Loyola of Los Angeles Entertainment Law Review Volume 22 Number 1 Article 3 6-1-2001 Can't Get No Satisfaction: How Abkco v. Lavere Bowed to Pressure from the Music Industry Benjamin Gemperle Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Benjamin Gemperle, Can't Get No Satisfaction: How Abkco v. Lavere Bowed to Pressure from the Music Industry, 22 Loy. L.A. Ent. L. Rev. 85 (2001). Available at: https://digitalcommons.lmu.edu/elr/vol22/iss1/3 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact
[email protected]. NOTES & COMMENTS CAN'T GET NO SATISFACTION: HOW ABKCO V. LA VERE BOWED TO PRESSURE FROM THE MUSIC INDUSTRY I. INTRODUCTION In copyright law, the moment of publication is crucial. Publication occurs when an artist's work is distributed to the public.' It determines the level of protection bestowed upon an artistic creation, which in turn determines the value of the copyright itself.2 A controversial Supreme Court decision relating to publication, on the issue of whether piano rolls were a copy of the underlying work or merely a reproduced performance,3 4 helped prompt Congress to significantly revise the Copyright Act in 1909. Congress's reaction illustrates the importance of the publication issue in copyright law.