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The Roberts Robert Macbryde (1913-1966) and Robert Colquhoun (1914-1962) 3 – 31 March 2010
The Roberts The Roberts Robert MacBryde (1913-1966) and Robert Colquhoun (1914-1962) 3 – 31 March 2010 Introduction 3 Time for Reappraisal by Davy Brown 7 Two Bright Guests by Robin Muir 10 Biographies 41 Acknowledgements 44 Front Cover: Photographs of Robert MacBryde and Robert Colquhoun by John Deakin (1951) courtesy Vogue/© The Condé Nast Publications Ltd. Above: Photograph of Robert MacBryde and Robert Colquhoun by Felix Man (1949) Hulton Archive/Getty Images. Bedford Gardens studio. Left: Robert MacBryde and Robert Colquhoun in Regent Street, London. Early 1950s: Baron Collection: Hulton Archive 2 Introduction Whilst doing some research for another of Art in the 1930s. They moved to London in exhibition, I found an L S Lowry catalogue from 1941 and quickly became associated with the 1944, called ‘The Industrial North and its People’, Neo-Romantic group of painters which included held at The Scottish Gallery. It was a chance find Keith Vaughan and John Minton. At a time when with unforeseen consequences. How exactly homosexuality was not only illegal but actively did the gallery survive during wartime and in persecuted, they made little attempt to disguise particular, what artists did we show and what their relationship and they had a constant stream social and artistic changes could clearly be of admirers, both male and female. The circle established? I pulled the entire library apart to of friends that grew around them included the find more clues. The result is that I now have too painters Francis Bacon, Lucian Freud, Michael many stories to tell, but on this day I found all the Ayrton, John Minton and the poets George Barker catalogues that belonged to ‘The Starks’. -
The Art Collection of Peter Watson (1908–1956)
099-105dnh 10 Clark Watson collection_baj gs 28/09/2015 15:10 Page 101 The BRITISH ART Journal Volume XVI, No. 2 The art collection of Peter Watson (1908–1956) Adrian Clark 9 The co-author of a ously been assembled. Generally speaking, he only collected new the work of non-British artists until the War, when circum- biography of Peter stances forced him to live in London for a prolonged period and Watson identifies the he became familiar with the contemporary British art world. works of art in his collection: Adrian The Russian émigré artist Pavel Tchelitchev was one of the Clark and Jeremy first artists whose works Watson began to collect, buying a Dronfield, Peter picture by him at an exhibition in London as early as July Watson, Queer Saint. 193210 (when Watson was twenty-three).11 Then in February The cultured life of and March 1933 Watson bought pictures by him from Tooth’s Peter Watson who 12 shook 20th-century in London. Having lived in Paris for considerable periods in art and shocked high the second half of the 1930s and got to know the contempo- society, John Blake rary French art scene, Watson left Paris for London at the start Publishing Ltd, of the War and subsequently dispatched to America for safe- pp415, £25 13 ISBN 978-1784186005 keeping Picasso’s La Femme Lisant of 1934. The picture came under the control of his boyfriend Denham Fouts.14 eter Watson According to Isherwood’s thinly veiled fictional account,15 (1908–1956) Fouts sold the picture to someone he met at a party for was of consid- P $9,500.16 Watson took with him few, if any, pictures from Paris erable cultural to London and he left a Romanian friend, Sherban Sidery, to significance in the look after his empty flat at 44 rue du Bac in the VIIe mid-20th-century art arrondissement. -
The Belfast Gazette Published Dp Fluthoritp
numb. 126 497 The Belfast Gazette Published Dp fluthoritp. The Gazette is registered at the General' Post Office for transmission by Inland Post as a newspaper. The postage rate to places within the United Kingdom, for each copy, is one penny for the first 6 ozs., and an additional halfpenny for each subsequent 6 ozs. or part thereof. For places abroad the rate is a halfpenny for every 2 ounces, except in the case of Canada, to which the Canadian Magazine Postage rate applies. FRIDAY, NOVEMBER 23, 1923. BY THE LORDS JUSTICES OP Down, shall from the 1st day of January, 1924, NORTHERN IRELAND. be served by one and the same person as Clerk, and that the salary payable to the Clerk DENIS S. HENRY. appointed on the first occasion after the date of this Order shall be at the rate of one hundred WHEREAS it is enacted by Section 6 of the pounds per annum. Petty Sessions Clerk (Ireland) Act, 1858, that it shall be lawful for the Lord Lieutenant to Given at Belfast this 12th day of November, order and declare that from a certain time 1923. therein to be named two or more districts shall By Their ExcelLencies' Command. be served by one and the same person as Clerk: And whereas by the Government of Ireland R. DAWSON BATES. Act, 1920, the orders made thereunder, and the Names of Gentlemen returned by the Judges Irish Free State (Consequential Provisions) of Assize to serve the Office of High Sheriff for Act, 1922, the powers of the Lord Lieutenant the ensuing year. -
MAGIC BOX Booklet 28/3/03 5:38 Pm Page 2
MAGIC BOX booklet 28/3/03 5:38 pm Page 2 Northern Ireland Northern Ireland Contacts BBC Information 08700 100 222* Text phone for people who are deaf or have a hearing impairment is: 08700 100 212 Celebrating 50 years of BBC Television in Northern Ireland *Calls charged at national rate and may be recorded BBC NI Accountability Department 028 90 338 210 BBC NI Archive at the Ulster Folk and Transport Museum 028 90 428 428 Email: [email protected] For information on how to obtain tickets for BBC recordings, please log on to bbc.co.uk/ni/tickets Credits With thanks to: Mark Adair, Nan Magee, Lisa Kelso, Keith Baker, Grainne Loughran, Lynda Atcheson, Peter Johnston, Margaret McKee,Tracey Leavy, Caroline Cooper, Joanne Wallace, Paul McKevitt,Veronica Hughes,Tony Dobbyn, Robin Reynolds, Rory O’Connell, Stephen Douds, Geraldine McCourt, Rachael Moore, Information and Archives BBC NI, Pacemaker and NewCreation.com MAGIC BOX booklet 28/3/03 5:38 pm Page 4 The Magic Box – Celebrating 50 years of BBC Television in Northern Ireland Television was one of the most socially important production effort in drama, news, sport, education and innovations of the 20th Century. Its arrival helped shrink entertainment. Today's knowledge economy and the world, and to enlarge our understanding of its information society, and our creative industries, owe much complexity.What began as a tiny and experimental affair to Northern Ireland’s television pioneers. quickly became a dominant means of communication.The The Magic Box is a touring exhibition to celebrate magic box of television was transformed from an 50 years of BBC television in, for and about Northern expensive luxury, with limited programming and even Ireland. -
The Scotch-Irish in America. ' by Samuel, Swett Green
32 American Antiquarian Society. [April, THE SCOTCH-IRISH IN AMERICA. ' BY SAMUEL, SWETT GREEN. A TRIBUTE is due from the Puritan to the Scotch-Irishman,"-' and it is becoming in this Society, which has its headquar- ters in the heart of New England, to render that tribute. The story of the Scotsmen who swarmed across the nar- row body of water which separates Scotland from Ireland, in the seventeenth century, and who came to America in the eighteenth century, in large numbers, is of perennial inter- est. For hundreds of years before the beginning of the seventeenth centurj' the Scot had been going forth con- tinually over Europe in search of adventure and gain. A!IS a rule, says one who knows him \yell, " he turned his steps where fighting was to be had, and the pay for killing was reasonably good." ^ The English wars had made his coun- trymen poor, but they had also made them a nation of soldiers. Remember the "Scotch Archers" and the "Scotch (juardsmen " of France, and the delightful story of Quentin Durward, by Sir Walter Scott. Call to mind the " Scots Brigade," which dealt such hard blows in the contest in Holland with the splendid Spanish infantry which Parma and Spinola led, and recall the pikemen of the great Gustavus. The Scots were in the vanguard of many 'For iickiiowledgments regarding the sources of information contained in this paper, not made in footnotes, read the Bibliographical note at its end. ¡' 2 The Seotch-líiáh, as I understand the meaning of the lerm, are Scotchmen who emigrated to Ireland and such descendants of these emigrants as had not through intermarriage with the Irish proper, or others, lost their Scotch char- acteristics. -
History of Clan Macfarlane
Gc ^* I 929.2 M164m 1186804 d£NE:ALO<:^Y QOLLCCTICN ALLEN COUNTY PUBLIC LIBRARY (y^K (>.cro 3 1833^1342 ^778^ Xf^<^ I "i^^' MAP OF LOCH LOMOND AND EXVIROXS, SHOWING MACFARLANE LOCATIONS. 41 History of clan MacFarlane HISTORY OF Clan MacFarlane By James MacFarlane Author of "The Red Fox" Published under the auspices of the Clan MacFarlane Society, 205 Hope Street, Glasgow GLASGOW DAVID J. CLARK LIMITED, 92 UNION STREET 1922 —— 2 CHIEFS OF MACFARLANE. 1225-1866. I. Gilchrist, 1225-1263* 2. Duncan, 1284-1296* 4* 3. Malduin, 1 31 4. Parlan, 1329* 5. Malcolm, 1 344-1 373* 6. Duncan, 1395-1406* 7.—John. - - - - 1426-1441* 8. Duncan, 1441- 9. Walter, -1488 ID. Andrew, 1488-1493 II. Sir John, -1514 12. Andrew, 1514-1544 13.—Duncan, 1544-1547 14. Andrew, 1 547-1 61 15- John, 1612-1624 16.—Walter, 1 624-1 664 17. John, 1664-1679 18. Andrew, 1679-1685 19- John, 1685-1705 20. Walter, 1 705-1 767 21. William, 1 767-1 787 22. John, 1787- 23. William, -1820 24. Walter, - - 1820-1830 25. William, 1 830-1 866 * These dates are approximate. INDEX. ,^^P . Chiefs of MacFarlane, - - ^ Preface, - 7 Chapter I., Introductory, 11 Chapter II., Gilchrist, is t Chief ; TheFoun<Iei of the Clan. 27 Chapter III., Duncan, 2nd Chief, 30 Chapter IV., Malduin, 3rd Chief ; King Robert Bruce, 32 Chapter V., Pharlan, 4th Chief ; Origin of the Surname MacFarlane, - - - '' 3<3 Chapter VI., Malcolm, 5th Chief ; MacFarlane, Heir Male of Lennox Earldom, - - 38 Chapter VII., Duncan, 6th Chief, 40 Chapter VIII., John, 7th Chief, 42 Chapter IX., Duncan, 8th Chief, 43 Chapter X., Walter, gth Chief ; Legend of the Pie- bald Horse, 44 Chapter XL, Andrew, loth Chief, 48 Chapter XII., Sir John, nth Chief, ... -
Patriots, Pioneers and Presidents Trail to Discover His Family to America in 1819, Settling in Cincinnati
25 PLACES TO VISIT TO PLACES 25 MAP TRAIL POCKET including James Logan plaque, High Street, Lurgan FROM ULSTER ULSTER-SCOTS AND THE DECLARATION THE WAR OF 1 TO AMERICA 2 COLONIAL AMERICA 3 OF INDEPENDENCE 4 INDEPENDENCE ULSTER-SCOTS, The Ulster-Scots have always been a transatlantic people. Our first attempted Ulster-Scots played key roles in the settlement, The Ulster-Scots/Scotch-Irish contribution to the Patriot cause in the events The Ulster-Scots/Scotch-Irish played important roles in the military aspects of emigration was in 1636 when Eagle Wing sailed from Groomsport for New England administration and defence of Colonial America. leading up to and including the American War of Independence was immense. the War of Independence. General Richard Montgomery was the descendant of SCOTCH-IRISH but was forced back by bad weather. It was 1718 when over 100 families from the Probably born in County Donegal, Rev. Charles Cummings (1732–1812), a a Scottish cleric who moved to County Donegal in the 1600s. At a later stage the AND SCOTS-IRISH Bann and Foyle river valleys successfully reached New England in what can be James Logan (1674-1751) of Lurgan, County Armagh, worked closely with the Penn family in the Presbyterian minister in south-western Virginia, is believed to have drafted the family acquired an estate at Convoy in this county. Montgomery fought for the regarded as the first organised migration to bring families to the New World. development of Pennsylvania, encouraging many Ulster families, whom he believed well suited to frontier Fincastle Resolutions of January 1775, which have been described as the first Revolutionaries and was killed at the Battle of Quebec in 1775. -
NATIONAL LIFE STORIES ARTISTS' LIVES Mary Fedden Interviewed by Mel Gooding C466/05
NATIONAL LIFE STORIES ARTISTS’ LIVES Mary Fedden Interviewed by Mel Gooding C466/05 This transcript is copyright of the British Library Board. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road London NW1 2DB 020 7412 7404 [email protected] This transcript is accessible via the British Library’s Archival Sound Recordings website. Visit http://sounds.bl.uk for further information about the interview. © The British Library Board http://sounds.bl.uk IMPORTANT Access to this interview and transcript is for private research only. Please refer to the Oral History curators at the British Library prior to any publication or broadcast from this document. Oral History The British Library 96 Euston Road NW1 2DB 020 7412 7404 [email protected] Every effort is made to ensure the accuracy of this transcript, however no transcript is an exact translation of the spoken word, and this document is intended to be a guide to the original recording, not replace it. Should you find any errors please inform the Oral History curators ( [email protected] ) © The British Library Board http://sounds.bl.uk The British Library National Life Stories Interview Summary Sheet Title Page Ref no: C466/05/01-07 Digitised from cassette originals Collection title: Artists’ Lives Interviewee’s surname: Feddon Title: Interviewee’s forename: Mary Sex: Female Occupation: Date and place of birth: 1915 Dates of recording: 19/1/91 Location of interview: interviewee's home Name of interviewer: Mel Gooding Type of recorder: Marantz CP430 Recording format: D60 Cassette F numbers of playback cassettes: F1882-F1888 Total no. -
AN INTRODUCTION to the ARCHITECTURAL HERITAGE of COUNTY DONEGAL
AN INTRODUCTION TO THE ARCHITECTURAL HERITAGE of COUNTY DONEGAL AN INTRODUCTION TO THE ARCHITECTURAL HERITAGE of COUNTY DONEGAL COUNTY DONEGAL Mount Errigal viewed from Dunlewey. Foreword County Donegal has a rich architectural seventeenth-century Plantation of Ulster that heritage that covers a wide range of structures became a model of town planning throughout from country houses, churches and public the north of Ireland. Donegal’s legacy of buildings to vernacular houses and farm religious buildings is also of particular buildings. While impressive buildings are significance, which ranges from numerous readily appreciated for their architectural and early ecclesiastical sites, such as the important historical value, more modest structures are place of pilgrimage at Lough Derg, to the often overlooked and potentially lost without striking modern churches designed by Liam record. In the course of making the National McCormick. Inventory of Architectural Heritage (NIAH) The NIAH survey was carried out in phases survey of County Donegal, a large variety of between 2008 and 2011 and includes more building types has been identified and than 3,000 individual structures. The purpose recorded. In rural areas these include structures of the survey is to identify a representative as diverse as bridges, mills, thatched houses, selection of the architectural heritage of barns and outbuildings, gate piers and water Donegal, of which this Introduction highlights pumps; while in towns there are houses, only a small portion. The Inventory should not shopfronts and street furniture. be regarded as exhaustive and, over time, other A maritime county, Donegal also has a rich buildings and structures of merit may come to built heritage relating to the coast: piers, light. -
Crannogs — These Small Man-Made Islands
PART I — INTRODUCTION 1. INTRODUCTION Islands attract attention.They sharpen people’s perceptions and create a tension in the landscape. Islands as symbols often create wish-images in the mind, sometimes drawing on the regenerative symbolism of water. This book is not about natural islands, nor is it really about crannogs — these small man-made islands. It is about the people who have used and lived on these crannogs over time.The tradition of island-building seems to have fairly deep roots, perhaps even going back to the Mesolithic, but the traces are not unambiguous.While crannogs in most cases have been understood in utilitarian terms as defended settlements and workshops for the wealthier parts of society, or as fishing platforms, this is not the whole story.I am interested in learning more about them than this.There are many other ways to defend property than to build islands, and there are many easier ways to fish. In this book I would like to explore why island-building made sense to people at different times. I also want to consider how the use of islands affects the way people perceive themselves and their landscape, in line with much contemporary interpretative archaeology,and how people have drawn on the landscape to create and maintain long-term social institutions as well as to bring about change. The book covers a long time-period, from the Mesolithic to the present. However, the geographical scope is narrow. It focuses on the region around Lough Gara in the north-west of Ireland and is built on substantial fieldwork in this area. -
BR 149 Correspondence Concerning Sligo Estates of Henry John Temple, Third Viscount Palmerston 1806-26
1 BR 149 Correspondence concerning Sligo estates of Henry John Temple, third Viscount Palmerston 1806-26 BR149/1 Bundle of letters concerning Sligo election of 1806 1806 BR149/1/1 Letter from Henry Stewart, agent to Henry John Temple, third 4 Nov 1806 - 23 /1-2 Viscount Palmerston, concerning election at Sligo,"I had it not in Nov 1806 my power to procure a seat on any terms your influence in Sligo is at present small"; encloses a letter from Charles O'Hara of Nymphsfield to Henry John Temple, third Viscount Palmerston, asking for Palmerston's support for O'Hara's candidature for Sligo seat in parliament, draft reply to O'Hara by Palmerston on reverse of this letter BR149/1/2 Letter from Mr William Elliot, chief secretary to the Lord 7 Aug 1806 Lieutenant, to Henry John Temple, third Viscount Palmerston, asking that Palmerston support Francis William Charlemont, second Earl of Charlemont to be a representative peer of Ireland on the death of Francis Matthew, first Earl of Landaff, 1 page BR149/2 Bundle of letters concerning the building of Cliffony inn, County 1822-27 Sligo BR149/2/1 Estimate for rebuilding Halfway House inn at Cliffony by Mr n.d. c.1821 Scantling, 2 pages BR149/2/2 Bill and receipt for payment from James Walker, agent to Henry 10 Feb 1821 /1-2 John Temple, third Viscount Palmerston to Mick Killea, mason for work on Cliffony inn BR149/2/3 Abstract of measurements of Half Way House inn, Cliffony Sep 1820 measured by John Giblin, 1 page BR149/2/4 Measurements of Halfway House inn, Cliffony measured by Owen 3 Apr 1822 Hart, 3 pages BR149/2/5 Henry John Temple, third Viscount Palmerston's comparison of n.d. -
Emmanuel Cooper Archive
Emmanuel Cooper Archive (COOPER) ©Bishopsgate Institute Catalogued by Stefan Dickers, September 2019 1 Table of Contents Table of Contents p.2 Collection Level Description p.3 COOPER/1: Gay Art Archive p.5 COOPER/2: Art Projects p.88 COOPER/3: Gay Left Archive p.93 COOPER/4: Campaign for Homosexual Equality Papers p.108 COOPER/5: Scrapbooks p.126 COOPER/6: Gay Theatre Archive p.127 COOPER/7: Gay History Group p.131 COOPER/8: Portobello Boys p.132 2 COOPER Emmanuel Cooper Archive 1956-209 Name of Creator: Cooper, Emmanuel (1938-2012) potter and writer on the arts Extent: 28 Boxes and oversize items Administrative/Biographical History: Emmanuel Cooper was born in Pilsley, North East Derbyshire and studied at the University for the Creative Arts. He also achieved a PhD degree at Middlesex University. He was a member of the Crafts Council and the editor of Ceramic Review. Since 1999, he was visiting Professor of Ceramics and Glass at the Royal College of Art. He was the author of many books on ceramics, including his definitive biography of Bernard Leach that was published in 2003 (Yale University Press), and was also the editor of The Ceramics Book, published in 2006. In the early 1970s, he was also a cofounder of the Gay Left collective, and remained a prominent LGBT rights campaigner throughout his life. He also published several studies of LGBT art, including The Sexual Perspective and Fully Exposed: The Male Nude in Photography. As a potter, Cooper's work falls into one of two general forms. In the first his vessels are heavily glazed in a volcanic form.