DOCSLIB.ORG

Social Media Manager to the Join Its Marketing Department

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Social Media Manager to the Join Its Marketing Department Founded in 1842, the New York Philharmonic is the oldest symphony orchestra in the United States, and one of the oldest in the world. Each season the Philharmonic connects with up to 50 million music lovers through live concerts in New York City, worldwide tours, and residencies, as well as its digital recording series; international broadcasts on television, radio, and online; and through its varied education programs and expansive digital archive. With the renovation of David Geffen Hall, the New York Philharmonic is now poised for transformation, exciting growth, and development. The New York Philharmonic is looking for an ambitious and creative Social Media Manager to the join its Marketing department. This new role will be responsible for managing its social media channels to promote its mission and brand. The Social Media Manager will develop and project a unique brand voice for all social channels to engage with our community of audiences, partners, and influencers with a goal to increase brand affinity, engage audiences, and drive revenue. The Manager will oversee the social media process from beginning to end, from concept to execution, including content planning, content creation, cultivation of our global community of followers, and optimization and reporting, while working with stakeholders across the organization. Responsibilities: Help establish a social media strategy that will engage audiences with always-relevant content and align with organizational goals and marketing objectives. Plan and maintain the social media calendar. Schedule and post all social media content. Manage creative and copy from beginning to end, resulting in engaging posts in a variety of formats, working with in-house designers and content creators to develop engaging content. Re-establish key KPIs per channel, focusing on meaningful community growth and engagement. Champion new social media concepts through a combination of building off previous learnings, testing, and partnering with Public Relations, Archives, Artistic, Education, and Marketing departments. Participate in conversations with our community on social media, increasing engagement levels to improve brand loyalty and advocacy. Establish a process to maintain community management best practices, creating a successful social customer care strategy. Compile regular reports to show month-over-month trends and provide insights and recommendations to be shared cross-departmentally. Gather insights from online conversations to help drive growth, uncover customer leads, and provide recommendations for engagement. Track emerging technologies and trends in social media, digital marketing, and content creation – encourage forward-thinking creativity. Perform miscellaneous duties as required. Requirements: 5-8 years of experience in content creation, marketing and/or social media. 3 years managing social media for a brand required. Proficient using social media management and listening tools. Clear and concise communicator with excellent copywriting skills. Prospective candidates will have the agility, flexibility, and lateral thinking necessary to be the lead for social media in a fast-moving team with a well-known brand. A customer and fan-centric way of thinking and communicating – strong community building skills. Strong planning and project management experience required. Skilled at using data to inform decision-making. Proven history of proactively seeking out new opportunities and ideas on social media. Available to work evening and weekend hours as required. A drive to stay up to date on latest social media and digital marketing trends and resources. Bachelor’s Degree required. The New York Philharmonic offers a competitive salary and comprehensive benefits package including medical, dental, life, long term disability insurance, generous vacation and sick days, 403(B) plan match, commuter benefits, and more. Please submit a resume and a cover letter along with your salary expectations to [email protected]. No phone calls, please. Although we appreciate your interest, we will only contact applicants we are considering for interview. .
Load more

Recommended publications
  • [email protected] CHRISTOPH ESCHENBACH to CO
    FOR IMMEDIATE RELEASE March 7, 2018 Contact: Katherine E. Johnson (212) 875-5700; [email protected] CHRISTOPH ESCHENBACH TO CONDUCT THE NEW YORK PHILHARMONIC MOZART’s Piano Concerto No. 22 with TILL FELLNER in His Philharmonic Debut BRUCKNER’s Symphony No. 9 April 19, 21, and 24, 2018 Christoph Eschenbach will conduct the New York Philharmonic in a program of works by Austrian composers: Mozart’s Piano Concerto No. 22, with Austrian pianist Till Fellner as soloist in his Philharmonic debut, and Bruckner’s Symphony No. 9 (Ed. Nowak), Thursday, April 19, 2018, at 7:30 p.m.; Saturday, April 21 at 8:00 p.m.; and Tuesday, April 24 at 7:30 p.m. German conductor Christoph Eschenbach began his career as a pianist, making his New York Philharmonic debut as piano soloist in Mozart’s Piano Concerto No. 24 in 1974. Both Christoph Eschenbach and Till Fellner won the Clara Haskil International Piano Competition, in 1965 and 1993, respectively. Mr. Fellner subsequently recorded Mozart’s Piano Concerto No. 22 on the Claves label in collaboration with the Clara Haskil Competition. The New York Times wrote of Mr. Eschenbach’s conducting Bruckner’s Symphony No. 9 with the New York Philharmonic in 2008: “Mr. Eschenbach, a compelling Bruckner interpreter, brought a sense of structure and proportion to the music without diminishing the qualities of humility and awe that make it so gripping. … the orchestra responded with playing of striking power and commitment.” Artists Christoph Eschenbach is in demand as a distinguished guest conductor with the finest orchestras and opera houses throughout the world, including those in Vienna, Berlin, Paris, London, New York, Boston, Chicago, Los Angeles, Milan, Rome, Munich, Dresden, Leipzig, Madrid, Tokyo, and Shanghai.
    [Show full text]
  • ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
    ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious.
    [Show full text]
  • By MARTIN BOOKSPAN
    December 31, 2007, 8:00pm on PBS New York Philharmonic New Year’s Eve Gala with Joshua Bell In September Live From Lincoln Center observed one of its longtime traditions: the Gala opening concert of the new season of the New York Philharmonic. On December 31 we'll re-invent another longtime Live From Lincoln Center tradition: the Gala New Year's Eve concert by the New York Philharmonic. Music Director Lorin Maazel will be on the podium for a program of music appropriate for the festive occasion, and the guest artist will be the acclaimed violinist, Joshua Bell. I first encountered Joshua Bell at the Spoleto Festival, U.S.A. in Charleston, South Carolina. He was then barely into his teens but he was already a formidable violinist, playing chamber music with some of the world's most honored musicians. Not long afterward he burst upon the international scene at what was described as "a sensational debut" with the Philadelphia Orchestra and its Music Director of the time, Riccardo Muti. Joshua Bell was brought up in Bloomington, Indiana, where his father was a Professor at Indiana University. I.U., as it is known in academia, is an extraordinary university, with a School of Music that is world-renowned. Among its outstanding faculty was the eminent violinist Josef Gingold, who became Josh's inspired (and inspiring) mentor and devoted friend. Indeed it was the presence of Gingold in Indiana that led to the establishment of the Indianapolis International Violin Competition. One way for a young musician to attract attention is to win one of the major international competitions.
    [Show full text]
  • Daniel Saidenberg Faculty Recital Series
    Daniel Saidenberg Faculty Recital Series Frank Morelli, Bassoon Behind every Juilliard artist is all of Juilliard —including you. With hundreds of dance, drama, and music performances, Juilliard is a wonderful place. When you join one of our membership programs, you become a part of this singular and celebrated community. by Claudio Papapietro Photo of cellist Khari Joyner Photo by Claudio Papapietro Become a member for as little as $250 Join with a gift starting at $1,250 and and receive exclusive benefits, including enjoy VIP privileges, including • Advance access to tickets through • All Association benefits Member Presales • Concierge ticket service by telephone • 50% discount on ticket purchases and email • Invitations to special • Invitations to behind-the-scenes events members-only gatherings • Access to master classes, performance previews, and rehearsal observations (212) 799-5000, ext. 303 [email protected] juilliard.edu The Juilliard School presents Faculty Recital: Frank Morelli, Bassoon Jesse Brault, Conductor Jonathan Feldman, Piano Jacob Wellman, Bassoon Wednesday, January 17, 2018, 7:30pm Paul Hall Part of the Daniel Saidenberg Faculty Recital Series GIOACHINO From The Barber of Seville (1816) ROSSINI (arr. François-René Gebauer/Frank Morelli) (1792–1868) All’idea di quell metallo Numero quindici a mano manca Largo al factotum Frank Morelli and Jacob Wellman, Bassoons JOHANNES Sonata for Cello, No. 1 in E Minor, Op. 38 (1862–65) BRAHMS Allegro non troppo (1833–97) Allegro quasi menuetto-Trio Allegro Frank Morelli, Bassoon Jonathan Feldman, Piano Intermission Program continues Major funding for establishing Paul Recital Hall and for continuing access to its series of public programs has been granted by The Bay Foundation and the Josephine Bay Paul and C.
    [Show full text]
  • ARSC Journal
    TOSCANINI LIVE BEETHOVEN: Missa Solemnis in D, Op. 123. Zinka Milanov, soprano; Bruna Castagna, mezzo-soprano; Jussi Bjoerling, tenor; Alexander Kipnis, bass; Westminster Choir; VERDI: Missa da Requiem. Zinka Milanov, soprano; Bruna Castagna, mezzo-soprano; Jussi Bjoerling, tenor; Nicola Moscona, bass; Westminster Choir, NBC Symphony Orchestra, Arturo Toscanini, cond. Melodram MEL 006 (3). (Three Discs). (Mono). BEETHOVEN: Symphony No. 9 in D Minor, Op. 125. Vina Bovy, soprano; Kerstin Thorborg, contralto; Jan Peerce, tenor; Ezio Pinza, bass; Schola Cantorum; Arturo Toscanini Recordings Association ATRA 3007. (Mono). (Distributed by Discocorp). BRAHMS: Symphonies: No. 1 in C Minor, Op. 68; No. 2 in D, Op. 73; No. 3 in F, Op. 90; No. 4 in E Minor, Op. 98; Tragic Overture, Op. 81; Variations on a Theme by Haydn, Op. 56A. Philharmonia Orchestra. Cetra Documents. Documents DOC 52. (Four Discs). (Mono). BRAHMS: Symphony No. 1 in C Minor, Op. 68; Concerto for Piano and Orchestra, No. 2 in B Flat, Op. 83. Serenade No. 1 in D, Op. 11: First movement only; Vladimir Horowitz, piano (in the Concerto); Melodram MEL 229 (Two Discs). BRAHMS: Symphony No. 1 in C Minor, Op. 68. MOZART: Symphony No. 40 in G Minor, K. 550. TCHAIKOVSKY: Romeo and Juliet (Overture-Fantasy). WAGNER: Lohengrin Prelude to Act I. WEBER: Euryanthe Overture. Giuseppe Di Stefano Presenta GDS 5001 (Two Discs). (Mono). MOZART: Symphony No. 35 in D, K. 385 ("Haffner") Rehearsal. Relief 831 (Mono). TOSCANINI IN CONCERT: Dell 'Arte DA 9016 (Mono). Bizet: Carmen Suite. Catalani: La Wally: Prelude; Lorelei: Dance of the Water ~· H~rold: Zampa Overture.
    [Show full text]
  • New York Philharmonic Announces 2021–22 Season Creating a Pathway to the Reopening of David Geffen Hall
    NEW YORK PHILHARMONIC ANNOUNCES 2021–22 SEASON CREATING A PATHWAY TO THE REOPENING OF DAVID GEFFEN HALL THE ORCHESTRA TO PRESENT FULL SUBSCRIPTION SEASON AT TWO DIFFERENT LINCOLN CENTER VENUES: ALICE TULLY HALL AND ROSE THEATER AT JAZZ AT LINCOLN CENTER ___________________ CARNEGIE HALL TO PRESENT NEW YORK PHILHARMONIC IN FOUR CONCERTS ___________________ JAAP VAN ZWEDEN TO CONDUCT World, US, and New York Premieres plus Repertoire Ranging from Schubert, Mahler, and Shostakovich to Eastman, Chen Yi, and Walker ___________________ ARTIST-IN-RESIDENCE ANTHONY ROTH COSTANZO Authentic Selves: The Beauty Within Two Weeks Exploring the Complexity of Identity Featuring World Premieres and Community Partnerships Developed during NY Phil Bandwagon ___________________ GUSTAVO DUDAMEL CONDUCTS THE SCHUMANN CONNECTION Schumann Symphonic Cycle with World Premieres of Commissions Reflecting on the Robert-Clara Relationship ___________________ Ten World, US, and New York Premieres Sound ON and Kravis Nightcap Series Return ___________________ The New York Philharmonic announces its 2021–22 season, marking the Orchestra’s long-awaited return to subscription performances following an 18-month period of cancellations due to the pandemic. For the first time in modern history the Philharmonic will be performing outside its home for an entire season. While David Geffen Hall is currently undergoing major renovations and is scheduled to reopen in Fall 2022, the Orchestra and Music Director Jaap van Zweden will perform this season at two Lincoln Center venues: Alice Tully Hall and the Rose Theater at Jazz at Lincoln Center’s Frederick P. Rose Hall. In addition to these performances, the Philharmonic will be presented by Carnegie Hall in four orchestral concerts.
    [Show full text]
  • Sunday Playlist
    January 5, 2020: (Full-page version) Close Window “There was no one near to confuse me, so I was forced to become original.” — Joseph Haydn Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Beethoven Piano Sonata No. 25 in G, Op. 79 "Sonatina" Maurizio Pollini DG 427 642 028942764224 Awake! Czech State Philharmonic, 00:11 Buy Now! Chadwick 2nd mvt (Romanza) ~ Suite Symphonique in E flat Reference Recordings 2104 030911210427 Brno/Serebrier 00:22 Buy Now! Dvorak Slavonic Dances, Op. 72 Cleveland Orchestra/Dohnanyi London 430 171 028943017121 01:01 Buy Now! Ravel La Valse Boston Symphony/Haitink Philips 454 452 028945445229 01:13 Buy Now! Haydn String Quartet in D, Op. 33 No. 6 Mosaic Quartet Auvidis 8570 9298490085707 Zukerman/Saint Paul Chamber 01:33 Buy Now! Mozart Violin Concerto No. 3 in G, K. 216 CBS SONY 37290 07464372902 Orchestra 02:01 Buy Now! Debussy Prelude to the Afternoon of a Faun New York Philharmonic/Bernstein Sony Classical 60972 074646097229 02:12 Buy Now! Beethoven Overture ~ Egmont, Op. 84 Boston Symphony/Ozawa Telarc 80060 N/A Philips Silver Line 02:22 Buy Now! Mendelssohn Symphony No. 3 in A minor, Op. 56 "Scottish" London Philharmonic/Haitink 420 884 028942088429 Classics 03:01 Buy Now! Schubert Piano Trio No. 2 in E flat, D. 929 Stern/Rose/Istomin Sony 64516 074646451625 03:48 Buy Now! Bach Gigue ~ Partita No. 3 in E for solo violin, BWV 1006 Sergei Rachmaninoff RCA 48971 886974897125 03:50 Buy Now! Brahms Academic Festival Overture, Op.80 New York Philharmonic/Bernstein Sony Classical 61846 074646184622 Johannesen/Radio Luxembourg 04:01 Buy Now! Fauré Ballade for Piano and Orchestra, Op.
    [Show full text]
  • Mahler Symphony No. 9 | Program Notes
    27 Season 2018-2019 Thursday, May 9, at 7:30 Friday, May 10, at 2:00 The Philadelphia Orchestra Sunday, May 12, at 2:00 Yannick Nézet-Séguin Conductor Mahler Symphony No. 9 in D major I. Andante comodo II. Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb III. Rondo—Burleske: Allegro assai. Sehr trotzig IV. Adagio: Sehr langsam und noch zurückhaltend This program runs approximately 1 hour, 40 minutes, and will be performed without an intermission. The May 9 concert celebrates our 12-year partnership with the Bravo! Vail Music Festival. The May 9 concert is sponsored by Lisa and Peter DiLullo. The May 10 concert is sponsored by Peter A. Benoliel and Willo Carey. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM, and are repeated on Monday evenings at 7 PM on WRTI HD 2. Visit www.wrti.org to listen live or for more details. 28 Please join us following the May 10 concert for a free Chamber Postlude featuring members of The Philadelphia Orchestra. Mahler/arr. Wen Adagietto, from Symphony No. 5 in C-sharp minor Che-Hung Chen Viola Marvin Moon Viola Burchard Tang Viola Meng Wang Viola Haydn Divertimento in D major, for three cellos Derek Barnes Cello John Koen Cello Alex Veltman Cello The Postlude runs approximately 25 minutes. 29 30 31 The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Philadelphia is home and orchestra, and maximizes is one of the preeminent the Orchestra continues impact through Research. orchestras in the world, to discover new and The Orchestra’s
    [Show full text]
  • Kyung Wha Chung Opens the 2016 Verbier Festival Following Warner Classics Signing
    Kyung Wha Chung opens the 2016 Verbier Festival following Warner Classics signing 22 July 2016 | 19:00pm Verbier Festival Orchestra Charles Dutoit conductor Kyung Wha Chung violin Brahms Concerto for Violin and Orchestra in D Major, Op. 77 Berlioz Symphonie Fantastique Op. 14 24 July 2016 | 11:00am Kyung Wha Chung violin Kevin Kenner piano Fauré Sonata for violin and piano No. 1 in A Major, Op. 13 Prokofiev Sonata for Violin and Piano No. 1 in F Minor, Op. 80 Franck Sonata for violin and piano in A Major NEW CD: J.S. Bach Solo Sonatas & Partitas CD October 2016 “A sound of utter resplendency, a brilliantly shining tone right across the instrument…simply, relentlessly magnificent.” The Sunday Times (Paul Driver) December 2014 Kyung Wha Chung, who has made a sensational return to the concert stage, opens the Verbier Festival on 22 July alongside the Festival’s orchestra and conductor Charles Dutoit, with whom she has performed for four decades. Kyung Wha Chung appears twice in the festival, with Brahms’ Violin Concerto for the opening concert, followed by a morning recital on 24 July with sonata partner Kevin Kenner in a programme of Fauré, Prokofiev and Franck. In April, Kyung Wha Chung signed an exclusive contract with Warner Classics to bring out three discs following a 15-year hiatus from the recording studio. To be released in October 2016, the first CD will be J. S. Bach’s Complete Solo Works for Violin. Having made the recording in St George’s Brandon Hill Bristol this spring, Kyung Wha has finally fulfilled a lifelong ambition.
    [Show full text]
  • NEW YORK PHILHARMONIC the New York Philharmonic Plays a Leading Cultural Role in New York City, the United States, and the World
    NEW YORK PHILHARMONIC The New York Philharmonic plays a leading cultural role in New York City, the United States, and the world, and has built a tradition of innovation that has allowed it to adapt and thrive over more than 178 years. Each season the Orchestra connects with up to 50 million music lovers through live concerts in New York and around the world, broadcasts, recordings, and education programs. The 2019–20 began with Music Director Jaap van Zweden and the Philharmonic reaffirming their vital commitments to serving as New York’s orchestra and to championing new music through the kick-off of Project 19, which is marking the centennial of the 19th Amendment with commissions by 19 women composers. In collaboration with Lincoln Center, Inc., the Orchestra announced plans for the renovation of David Geffen Hall as one of the world’s most vibrant concert halls and a hub for dynamic community engagement. When safety concerns due to the COVID-19 pandemic compelled the cancellation of live concerts, the New York Philharmonic responded with a determination to connect with audiences. The Orchestra created a portal to share performance video and audio and presented NY Phil Bandwagon, free, outdoor, “pull-up” concerts featuring a customized pick-up truck and ensembles of Philharmonic musicians that brought live music back to New York City, an initiative that has been emulated across America. The Orchestra has established a new leadership structure and embarked on a path to a revitalized future with the launch of NYPhil+, a state-of-the-art streaming platform, and the re-opening of a renovated, vibrant home in David Geffen Hall.
    [Show full text]
  • Factbook201112.Pdf
    New York Philharmonic Contents 2 2011–12 Season: The Big Picture Stats Alan Gilbert Conducts Artistic Partners Onstage Guests Principals, Center Stage 24 Learning Around the Globe For Kids and Teens Stand-Outs Lectures and Discussions Media Leonard Bernstein Scholar-in-Residence Online 20 The Players For Schools 22 Leadership 26 Premieres and Commissions Music Director 2011–12 Season Chairman Notable 21st Century President and Executive Director Notable 20th Century Notable 19th Century 28 The Legacy The Story Memorable Moments Former Music Directors and Advisors 32 Behind the Scenes Archives Volunteer Council nyphil.org The Philharmonic-Symphony Ticket Information Society of New York, Inc. Online: nyphil.org By phone: (212) 875 - 5656 Alan Gilbert, Music Director, In person: Avery Fisher Hall Box Office The partnership between the New York Philharmonic and The Yoko Nagae Ceschina Chair For group sales: (212) 875 - 5672 Credit Suisse — the Orchestra’s exclusive Global Sponsor Gary W. Parr, Chairman Accessibility Information: since 2007 — has led to inspiring performances both at Zarin Mehta, President (212) 875 - 5380 home and abroad through acclaimed tours across the and Executive Director United States, Europe, and Asia. In the 2011–12 season, Avery Fisher Hall Box Office Hours Credit Suisse’s dynamic support of the Orchestra’s Avery Fisher Hall Opens 10:00 a.m., Monday through programs helps to forge the Philharmonic’s central role in 10 Lincoln Center Plaza Saturday, noon on Sunday. the cultural life of New York, and to share Music Director New York, NY 10023 -6970 On performance evenings Alan Gilbert’s vision with the world.
    [Show full text]
  • Firebird, Aladdin and Rachmanioff
    CLASSICAL SERIES 2018/19 SEASON ENCHANTING and EXOTIC: FIREBIRD, ALADDIN and RACHMANINOFF Friday and Saturday, January 25-26, 2019 at 8 p.m. Sunday, January 27, 2019 at 2 p.m. MICHAEL STERN, conductor ALON GOLDSTEIN, piano NIELSEN Seven Pieces from Aladdin, op. 34 I. Oriental Festive March II. Aladdin’s Dream and Dance of the Morning Mist III. Hindu Dance IV. Chinese Dance V. Marketplace in Ispahan VI. Prisoners’ Dance Official Hotel Sponsor VII. Negro Dance Helzberg Hall, Kauffman Center for the Performing Arts RACHMANINOFF Concerto No. 1 in F-sharp Minor for Piano and Orchestra, op. 1 (1919 rev.) (816) 471-0400 | kcsymphony.org I. Vivace II. Andante III. Allegro vivace ALON GOLDSTEIN, piano CLASSICS UNCORKED INTERMISSION SECRETS GRIFFES The White Peacock STRAVINSKY Suite from The Firebird (1919 rev.) REVEALED I. Introduction and Dance of the Firebird Thursday, June 13 at 7 p.m. II. Dance of the Princesses III. Infernal Dance of King Kastchei IV. Berceuse When the backstory is as intriguing V. Finale as the music, we have to pull back The 2018/19 season is generously sponsored by The Classical Series is sponsored by the curtain! Hear more behind SHIRLEY and BARNETT C. HELZBERG, JR. Elgar's Enigma Variations and Concert weekend sponsored by Auxiliary weekend sponsor ANN and KENNETH BAUM Anna Clyne’s Masquerade. KANSAS CITY SYMPHONY ALLIANCE Friday’s concert sponsored by Guest artist Alon Goldstein sponsored by Most tickets $25. RANDY and MARY ANN ST. CLAIR CHRISTOPHER and MARSHA HAUFLER JAMIE and BUSH HELZBERG Friday’s concert supported by Helzberg Hall, Kauffman Center for the Performing Arts Helzberg Hall, Kauffman Center for the Performing Arts Podcast available at kcsymphony.org KANSAS CITY SYMPHONY 45 (816) 471-0400 | kcsymphony.org Kansas City Symphony PROGRAM NOTES By Ken Meltzer CARL NIELSEN (1865-1931) Seven Pieces from Aladdin, op.
    [Show full text]