Provided by the Author(S) and University College Dublin Library in Accordance with Publisher Policies
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Recepción Y Crítica De La Obra De Nietzsche En Uruguay, 1900-1920
UNIVERSITAT DE VALÈNCIA Departament de Metafísica i Teoria del Coneixement Programa de doctorado: Pensamiento filosófico contemporáneo Recepción y crítica de la obra de Nietzsche en Uruguay, 1900-1920 TESIS DOCTORAL Presentada por: Pablo Drews López Dirigida por: Joan B. Llinares Chover Valencia, 2013 NOTA BIBLIOGRÁFICA.............................................................................................. 5 INTRODUCCIÓN ........................................................................................................ 14 FUNDAMENTACIÓN Y ARTICULACIÓN GENERAL DEL TEMA ..................... 19 CAPÍTULO I. OBJETIVOS, MÉTODOS DE ANÁLISIS Y ESTADO DE LA CUESTIÓN................................................................................................................... 21 1. Incidencia e interés de Nietzsche en Uruguay, 1900-1920....................................... 22 1.1. La generación del novecientos uruguaya ........................................................... 28 1.2. La fortuna editorial de la primera edición de las Obras Completas de Nietzsche ....................................................................................................................................30 1.2.1. Obras publicadas y preparadas para la imprenta..........................................30 1.2.2. Escritos y fragmentos póstumos ................................................................. 34 1.2.3. La primera edición del epistolario, 1900-1909........................................... 36 1.3. Las primeras traducciones francesas -
Friedrich Nietzsche in Dutch-Speaking Belgium During the Interwar Period: Odiel Spruytte and the Benefits of Micrological Reception Studies
Friedrich Nietzsche in Dutch-speaking Belgium during the Interwar Period: Odiel Spruytte and the Benefits of Micrological Reception Studies Benjamin Biebuyck, Ghent University Abstract: Reception studies tend to favour broad corpora and they have many reasons to do so. However, in some cases, it may be better to follow slowly, by means of close reading, the traces of an intensive reception over a certain period of time. An example of this is the case of the Flemish nationalist priest Odiel Spruytte, who was one of the most in-depth connoisseurs of Nietzsche in Dutch-speaking Belgium in the later interwar period. The analysis of the articles he published in the Flemish cultural-philosophical periodical Kultuurleven between 1934 and 1940, the time of his death, uncovers the subtle changes in Spruytte’s solid Nietzsche interpretations and allows us to discover the gradual rapprochement and alienation between conservative Catholic and national-socialist Nietzsche appropriations. Keywords: Friedrich Nietzsche, Belgium / België, Flanders / Vlaanderen, National-Socialism / Nationaal Socialisme, Conservative Catholicism / conservatief katholicisme Journal of Dutch Literature, 9.1 (2018), 47-64 Benjamin Biebuyck 48 Contact Zones and Cultural Emancipation The printed version of the 2002 monumental Weimarer Nietzsche Bibliographie (WNB) has quite an impressive fifth volume covering the ‘Wirkungs- und Forschungsgeschichte’ of Nietzsche’s writings from 1867 until 1998. It displays large sections on the reception history in France, Italy, the UK, North America and Russia, and shorter sections on countries and regions such as the Arabic world, Bulgaria, Latvia and Hungary. There is a tiny section on the reception in Belgium, focusing exclusively on probably the most internationally renowned Nietzschean in Belgium, Henry Van de Velde.1 The electronic version2 is evidently more exhaustive, also with respect to Belgium. -
The Greek Sophists : Teachers of Virtue David Dwyer Corey Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2002 The Greek sophists : teachers of virtue David Dwyer Corey Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Corey, David Dwyer, "The Greek sophists : teachers of virtue" (2002). LSU Doctoral Dissertations. 270. https://digitalcommons.lsu.edu/gradschool_dissertations/270 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE GREEK SOPHISTS: TEACHERS OF VIRTUE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by David Dwyer Corey B.A., Oberlin College, 1992 B.Mus., Oberlin Conservatory, 1992 M.A., Louisiana State University, 1999 May, 2002 ACKNOWLEDGMENTS This dissertation has had many sources of inspiration and support, and I have long looked forward to the opportunity to thank those who have been involved. Professor William F. Campbell and his wife, Helen (my father- and mother-in-law) accepted me into their family as a wayward stockbroker and through intellectual stimulation, love and ample quantities of food and wine produced a budding academic. Judy Petrie at First Presbyterian Church, Baton Rouge, encouraged me to go to graduate school and supported me generously through my first couple of years. -
Ulrich Von Wilamowitz-Moellendorff: "Sospitator Euripidis" , Greek, Roman and Byzantine Studies, 27:4 (1986:Winter) P.409
CALDER, WILLIAM M., III, Ulrich von Wilamowitz-Moellendorff: "Sospitator Euripidis" , Greek, Roman and Byzantine Studies, 27:4 (1986:Winter) p.409 Ulrich von Wilamowitz-Moellendorff: Sospitator Euripidis William M Calder III BEGIN with a word on achievement. Wilamowitz wrote on Euripi I des first in 1867,1 last in 1931.2 For 64 years he was concerned with Euripides. Athenian tragedy always remained a center of his interest. Within this center he wrote least on Sophocles,3 more on Aeschylus,4 but most on Euripides. The Hiller/Klaffenbach bibliog raphy lists 45 items on Euripides, against 19 on Aeschylus and 18 on Sophocles.5 Four great books, whose influence on subsequent schol arship in tragedy has been incalculable, are concerned wholly with Euripides: the Habilitationsschrift, Analecta Euripidea (1875); the two volume Herakles, first published in 1889; the commentary, text, and translation of Hippo!ytus (1891); and the edition of Ion (1926). Mar cello Gigante has written that neither Wilamowitz nor Nietzsche pub lished a magnum opus.6 Wilamowitz intended Herakles to be that, and completed it in his fortieth year-his acme in the ancient sense7 - with a dedication to Schulpforte, meaning it to be the fulfillment of a vow taken as a schoolboy to become a scholar worthy of his alma mater.8 His history of the text, from autograph to latest edition,9 1 U. von Wilamowitz-Moellendorff, In wieweit bejriedigen die SchlUsse der erhaltenen griechischen Trauerspiele? Ein iisthetischer Versuch, ed. W. M. Calder III (Leiden 1974 [hereafter Trauerspiele]) 95-148. 2 Der Glaube der Hellenen (Berlin 1932) II 597f s.n. -
Nietzsche and Sculpture
Nietzsche and the Sculptural Sublime: On Becoming the One You Are Babette Babich The metaphor of sculpture goes hand in glove with philosophy from its earliest beginnings. And Nietzsche too uses the metaphor, describing the human being by speaking of “the noblest clay, the costliest marble” (BT §1). By speaking of Nietzsche and the sculptural sublime, I address the question of the relationship between sculpture and human becoming as well as our tendency (which I explore elsewhere in a historical and phenomenological discussion of the bronzes of antiquity but also in connection with some of the erotic shock and other sculptures of the contemporary artist Jeff Koons)1 to “project” as the hermeneutic phenomenologists Heidegger and Merleau-Ponty and others would say — and as Nietzsche also said — and so “find” ourselves in our statues. This is a different encounter with ourselves than in our poetry and our literature, but it is also a different encounter than with our paintings, even those that function as “windows,” in linear and non-linear perspective as Gadamer once reflected,2 and as many art historians have also argued or as “mirrors,” however oblique and deflected, as other philosophers, most subversively, Derrida and Foucault also contend, and again, and although similarly an adumbration in space, otherwise than in and through architecture as Heidegger and other theorists of space and place have also argued.3 For we are in tension with the statue as we are with other living beings and if this tension patently includes architectural and painterly resonances of our relations with one another and with ourselves, the statue is also another in a singularly centered sense, arguably because it makes its own context, its own surround the “figure determines its own fulcrum” as Rudolf Arnheim contends.4 Claimed by the statue as by and with another self, I reflect upon Nietzsche’s arguments that hold, as Pindar also held in the gnomic “Castor Song” he appended to his second Pythian ode, that all such agonistic tensions are for the sake of becoming what one is. -
Friedrich Nietzsche's Condemnation of Euripides , Greek, Roman and Byzantine Studies, 27:4 (1986:Winter) P.369
HENRICHS, ALBERT, The Last of the Detractors: Friedrich Nietzsche's Condemnation of Euripides , Greek, Roman and Byzantine Studies, 27:4 (1986:Winter) p.369 The Last of the Detractors: Friedrich Nietzsche's Condemnation of Euripides Albert Henrichs RIEDRICH NIETZSCHE (I844-1900) the philosopher receives ever F increasing attention: the first critical edition of his complete works and correspondence is now available; a monumental biog raphy in three volumes appeared in 1978-79; and year after year his philosophical oeuvre is critically assessed in numerous books and jour nals, including the annual Nietzsche-Studien. 1 Classicists, however, are for the most part reluctant to share this growing enthusiasm.2 In their eyes, he continues to rank as a fallen genius who rose to early fame as the youngest classics professor of his time and made a respectable contribution to learning in his articles on the Contest of Homer and Hesiod before he became a renegade and made the mistake of pub lishing The Birth of Tragedy (hereafter BT) in 1872.3 Nietzsche's first book credits Apollo and Dionysus (taken as two complementary "art impulses") with the birth of Greek tragedy and blames Euripides and Socrates-in Nietzsche's view the sum total of Athenian rationalism before Plato-for its demise. True tragedy, Nietzsche argues, reflects man's deepest emotions, not his reason; the true tragic hero, em bodied in Prometheus and Oedipus, owes his strength to existential suffering, not to cold calculation and optimistic self-confidence. It is I F. Nietzsche, Werke. Kritische Gesamtausgabe, G. Colli and M. Montinari, edd. -
“Even the Papuan Is a Man and Not a Beast”: Husserl on Universalism and the Relativity of Cultures
“Even the Papuan is a Man and not a Beast”: Husserl on Universalism and the Relativity of Cultures D erm o t M o R a n * “[a]nd in this broad sense even the Papuan is a man and not a beast.” ([U]nd in diesem weiten Sinne ist auch der Papua Mensch und nicht Tier, Husserl, Crisis, 290/Hua. VI.337–38)1 “Reason is the specific characteristic of man, as a being living in personal activities and habitualities.” (Vernunft ist das Spezifische des Menschen, als in personalen Aktivitäten und Habitualitäten lebenden Wesens, Husserl, Crisis, 338/Hua. VI.272) 1 . particular historicities and universal reason in this paper2 i shall explore—and suggest a way of resolving—the evident tensions to be found in Husserl’s Crisis of European Sciences (and associated texts) 1E. Husserl, Die Krisis der europäischen Wissenschaften und die transzendentale Phänomenologie. Eine Einleitung in die phänomenologische Philosophie, ed. W. Biemel, Husserliana VI (the Hague: nijhoff, 1954), partially trans. by David Carr, The Crisis of European Sciences and Transcendental Phenomenology. An Introduction to Phenomenological Philosophy (Evanston, IL: northwestern University Press, 1970). Hereafter ‘Crisis’ followed by the English translation pagination (where it exists) and the Husserliana volume and page number. ‘Husserliana’ will be abbreviated as ‘Hua.’ other Husserliana volumes will be referenced by volume number in Roman numerals followed by the page number. 2Earlier versions of this paper were presented at Pennsylvania State University (21 oct. 2008); University of tasmania, Hobart (8 Dec. 2008); Murdoch University, australia (12 Dec. 2008); the Chinese University of Hong Kong (18 Dec.