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SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY SATURDAY SEPT 20 KIDS MATINEE 1PM WHAT WE DID ON OUR HOLIDAY 6th LATIN AMERICAN AND SPANISH FILM WEEK // All films in their original language with English subtitles

DIRECTOR IN ATTENDANCE! Q & A after the show! SEPT 20 (3:00 MATINEE & 5:30 & 8:00) SEPT 21 (7:00 & 9:30) sept 22 (7:00 only) sept 23 (7:00 & 9:15) sept 24 (7:00 & 9:10) sept 25 (7:00 & 9:10) sept 26 (7:00 & 9:00) “A VIBRANT, HAUNTING DOCUMENTARY.” –Empire AMY HUICHOLES: THE LAST BIG HOUSE [Casa Grande] BEHAVIOUR [Conducta] BLONDES [Güeros] BEITBÚ Director: Asif Kapadia UK, 2015, 128 min; PG by Fellipe Barbosa (Brazil, 2014, 115 min) by Ernesto Daranas (Cuba, 2014, 108 min) by Alonso Ruizpalacios by Miguel Cohan (Argentina, 2014, 100 A star is born — all over again. Asif Kapadia’s documentary study of the great British PEYOTE GUARDIANS Set in Rio de Janeiro, Big House depicts Conducta provides a sensitive, unembel- (México, 2014, 106 min) min) soul queen Amy Winehouse, who died of alcohol poisoning at the age of 27, is stun- by Hernán Vilchez (Mexico, 2014, 125 min) a teenage boy’s struggle to escape his lished look at contemporary life in Cuba. Güeros follows three restless teens, Tomás, An industrialist is found with his throat cut ningly moving and powerful: intimate, passionate, often shocking, and almost mes- overprotective parents as they covertly It is the story of 11-year-old Chala, a rebel- Federico, and Santos, during a student strike in his mansion. The novelist Betibú agrees Huicholes: The Last Peyote Guardians is a merically absorbing. It’s a movie that responds instantly to Winehouse’s music and to spiral into bankruptcy. A coming-of-age lious kid in a dysfunctional family. Facing an in 1999. They hit the chaotic, exciting streets to move into the neighbourhood, a suburb story about the Wixarika People, one of the mystery of her voice: a rich Sarah Vaughan style that seemed to belong to a much film and a social commentary on Brazil’s unforgiving system, he has one person on of Mexico City looking for famed rock star of Buenos Aires, to write about the case for the last living Pre-Hispanic cultures in Latin older woman. It is an overwhelming story, and despite everyone knowing the ending, social inequalities, Big House tells a human his side: his teacher Carmela, who believes Epigmenio Cruz. One day they find him, but a newspaper. She discovers that this killing America, and their struggle to preserve it is as gripping as a thriller: Kapadia has fashioned and shaped it with masterly flair. story that captures dreams and anxieties in that no child is a lost cause. he is not what they thought he would be. is just one in a series of murders of power- Wirikuta, their sacred territory. —The Guardian today’s globalized economy. ful men who share a dark past. OCT 3 KIDS MATINEE 1PM SHAUN THE SHEEP MOVIE oct 2 & 3 (12:00 midnight only) “STUNNINGLY GOOD… THE ROCKY HORROR PICTURE SHOW DESPARATELY MOVING!” – Evening Standard The most popular, CRAZIEST cult film returns! Susan Sarandon and Barry Bostwick are a squeaky-clean couple in a scary mansion inhabited by a sweet transvestite from transsexual Transylvania (Tim Curry). Let’s Do The Time-Warp Again!

SEPT 27 (7:00 & 9:10) sept 28, 29, 30 & oct 1 (7:00 & 9:25) oct 2 & 3 (3:00 matinees 7:00 & 9:25) LIVING IS EASY WITH TESTAMENT OF YOUTH Director: James Kent UK, 2014, 129 min; PG nurse. This might seem like a genteel Downton Abbey wannabe if not for the painful “Testament of Youth” might be described as a feminist war film, because it is saturated EYES CLOSED Cast: Alicia Vikander, Kit Harington, Taron Egerton, Colin Morgan & Miranda Richardson sense of an entire generation being decimated. —Chicago Reader with Vera’s frustration at her parents’ limited ambitions for her and later with her con- by David Trueba (Spain, 2013, 108 min) Vera Brittain’s celebrated memoir of the British home front in World War I gets a pol- tempt for war. It isn’t until the end that she delivers a scathing antiwar diatribe.The movie ished Masterpiece Theatre treatment that fails to diminish the story’s wrenching emo- Vera and the other major characters are real-life figures who faced the horrors of the never asks us to regard her as a swoon-worthy angel of mercy but as a tough, smart Spain, 1966. Antonio, a schoolteacher and tional content. The free-thinking heroine (Alicia Vikander) clashes with her old-fashioned First World War. The movie is also the stronger for having no battle sequences or scenes woman of action who chokes back her fear and revulsion to do what must be done. avid Beatles fan, learns that John Lennon is father (Dominic West) over her ambition to attend Oxford, but this conflict soon fades depicting acts of courage, though you hear about such heroics after the fact. All this is —The New York Times filming in Andalucía, and sets out to meet into insignificance as her brother (Taron Egerton) and her fiancé (Kit Harington) are torn viewed through the eyes of Vera, portrayed by Alicia Vikander (“Ex Machina”), who gives him. A charming road movie! apart by their experiences in France and she interrupts her studies to become an army her character a purposeful edge of impatience and bitterness. “HEARTFELT…STIRRING…AND DEEPLY SATISFYING!” –The Times

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OCT 4 KIDS MATINEE 1PM SHAUN THE SHEEP MOVIE y Special Event! y y Special Event! y OCT 10 KIDS MATINEE 1PM INSIDE OUT Cinecenta tickets/passes not valid “AN ELEGANT PUZZLER THAT PRESENTS THE “GYLLENHAAL GIVES SAGE OF BAKER STREET DEALING WITH THE HIS ALL, NOTCHING UP ONE THING HE’S NEVER HAD TO CONTEND ONE OF HIS VERY BEST WITH BEFORE: HIS OWN EMOTIONS.” PERFORMANCES.” –Los Angeles Times Anti Violence Project will host a –Total Film discussion after the film oct 4 (3:00 matinee 5;30 & 8:00) & & only & matinee & oct 5 6 (7:00 9:25) oct 7 (6:00) Tickets $10 oct 8 (7:15 ) oct 9 10 (3:00 7:10 9:15) TESTAMENT OF YOUTH Director: James Kent SOUTHPAW THE HUNTING GROUND MR. HOLMES Director: Antoine Fuqua USA, 2015, 124 min; 14A I AM A GIRL (Kirby Dick, USA, 2015, 104 min, 14A) Director: Bill Condon UK, 2015, 104 min; rated G UK, 2014, 129 min; PG Cast: Jake Gyllenhaal, Rachel McAdams, Forest Whitaker (Rebecca Barry, Australia, 2013, 88 min) Cast: Alicia Vikander, Kit Harington, Taron Heartbreaking, infuriating, and unmissable Apologies to Benedict Cumberbatch, but what Ian McKellen does with Arthur Conan The Didi Society presents this documentary documentary on the epidemic of sexu- Doyle’s fictional detective is nothing short of magnificent. This is Holmes at 93, Egerton, Colin Morgan & Miranda Richardson It’s official: Jake Gyllenhaal is one of the best actors working today. He follows up last year’s Nightcrawler with this powerhouse, body-altering performance as Billy Hope, a top featuring six girls from disparate countries, al assault on college campuses—and the living on a Sussex farm, where he tends bees and relies on a widowed cook (Laura See Sept 28 - Oct 3 for description boxer who loses everything—his career and fortune, his self-control and dignity, and, most sharing their contrasting lives. As they come thornier issue of how and why schools don’t Linney) and her son (Milo Parker), a sleuth in training. In flashbacks, Holmes is devastating, his young daughter, who is put into state care when he’s declared an unfit of age, as dictated through their culture, we even pursue the vast majority of reported seen dealing with his last case and with a married woman who might have been “STUNNINGLY GOOD… parent. Gyllenhaal brings to the table the appropriate level of aggression, suffering, and, see remarkable heart-warming stories of cases. “Hunting” methodically builds the his great love. A riveting character study of a lion not going gentle into winter. finally, forceful determination when his fallen fighter decides to rise back up in order to resilience, bravery and humor. case that an integral part of our higher- —Rolling Stone DESPARATELY MOVING!” reclaim his daughter—not an easy task, in part because she’s clearly inherited his defiant education system isn’t just blemished but nature. —Film Comment broken. We need to fix it. —Entertainment –Evening Standard Weekly “SMART, SEDATE AND WELL ACTED.” –San Francisco Chronicle OCT 11 KIDS MATINEE 1PM INSIDE OUT y Special Event! y OCT 17 KIDS MATINEE 1PM ANT MAN for UVic Sustainability Week “POWERED BY BEAUTIFULLY CONTROLLED PERFORMANCES, OZON’S “GIRLFRIEND” SHOULD HAVE WILLING ART-HOUSE AUDIENCES LINING UP WORLDWIDE.” –Variety

Panel discussion after the film! oct 11 (1:00 & 3;00 matinees oct 12 (7:00 ONLY) oct 14 & 15 (7:00 & 9:15) oct 16 (3:15 matinee 7:00 & 9:20) oct 17 (1:00 & 3:15 matinees only 5:00 & 7:00) oct 13 (7:15 ) 7:00 & 9:20) “AN ABSOLUTE DELIGHT — FUNNY AND THE NEW GIRLFRIEND [UNE NOUVELLE AMIE] ANT-MAN CHARMING, FAST-MOVING AND FULL JUST EAT IT: François Ozon France, 2014, 108 min; French with subtitles Director: Peyton Reed USA, 2015, 117 min; PG INSIDE OUT OF SURPRISES.” –New York Times Romain Duris plays a closet cross-dresser in a performance of such loveliness it might The best thing about Ant-Man is that it plays like a charmingly tacky jet-suit robot picture Directors: Pete Docter & Ronaldo Del Carmen A FOOD WASTE STORY make your heart burst. Duris plays young dad David, whose wife dies, leaving him to raise for kids. It doesn’t have that familiar Marvel bloat. The key is that instead of everything get- USA, 2015, 102 min; rated G (Grant Baldwin, Canada, 2014, 74 min; G) their baby daughter. His wife’s best friend Claire (Anaïs Demoustier) barges in to find him ting gargantuan, the hero (Paul Rudd) shrinks down to the size of an insect and rides on the Pixar’s very clever animated film is about 11-year old Riley. Like all of us, Riley is guided by We all love food. So how could we possibly dressed in a pretty floral number. Claire calls him a pervert but slowly comes round to the backs of ants and other wee, winged creatures. Rudd plays Scott Lang, suddenly recruited her emotions: Joy (Amy Poehler), Fear (Bill Hader), Anger (Lewis Black), Disgust (Mindy be throwing nearly 50% of it in the trash? idea of David as ‘Virginia.’ This is their little secret and with all the skulking, Claire’s hus- by a scientist mogul (Michael Douglas) to help him stop an army of insect-size soldiers. Kaling) and Sadness (Phyllis Smith). The emotions live in Headquarters, the control cen- This documentary brings farmers, retailers, band suspects she’s having an affair. The film is loosely based on a story by Ruth Rendell —New York Magazine ter inside Riley’s mind. As Riley and her emotions struggle to adjust to a new life in San inspiring organizations, and consumers to and has a delicious chill of suspense running through it. What makes it special is that it Francisco, turmoil ensues in Headquarters. the table in a cinematic story that is equal has something to say about sexuality - feminine, masculine, gay, straight, and everything parts education and delicious entertain- in between. Virginia, intensely vulnerable but full of self-confidence, is one of a kind. “DELIGHTFUL!” –RogerEbert.com “MAGNIFICENT HEAD TRIP!” –Toronto Star ment. —Time Out London OCT 18 KIDS MATINEE 1PM ANT MAN OCT 24 KIDS MATINEE 1PM MINIONS

oct 18 (3:15 matinee 5:00 & 7:00) oct 19 & 20 (7:00 & 8:50) oct 21 & 22 (7:00 & 9:15) oct 23 & 24 (3:00 matinee 7:00 & 9:25) “INSPIRING” “ALL KINDS OF FUNNY!” LEARNING TO DRIVE HOW TO CHANGE THE WORLD –Virgin Movies TRAINWRECK –Chicago Tribune Director: Isabel Coixet USA/UK, 2014, 90 min Cast: Patricia Clarkson, Ben Kingsley Director: Jerry Rothwell Canada/UK, 2015, 112 minutes Director: Judd Apatow USA, 2015, 125 min; 14A In this touching, insightful and, at the end of the day, extremely well-meaning film, Patricia Clarkson plays book critic Wendy In 1971, Bob Hunter boarded a halibut seiner, and the world did indeed change. Evolving Amy Schumer makes you laugh till it hurts. She plays a writer for a men’s magazine run Shields, newly dumped by her husband Ted. Wendy, an intellectual and lover of words, has independence thrust upon her. Even a from his career as a journalist in Vancouver, Hunter was set, along with activists including by a roaringly funny Tilda Swinton. Amy is sent to interview a sports-medicine doctor (Bill New Yorker sometimes has to drive, and with Ted gone, she needs lessons. Ben Kingsley’s Darwan Singh Tur, a driving instructor is Paul Watson and Patrick Moore, on preventing nuclear tests on the island of Amchitka. Hader), who tends the likes of LeBron James. The stage is set for love. But wait. Amy will Wendy’s guide to standing on her own two feet. She’s a classic Manhattan liberal; he’s a Sikh immigrant. It’s a terrific odd-couple The seismic aftershock of their fool’s mission on the high seas was, as this splendid doc usually do a guy and dump him. Schumer wants to explode rom-com clichés and replace match, and their back-and-forth scenes are charming and sharp. “Learning to Drive” is based on a short autobiographical short from the U.K. attests, infinitely greater than any bomb. Greenpeace was born from that them with something fierce and ready to rumble. —Rolling Stone story by Katha Pollit. Clarkson is just terrific as the half-assured, half-scatterbrained woman on the cusp of retirement age, but caper. With a fluid assemblage of archival footage—lots of hippies, lots of twirling, lots Arguably the best live document who still has plenty of fire left. Kingsley is warm and vulnerable and one of those inspiring teachers you always wished you had. of Kitsilano—and some well-placed music, director Jerry Rothwell finds a satisfying route oct 23 & 24 (12:00 midnight) —The Guardian through an unwieldy tale. Hunter himself provides the narration, in unfailingly elegant of any band, ever, this is Talking “KINGSLEY AND CLARKSON SHARE AN UNDENIABLE CHEMISTRY, WITH EACH POSSESSING THE prose. He was uncomfortable as a de facto leader, but couldn’t help being a visionary. Heads at their creative peak, in- —Georgia Straight STOP MAKING SENSE cluding David Byrne in his big suit! ABILITY TO ELICIT BOTH SYMPATHY AND LAUGHS.” –Everythingzoomer (Jonathan Demme, USA, 1984, 88 min, G) OCT 25 KIDS MATINEE 1PM MINIONS OCT 31 KIDS MATINEE 1PM THE WIZARD OF OZ

oct 25 (3:00 matinee 5:30 & 8:00) oct 26 (7:10 & 9:00) oct 27 (7:10 & 9:00) oct 28 & 29 (7:00 & 9:30) OCT 30 & 31 (3:00 MATINEE & 7:10 & 9:15) TRAINWRECK CAVE OF FORGOTTEN HAROLD AND MAUDE THE FORBIDDEN ROOM THE GIFT Director: Judd Apatow (Hal Ashby · USA · 1971 · 91 min · G) Guy Maddin & Evan Johnson Canada, 2015, 130 minutes Director: Joel Edgerton USA, 2015, 108 min; 14A USA, 2015, 125 min; 14A This cult classic is the story of the bond If Canadian wunderkind Guy Maddin (“My Winnipeg”) is Winnipeg’s own living film leg- Simon (Jason Bateman) and Robyn (Rebecca Hall) are a young married couple whose life See October 23 & 24 for description. DREAMS between a death-obsessed young man (Bud end, “Forbidden Room” is his ultimate epic phantasmagoria. Honoring classic cinema is going just as planned until a chance encounter with an acquaintance from high school Werner Herzog Cort) from a wealthy family and a devil- while electrocuting it with energy, this film takes us around the world, and into dream- (director Joel Edgerton) sends their world into a harrowing tailspin. “‘The Gift’ remains Canada/USA, 2010, 90 min, G may-care, bohemian octogenarian (Ruth scapes, spinning tales of amnesia, captivity, deception and murder, skeleton women focused on the phantoms within. It’s that rarest of psychological thrillers: one that actu- An exclusive expedition into the Chauvet Gordon). Equal parts gallows humor and and vampire bananas. It’s Maddin’s grand ode to lost cinema. The film features Mathieu ally lives up to the words psychological thriller.” —Vulture “HILARIOUS AND Cave in France, home to the most ancient romantic innocence, It dissolves the lines Amalric, Udo Kier, Charlotte Rampling, Geraldine Chaplin, Roy Dupuis, Clara Furey, Louis visual art known by man. It’s a cinematic that separate people by class, gender, and Negin, Maria de Medeiros & Elina Löwensohn as a cavalcade of misfits, thieves and lovers, PROVOCATIVE!” experience that provides a unique glimpse age, and it features a remarkable soundtrack all joined in the joyful delirium of the kaleidoscopic viewing experience. —Mongrel Media of pristine art dating back 30,000 years. by Cat Stevens. —Criterion Collection “A TRULY BRILLIANT THRILLER!” –The Wrap —Slate –The Wrap NOV 1 KIDS MATINEE 1PM THE WIZARD OF OZ NOV 7 KIDS MATINEE 1PM TBA “TRANSCENDENT!” – Roger Ebert

NOV 1 (3:00 MATINEE & 5:30 & 8:00) NOV 2 (7:00 & 9:30) NOV 3 & 4 (7:10 & 9:15) NOV 5 (7:15 ONLY) NOV 6 & 7 (3:00 MATINEE & 7:15 & 9:00) “THIS IS TOMLIN’S MOVIE, AND SHE OBLIGES WITH A SPIKY, REFRESHINGLY MISSION IMPOSSIBLE: ROGUE NATION THE DIARY OF A TEENAGE GIRL 2001: A SPACE ODYSSEY GRANDMA UNVARNISHED PERFORMANCE.” Director: Christopher McQuarrie USA, 2015, 132 min; PG Director: Marielle Heller USA, 2015, 103 min; 18A Stanley Kubrick UK/USA, 1968, 141 min, G Director: Paul Weitz –Entertainment Weekly With the IMF disbanded, and Ethan (Tom Cruise) out in the cold, the team now faces off A brilliant take on the voyage into adulthood. This explicit film about a teen who comes With his virtuosic adaptation of Arthur C. USA, 2015, 82 minutes against a network of highly skilled special agents, highly trained operatives hellbent on of age in 1976 and has an affair with her mother’s boyfriend may be shocking, but what’s Clarke’s novel, Stanley Kubrick invented the Cast: Lily Tomlin, Julia Garner, Marcia Gay Harden, Laverne Cox, Sam Elliott creating a new world order through an escalating series of terrorist attacks. Ethan gathers most shocking is how even-handedly it tells the provocative story. Actor Marielle Heller modern science fiction film. Kubrick’s vision Director Paul Weitz hand-tailored a honey of a role for Lily Tomlin. Playing an ill-tempered his team and joins forces with a disavowed British agent (Rebecca Ferguson), who may adapts Phoebe Gloeckner’s autobiographical graphic novel and makes a crystalline better reveals itself the more times you see lesbian on an odyssey to raise the money her granddaughter needs for an abortion, or may not be a member of this rogue nation. directing debut. “I had sex today. Holy shit!” This, Minnie (Bel Powney), confides to her the film. The story jumps from a pre-historic Tomlin is in her glorious element. It doesn’t hurt that there are numerous other expertly best friend after striding, full swagger, back to the apartment where she lives with her era to a futuristic space age when man gauged performances to savor, plus a bundle of heart, in this consistently funny and single mother (Kristen Wiig). Seldom has teenage sexual awakening been covered from discovers proof of intelligent alien life in poignant comedy-drama. While it’s very much Tomlin’s show, the movie is actually about “THE MOST ASSURED AND SATISFYING OF THE a female perspective quite so frankly or delicately. —The Globe and Mail the form of a black monolith on the moon. three generations of women — and the forces that shape and scar them. Everything in —Cole Smithey the movie revolves around the irreplaceable Tomlin, and rightly so. Anybody who loves FIVE SO FAR.”–Chicago Tribune “BELIEVABLE, HOPEFUL, TENDER, DELIGHTFUL.” –Time her won’t want to miss this. —The Hollywood Reporter

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