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Of Contemporary Popular Music
Vanderbilt Journal of Entertainment & Technology Law Volume 11 Issue 2 Issue 2 - Winter 2009 Article 2 2009 The "Spiritual Temperature" of Contemporary Popular Music Tracy Reilly Follow this and additional works at: https://scholarship.law.vanderbilt.edu/jetlaw Part of the Entertainment, Arts, and Sports Law Commons, and the First Amendment Commons Recommended Citation Tracy Reilly, The "Spiritual Temperature" of Contemporary Popular Music, 11 Vanderbilt Journal of Entertainment and Technology Law 335 (2020) Available at: https://scholarship.law.vanderbilt.edu/jetlaw/vol11/iss2/2 This Article is brought to you for free and open access by Scholarship@Vanderbilt Law. It has been accepted for inclusion in Vanderbilt Journal of Entertainment & Technology Law by an authorized editor of Scholarship@Vanderbilt Law. For more information, please contact [email protected]. The "Spiritual Temperature" of Contemporary Popular Music: An Alternative to the Legal Regulation of Death-Metal and Gangsta-Rap Lyrics Tracy Reilly* ABSTRACT The purpose of this Article is to contribute to the volume of legal scholarship that focuses on popular music lyrics and their effects on children. This interdisciplinary cross-section of law and culture has been analyzed by legal scholars, philosophers, and psychologists throughout history. This Article specifically focuses on the recent public uproar over the increasingly violent and lewd content of death- metal and gangsta-rap music and its alleged negative influence on children. Many legal scholars have written about how legal and political efforts throughout history to regulate contemporary genres of popular music in the name of the protection of children's morals and well-being have ultimately been foiled by the proper judicial application of solid First Amendment free-speech principles. -
The 12-Steps and 12 Traditions.Pdf
TWELVE STEPS and TWELVE TRADITIONS TWELVE STEPS and TWELVE TRADITIONS —x— ALCOHOLICS ANONYMOUS® WORLD SERVICES, INC. BOX 459, GRAND CENTRAL STATION NEW YORK, NY 10163 Copyright © 1952, 1953, 1981 by The A.A. Grapevine, Inc. and Alcoholics Anonymous Publishing (now known as Alcoholics Anonymous World Services, Inc.) All rights reserved First Printing, April 1953 Sixty-fourth Printing, January 2003 Windows Help version, July 1994* Electronic .PDF version, September 2005+ This edition is NOT A.A. General Service Conference approved literature ALCOHOLICS ANONYMOUS and A.A. are registered trademarks® of A.A. World Services, Inc. ISBN 0-916856-01-1 Library of Congress Catalog Card No. 53-5454 Printed in the United States of America * Transcribed by “Mr. D.”. Software development by cyb. + .PDF version based upon the text of the Windows Help version and published by ARID Media. A.A. World Services and its subsidiaries were not involved within the production of this specific work. Contents Foreword 15 THE TWELVE STEPS Step One 21 “We admitted we were powerless over alcohol—that our lives had become unmanageable.” Who cares to admit complete defeat? Admission of pow- erlessness is the first step in liberation. Relation of humili- ty to sobriety. Mental obsession plus physical allergy. Why must every A.A. hit bottom? Step Two 25 “Came to believe that a Power greater than ourselves could restore us to sanity.” What can we believe in? A.A. does not demand belief; Twelve Steps are only suggestions. Importance of an open mind. Variety of ways to faith. Substitution of A.A. as Higher Power. -
Basic Text, Narcotics Anonymous
BBT6E_Softcover_8Apr08.epsT6E_Softcover_8Apr08.eps 110/14/20080/14/2008 110:24:110:24:11 AAMM NARCOTICS ANONYMOUS Other Publications Available from NA World Services Books It Works: How and Why Just for Today – Daily Meditations for Recovering Addicts The NA Step Working Guides Sponsorship General New M embers Who, What, How, & Why (IP 1) NA White Booklet Another Look (IP 5) An Introductory Guide to NA Just for Today (IP 8) Recovery and Relapse (IP 6) Living the Program (IP 9) Am I an Addict? (IP 7) Sponsorship (IP 11) One Addict’s Experience… (IP 14) For the Newcomer (IP 16) Self-Acceptance (IP 19) For Those in Treatment (IP 17) Money Matters: Self-Support in NA (IP 24) Welcome to NA (IP 22) Youth By Young Addicts, For Young Addicts (IP 13) For the Parents or Guardians of Young People in NA (IP 27) Public R elations Service Membership Survey Twelve Concepts for NA Service Information about NA The Group Booklet NA: A Resource in Your Community The Group (IP 2) PI and the NA Member (IP 15) Funding NA Services (IP 28) H&I Service and the NA Member (IP 20) Special Behind the Walls In Times of Illness The Loner — Staying Clean in Isolation (IP 21) Staying Clean on the Outside (IP 23) Accessibility for Those with Additional Needs (IP 26) For a complete list of NA literature in all languages, visit our website at www.na.org. NARCOTICS ANONYMOUS Sixth Edition O W S L L H E I P F A P D P R O V E Narcotics Anonymous World Services, Inc. -
Artist Project Song Credit Lawson Swiss Lips Tulisa Itunes Festival the Milk Olly Murs the Script Scouting for Girls B Side Hurt
Artist Project Song Credit Lawson B Side Hurts Like You Rec Alan Carr - Chatty Man - Live Mix Swiss Lips Viral Media Live From The Union Mix Tulisa The Female Boss I Don’t Give A **** Rec/Mix iTunes Festival 2012 Various Artists Mix 2011 Various Artists Mix 2010 Various Artists Mix The Milk Single Danger Mix Single Chip The Kids Prod/mix Olly Murs Right Place Right Time Dear Darlin’ Mix Perfect night Single Oh My Goodness Incase You Didn’t Know Tell The World The Script The Script Before The Worst Rec/Mix The End Where I Begin Rusty Halo I’m Yours Anybody There If You See Kay Fall For Anything We Cry Rec The Man That Can’t Be Moved Break Even Talk You Down Science & Faith You Won’t Feel A Thing Rec For The First Time Nothing Science & Faith If You Ever Come Back Long Gone & Moved On Dead Man Walking This = Love Walk Away Exit Wounds Homecoming Live DVD in Stereo & 5.1 Mix #3 Hurricanes Rec/Mix Moon Boots Good Ol’ Days Rec Six Degrees Of Separation Hall Of Fame If You Could See Me Now Glowing Give The Love Around Broken Arrow Kaleidoscope No Words Millionaires Scouting For Girls The Light Between Us Snakes And Ladders Rec/Mix Downtempo Mix Rains In LA Artist Project Song Credit Without You Damo & Ivor Single Horny Mix Single Maniac Keywest The Massage Roses In The Summertime Mix Straight Through My Heart Absolution Salvation Stuck On You In The Fight For Love Messages From God The Message Dappy Bad Intensions Rockstar Rec Yin Yang Good Intensions Come With Me Rec/Mix EJ Tracks Rivers Don’t Mean A Thing Mix Cinderella My South London Drama -
Popular Music Project* *You Will Need a Two-Pocket Folder for This Project!
Popular Music Project* *You will need a two-pocket folder for this project! DUE DATE: TBA This project about popular music is an opportunity for you to evaluate and explore your favorite artist or group. It can be an artist/group that is popular now or was popular many years ago. It can also be an artist/group that is (or was) popular in another country. THE CHOICE IS YOURS! This project will be worth 250 points toward your fourth nine weeks grade. Before you make your final decision about who you would like to research, think about the following: Is this person/group too new to have any good information about them on the internet? Does this person/group have only songs that are inappropriate for school? Will I be able to get a copy of a song by this person/group to play during my presentation? Step One (75 points) Use your project worksheet to research your artist or group and prepare a 5-10 minute oral presentation about their life and music. You may use magazines, the Internet, and books to find information. You must use a minimum of three sources for your presentation, and list them on your bibliography page. The bibliography page should be included in a project folder with your other written work for this project. If you print any web pages from the Internet, write a rough draft, or take notes, those items should also be put into your project folder. It is not acceptable to read an article from a magazine or the Internet aloud as your presentation; the presentation must be in your own words. -
Sony Music to Release STEPS: the ULTIMATE COLLECTION
Sony Music to release STEPS: THE ULTIMATE COLLECTION OCTOBER 3rd , 2011 After a break of 10 years, the multimillion, BRIT winning pop band STEPS are back. Claire, ‘H’, Faye, Lisa and Lee have reunited for an explosive TV documentary series on SKY Living and a new album celebrating their biggest, chart topping hits and featuring brand new bonus track, Dancing Queen. The Ultimate Collection marks the return of one of Britain’s best loved bands. From their first hit, ‘5, 6, 7, 8,’, STEPS went on to have 14 consecutive Top 10 singles, an amazing record only beaten by Boyzone (with 17), Oasis (with 18) and The Beatles and Westlife (who had 20). Memorable chart toppers included ‘Tragedy’, ‘One For Sorrow’ and ‘Heartbeat’. Their first album, ‘STEP ONE’ was certified five times platinum, cementing their position as the UK’s biggest pop sensations. Their next album, ‘STEPTACULAR’, featuring smash hits ‘Love’s Got A Hold Of My Heart’ and ‘After The Love Has Gone’, helped the album go four times platinum. In total, across 4 albums, STEPS sold an astonishing 15 million records. Richard Connell, General Manager for Sony Music CMG said “We are thrilled that Steps are working together again as we’ve really missed them for the last ten years. With the ‘Ultimate Collection’ coming soon and the documentary on Sky Living it looks like Steps will again be putting the fun back in pop at a time when we need it the most. We can’t wait to hear the band reminiscing and running through all their classics - ‘Tragedy’, ‘One For Sorrow’, ‘Deeper Shade Of Blue’, ‘5,6,7,8’, and all the others.” Full tracklisting: 1. -
[Article] “But Is It Any Good?” the Role of Criticism in Christian Song Composition and Performance DAN FITZGERALD and BRIAN SCHRAG
[Article] “But is it any good?” The role of criticism in Christian song composition and performance DAN FITZGERALD AND BRIAN SCHRAG Dan Fitzgerald (Ph.D. in Ethnomusicology, University of Florida) was a member of the Baka Bible translation project with SIL in Cameroon from 1995 to 2008. He is currently the Oral Bible Storytelling Coordinator with The Seed Company. Brian Schrag (Ph.D. in Ethnomusicology, UCLA) is SIL International's Ethnomusicology and Arts Coordinator, and developed the World Arts program at the Graduate Institute of Applied Linguistics in Dallas, Texas. He has performed sustained ethnomusicological research and community development in the Democratic Republic of Congo and Cameroon. Brian also applies ethnomusicological and therapeutic principles in promoting well- being among people affected by Huntington's Disease (HDBlues.org, MakeLifeHD.org). Introduction Everyone's a critic, but good ones are rare. God judged his own creative output in Genesis as “very good,” and Aaron's golden calf in Exodus as “very bad.” Throughout history, church leaders have regarded one instrument after another as inappropriate or evil, only grudgingly admitting their use in response to popular practice. John Wesley told his community of churches to sing faster (Young 1995; Reynolds, Price, and Music 1999), while pastors in northwest Democratic Republic of Congo often urge their congregations to slow down. Music conservatories offer courses—though in diminishing numbers—on judging and understanding the canon of Great Works. And the canon itself is a staggering critique, with 95% of all compositions not making the grade. The New York Times daily acclaims, applauds, and censures musical performances. -
Prosodic Features in Enka
JAPANSKA Prosodic features in enka The relationship between the melody of lyrics in enka and the prosody of Japanese Máté Sall Vesselényi ’ Handledare: Yasuko Nagano-Madsen kandidatuppsats Examinator: VT 2013 Martin Nordeborg 要旨 歌詞の旋律と日本語の韻律の関係をめぐる研究は従来、語単位のみでなされてきた。 本論文では、より大きな韻律単位であるイントネーションとベストセラー演歌4曲の旋律の関 係を調べた。調査にあたっては、演歌の旋律と、東京語話者が読み上げた歌詞にみるイントネ ーションとを比較した。その結果、語単位でみた場合のアクセントの下降や語頭の上昇と旋律 の間には一貫した関係が見出されなかった。しかし、イントネーションにおけるフォーカスと 旋律におけるフォーカスの間には共通した原理が観察され、いずれにおいてもフォーカスの置 かれる語や句は高いピッチ領域で発話され(あるいは歌われ)、その前後の句のピッチは低く 抑えられる。違いはイントネーションではアクセント型が維持されるのに対し、旋律ではそう でない事である。旋律においては、低く抑えられたピッチ領域でアクセント型が維持されやす く、反対にフォーカス部分ではほとんど無視される。また、旋律においてはフォーカス部分が スピーチのイントネーションより長い単位になりやすい。演歌の特徴といわれる「コブシ」が あるときは、フォーカ単位の後方部に現れやすいことが観察された。 2 Transliteration conventions Japanese text that is not part of any analysis is transcribed in the Hepburn system, as in “gakkō”, “okāsan”, “Tōru” and “Tōkyō”. All other Japanese text that is somehow analyzed, or in parts where presenting every mora truthfully is required (for instance, when geminates and long vowels appear) is rendered with phonological transcription, in which case geminates are represented by /Q/, nasal consonant “n” by /N/ and long vowels by /R/. 3 Table of contents 1. Introduction .............................................................................................................................. 5 1.1. Background ........................................................................................................................ 5 1.2. Presentation of problems .................................................................................................. -
Ghost the Musical 2014 Teacher’S Support Pack
Teacher`s Support Pack (Comprehensive Version) 2014 Arbeitsmaterialien für den Englisch - Unterricht (Sek II) The English Theatre Frankfurt Ghost The Musical 2014 Teacher’s Support Pack The boundaries which divide Life from Death are at best shadowy and vague. Who shall say where the one ends, and where the other begins? Edgar Allan Poe, The Premature Burial GHOST Revenge his foul and most unnatural murder. HAMLET Murder! GHOST Murder most foul, as in the best it is; But this most foul, strange and unnatural. William Shakespeare, Hamlet, Act. I, sc. 5, 1 The English Theatre Frankfurt Ghost The Musical 2014 Teacher’s Support Pack Table of Contents 1. Synopsis p. 3 2. The main characters p. 5 3. The author(s) p. 7 3.1 Bruce Joel Rubin (music & lyrics) 3.2 Dave Stewart (music & lyrics) 3.3 Glen Ballard (music & lyrics) 4. The director of Ghost The Musical at The English Theatre Frankfurt p. 11 4.1 Adam Penford 4.2 Interview on his career 5. Why I wrote Ghost – By Bruce Joel Rubin p. 12 6. Themes p. 15 7. Reviews of earlier productions p. 19 7.1 Ghost The Musical at Lunt-Fontanne Theater, Broadway (April 2012) 7.2 Ghost The Musical at the Pantages Theater, Hollywood (July 2014) 7.3 Activities 8. Ghost the Movie (1990) p. 22 8.1 Ghost an American romantic fantasy/crime thriller 8.2 A 1990 review of the film 9. A Spotlight on the Lyrics p.25 10. Eight Rules for Writing Musicals p.28 11. Further Resources p.30 A note for usage of this material: Sie können dieses Teacher`s Support Pack auf Anfrage auch als Word-Dokument ohne Bilder bekommen, um einzelne Texte/Aufgaben vor Ausdruck zu bearbeiten. -
What Is the SOFTBANK Group? What Are SOFTBANK's Areas of Focus
FAQs Ma What is the SOFTBANK Group? SOFT In the SOFTBANK Group, we recognize the Internet is a technology that bene- http:// Q fits society and the economy. As the Internet business leader, we are a busi- 24-1, ness group of entrepreneurs that has supported the Internet’s evolution by Tokyo creating and promoting a wide variety of Internet businesses. We are also facil- TEL: + itating the widespread adoption of the Internet through our global venture cap- FAX: + ital businesses. SOFT Pages 2–5 (SOFTB A EC HOL http:// 24-1, What are SOFTBANK’s areas of focus? Tokyo TEL: + FAX: + The proliferation of high-speed, high-capacity communications infrastructure Q for the Internet is rapidly increasing the number of Internet users and its appli- SOFT cations. With this in mind, we have made broadband businesses into one of our http:// key focus areas. Furthermore, we are expanding our range of businesses through NTF T business transaction platform-related operations, as the prevailing business climate 3-15, is one in which companies are promoting the use of the Internet for commercial Tokyo TEL: + transactions. A Pages 4–7, 10–18, 20–23 FAX: + SOFT http:// What is SOFTBANK’s investment track record? 4-13- Tokyo TEL: + The decline in stock prices on the Nasdaq Stock Market in the United States FAX: + Q and the sluggish IPO market have impacted SOFTBANK’s investments. However, amid this harsh climate, we have large unrealized gains and are continuing our aggressive investment activities. A Pages 24–25 How have SOFTBANK’s various businesses been performing? Q Each operation holding company manages a portfolio of operating companies. -
Supplementary Material
APPENDIX A Welcome to the extended version of the appendix of Challenges for the Delusional (Jane Street Press, 2012). Fortunes No need to worry! You will always have everything that you need. Delay is the antidote for anger. A romantic evening awaits you tonight. You will make a sudden rise in life. Be discreet. It will pay off. Appreciate those you admire, but forge your own path. You eyes will be opened to a world full of beauty, charm and adventure. What you left behind is more mellow than wine. A thrilling time is in your immediate future. You have an active mind and a keen imagination. Over self-confidence is equal to being blind. You are capable of dispelling others’ doubts. Your love of gardening will take on new meaning in your life. You radiate goodness. A modest man never talks of himself. Emotion hinders your true self. One who laughs at oneself will not be laughed at by others. Good work, good life, good love, good-bye oppression. You have a curious smile and a mysterious nature. Don’t romanticize that which is distant. Versatility is one of your outstanding traits. Record your history so that others may benefit from it. You are going to be hungry soon. Order take-out now. You are capable, competent, creative, careful. Prove it. God has given you one face and you make yourself another. Do not confuse what is valuable with what is sought after. A person is never too old to learn. You will be on the list of the “The Excellent People” this year. -
2011 Program Guide
table of contents 3 Letter from the Con Chair 4 Guests of Honor 11 Events 17 Video Programming 20 Panels & Workshops 31 Artists’ Alley 35 Dealers’ Room 37 Room Directory 38 Maps 44 Where to Eat 52 Tipping Guide 53 Getting Around 54 Rules 59 Sponsors 60 Volunteering 61 Staff 64 Autographs APRIL 22–24, 2O11 1 COMICARTISTSUPPLIES.com SIGN UP TO WIN A COPY OF ANIME OR MANGA STUDIO! An Ocial Sponsor of STOP BY AND VISIT US AT BOOTHS #209 & #308 PO Box 60 • Randolph, MA 02368-0060 • Phone: 1-781-986-2653 • Fax 1-781-986-2656 • email: [email protected] LETTER FROM THE CON CHAIR “For those about to rock, we salute you.” Greetings! On behalf of the New England Anime Society, our honored guests, and the entire Anime Boston staff, it’s my pleasure to welcome you to Anime Boston 2011! To those of you who are new to Anime Boston, we welcome you! We’ve worked hard this past year to organize an event that we hope will become a new tradition for you in years to come. For those of you who have come to Anime Boston in the past, welcome back, we’re happy to see you! Maybe its the adult in me, but usually the time files between conventions. Logically I know that as I write this we’re a only a handful of weeks left until this gets submitted to print.. And shortly after that, the convention starts and these words are in your hands. I know that, and yet the time will come and go faster this year than it has in years past.