canyon Kennedy Projection Design Wig and Hair Design Fight Director Production Supervisor Michael Clark Charles G. LaPointe Steve Rankin Richard Hester Orchestrations Music Coordinator Music Director Steve Orich John Miller Alan J. Plado Production Management Casting Company Manager Production Stage Manager NETworks Presentations Tara Rubin Casting Deborah Barrigan Suzanne Apicella Hector Guivas Lindsay Levine, CSA Associate Producer Executive Producer Tour Booking & Marketing Lauren Mitchell Dana Sherman Broadway Booking Ofﬁce NYC Music Supervision, Vocal/Dance Arrangements and Incidental Music by Ron Melrose Choreography Sergio Trujillo Directed by Des McAnuff World Premiere Produced by La Jolla Playhouse, La Jolla, CA Christopher Ashley, Artistic Director & Debby Buchholz, Managing Director CAST (in alphabetical order) Mary Delgado, Angel (and others) ...............................................................................................ASHLEY
[Show full text]
The Donna Summer Musical
Contact: Becky Biegelsen PRESS RELEASE (858) 228-3094 | [email protected] LA JOLLA PLAYHOUSE ANNOUNCES CAST AND CREATIVE TEAM FOR SUMMER: THE DONNA SUMMER MUSICAL THREE ACCLAIMED ACTRESSES – TONY AWARD WINNER LACHANZE, ARIANA DEBOSE AND STORM LEVER – PORTRAY TITLE ROLE IN WORLD PREMIERE BASED ON LIFE OF MUSICAL ICON La Jolla, CA – La Jolla Playhouse announces the cast and creative team for its world- premiere production of SUMMER: The Donna Summer Musical, featuring book by Colman Domingo, Robert Cary and Playhouse Director Emeritus Des McAnuff (Jersey Boys, The Who’s Tommy); directed by Des McAnuff; choreographed by Olivier Award winner Sergio Trujillo (Memphis, Jersey Boys), with musical supervision by Ron Melrose. The production will run in the Mandell Weiss Theatre November 7 – December 17. Tickets are available by calling Playhouse Patron Services at (858) 550- 1010 or online at LaJollaPlayhouse.org. The cast will feature three actresses in the role of Donna Summer: Tony Award winner LaChanze (Broadway’s The Color Purple, Once on This Island) as “Diva Donna,” Ariana DeBose (Broadway’s A Bronx Tale) as “Disco Donna” and Storm Lever (Playhouse’s Freaky Friday) as “Duckling Donna.” They are joined by Mackenzie Bell as “Giorgio,” Kimberly Dodson as “Dara/Amanda,” Anissa Felix as “Adult Mary Ellen,” Drew Foster as “Brian,” Ari Groover as “Ami,” Afra Hines as “Maid/Michael,” Aaron Krohn as “Neil,” Jenny Laroche as “Pastor/Norm,” Wonu Ogunfowora as “Mary Ellen/Brooklyn,” Rebecca Riker as “Bob/Don,” Christina Robinson as “Adult Dara,” Ken Robinson as “Andrew Gaines,” Jessica Rush as “Joyce,” Kaye Tuckerman as “Pete” and Jared Zirilli (Broadway’s Lysistrata Jones) as “Bruce Sudano,” along with swings Aurelia Michael and Andra Caston.
[Show full text]
Beowulf-Boritt-Flipbook.Pdf
The Scottsboro 2010 BOYS 46 THE SCOTTSBORO BOYS by John Kander, Fred Ebb, and David Thompson. Directed and choreographed by Susan Stroman. Set designer: Beowulf Boritt. Costumes: Toni Leslie James. Light designer: Ken Bilington. Broadway (Lyceum Theater), 2010 49 Sondheim on 50 Sondheim 2010 51 THE TEMPEST Photo by Beowul Boritt 2011 54 THE TEMPEST by William Shakespeare. Director: Kevin Moriarty. Set and costume designer: Beowulf Boritt. Light designer: Clifton Taylor. Sound designer: Broken Chord. Dallas Theater Center, 2011 Prospero 55 2014 ACT ACT ONE by James Lapine based on the autobiography by Moss Hart, directed by James Lapine. Set designer: Beowulf Boritt. Costume designer: Jane Greenwood. Light designer: Ken Billington. Sound designer: Dan Moses Schrier. Broadway - Vivian Beaumont Theater at Lincoln Center, 2014 one 66 2015 Thérèse Raquin THÉRÈSE RAQUIN by Helen Edmundson based on the Novel by Emile Zola. Directed by Evan Cabinet. Set designer: Beowulf Boritt. Costume designer: Jane Greenwood. Light designer: Keith Parham. Sound designer: Josh Schmidt. Broadway - Roundabout Theatre Company, Studio 54, 2015. 90 92 94 2016 Photos by Matthew Murphy A BRONX TALE by Chazz Palminteri, Alan Menken and Glenn Slater. Directed by Robert DeNiro & Jerry Zaks. Set designer: Beowulf Boritt. Choreographer: Sergio Trujillo. Costumes by William Ivey Long. Light designer: Howell Binkley. Sound designer: Gareth Owen. Broadway (Longacre Theatre) 2016. Bronx Tale is set in Belmont, the A Little Italy section of the Bronx in the 1950s and 60s. It is a tightknit community which the opening song describes as an entire world in a few blocks. Despite being in New York, it has qualities of a small town, both the camaraderie and the suffocating overfamiliarity of everyone knowing everyone else’s business.
[Show full text]
Miller FINAL to FUSION.Qxd
CLOSE-UP Copyright Lighting&Sound America October 2017 http://www.lightingandsoundamerica.com/LSA.html Doing the Work By: David Barbour Prince of Broadway recreates key moments from one of Broadway’s most remarkable careers The set for the sequence from Company offers Boritt’s take on Boris Aronson’s original urban-jungle-gym design. avid Belasco, Florenz Ziegfeld, one landmark show after another, Ebb, Betty Comden, Adolph Green, Joshua Logan, Bob Fosse, rewriting the rules of musical theatre and Boris Aronson—his shows have DMichael Bennett: These are along the way. Working with virtually been known for their psychological some of the greatest showmen in all the signature creative talents of the complexity, bold design statements, Broadway history, and none of them last half-century—a list that begins and formal daring. Look around at the come close to the achievement of with, but is hardly limited to, Stephen Broadway musical landscape of Harold Prince. As producer and direc- Sondheim, Leonard Bernstein, today—the sweeping political drama tor, Prince has consistently turned out Jerome Robbins, John Kander, Fred of Hamilton, the acute social observa- Photo: Matthew Murphy © 2017 106 • October 2017 • Lighting&Sound America tion of Dear Evan Hansen, the telling snapshot of history that is Come From Away. Could any of them exist without the innovations of Prince and company? Such a career demands a retro- spective: Prince of Broadway, pro- duced by Manhattan Theatre Club at the Samuel J. Friedman Theatre, its Broadway venue, culls numbers from Prince’s astonishing resume. There are songs from such beloved mid-century hits as Damn Yankees, West Side Story, and that twilight-of-the-golden- era masterpiece Fiddler on the Roof.
[Show full text]
September 2018 Welcome Mike Hausberg
SEPTEMBER 2018 WELCOME MIKE HAUSBERG Welcome to The Old Globe and this production of The Heart of Rock & Roll. Our goal is to serve all of San Diego and beyond through the art of theatre. Below are the mission and values that drive our work. We thank you for being a crucial part of what we do. MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large. STATEMENT OF VALUES The Old Globe believes that theatre matters. Our commitment is to make it matter to more people. The values that shape this commitment are: TRANSFORMATION Theatre cultivates imagination and empathy, enriching our humanity and connecting us to each other by bringing us entertaining experiences, new ideas, and a wide range of stories told from many perspectives. INCLUSION The communities of San Diego, in their diversity and their commonality, are welcome and reflected at the Globe. Access for all to our stages and programs expands when we engage audiences in many ways and in many places. EXCELLENCE Our dedication to creating exceptional work demands a high standard of achievement in everything we do, on and off the stage. STABILITY Our priority every day is to steward a vital, nurturing, and financially secure institution that will thrive for generations. IMPACT Our prominence nationally and locally brings with it a responsibility to listen, collaborate, and act with integrity in order to serve.
[Show full text]