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The Black Women's Studies Booklist: Emergent Themes in Critical Race and Gender Research
The Black Women’s Studies Booklist Emergent Themes in Critical Race and Gender Research A Thousand Points of Praxis and Transformation Stephanie Y. Evans | © 2019* Sesa Wo Suban https://bwstbooklist.net/ ALPHABETICAL LIST The Black Women’s Studies Booklist is a web resource that contributes to the growth, development, and institutionalization of Black women’s studies (BWST). By collecting over 1,400 book publications and organizing them thematically, this comprehensive bibliography clarifies past, present, and forthcoming areas of research in a dynamic field. The BWST Booklist is useful as a guide for research citation, course instruction, and advising for undergraduate/graduate projects, theses, dissertations, and exams. For a full introduction and detailed description of the project, view the “THEMATIC LIST” located on the BWST Booklist website https://bwstbooklist.net/. Updated February 16, 2019 Against the Closet: Identity, Political Longing, and Black Fguration by Aliyyah Abdur- Rahman | Aug 21, 2012 Female Subjects in Black and White: Race, Psychoanalysis, Feminism May 28, 1997 by Elizabeth Abel Female Highlife Performers in Ghana: Expression, Resistance, and Advocacy Jul 27, 2018 by Nana Abena Amoah-Ramey and A.B. Assensoh *APA Citation: Evans, S. Y. (February 16, 2019). The Black Women's Studies Booklist: Emergent Themes in Critical Race and Gender Research. Retrieved from https://bwstbooklist.net/ BWST Booklist, S. Y. Evans ©2019 | page 1 Send Us a Lady Physician: Women Doctors in America, 1835-1920 Jan 17, 1986 by Ruth J. Abram The Legacy of Efua Sutherland: Pan-African Cultural Activism January 30, 2008 by Anne V. Adams Love of Freedom: Black Women in Colonial and Revolutionary New England Feb 1, 2010 by Catherine Adams and Elizabeth H. -
Black Lives Matter: a Continuing Revolution
Black Lives Matter: a Continuing Revolution Author: Ine Sijberts Student Number Author: 4377761 Institution: Radboud Universiteit Nijmegen Department: Department of North-American Studies Date of Delivery: June 15, 2016 Supervisor: Dr. M. Roza Email: [email protected] Second Reader: Dr. M. van Gageldonk Email: [email protected] BA Thesis / Sijberts, I. / s4377761 /1 ENGELSE TAAL EN CULTUUR Teacher who will receive this document: Dr. M. Roza Title of document: Thesis; Black Lives Matter: A Continuing Revolution Name of course: BA Werkstuk Date of submission: 15-06-2016 The work submitted here is the sole responsibility of the undersigned, who has neither committed plagiarism nor colluded in its production. Signed Name of student: Ine Sijberts Student number: 4377761 BA Thesis / Sijberts, I. / s4377761 /2 Table of Contents Abstract ...................................................................................................................................... 3 Keywords ................................................................................................................................... 3 Preface ........................................................................................................................................ 4 Introduction ................................................................................................................................ 5 Chapter 1; Racial Inequalities and American ‘Colorblindness’ ............................................... 10 Chapter 2; Black Lives Matter -
The Women on the Frontlines of the Revolution
History in the Making Volume 10 Article 20 January 2017 The Women on the Frontlines of the Revolution Raquel Holguin CSUSB Lark Winner CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Political History Commons, and the Women's History Commons Recommended Citation Holguin, Raquel and Winner, Lark (2017) "The Women on the Frontlines of the Revolution," History in the Making: Vol. 10 , Article 20. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol10/iss1/20 This History in the Making is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. History in the Making The Women on the Frontlines of the Revolution By Raquel Holguin and Lark Winner The 2016 presidential election brought to the surface how deeply divided the United States is politically and socially. Many issues that seemed mostly settled, such as the right to abortions, gender equality, protected civil rights for the LGBTQ community, and environmental protections, have resurfaced to become front-page, hot button issues that are in danger of being overturned. For many armchair liberals, the Obama years seemed to demarcate an era where an inclusive liberal agenda was taken for granted, and an era where a slow, continual path towards progressive ideals was inevitable – regardless of minor battles or small setbacks. For those on the fringes of radical, left-wing political activism, the previous eight years have been a source of contention, where the surface- level achievements of a moderately progressive administration have drowned out serious issues related to police brutality, rape culture, systemic racism, and a massive military industrial complex that needs continual conflict in order to maintain its profit margins and relevance. -
Upending the “Racial Death-Wish”: Black Gay Liberation and the Culture of Black Homophobia
UPENDING THE “RACIAL DEATH-WISH”: BLACK GAY LIBERATION AND THE CULTURE OF BLACK HOMOPHOBIA A Thesis presented to the Faculty of California Polytechnic State University, San Luis Obispo In Partial Fulfillment of the Requirements for the Degree Master of Arts in History by Kailyn Pope June 2021 © 2021 Kailyn Pope ALL RIGHTS RESERVED ii COMMITTEE MEMBERSHIP TITLE: Upending the “Racial Death-Wish”: Black Gay Liberation and the Culture of Black Homophobia AUTHOR: Kailyn Pope DATE SUBMITTED: June 2021 COMMITTEE CHAIR: Andrew Morris, Ph.D. Professor of History COMMITTEE MEMBER: Kathleen Cairns, Ph.D. Lecturer Emeritus of History COMMITTEE MEMBER: Thomas Trice, Ph.D. Associate Professor of History iii ABSTRACT Upending the “Racial Death-Wish”: Black Gay Liberation and the Culture of Black Homophobia Kailyn Pope This thesis analyzes the origin and impact of Black homophobia found in activist spaces of mid- to late-twentieth-century American society. Black gay Americans were subjected to intersecting forms of systemic and cultural oppression that were exceedingly hard to escape due to both the homophobia in Black spaces and the racism in gay spaces. Black gay activists and artists thus had to create their own avenues of expression where they and others could fully embrace what it meant to be Black and gay. This work utilizes a Black feminist framework to explore the roots of Black homophobia and how this type of bigotry was able to so deeply infiltrate Black activist spaces like the Civil Rights Movement and the Black Panther Party. Black homophobia originated as a response to White supremacist domination of the Black body, and was able to spread through the community for generations through paths such as hypermasculinity, the Black church, and misogynoir. -
Quaesitum the Undergraduate Research Journal of the University of Memphis
QuaesitUM The Undergraduate Research Journal of The University of Memphis Spring 2018 http://www.memphis.edu/quaesitum/ i QuaesitUM is an annual publication that provides an academic forum where University of Memphis undergraduate students can showcase research from all disciplines. QuaesitUM © 2018 Te University of Memphis http://www.memphis.edu/quaesitum/ ISSN 2375-5423 ii Editorial Board Editor-in-Chief Dr. Sage Graham Technical Editor Scott Dutt iii To Our Readers When we began Quaesitum (“The Q”) fve years ago, our vision was to represent the ways that students across disciplines at the University of Memphis exemplify quality research. We sought papers that provided new and innovative approaches to scholarship – new perspectives, new ex- perimental designs, new tested results. As we noted then, the name of the journal, Quaesitum (v. to seek or to ask), captures the essence of scholar- ship – the drive for exploration and the inquisitiveness that fuels academic work. As Zora Neal Hurston put it, “Research is formalized curiosity. It is poking and prying with a purpose.” In this, our ffth volume, we have compiled a collection of papers that represents the high caliber of work that our students produce. Person- ally, the journey of the past fve years has been very fulflling, as I have witnessed our students growing from being solely ‘consumers’ of knowl- edge, to contributors and producers who engage in the scholarly ‘conver- sation’ that helps us better understand the world around us. This conversa- tion stretches across disciplines as diverse as Biology, Women’s Studies, Linguistics, Biomedical Engineering, Hospitality & Resort Management, Economics, and Civil Engineering, and speaks to an interdisciplinarity that can only make our efforts stronger. -
Panther Magazine, March 2, 2017 Florida International University
Florida International University FIU Digital Commons Beacon Magazine Special Collections and University Archives 3-2-2017 Panther Magazine, March 2, 2017 Florida International University Follow this and additional works at: https://digitalcommons.fiu.edu/student_magazine Recommended Citation Florida International University, "Panther Magazine, March 2, 2017" (2017). Beacon Magazine. 23. https://digitalcommons.fiu.edu/student_magazine/23 This work is brought to you for free and open access by the Special Collections and University Archives at FIU Digital Commons. It has been accepted for inclusion in Beacon Magazine by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. PANTHER MAGAZINE Vol. 1 Issue 8 A Forum for Free Student Expression at Florida International University One copy per person. Additional copies are 25 cents. CELEBRATING HER-STORY STUDENTS CAYLA BUSH/PANTHER PRESS Data shows the male to female ratio during the 2016-2017 academic year at the University compared to the ratio of women in administrative positions. Sources: FIU Analysis and Management, FIU Administration Index. University appoints College of Business dean GUETHSHINA ALTENA Li is the vice president of the Council of one of the most metropolitan cities in the Assistant Sports Director Chinese American Deans and the president world, Hong Kong, which she says is a and treasurer of the Mid-American financial center in Asia. The University has a great mission, Business Deans Association. When asked “That actually nurtured my interest in according to its newest dean. why she wanted to be the dean of the business. I became a finance professor Joanne Li, Ph.D., has been appointed as College of Business, Li’s answer was: because I find finance to be very the next dean of the University’s College “why not?” fascinating” she said. -
What You See Is What You Get…But That Ain’T What We Want: Decolonizing African American Protest and Identity Politics Through Popular Culture.”
“What You See is What You Get…But That Ain’t What We Want: Decolonizing African American Protest and Identity Politics through Popular Culture.” by Marquita R. Reed A Dissertation Submitted in Partial Fulfillment of the Requirements of the Degree of Doctor of Philosophy in Public History Middle Tennessee State University December 2018 Dissertation Committee Dr. Carroll Van West Dr. Louis Woods Dr. John Fleming Dr. Thomas Bynum I dedicate this research to all the Black Girl Nerds. ii Acknowledgements I would like to thank my Mother who has always been my most ardent supporter. I would like to thank my family including my father, aunts, and uncle who have supported me along to way. To my sisters I thank you for timely phone calls and laughs. To those friends who started this journey with me Shawn, Learnen, Mo I thank you. To the wonderful friends I have the great fortune to meet along the way Torren, Tiffany, Sarah Taylor, Ronny thanks for always being there and believing in me especially when didn’t believe in myself. To my NMAAM family thank you for supporting my work and provide a place for me to grow professionally. I would also like to thank Dr. West, Dr. Woods. Dr. Bynum and Dr. Fleming for supporting me and pushing me examine historical narratives through popular culture. iii ABSTRACT The way in which the public remembers Black Power, is often presented through the lens of a dominate historical narrative which separates it from the Black Freedom Struggle. It creates a dichotomy between the Civil Rights Movement and Black Power Movement that need not exist This narrative erases the thoughts and ideas that the Black community had about Black Power and the place that Black Power holds within the Black Freedom Struggle. -
'Every Woman Knows a Weinstein': Political Whiteness in #Metoo And
Cite as: Phipps, Alison. 2019. “Every woman knows a Weinstein: political whiteness in #MeToo and public feminisms around sexual violence’, currently under review by Feminist Formations. ‘Every woman knows a Weinstein’: political whiteness in #MeToo and public feminisms around sexual violence Abstract This paper explores how whiteness shapes public feminisms around sexual violence, using #MeToo as a case study. I argue that contemporary survivor stories are both embraced and repudiated in a testimonial, neoliberal context, in which the ‘wounds’ of the backlash are also dominating public discourse. Furthermore, although there are important differences between them, the ‘wounded attachments’ (Brown 1995) of sexual violence feminisms and the backlashes against them reflect political whiteness. I theorize this as an orientation to/mode of politics which employs both symbolic tropes of white woundability and interpersonal performances of white fragility (DiAngelo 2011), and tends to invoke state and institutional power to redress personal injury. Political whiteness echoes the colloquial term ‘white feminism’ but encompasses progressive and reactionary white politics: acknowledging the constitutive power of race exposes continuities between the two. However, alternatives articulated by women of color may invite different problematics, for instance intersecting with neoliberal notions of resilience. Challenging political whiteness is therefore not simply a case of including more diverse narratives: this must be done alongside an examination -
What Is Black Twitter? a Rhetorical Criticism of Race, Dis/Information, and Social Media
CHAPTER 5. WHAT IS BLACK TWITTER? A RHETORICAL CRITICISM OF RACE, DIS/INFORMATION, AND SOCIAL MEDIA Alexandria Lockett Spelman College Key Words and Concepts: Black Rhetoric, Blackness, Surveillance, Disinformation, Information Warfare, Hashtags “I TWITTER, THEREFORE I AM BLACK, OR AM I BLACK AND THEREFORE I TWITTER?” Black Twitter tells a powerful story about emerging digital racial literacies and their relationship to a long history of anti-Black information warfare. Through a constellation of hashtags, Black Twitter maps onto archived demonstrations of Black cultural discourse. Its users critically exchange stories about bearing witness to the absurdity of race and racism. These include having humorous dis- cussions about shared racial experiences (#Growingupblack and #Thanksgiving- withBlackFamilies), critiquing Black mis/representation in media and entertain- ment (#OscarsSoWhite and #CNNBeLike], putting racist White folks on blast (#AskRachel and #PaulasBestDishes], and making structural anti-Black racism more publicly visible (#Icantbreathe, #NotJustUVA, #reclaimOSU, and #Black- LivesMatter]. Such hashtags have generated countless conversation threads that appeal to a vast global network of (presumably and predominantly) Black social media users.1 Throughout this chapter, I argue that Black Twitter should be read as a text comprised of narratives about digitally mediated Black cultural preservation and expression. I will show how Black Twitter serves as a living archive of collective 1 #BlackLivesMatter has been the most extensively studied hashtag that is associated with Black Twitter. According to one report, “[#BlackLivesMatter] has been used nearly 30 million times on Twitter – an average of 17,002 times per day – as of May 1, 2018.” (Anderson et al. Activism in the Social Media Age). -
Accountability As Rhetorical Practice for Queer, Feminist, and Racial Justice Allyship
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 5-2018 "We're asking you to show up" : accountability as rhetorical practice for queer, feminist, and racial justice allyship. Laura Tetreault University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric and Composition Commons Recommended Citation Tetreault, Laura, ""We're asking you to show up" : accountability as rhetorical practice for queer, feminist, and racial justice allyship." (2018). Electronic Theses and Dissertations. Paper 2982. https://doi.org/10.18297/etd/2982 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “WE’RE ASKING YOU TO SHOW UP”: ACCOUNTABILITY AS RHETORICAL PRACTICE FOR QUEER, FEMINIST, AND RACIAL JUSTICE ALLYSHIP By Laura Tetreault B.A., University of Rhode Island, 2010 M.F.A., Emerson College, 2013 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, Kentucky May 2018 Copyright 2018 by Laura Tetreault All rights reserved “WE’RE ASKING YOU TO SHOW UP”: ACCOUNTABILITY AS RHETORICAL PRACTICE FOR QUEER, FEMINIST, AND RACIAL JUSTICE ALLYSHIP By Laura Tetreault B.A., University of Rhode Island, 2010 M.F.A., Emerson College, 2013 A Dissertation Approved On April 10, 2018 by the following Dissertation Committee: __________________________________ Karen Kopelson Dissertation Director ___________________________________ Mary P. -
MEDIA KIT FUTURO MEDIA: an Independent Non-Profit Media Organization Founded in 2010 by Award-Winning Latina Journalist Maria Hinojosa
IN THE THICK A podcast about politics, race and culture from a POC perspective MEDIA KIT FUTURO MEDIA: An independent non-profit media organization founded in 2010 by award-winning Latina journalist Maria Hinojosa. IN THE THICK: A weekly podcast by Futuro Media that covers the latest in politics and the news from a POC perspective hosted by award winning journalists, Maria Hinojosa and Julio Ricardo Varela. TO LEARN MORE: https://www.inthethick.org MEDIA CONTACT: Luis Luna at [email protected] MARIA HINOJOSA FOUNDER OF FUTURO MEDIA AND CO-HOST OF IN THE THICK Award-winning reporter covering America’s untold stories informing millions about the changing cultural and political landscape in America and abroad Anchor and Executive Producer of NPR’s Latino USA and PBS’ America By The Numbers with Maria Hinojosa 25-year career history includes reporting for PBS, CBS, WNBC, CNN, NPR, Frontline, CBS Radio, and anchoring Maria Hinojosa: One-on-One Awards include: the Peabody Award, 4 Emmys, the John Chancellor Award, the Studs Terkel Community Award, the Robert F. Kennedy Award and the Edward R. Murrow Award. JULIO RICARDO VARELA CO-HOST OF IN THE THICK AND FOUNDER OF LATINO REBELS Award-winning digital journalist whose work has been featured in several outlets including the New York Times, The Washington Post, Democracy Now!, The Guardian, ESPN, MSNBC, Univision, Telemundo, CBS News, NBC News, WNYC, WGBH, and The Boston Globe. Has written and edited more than 500 online articles for LatinoUSA.org, generating more than three million views since joining Futuro in 2015. In 2011, founded Latino Rebels, one of the top independent Latino media sites in the world. -
Browngirl Narratives Final Draft Reddy 8.15.13
ABSTRACT: Title of Dissertation: BROWNGIRL NARRATIVES: EXPLORING COMING OF AGE IN THE GOLDEN ERA OF HIP HOP (1986-1996) Melissa Kim Chae Reddy, Doctor of Philosophy, 2013 Dissertation Directed By: Associate Professor Psyche Williams-Forson Department of American Studies “Browngirl Narratives” seeks to gain a clearer understanding of what we can learn from the textual evidence about the experiences of browngirls who came of age during the post-civil rights Golden Age of Hip Hop (1986-1996) by examining the contemporary literature, film, social media and music produced by and about these black women. It is an inquiry into the ways in which browngirls who came of age in the United States1 negotiate the dominant scripts that exist in their lives––literature, music, film, television and the Internet––to create and craft their own stories. The aim here is to utilize an interdisciplinary, black female-centered framework to fully problematize phenomena such as self-creation, empowerment, and sexual exploration in the lives of black women who came of age during the approximate ten year period of 1986-196. This study is an examination of black female bidungsromane–– black female cultural texts which illustrate the coming of age and/or development processes. Additionally it is an investigation into what we can learn about the ongoing 1! The United States and its territories such as Guam, Northern Mariana Islands, Puerto Rico and U.S. Virgin Islands, American Samoa, U.S. Minor Outlying Islands. individuation processes for post-civil rights browngirls by engaging texts produced by and about these women. “Browngirl Narratives,” examines various literary, visual and aural texts by and/or about women of African descent that explore coming of age in the lives of browngirls who came of age in Golden Era.