DOCSLIB.ORG

Marian Chasubles and Stoles

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Marian Chasubles and Stoles MARIAN CHASUBLES AND STOLES MARIAN CHASUBLES AND STOLES MARIAN CHASUBLES AND STOLES PRIMAVERA FABRIC - DIVINE MERCY AND MARIAN IMAGES ARE PRINTED ON THE CHASUBLES DIVINE MERCY AND MARIAN IMAGES ARE PRINTED ON THE CHASUBLES 858/F Chasuble PRIMAVERA fabric Art. Art. 342 Art. 341 343 859/E Chasuble MIXED WOOL 100% Polyester Various Fabrics 341 Chasuble 342 Chasuble 343 Chasuble 859/E Chasuble roll collar in MIXED 858/F Chasuble in PRIMAVERA fabric 859/E Dalmatic 341 Stole 342 Stole 343 Stole WOOL, embroidered with Marian symbol, (100% polyester), roll collar, 859 Overlay Stole with inside stole. Marian symbol with inside stole 859D Deacon Stole 62 Fine Italian Vestments Since 1870 63 MARIAN CHASUBLES AND STOLES MARIAN CHASUBLES AND STOLES Various Fabrics IMAGES ARE PRINTED ON THE CHASUBLES 815 Chasuble 241 Chasuble in linea style Fabric 233 Chasuble LINEA STYLE fabric, in PRIMAVERA roll collar with (100% polyester) gold threads woven into the fabric, with inside stole 777 Chasuble in Micro Monastico (100% polyester) with blue embroidered panel on front and back with inside stole 320 Chasuble in PRIMAVERA fabric, with embroidered blue panel, with inside stole 778 Chasuble in Micro Monastico 241 Overlay Stole (100% polyester), with blue embroidered panel on front and back, with inside stole Various Fabrics Various Fabrics 815 Dalmatic roll collar 815 Chasuble in LINEA STYLE fabric, 345 Dalmatic (100% polyester) 241 Chasuble 233 Chasuble 777 Chasuble 815 Stole roll collar with gold threads woven into the 345 Chasuble (100% polyester) 241 Overlay Stole 238 Mitre fabric with inside stole 320 Chasuble in PRIMAVERA 778 Chasuble 64 Fine Italian Vestments Since 1870 65 MARIAN CHASUBLES AND STOLES DAMASK FABRIC | LANA ORO BARRE DIVINE MERCY AND MARIAN IMAGES 100% Polyester 95% Wool, 5% Gold Thread 644 645 646 Art 430 (all) in DAMASK fabric Chasuble Chasuble Chasuble (100% polyester), square collar, with embroidery in front and back, with inside stole Art. 430 ALL EMBROIDERED 643 332 332 349 Chasuble Chasuble Stole Chasuble in Micro Monastico MASS LINEN Art. 430 Complete set Art. 503 Chasuble in LANA ORO BARRE fabric (95% wool, 5% gold 503 thread) with blue embroidered panel on front and back, with inside stole PRINTED IMAGES WITH EMBROIDERED FRAME AND FLOWERS 100% Polyester, Primavera Fabric / Micro Monastico Fabric 430 - 100% Polyester 503 - 95% Wool, 5% Gold Thread 644 Chasuble 643 Chasuble 359 Chasuble in MICRO MONASTICO 430 Chasuble in Damask fabric 430 Overlay stole in Damask fabric 503 Chasuble in Lana Oro Barre fabric 645 Chasuble 332 Chasuble fabric with blue embroidered panel, 430 Dalmatic in Damask fabric 646 Chasuble 332 Stole printed image 430 Overlay stole in Damask fabric 66 Fine Italian Vestments Since 1870 67 MARIAN SET 100% Polyester, PRIMAVERA FABRIC Art. 514 Art. 627 ALBS AND SURPLICES 100% Polyester, Primavera Fabric 627 Chasuble with white embroidered panel 514 Chasuble 514 Deacon Stole 514 Dalmatic 514 Overlay Stole 514 Mitre 68 Fine Italian Vestments Since 1870.
Load more

Recommended publications
  • Thurifer at Missa Cantata
    THURIFER AT MISSA CANTATA GENERAL AND HISTORICAL NOTES The Thurifer (Th) has the privilege of bearing the thurible during Mass and of the office of incensing the inferior ministers and the laity. The word thurible is derived from thus, which is Latin for incense. It is generally thought, that the thurible used by the Jews was very similar as employed at Mass now, that is, with three chains, though it is unknown if the Jewish thuribles had a cover. The thurible is also considered to be a liturgical object of great value in its symbolic use, as the thuribles made by the Jews were made of solid gold. This was perhaps done so as to imitate the Altar of Incense (on which incense was burnt three times a day), that stood outside the Temple, which was made of gold plate over wood. The history of the use of incense is very ancient, dating back to earliest ages. Incense was widely used by both the Jews in the Temple ceremonies, as commanded by Almighty God Himself, as well as by the pagan religions. In ancient times, burning incense was also used as an air freshener in countries under Roman or Asian influence; it too was used to incense the guests as a mark of respect at banquets. In fact incense was so widely used, that God Himself commanded the Jews, that the incense compound made for use in the Temple ceremonies, was to be used expressly for the Temple (i.e., God), under the penalty of death, so that it could not be used for secular functions.
    [Show full text]
  • An Instructed Eucharist
    CHRIST CHURCH AN EPISCOPAL CHURCH IN THE DIOCESE OF EAST CAROLINA FOUNDED 1715, NEW BERN, NORTH CAROLINA Our Vision: To be a church that loves the way God Loves THE SIXTH SUNDAY AFTER PENTECOST July 21, 2019 - 10:00 AM An Instructed Eucharist When presented with an option to either “stand or kneel,” we hope you will choose the posture that is both comfortable and prayerful. Please be sure all cell phones are silenced. Restrooms are located in the Parish House, through the double doors at the front of the church and then to the left, between the kiosk and reception desk. Hearing assistance is available through our sound system on frequency 72.900mhz. Book of Common (BCP) and Hymnal pages are listed on the right. BCP: Book of Common Prayer (black), S or H: Hymnal 1982 (blue), WLP: Wonder, Love, and Praise (green), L: Lift Every Voice (red & black) Our weekly newsletter, the Messenger, is available at the entry doors. Please take one with you A NOTE ABOUT TODAY’S LITURGY… For 2,000 years, Christians of all ages have come together Sunday after Sunday (and sometimes other days of the week!) to worship God and to celebrate Jesus’ presence with us in the Holy Eucharist. Eucharist comes from a Greek word that means “thanksgiving.” Each week, we offer our thanks to God for all the things we have in our life and all the ways God loves us. The Eucharist is not something that only a priest does; it is something that we do together. It takes all of us here to help make the Eucharist happen.
    [Show full text]
  • ORDINATION 2021.Pdf
    WELCOME TO THE CATHEDRAL OF SAINT PAUL Restrooms are located near the Chapel of Saint Joseph, and on the Lower Level, which is acces- sible via the stairs and elevator at either end of the Narthex. The Mother Church for the 800,000 Roman Catholics of the Archdiocese of Saint Paul and Minneapolis, the Cathedral of Saint Paul is an active parish family of nearly 1,000 households and was designated as a National Shrine in 2009. For more information about the Cathedral, visit the website at www.cathedralsaintpaul.org ARCHDIOCESE OF SAINT PAUL AND MINNEAPOLIS SAINT PAUL, MINNESOTA Cover photo by Greg Povolny: Chapel of Saint Joseph, Cathedral of Saint Paul 2 Archdiocese of Saint Paul and Minneapolis Ordination to the Priesthood of Our Lord Jesus Christ E Joseph Timothy Barron, PES James Andrew Bernard William Duane Duffert Brian Kenneth Fischer David Leo Hottinger, PES Michael Fredrik Reinhardt Josh Jacob Salonek S May 29, 2021 ten o’clock We invite your prayerful silence in preparation for Mass. ORGAN PRELUDE Dr. Christopher Ganza, organ Vêpres du commun des fêtes de la Sainte Vierge, op. 18 Marcel Dupré Ave Maris Stella I. Sumens illud Ave Gabrielis ore op. 18, No. 6 II. Monstra te esse matrem: sumat per te preces op. 18, No. 7 III. Vitam praesta puram, iter para tutum: op. 18, No. 8 IV. Amen op. 18, No. 9 3 HOLY MASS Most Rev. Bernard A. Hebda, Celebrant THE INTRODUCTORY RITES INTROITS Sung as needed ALL PLEASE STAND Priests of God, Bless the Lord Peter Latona Winner, Rite of Ordination Propers Composition Competition, sponsored by the Conference of Roman Catholic Cathedral Musicians (2016) ANTIPHON Cantor, then Assembly; thereafter, Assembly Verses Daniel 3:57-74, 87 1.
    [Show full text]
  • Liturgical Vestments for Cathedrals During the French Concordat Period (1801-1905) a Political Strategy
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 9-2012 Liturgical Vestments for Cathedrals During the French Concordat Period (1801-1905) A Political Strategy Maria Anne Privat Savigny Gadagne museums in Lyon, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Privat Savigny, Maria Anne, "Liturgical Vestments for Cathedrals During the French Concordat Period (1801-1905) A Political Strategy" (2012). Textile Society of America Symposium Proceedings. 733. https://digitalcommons.unl.edu/tsaconf/733 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Liturgical Vestments for Cathedrals During the French Concordat Period (1801-1905) A Political Strategy Maria Anne Privat Savigny [email protected] The Concordat treaty was signed in France in 1801 by Napoléon Bonaparte First Consul and gave to the Church of France a new statute. A Cult Administration was founded and became not only a powerful organization to control and finance religions in France, in particular, Catholicism but also an important political medium used by the various political régimes which followed one another in France during the 19th century (The First Empire (1804-1815), the Restoration (Louis XVIII and Charles X), 1815-1830, the Monarchy of July (Louis-Philippe) 1830-1848, the Second Empire (Napoléon III) 1852-1870 and the IIIrd Republic which starts in 1870).
    [Show full text]
  • Mass of Ordination to the Holy Priesthood June 27, 2020
    Mass of Ordination To the Holy Priesthood June 27, 2020 Prayer for the Holy Father O God who in your providential design willed that your Church be built upon blessed Peter, whom you set over the other Apostles, look with favor, we pray, on Francis our Pope and grant that he, whom you have made Peter’s successor, may be for your people a visible source and foundation of unity in faith and of communion. Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit, one God, for ever and ever. Excerpt from the English Translation of the Roman Missal ©2011, ICEL, All rights reserved. Most Reverend Michael R. Cote, D.D. Bishop of Norwich Prayer for the Bishop O God, eternal shepherd of the faithful, who tend your Church in countless ways and rule over her in love, grant, we pray, that Michael, your servant, whom you have set over your people, may preside in the place of Christ over the flock whose shepherd he is, and be faithful as a teacher of doctrine, a Priest of sacred worship and as one who serves them by governing. Through our Lord Jesus Christ, your Son, who lives and reigns with you in the unity of the Holy Spirit, one God, for ever and ever. Excerpt from the English translation of the Roman Missal ©2011, ICEL, All rights reserved 1 CELEBRATION OF THE ORDINATION TO THE PRIESTHOOD OF Reverend Michael Patrick Bovino for Service as Priest of the Diocese of Norwich Ritual Mass for the Conferral of Holy Orders Cathedral of Saint Patrick Norwich, Connecticut June 27, 2020 10:30 a.m.
    [Show full text]
  • Church and Liturgical Objects and Terms
    Church and Liturgical Objects and Terms Liturgical Objects Used in Church The chalice: The The paten: The vessel which golden “plate” that holds the wine holds the bread that that becomes the becomes the Sacred Precious Blood of Body of Christ. Christ. The ciborium: A The pyx: golden vessel A small, closing with a lid that is golden vessel that is used for the used to bring the distribution and Blessed Sacrament to reservation of those who cannot Hosts. come to the church. The purificator is The cruets hold the a small wine and the water rectangular cloth that are used at used for wiping Mass. the chalice. The lavabo towel, The lavabo and which the priest pitcher: used for dries his hands after washing the washing them during priest's hands. the Mass. The corporal is a square cloth placed The altar cloth: A on the altar beneath rectangular white the chalice and cloth that covers paten. It is folded so the altar for the as to catch any celebration of particles of the Host Mass. that may accidentally fall The altar A new Paschal candles: Mass candle is prepared must be and blessed every celebrated with year at the Easter natural candles Vigil. This light stands (more than 51% near the altar during bees wax), which the Easter Season signify the and near the presence of baptismal font Christ, our light. during the rest of the year. It may also stand near the casket during the funeral rites. The sanctuary lamp: Bells, rung during A candle, often red, the calling down that burns near the of the Holy Spirit tabernacle when the to consecrate the Blessed Sacrament is bread and wine present there.
    [Show full text]
  • Family Owned and Operated for 80 Years Quality Church Goods and Altar Linens **Custom Embroideries Available**
    Family Owned and Operated for 80 Years Quality Church Goods and Altar Linens **Custom Embroideries Available** 2019 - 2020 Catalog New Items on Pages: 11, 15, 28, 39, 44 Crafted With Pride In The U.S.A. For 80 Years MEASURING GUIDES Washable Plain and Embroidered Available With Buttons Albs and Surplices by Beau Veste and Ample Cut Sizes! 4662 4772 222 4885 4882 #4662 #4772 #222 #4885 #4882 Embroidered Eyelet Applied Smooth Poplin Polyester Monks Cloth, Smooth Silky Poplin Cassock Alb In White Linen Directly To The Fabric, With 1” Woven Lace Textured Polyester Polyester....$134.00 Weave Polyester With Two 2” And Easy Care.... $285.70 Bands On Cuffs & Linen Weave....$134.00 Lace Bands On Bottom and Bottom.....$178.00 Matching Surplice One On Cuffs...$194.50 Matching Surplice Matching Surplice #4884.....$107.00 #4661.....$236.50 Matching Surplice #4886.....$107.00 Matching Surplice #4771.....$149.00 #4883.....$158.00 Other Front Wrap Albs Available But Not All Albs shipped with Velcro Closures, Please Specify Buttons if Desired. shown: To order ample cut sizes just add the letters a/c after the size you are ordering. Now get the extra room where you need it, Larger cut in Neck, Chest and Shoulders #522 Lightweight Permanent Press Tropical Weight Pleated 65% Poly / 35% Combed Cotton 4337 4338 $124.00 Poly Wool Blend Albs Easy On and Off, No Buttons Or Velcro. #122 Each Alb Features A 12 Inch Zipper. Lightweight Front Wrap Alb Style #4337 Zipper On Shoulder $127.50 Style #4338 Zipper On Front $149.00 Each. #123 Lightweight Front Wrap Alb #333
    [Show full text]
  • The Holy Eucharist Rite One INTRODUCTION This Morning We Are Going to Depart from Our Usual Worship
    The Holy Eucharist Rite One INTRODUCTION This morning we are going to depart from our usual worship. As we celebrate the Holy Eucharist today, we are going to examine the different parts of the service and explain them as we go along. Our aim is to help us better understand the worship and help us to participate more fully in the Holy Eucharist. The Holy Eucharist is the principle act of Christian worship. As we proceed, we will pause for explanation of why we are doing what we are doing. There will be some historic and some theological explanations. This is a departure from our usual worship but hopefully it will help us all better appreciate and understand the richness of our liturgy. Vestments priest will vest as you talk The vestments the priest wears are derived from dress clothing of the late Roman Empire. The white outer garment is called an alb. It gets its name from the Latin word albus, which means white. It is derived from the commonest under garment in classical Italy, the tunic. It symbolizes purity, decency and propriety. It also represents being washed clean in the waters of baptism. The girdle or cincture is usually made of white linen or hemp. Functionally, it is for ease of movement when wearing the alb. Symbolically, it represents how we are all bound together in Christ. The stole was derived from a Roman ceremonial garland or scarf worn by Roman officials as an indication of his rank. Priests have worn the stole since at least the fourth century.
    [Show full text]
  • Vestments and Sacred Vessels Used at Mass
    Vestments and Sacred Vessels used at Mass Amice (optional) This is a rectangular piece of cloth with two long ribbons attached to the top corners. The priest puts it over his shoulders, tucking it in around the neck to hide his cassock and collar. It is worn whenever the alb does not completely cover the ordinary clothing at the neck (GI 297). It is then tied around the waist. It symbolises a helmet of salvation and a sign of resistance against temptation. 11 Alb This long, white, vestment reaching to the ankles and is worn when celebrating Mass. Its name comes from the Latin ‘albus’ meaning ‘white.’ This garment symbolises purity of heart. Worn by priest, deacon and in many places by the altar servers. Cincture (optional) This is a long cord used for fastening some albs at the waist. It is worn over the alb by those who wear an alb. It is a symbol of chastity. It is usually white in colour. Stole A stole is a long cloth, often ornately decorated, of the same colour and style as the chasuble. A stole traditionally stands for the power of the priesthood and symbolises obedience. The priest wears it around the neck, letting it hang down the front. A deacon wears it over his right shoulder and fastened at his left side like a sash. Chasuble The chasuble is the sleeveless outer vestment, slipped over the head, hanging down from the shoulders and covering the stole and alb. It is the proper Mass vestment of the priest and its colour varies according to the feast.
    [Show full text]
  • The Book of Common Prayer
    The Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church Together with The Psalter or Psalms of David According to the use of The Episcopal Church Church Publishing Incorporated, New York Certificate I certify that this edition of The Book of Common Prayer has been compared with a certified copy of the Standard Book, as the Canon directs, and that it conforms thereto. Gregory Michael Howe Custodian of the Standard Book of Common Prayer January, 2007 Table of Contents The Ratification of the Book of Common Prayer 8 The Preface 9 Concerning the Service of the Church 13 The Calendar of the Church Year 15 The Daily Office Daily Morning Prayer: Rite One 37 Daily Evening Prayer: Rite One 61 Daily Morning Prayer: Rite Two 75 Noonday Prayer 103 Order of Worship for the Evening 108 Daily Evening Prayer: Rite Two 115 Compline 127 Daily Devotions for Individuals and Families 137 Table of Suggested Canticles 144 The Great Litany 148 The Collects: Traditional Seasons of the Year 159 Holy Days 185 Common of Saints 195 Various Occasions 199 The Collects: Contemporary Seasons of the Year 211 Holy Days 237 Common of Saints 246 Various Occasions 251 Proper Liturgies for Special Days Ash Wednesday 264 Palm Sunday 270 Maundy Thursday 274 Good Friday 276 Holy Saturday 283 The Great Vigil of Easter 285 Holy Baptism 299 The Holy Eucharist An Exhortation 316 A Penitential Order: Rite One 319 The Holy Eucharist: Rite One 323 A Penitential Order: Rite Two 351 The Holy Eucharist: Rite Two 355 Prayers of the People
    [Show full text]
  • Master of Ceremonies for High Mass (Missa Cantata)
    MASTER OF CEREMONIES FOR HIGH MASS (MISSA CANTATA) REQUIREMENTS AND EXPECTATIONS OF A MASTER OF CEREMONIES A master of ceremonies (MC) must be what his title entails: the master, or expert, on the liturgical ceremonies. Hence, he must not only fully know the positions of the inferior ministers at High Mass, but also be acquainted with the celebrant’s actions. Additionally, the MC should have a thorough understanding of the general principles of the Roman Rite,1 be acquainted with the various liturgical books,2 the liturgical office of the schola and how it affects the MC’s position,3 and of course, the layout and preparation of the missal. The MC must also know how to correct a problematic situation with tact and discretion; this is especially true when advising the celebrant (C). In dealing with the servers, any corrections made (especially from a distance) should be as inconspicuous as possible. For minor matters, it is often better to simply let the matter pass and address it later outside of the ceremony in the sacristy. CONCERNING THE ORGANIZATION OF THE PREPARATIONS BEFORE MASS The MC must oversee all of the preparations that are necessary before the beginning of Mass. You must ensure they are done correctly and on time so that Mass may start as scheduled. As MC, you should remain the sacristy as much as possible, directing the preparations from there (there should be a permanent duties checklist in the sacristy assigning each server a specific duty to complete before Mass). In this way, you can ensure the servers are keeping silence in the sacristy, are organized and that any last minute details can be taken care of easily (such as replacing late servers).
    [Show full text]
  • What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
    SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately.
    [Show full text]