The Complete Western Stories of Elmore Leonard Free
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Elmore Leonard, 1925-2013
ELMORE LEONARD, 1925-2013 Elmore Leonard was born October 11, 1925 in New Orleans, Louisiana. Due to his father’s position working for General Motors, Leonard’s family moved numerous times during his childhood, before finally settling in Detroit, MI in 1934. Leonard went on to graduate high school in Detroit in 1943, and joined the Navy, serving in the legendary Seabees military construction unit in the Pacific theater of operations before returning home in 1946. Leonard then attended the University of Detroit, majoring in English and Philosophy. Plans to assist his father in running an auto dealership fell through on his father’s early death, and after graduating, Leonard took a job writing for an ad agency. He married (for the first of three times) in 1949. While working his day job in the advertising world, Leonard wrote constantly, submitting mainly western stories to the pulp and/or mens’ magazines, where he was establishing himself with a strong reputation. His stories also occasionally caught the eye of the entertainment industry and were often optioned for films or television adaptation. In 1961, Leonard attempted to concentrate on writing full-time, with only occasional free- lance ad work. With the western market drying up, Leonard broke into the mainstream suspense field with his first non-western novel, The Big Bounce in 1969. From that point on, his publishing success continued to increase – with both critical and fan response to his works helping his novels to appear on bestseller lists. His 1983 novel La Brava won the Edgar Award for best mystery novel of the year. -
Hombre: a Novel
[Read and download] Hombre: A Novel Hombre: A Novel Von Elmore Leonard DOC | *audiobook | ebooks | Download PDF | ePub Produktinformation -Verkaufsrang: #277008 in eBooksVerffentlicht am: 2009-10-13Erscheinungsdatum: 2009-10-13File Name: B000FC2IWG | File size: 25.Mb Von Elmore Leonard : Hombre: A Novel before purchasing it in order to gage whether or not it would be worth my time, and all praised Hombre: A Novel: KundenrezensionenHilfreichste Kundenrezensionen4 von 4 Kunden fanden die folgende Rezension hilfreich. Leonard's Westerns are the real deal!Von RK HawkinsIt is unbelievable, but true: put your hands on a Leonard western once and you won't be able to get away from them before you've read all there are - once you pop, you can't stop.To my knowledge, there are eight Leonard westerns available at :1. Gunsights2. The Bounty Hunters3. Hombre4. Valdez is Coming5. Last Stand at Saber River6. Escape from Five Shadows7. The Law at Randado8. Forty Lashes Less OneRead them all. That's all I have to say. Read them all and find out just how good they are for yourselves. This is addicting stuff. Cocaine is nothing, compared with a western penned by Elmore Leonard.0 von 0 Kunden fanden die folgende Rezension hilfreich. The script for a great movieVon H. KraussMany of us may have first known it as Martin Ritt's classic Western from 1967 starring Paul Newman. Reading the book you have to try NOT to visualise the scenes in the film. So what can one say, great adaptation!The only major differences are the introductory mustanging scenes in the film and the narrative perspective in the book. -
[Idcyr.Ebook] Hombre Pdf Free
IdCyR [Download free pdf] Hombre Online [IdCyR.ebook] Hombre Pdf Free Elmore Leonard ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook #5741741 in Books 2017-02-21Formats: Audiobook, MP3 AudioOriginal language:EnglishRunning time: 15720 secondsBinding: Audio CD | File size: 26.Mb Elmore Leonard : Hombre before purchasing it in order to gage whether or not it would be worth my time, and all praised Hombre: 1 of 1 people found the following review helpful. HombreBy CpheI haven't read anything by the author, nor viewed the movie adaption so can't compare the two however it's no secret that I enjoy a good "western".The story unfolds through the eyes of Carl Allen who is a passenger on a stagecoach that is waylaid by robbers. Among the passengers is John Russell a white man who spent his early years living amongst the Indians.This is a novel of prejudice and greed versus survival and moral integrity. Good versus evil. Loved the setting and the style. The delivery suited the environment the barren and arid desert. Enjoyed the characters presented here, particularly the enigmatic and taciturn John Russell who walks between two worlds.This is more of a longer length novella but well written I thought and offers more than just a novel of the western genre.0 of 0 people found the following review helpful. suspense goes on and on between spurts of actionBy Ricky BAn unusual western in that there are lots of taut situations where the waiting and stand-offs are filled with a terse suspense. -
WED 5 SEP Home Home Box Office Mcr
THE DARK PAGESUN 5 AUG – WED 5 SEP home home box office mcr. 0161 200 1500 org The Killing, 1956 Elmore Leonard (1925 – 2013) The Killer Inside Me being undoubtedly the most Born in Dallas but relocating to Detroit early in his faithful. My favourite Thompson adaptation is Maggie A BRIEF NOTE ON THE GLOSSARY OF life and becoming synonymous with the city, Elmore Greenwald’s The Kill-Off, a film I tried desperately hard Leonard began writing after studying literature and to track down for this season. We include here instead FILM SELECTIONS FEATURED WRITERS leaving the navy. Initially working in the western genre Kubrick’s The Killing, a commissioned adaptation of in the 1950s (Valdez Is Coming, Hombre and Three- Lionel White’s Clean Break. The best way to think of this season is perhaps Here is a very brief snapshot of all the writers included Ten To Yuma were all filmed), Leonard switched to Raymond Chandler (1888 – 1959) in the manner of a music compilation that offers in the season. For further reading it is very much worth crime fiction and became one of the most prolific and a career overview with some hits, a couple of seeking out Into The Badlands by John Williams, a vital Chandler had an immense stylistic influence on acclaimed practitioners of the genre. Martin Amis and B-sides and a few lesser-known curiosities and mix of literary criticism, geography, politics and author American popular literature, and is considered by many Stephen King were both evangelical in their praise of his outtakes. -
Looking Back: Elmore Leonard Elmore Leonard (B. Oct. 11, 1925
Looking Back: Elmore Leonard Elmore Leonard (b. Oct. 11, 1925), American novelist & screenwriter, died on August 20. – Aug. 20, Leonard was best known for writing crime fiction: fast-paced novels about ex-cons, aspiring kidnappers, gun dealers and loan sharks, and the world-weary lawmen who chase them, often as not shaking their heads over how damned dumb criminals can be. For more about Leonard, his style, and best stuff, follow the link. Leonard was born in New Orleans, but his family moved frequently. In 1934, they settled in Detroit, which remained his home for the rest of his life. After serving in World War Two, he began his writing career while working with an advertising agency. His earliest novels were Westerns, but he went on to specialize in crime fiction and suspense thrillers. He became known as the Dickens of Detroit for the use of that locale in his stories. His best-known works include Get Shorty, Out of Sight, Rum Punch, Glitz, Cuba Libre and Mr. Majestyk. His western stories include ones that became the films Hombre and 3:10 to Yuma. In an article called ‘Why Elmore Leonard Matters,” Laura Williams said “his novels were always expertly plotted and sardonically funny” but what made it “impossible to forget about anything Elmore Leonard ever wrote was his voice.” His writing was short on description but filled with dialogue that “sounds exactly like the way people speak.” Like Mark Twain, Leonard believed he could “tell his readers everything worth knowing about Americans by showing them how we talk. In a 2001 essay, Leonard advised aspiring writers to “go easy on the adverbs” and skip the “hooptedoodle. -
Out of Sight: a Novel by Elmore Leonard [Book]
Out of Sight: A Novel by Elmore Leonard book Ebook Out of Sight: A Novel currently available for review only, if you need complete ebook Out of Sight: A Novel please fill out registration form to access in our databases Download here >> Paperback:::: 352 pages+++Publisher:::: William Morrow Paperbacks; Reprint edition (December 26, 2012)+++Language:::: English+++ISBN- 10:::: 0062227874+++ISBN-13:::: 978-0062227874+++Product Dimensions::::5.3 x 0.8 x 8 inches++++++ ISBN10 0062227874 ISBN13 978-0062227 Download here >> Description: Before there was Raylan, there was Sisco... U.S. Marshal Karen Sisco is on the hunt for world-class gentleman felon Jack Foley in Out of Sight, New York Times bestselling author Elmore Leonard’s sexy thriller that moves from Miami to the Motor City.Based on Miami, Floridas Gold Coast, U.S. Marshal Karen Sisco isn’t about to let a expert criminal like Jack Foley successfully bust out of Floridas Glades Prison. But there’s a major score waiting for him in Detroit, and a shotgun-wielding marshal isn’t going to stop Foley from getting it.Neither counted on sharing a cramped car trunk—or on a sizzling chemistry that’s working overtime. As soon as Sisco escapes, Foley is already missing her.Sisco can’t forget Foley either—and she isn’t about to let him go. Too bad the next time their paths cross, it’s going to be about business, not pleasure. Never watch a movie before reading the book except with Valdez is Coming. The book and the movie overlap closer than any other book-movie combination I can think of. -
Red and White on the Silver Screen: the Shifting Meaning and Use of American Indians in Hollywood Films from the 1930S to the 1970S
RED AND WHITE ON THE SILVER SCREEN: THE SHIFTING MEANING AND USE OF AMERICAN INDIANS IN HOLLYWOOD FILMS FROM THE 1930s TO THE 1970s a dissertation submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Bryan W. Kvet May, 2016 (c) Copyright All rights reserved Except for previously published materials Dissertation Written by Bryan W. Kvet B.A., Grove City College, 1994 M.A., Kent State University, 1998 Ph.D., Kent State University, 2015 Approved by ___Kenneth Bindas_______________, Chair, Doctoral Dissertation Committee Dr. Kenneth Bindas ___Clarence Wunderlin ___________, Members, Doctoral Dissertation Committee Dr. Clarence Wunderlin ___James Seelye_________________, Dr. James Seelye ___Bob Batchelor________________, Dr. Bob Batchelor ___Paul Haridakis________________, Dr. Paul Haridakis Accepted by ___Kenneth Bindas_______________, Chair, Department of History Dr. Kenneth Bindas ___James L. Blank________________, Dean, College of Arts and Sciences Dr. James L. Blank TABLE OF CONTENTS…………………………………………………………………iv LIST OF FIGURES………………………………………………………………………v ACKNOWLEDGEMENTS……………………………………………………………...vii CHAPTERS Introduction………………………………………………………………………1 Part I: 1930 - 1945 1. "You Haven't Seen Any Indians Yet:" Hollywood's Bloodthirsty Savages……………………………………….26 2. "Don't You Realize this Is a New Empire?" Hollywood's Noble Savages……………………………………………...72 Epilogue for Part I………………………………………………………………..121 Part II: 1945 - 1960 3. "Small Warrior Should Have Father:" The Cold War Family in American Indian Films………………………...136 4. "In a Hundred Years it Might've Worked:" American Indian Films and Civil Rights………………………………....185 Epilogue for Part II……………………………………………………………….244 Part III, 1960 - 1970 5. "If Things Keep Trying to Live, the White Man Will Rub Them Out:" The American Indian Film and the Counterculture………………………260 6. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
Richard Brooks the PROFESSIONALS 1966, (119 Min.)
September 30, 2008 (XVII:6) Richard Brooks THE PROFESSIONALS 1966, (119 min.) Produced, written and directed by Richard Brooks Original Music by Maurice Jarre Cinematography by Conrad L. Hall Film Editing by Peter Zinner Burt Lancaster... Bill Dolworth Lee Marvin... Henry 'Rico' Fardan Robert Ryan... Hans Ehrengard Woody Strode... Jake Sharp Jack Palance... Jesus Raza Claudia Cardinale... Mrs. Maria Grant Ralph Bellamy... Joe Grant Joe De Santis... Ortega Nominated for Best Cinematography, color, Best Director and Best writing, screenplay based on material from another medium Oscars RICHARD BROOKS (18 May 1912, Philadelphia, Pennsylvania— Oscars (Atlantic City, 1980, Birdman of Alcatraz 1962, From 11 March 1992, Beverly Hills, California, congestive heart Here to Eternity 1953) and won one (Elmer Gantry 1960). Some failure) wrote 36 screenplays and directed 24 films. Some of the of his other 86 films were Field of Dreams (1989), Zulu Dawn films he wrote and directed were Looking for Mr. Goodbar (1979), Go Tell the Spartans (1978), The Island of Dr. Moreau (1977), In Cold Blood (1967), The Professionals (1966), Lord Jim (1977), Twilight's Last Gleaming (1977), The Cassandra Crossing (1965), Sweet Bird of Youth (1962), Elmer Gantry (1960), Cat on (1976), Victory at Entebbe (1976—as Shimon Peres), Buffalo Bill a Hot Tin Roof (1958), The Brothers Karamazov (1958), and the Indians, or Sitting Bull's History Lesson (1976), Ulzana's Something of Value (1957), and Blackboard Jungle (1955). He Raid (1972), Valdez Is Coming (1971), Airport (1970), The Gypsy was nominated for 5 Best Screenplay and 3 Best Director Oscars Moths (1969), Castle Keep (1969), The Swimmer (1968), The (In Cold Blood, The Professionals and Cat on a Hot Tin Roof). -
September 24, 2013 (XXVII:5) Delmer Daves, 3:10 to YUMA (1957, 92 Min)
September 24, 2013 (XXVII:5) Delmer Daves, 3:10 TO YUMA (1957, 92 min) National Film Registry—2012 Directed by Delmer Daves Written by Halsted Welles (screenplay) and Elmore Leonard (story) Music by George Duning Cinematography by Charles Lawton Jr. Edited by Al Clark Glenn Ford...Ben Wade Van Heflin...Dan Evans Felicia Farr...Emmy Richard Jaeckel...Charlie Prince DELMER DAVES (director)(b. Delmer Lawrence Daves, July 24, 1904, San Francisco, California—d. August 17, 1977, La Jolla, California) Daves wrote 50 films, among them 1965 The Battle of the Villa Fiorita, 1964 Youngblood Hawke, 1963 Spencer's Alma, Michigan—d. January 24, 1990) wrote 44 films and Mountain, 1959 A Summer Place, 1957 An Affair to Remember television shows, including 1976 “Doctors' Hospital” (TV (screenplay), 1956 The Last Wagon (screenplay), 1955 White series), 1973-1974 “Kojak” (TV series), 1971-1973 “Rod Feather (screenplay), 1954 Drum Beat (screenplay and story), Serling's Night Gallery” (TV series), 1969 “Mannix” (TV series), 1947 Dark Passage (screenplay), 1943 Destination Tokyo 1966 “12 O'Clock High” (TV series), 1965-1966 “The (screenplay), 1943 Stage Door Canteen (screenplay), 1940 The Virginian” (TV series), 1959-1962 “Alfred Hitchcock Presents” Farmer's Daughter (story), 1936 The Petrified Forest (TV series), 1960 “Bonanza” (TV series), 1957 3:10 to Yuma (screenplay), 1932 Divorce in the Family (screenplay and story), (screenplay), 1957 “The George Sanders Mystery Theater” (TV and 1929 Queen Kelly. In addition to writing, Daves directed 30 series), 1957 “Playhouse 90” (TV series), 1955 “Lux Video films, including 1965 The Battle of the Villa Fiorita, 1964 Theatre” (TV series), and 1949 The Lady Gambles (adaptation). -
Raylan by Elmore Leonard
Raylan by Elmore Leonard Few people get a NY Times obit on the front page. Elmore Leonard did, after a long and distinguished career as a writer. He died on August 20. Some sixty years ago, Leonard began writing Westerns, five of which became movies. Hombre, named by the Western Writers of America one of the best 25 Westerns ever written, became a movie starring Paul Newman. Then Leonard turned to writing crime novels. Many became movies, notably Get Shorty, with John Travolta as the unforgettable Chili Palmer, a Florida loan shark who goes to Hollywood to collect a debt and ends up making a movie. Leonards’s last novel, Raylan, features Raylan Givens, a fascinating figure from two previous novels and from the current FX television series Raylan. Givens, a laconic US marshal operating in Harlan County, Kentucky, is fully equal to the body part snatchers, hillfolk drug dealers, grifters who populate the novel. For me, the addicting qualities of Leonard’s work are his dialogue, his characters, and his imaginative, fully realized settings. The settings are the grittier parts of large cities like Detroit and Miami, Florida, Djibouti, Harlan County. Leonard’s characters are mobsters, low lifers, cops, people on the make. The dialogue is colorful, evocative, memorable, spare. In 1995 British writer Martin Ames described Leonard’s traits as a writer as “gifts—of ear and eye, of timing and phrasing—that even the most indolent and snobbish masters of the mainstream must vigorously covet.” Raylan the novel is among his best and is a fitting close to a wonderful writing career. -
Banned Books in the Texas Prison System
BANNED BOOKS IN THE TEXAS PRISON SYSTEM HOW THE TEXAS DEPARTMENT OF CRIMINAL JUSTICE CENSORS BOOKS SENT TO PRISONERS © Alan Pogue, via Citizens United for Rehabilitation of Errants A TEXAS CIVIL RIGHTS PROJECT 2011 HUMAN RIGHTS REPORT Maggie Watson, Christopher A. Johnston, Kelly Burns, Lindsey Smith, Jessica Fuselier, Rhea Sen, Crystal Aldape, Janine Wetzel, Nick Buratto, Lauren Conner, Bridgett Mayeaux, Andrew Johnson, Nicholas Jackson, Scott Medlock, and Zaida Riquelme collaborated on this report. Special thanks to Vinson & Elkins and the Inside Books Project, for research assistance, Steve Ely for technical assistance, LibraryThing.com for existing, and to Terri LeClerque for assistance with copy editing. Texas Civil Rights Project The Michael Tigar Human Rights Center 1405 Montopolis Drive Austin, TX 78741 Texas Civil Rights Project Board of Directors Pablo Almaguér, Roxann Chargois, Ouisa Davis, Leona Diener, David A. Grenardo, Chuck Herring, and Renato Ramirez www.texascivilrightsproject.org (512) 474 5073 (phone) (512) 474 0726 (fax) © Texas Civil Rights Project, 2011 All Rights Reserved 2 Executive Summary What do William Shakespeare, Jenna Bush, Sister Helen Prejean, Sojouner Truth, Juan Williams, 50 Cent, John Grisham, Noam Chomsky, Stephen King, John Updike, Kurt Vonnegut, Jack Kerouac, George Carlin, Gore Vidal, George Orwell, Gustave Flaubert, and Jon Stewart have in common? They have each written at least one book banned in Texas prisons. The Texas Department of Criminal Justice (TDCJ) arbitrarily censors books and magazines sent to Texas prisoners. Though cultivating literacy has obvious rehabilitative benefits, TDCJ prevents prisoners from reading many books, including works by award- winning authors, literary classics, and books about civil rights and prison conditions.