ACF Regionals 2020 Packet O by the Editors Edited by Jinah Kim, Jordan
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Madhur Jaffrey Indian Cooking PDF Book
MADHUR JAFFREY INDIAN COOKING PDF, EPUB, EBOOK Madhur Jaffrey | 240 pages | 01 Sep 2003 | Barron's Educational Series | 9780764156496 | English | Hauppauge, NY, United States Madhur Jaffrey Indian Cooking PDF Book She learned from reading your books. BBC News. There were these inbuilt pigeonholes, prejudices, whatever you want to call them. Whole- wheat samosas. An Invitation to Indian Cooking. Friend Reviews. Brush with a little oil, and cover with a damp cloth. I can see that to some extent the reason for the depth of explanation in this book is that Indian cooking is by far and away the most profound, complex food in the world. Baked chicken curry by Madhur Jaffrey. Then add the coriander, cumin, paprika-cayenne and salt. Add salt and mix. This book changed my life. You have both kind of cumin for different tastes going into the same soup. Madhur did her best but guessed that she failed the subject of domestic science altogether. Who knows, it may have reincarnated yet again, as another 12 years have passed. And these guys, they were young, and sort of lounging around in the chairs waiting for me. But she left me the choice. I have a simple version of them. When the oil is hot, drop a samosa in to check the temperature. Can't wait to start making scratch Indian dishes. This book helped me to move beyond curry. Be careful not to burn it. I found it in this book, and have been enjoying it ever since. And pressure cooking goes back so many years in Indian cooking. -
E ARIA There's No Question That a Mainly Plant-Based Diet Is Better for Us and for the Planet
HOW TO BEA E ARIA There's no question that a mainly plant-based diet is better for us and for the planet. But it presents so many herbivore's dilemmas: Am I getting enough protein? Plenty of nutrients? And what do I make for dinner? Here are the strategies, recipes, and cookbooks that will help you eat right. TEXT BY JENNY ROSENSTRACH RECIPES BY SARAH CAREY PHOTOGRAPHS BY RAYMOND HOM WHOLELIVING.COM / 103 About 15 years ago, I was chatting with two women at a cock all party when one of them noted she was a vegetarian. Other than feeling a flash of pity-poor thing can't eat a steak- I didn't think much about it until she wandered the health benefits, too, of course. People who con away to get a Pinot refill. At that point, the other sume a plant-based diet weigh less, have lower woman whispered, "Well, that's a pretty good sign incidence of heart disease, diabetes, and many can that she's not a lot of fun!" We snickered and shoved cers, and on average live longer than meat eaters. THE PRICE a few more pigs in blankets down the hatch. So why aren't we all vegetarians? Why can't [ OF MEAT I've thought about this conversation a lot in the enlightened Me, post-Pollan, post-Schlosser, post-I COW xpel past few years. When I replay it and think of my know-the-provenance-of-the-food-on-my-plate methane. a glib response, it feels like watching a pregnant Betty Me-become a vegetarian? greenhouse Draper in Mad Men throwing back a martini: How Anthony Bourdain, meat's most vocal cheerleader, gas that.s could she not know? How could I have dismissed this will tell you the answer is "bacon;' as he did on woman when it was likely that some major soul Larry King Live last fall. -
Distinctive Expectations, Desirable Palette and Exclusive Taste Sensations…
A wondrous experience – distinctive expectations, desirable palette and exclusive taste sensations… Here at Anokaa, we continuously strive to improve and re-invent what has gone before. Our food unlocks an experience to be remembered and savoured. Your taste buds will rejoice in the spectrum of our flavours: delicious scents of dusted clove, the aroma of bay leaves, the intoxicating flavours of saffron and cardamom and the light, crisp flavours of locally produced herbs. This uniquely subtle and complex concoction will give you a sensation synonymous with the elegance of luxury that your taste buds deserve. It’s a perfect balance for British men and their need for spicy food!! Everything we create and present to you is driven by our unadulterated passion and the pride we take in matching your high expectations! So relax and enjoy Solman Farsi starters pan seared lamb chops with cracked pepper and rocket salad, lime and ginger dressing 8.70 juicy punjabi lamb kebab with pink shallots, fresh mint, green chilli and parsley, 6.90 cucumber raita and herb salad green spice and harissa coated organic chicken inner fillets 6.55 charcoal cooked, served with tomato chutney shami kebab of slow cooked lamb shoulder seasoned with mace and curry leaf, 7.10 topped with smoked onion raita tandoor king prawn with spiced scallops and raspberry caviar 8.25 with a carom scented marinade – a mongolian delicacy lubia, halloumi and dried mango kofta with seasonal asparagus, carom seeds 5.75 and green chutney (v) kentish oyster fritters with lime, cumin and chilli -
Coming to Terms with the Past and Searching for an Identity: the Treatment of the Occupied Netherlands 179 Brother Alqng with Qther Hqstages
178 JOHN MICHIELSEN, BROCK UNIVERSITY i • I ; Coming to Terms With the Past and Searching for an Identity: II The Treatment of The Occupied Netherlands in the Fi<;tion of Hermans, Mulisch and Vestdijk / The popularity of Harry Mulisch's De had been somewhere else at a certain time aanslag, which was published in September things would have worked out differently. 1982, shows the constant interest that the This is especially the case in De aanslag and Dutch have had in literature dealing with the De donkere kamer. Pastorale 1943 concerns occupation of the Netherlands during World itself less with this question, perhaps because War Two. Simon Vestdijk's Pastorale 1943, it was written during and immediately after published in 1946, and Willem Frederik the occupation and its author's stay in prison. Hermans' De donkere kamer van Damokles of Vestdijk wished to render a vivid and realistic 1958 also deal with the same period. The three description of the lives of those who novels are interesting as a picture of the time; collaborated with the Germans, those who they concern themselves in part with the role worked for the underground, and those who of the resistance during the occupation and were hiding from the Germans. Even here, also the relationship between the occupied however, chance plays a role in what happens Dutch and the enemy. Naturally, the question to the characters. of guilt, both of the Germans and their collaborators the Dutch Nazis, arises in this As far as the structure of the novels is context. The three novels also present the concerned, De aanslag and De donkere kamer thesis that groups working against the enemy are the more complex novels of the three and were composed of bungling dilettantes, they are also the richest in symbols. -
From Holland and Flanders
Postwar Classics from Holland and Flanders Simon Vestdijk 15Hella S. Haasse Herman Teirlinck Louis Paul Boon Marga Minco Willem Frederik Hermans Harry Mulisch Hugo Claus Gerard Reve Ivo Michiels Jef Geeraerts Jan Wolkers Frank Martinus Oek de Jong Frans Kellendonk Foundation for the Production and Translation of Dutch Literature 2 Tragedy of errors Simon Vestdijk Ivory Watchmen n Ivory Watchmen Simon Vestdijk chronicles the down- I2fall of a gifted secondary school student called Philip Corvage. The boy6–6who lives with an uncle who bullies and humiliates him6–6is popular among his teachers and fellow photo Collection Letterkundig Museum students, writes poems which show true promise, and delights in delivering fantastic monologues sprinkled with Simon Vestdijk (1898-1971) is regarded as one of the greatest Latin quotations. Dutch writers of the twentieth century. He attended But this ill-starred prodigy has a defect: the inside of his medical school but in 1932 he gave up medicine in favour of mouth is a disaster area, consisting of stumps of teeth and literature, going on to produce no fewer than 52 novels, as the jagged remains of molars, separated by gaps. In the end, well as poetry, essays on music and literature, and several this leads to the boy’s downfall, which is recounted almost works on philosophy. He is remembered mainly for his casually. It starts with a new teacher’s reference to a ‘mouth psychological, autobiographical and historical novels, a full of tombstones’ and ends with his drowning when the number of which6–6Terug tot Ina Damman (‘Back to Ina jealous husband of his uncle’s housekeeper pushes him into Damman’, 1934), De koperen tuin (The Garden where the a canal. -
A Prisoner's Conviction: Time, Space, and Morality in W.F. Hermans's The
A Prisoner’s Conviction: Time, Space, and Morality in W.F. Hermans’s The Darkroom of Damocles and Harry Mulisch’s The Assault Marc VAN ZOGGEL Huygens Instituut voor Nederlandse Geschiedenis Introduction: Time, Space, and the Prison Narrative In his landmark essay “Forms of Time and of the Chronotope in the Novel” (1938-1939), Russian literary critic Mikhail Bakhtin coined the concept of the ‘chronotope’ (literally, ‘time space’) in order to capture “the intrinsic connectedness of temporal and spatial relationships that are artistically expressed in literature” (Bakhtin 84). The chronotope, in other words, serves to describe the transformation of the physical notions of time and space into the artistic, i.e. literary categories of form and substance: In the literary artistic chronotope, spatial and temporal indicators are fused into one carefully thought-out, concrete whole. Time, as it were, thickens, takes on flesh, becomes artistically visible; likewise, space becomes charged and responsive to the movements of time, plot and history. This intersection of axes and fusion of indicators characterizes the artistic chronotope. (ibid.) Bakhtin envisages the chronotope as a central concept in what he calls the discipline of ‘historical poetics’. For example, in his discussion of ancient Greek romances – semi- historical adventure stories – Bakhtin shows how prison scenes are instrumental in the deceleration and freezing of plot movement: “Captivity and prison presume guarding and isolating the hero in a definite spot in space, impeding his subsequent spatial movement toward his goal, that is, his subsequent pursuits and searches and so forth” (Bakhtin 99; italics in original). The prison thus plays a vital role in the semi-fictional biographies presented in these stories. -
Willem Frederik Hermans Het Behouden Huis (1951)
Willem Frederik Hermans (1921-1995) Het behouden huis (1951) Vragen en opdrachten Inhoud Willem Frederik Hermans (1921-1995) 3 Het behouden huis (1951) 5 De Grote Drie (Hermans, Reve en Mulisch) 7 Vragen en opdrachten 10 Verder lezen 13 Bronnen 14 2 Willem Frederik Hermans (1921-1995) Willem Frederik Hermans werd in 1921 geboren in Amsterdam in een onderwijzersgezin. Aan het begin van de oorlog pleegde zijn zus zelfmoord; dat was een grote schok voor Hermans. Na het afronden van het gymnasium ging hij fysische geografie studeren. Hij promoveerde cum laude in 1955 en werkte tot 1973 aan de universiteit van Groningen. Daarna ging hij in Parijs en later nog in Brussel wonen. Hermans schreef romans, verhalen, gedichten, toneelstukken en essays. Zijn bekendste boeken zijn De donkere kamer van Damokles (1958) en Nooit meer slapen (1966). In 1947 verscheen zijn debuutroman De tranen der acacia’s en vele lezers vonden het een schokkend boek. In de personages van dit boek zag men een door de oorlog getekende generatie zonder hoop, geloof en idealen. De hoofdpersonen bedriegen elkaar, zijn wanhopig en hebben geen grenzen in hun seksuele omgang. Bovendien liet Hermans in het boek zien dat het Nederlands verzet tegen de Duitsers niet altijd even heldhaftig was. De personages in de wereld van Hermans proberen greep te krijgen op de wereld, maar dat is altijd tevergeefs. Uiteindelijk zijn ze gedesillusioneerd, ontgoocheld. Hermans noemt zichzelf ook ‘misantroop’ (iemand die mensen haat) en hij komt ook in interviews erg cynisch over. Hermans stond wel bekend als de meest gevreesde schrijver van Nederland, als de kwelgeest van de literatuur. -
Rory's List (In Alphabetical Order)
Rory's List (in alphabetical order) 1984 by George Orwell The Adventures of Huckleberry Finn by Mark Twain Alice in Wonderland by Lewis Carroll (TBR) The Amazing Adventures of Kavalier & Clay by Michael Chabon An American Tragedy by Theodore Dreiser Angela's Ashes by Frank McCourt Anna Karenina by Leo Tolstoy Anne Frank: The Diary of a Young Girl by Anne Frank Archidamian War by Donald Kagan The Art of Fiction by Henry James The Art of War by Sun Tzu As I Lay Dying by William Faulkner Atonement by Ian McEwan Autobiography of a Face by Lucy Grealy The Awakening by Kate Chopin Babe by Dick King-Smith Backlash: The Undeclared War Against American Women by Susan Faludi Balzac and the Little Chinese Seamstress by Dai Sijie Bel Canto by Ann Patchett The Bell Jar by Sylvia Plath (TBR) Beloved by Toni Morrison Beowulf: A New Verse Translation by Seamus Heaney The Bhagava Gita The Bielski Brothers: The True Story of Three Men Who Defied the Nazis, Built a Village in the Forest, and Saved 1,200 Jews by Peter Duffy Bitch in Praise of Difficult Women by Elizabeth Wurtzel A Bolt from the Blue and Other Essays by Mary McCarthy Brave New World by Aldous Huxley Brick Lane by Monica Ali Bridgadoon by Alan Jay Lerner Candide by Voltaire The Canterbury Tales by Chaucer Carrie by Stephen King Catch-22 by Joseph Heller The Catcher in the Rye by J. D. Salinger Charlotte's Web by E. B. White The Children's Hour by Lillian Hellman Christine by Stephen King A Christmas Carol by Charles Dickens A Clockwork Orange by Anthony Burgess The Code of the Woosters by P.G. -
181284Pub.Pdf
PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/181284 Please be advised that this information was generated on 2021-09-29 and may be subject to change. Review Edwin Praat, Verrek, het is geen kunstenaar. Gerard Reve en het schrijverschap (Amsterdam: AUP, 2014) Sander Bax, De Mulisch Mythe. Harry Mulisch: schrijver, intellectueel, icoon (Amsterdam: Meulenhoff, 2015) Daan Rutten, De ernst van het spel. Willem Frederik Hermans en de ethiek van de persoonlijke mythologie (Hilversum: Verloren, 2016) Roel Smeets, Radboud University Nijmegen Every national literary field has its darlings and this is true for Dutch literature as well. After the Second World War, an obsession emerged with three writers that have been referred to as the ‘Great Three’: Harry Mulisch (1927-2010), Gerard Reve (1923-2006) and Willem Frederik Hermans (1921-1995). For decades, Simon Vestdijk (1898-1971) was considered to be the nestor of Dutch literature, yet with his death emerged the need for new grand names.1 Mulisch, Reve and Hermans were coined as the Great Three in the 1970s, and their reputation has been reiterated time and again and consolidated by critics as well as in literary histories and schoolbooks. A widespread attention for these three post-World War II writers was set, both in- and outside the walls of academia, and the recent publication of three major studies attest to the continued interest for their work. Sander Bax’s De Mulisch Mythe. -
Collected Recipes from the Beyond
Collected Recipes From The Beyond SANJIV SINGH Version 4.3: A collection of original, adapted and plagiarized recipes. Dedication For my mother, the first cook I knew. Foreword The problem with the cooks I grew up with, like my mother for instance, is that they never wrote any of their craft down. So here I am looking for ways to cook the wonder- ful food I have been putting away for years and all these people can tell me is well, you add a “little” of this and wait till “that” happens and then serve. This collection then started through my efforts to write down some means of replicating what I would undoubtedly forget otherwise. From a small collection of Indian recipes, this has grown into a larger collection with a much more varied background. The recipes come from other cooks (many from a dinner cooperative at Carnegie Mel- lon that I am a member of), magazines, and from the Usenet. I have tampered with most to suit my own taste but a few are included exactly as I received them. Since I have really copied these recipes in one form or another, I have no sense of ownership of the recipes in this collection. Feel free to do with them as you like. This collection is the antithesis of the typical computer collection. There is no data- base program to do fancy things with. It is not even modular, doesn’t follow any stan- dard format to allow easy inclusion of other recipes. However, it is just what you want if you are not a nerd about your cooking. -
The Aggressive Logic of Singularity: Willem Frederik Hermans1 Frans Ruiter, University of Utrecht, and Wilbert Smulders, University of Utrecht
The Aggressive Logic of Singularity: Willem Frederik Hermans1 Frans Ruiter, University of Utrecht, and Wilbert Smulders, University of Utrecht Abstract: Willem Frederik Hermans is considered to be one of the major Dutch authors of the twentieth century. In his novels ideals of every kind are unmasked, and his Weltanschauung leaves little room for pursuing a ‘good life’. Nevertheless, there seems to be one option left to him, namely literature. In his poetic essays he explains that literature has nothing to do with escapism, but offers a vital way of facing the bleak facts of life. Literary critics and scholars have commented extensively on his poetic ideas, but have never truly addressed the riddle Hermans’ œuvre confronts us with: what might be the value of writing in a world without values? In this article we will focus on this paradoxical problem, which could perhaps be characterized as one of ‘aesthetics of nihilism’. We argue that Hermans’ so-called autonomous and a-political literary position can certainly be interpreted as a form of commitment that goes far beyond literature. We will first give an overview of Hermans’ work. Subsequently we will reflect on the social and cultural status of literary autonomy. Our main aim is to analyze a critical text by Hermans which seems clear at first sight but actually is rather enigmatic: the compact, well- known essay Antipathieke romanpersonages (‘Unsympathetic Fictional Characters’).2 Keywords: Literary Autonomy, Alterity, Willem Frederik Hermans Singularity: to Spring a Leak in the Fullness… In his autobiographical story Het grote medelijden (The Great Compassion) Hermans’ alter ego Richard Simmilion says about the people who surround him, i.e. -
Harry Mulisch: the Assault
Canadian Journal ofNetherlandic Studies 11 Harry Mulisch: The Assault. Penguin Books, 1985. iemand die iets tegen wil houden" as "like somebody 204p. who tries to hold up something" instead of "like somebody who tries to stop something" is only one Mary Eggennont-Molenaar example ofthe problems which plague this translation. and Hennan Ganzevoort Perhaps Penguin Books would have been better ad Calgary vised to find a North American translator who was more familiar with American English expression and Harry Mulisch's books are on the "HAVB TO READ" usage. The use of British English has, in this instance, / list of all Dutch twelfth graders. Despite the fact, or not helped to sunnount /the already difficult task of because one of his early books, The Stone Bridal Bed, translating Dutch into/ English and will most likely was highly recommended by our teachers, we detested limit its literary impact to Great Britain. In any case, it. My friends and I could only stand to read a page or the book's popularity in the Netherlands led to a film two then, but now, having read The Assault, I think The adaptation which brought director Fons Rademaker an Stone Bridal Bed deserves another try. Critics point Oscar in 1987 for the "Best Foreign Film" of the year. out that the two books deal with the same themes of Harry Mulisch was born in the Netherlands in 1927 guilt and innocence, and Mulisch' s handling of these of mixed parentage. His mother was Dutch and Jewish subjects in The Assault encourages me to go back and and his father gentile and Austro-Hungarian.