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The Perfect Mix Getting Engaged in College
05 07 10 | reportermag.com GETTING ENGAGED IN COLLEGE The other kind of RIT Rings. THE PERFECT MIX Remember: intro, rising action, climax, denouement and conclusion. ROADTRIP TO THE FUTURE Four men. Four cities. One mission. EDITOR’S NOTE TABLE OF CONTENTS 05 07 10 | VOLUME 59 | ISSUE 29 EDITOR IN CHIEF Madeleine Villavicencio | [email protected] My Innovative Mixtape MANAGING EDITOR Emily Mohlmann Every few weeks or so, I abandon the “shuffle play all” function on my MP3 player, turn off Genius on | [email protected] iTunes, and make a playlist. I spend hours listening to track after track, trimming down the set list and COPY EDITOR Laura Mandanas attempting to get the transitions just right. Sometimes, it just comes together; other times, I just can’t | [email protected] quite get it right. But one thing’s for certain: each mix is a reflection of who I am at the time of its creation. NEWS EDITOR Emily Bogle And if it’s good enough and means something, I’ll share it with someone special. | [email protected] LEISURE EDITOR Alex Rogala It crossed my mind to share a complete and perfected mix, but I decided that would take away from its | [email protected] original value. Instead, I’ve decided to share something unfinished and challenge you to help me find the FEATURES EDITOR John Howard perfect mix. Add or cut tracks as you please, and jumble them up as you see fit. And when you think you’ve | [email protected] got it, send that final track list my way. -
1 Song Title
Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist Billie Joe Armstrong, 21ST CENTURY BREAKDOWN 329 GREEN DAY Green Day 24 HOURS 337 CUESHE ACCORDING TO YOU 330 ORIANTHI Steve Diamond IKAW LANG TALAGA 338 YENG CONSTANTINO JUMP THEN FALL 333 TAYLOR SWIFT Taylor Swift LOVE STORY 334 TAYLOR SWIFT Taylor Swift Kevin Jonas, Sr., Nicholas LOVEBUG 332 JONAS BROTHERS Jonas, Joe Jonas, Kevin Jonas MAHAL PA RIN 339 SAM MILBY MOMENT OF TRUTH 335 FM STATIC FM Static PAIN IN MY HEART 340 ARNEL PINEDA PANAGINIP 341 MAYONNAISE PUTIK 342 SANDWICH Sandwich SUNDOT 343 AEGIS Celso Abenoja Matthew Followill, Jared Followill, USE SOMEBODY 336 KINGS OF LEON Nathan Followill, Caleb Followill HARTZLER JOSHUA, HODGES WHAT ABOUT NOW 331 WESTLIFE DAVID, MOODY BEN, www.wowvideoke.com 1 Music Video Pack Vol. 5 Song Title No. Popularized By Composer /Lyricist James Harris, Janet AGAIN 9046 JANET JACKSON Jackson, Terry Lewis Jimi Jamison, Todd EVER SINCE THE WORLD BEGUN 9048 SURVIVOR Smallwood, Frankie Sullivan Kara DioGuardi, Leona HAPPY 9049 LEONA LEWIS Lewis, Salaam Remi I HAVE FALLEN IN LOVE (WITH THE SAME WOMAN THREE TIMES) 9052 JOSE MARI CHAN Jose Mari Chan (lyrics) MY LOVE IS HERE 9053 ERIK SANTOS SMITH DANDRE LEMONT, MILLER PYRAMID 9047 CHARICE CALVIN JERMEL, FRANK LAWRENCE SA AKING PUSO 9054 ARIEL RIVERA Vehnee Saturno SANA KAHIT MINSAN 9055 ARIEL RIVERA Vehnee Saturno Glen Burtnik, Shelly WE COULD BE IN LOVE 9050 LEA SALONGA AND BRAD KANE Peiken Walter Afanasieff, WHENEVER YOU CALL 9051 MARIAH CAREY AND BRIAN MCKNIGHT Mariah Carey 2 www.wowvideoke.com Music Video Pack Vol. -
EXTENSIONS of REMARKS 991 EXTENSIONS of REMARKS a COURAGEOUS CALL for That at All
January 29, 1986 EXTENSIONS OF REMARKS 991 EXTENSIONS OF REMARKS A COURAGEOUS CALL FOR that at all. I don't feel the need for divine portfolio. We issued $24 billion of Mortgage ACTION TO STOP THE ANTI intervention to get out of here alive. If I did, Backed Securities. That $45 billion trans HOUSING ELITISTS I'd have a long and very uncomfortable lates into more than 900,000 home mort wait. gages for Americans in 1985 alone. We will No, my friends, I feel more like Joshua be just as aggressive in the marketplace in HON. FERNAND J. ST GERMAIN than Daniel this morning. In the words of 1986. OF RHODE ISLAND the spiritual, I want to command the chil We will be equally conscious of quality. IN THE HOUSE OF REPRESENTATIVES dren to shout and bring tumbling down the We intend to stick to the basic changes we walls of those in Washington, who would, if made last year in ·our underwriting stand Wednesday, January 29, 1986 we let them, destroy every vestige of sup ards and mortgage credit criteria, because Mr. ST GERMAIN. Mr. Speaker, housing port for the American dream of homeowner we believe they are right. We did not make programs are under the most concerted ship. those changes because of the foreclosure attack since the Federal Government accept I want to make sure you leave here know losses from loans made in the recession of ing what these elitists have in mind. Make 1981-82. That cat is out of the bag. We have ed a role in helping to provide decent shelter no mistake about it, they are cold-bloodedly learned to live with all the unwanted kittens for all Americans. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #19 www.razorcake.com ight around the time we were wrapping up this issue, Todd hours on the subject and brought in visual aids: rare and and I went to West Hollywood to see the Swedish band impossible-to-find records that only I and four other people have RRRandy play. We stood around outside the club, waiting for or ancient punk zines that have moved with me through a dozen the show to start. While we were doing this, two young women apartments. Instead, I just mumbled, “It’s pretty important. I do a came up to us and asked if they could interview us for a project. punk magazine with him.” And I pointed my thumb at Todd. They looked to be about high-school age, and I guess it was for a About an hour and a half later, Randy took the stage. They class project, so we said, “Sure, we’ll do it.” launched into “Dirty Tricks,” ripped right through it, and started I don’t think they had any idea what Razorcake is, or that “Addicts of Communication” without a pause for breath. It was Todd and I are two of the founders of it. unreal. They were so tight, so perfectly in time with each other that They interviewed me first and asked me some basic their songs sounded as immaculate as the recordings. On top of questions: who’s your favorite band? How many shows do you go that, thought, they were going nuts. Jumping around, dancing like to a month? That kind of thing. -
Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Beats (Review)
Cleveland State University EngagedScholarship@CSU Michael Schwartz Library Publications Michael Schwartz Library 7-2014 Beats (Review) Mandi Goodsett Cleveland State University, [email protected] Follow this and additional works at: https://engagedscholarship.csuohio.edu/msl_facpub Part of the Library and Information Science Commons, and the Music Commons How does access to this work benefit ou?y Let us know! Publisher's Statement This is an Author’s Accepted Manuscript of an article published in Music Reference Services Quarterly July/Sept 2014, available online: http://www.tandfonline.com/10.1080/ 10588167.2014.932147. Repository Citation Goodsett, Mandi, "Beats (Review)" (2014). Michael Schwartz Library Publications. 106. https://engagedscholarship.csuohio.edu/msl_facpub/106 This E-Resource Review is brought to you for free and open access by the Michael Schwartz Library at EngagedScholarship@CSU. It has been accepted for inclusion in Michael Schwartz Library Publications by an authorized administrator of EngagedScholarship@CSU. For more information, please contact [email protected]. E-Resources Reviews BEATS MUSIC, http://www.beatsmusic.com For the past decade, the music industry has been attempting to provide lis- teners with legal, convenient ways to access music, competing with sites like Napster and its successors. In an attempt to pull consumers out of the illegal music free-for-all and into a fee-based streaming service, the music industry has fueled a sudden explosion of new mobile and desktop music streaming applications to satisfy the needs of digital-music consumers affordably and conveniently. Moving from streaming radio services like Pandora, the new on-demand music streaming services like Spotify, Rdio, Google Play All Access, and Rhapsody offer listeners a higher level of control and greater ability to curate a listening experience than ever before. -
Donkeyboy Slår Varenda Rekord
2010-01-15 11:36 CET donkeyboy slår varenda rekord Det finns ingen ände på donkeyboys makalösa framgångar i Norge. Den enda riktiga konkurrenten de har är egentligen... de själva! De låg etta på singellistan, albumlistan OCH radiolistan samtidigt - och passade såklart på att inta andraplatsen på radiolistan också när de ändå höll på. Aldrig förut har ett band legat både på första- OCH andraplatsen på norska music control- listan - men det är egentligen bara ett rekord i raden som donkeyboy tangerat. För detta band verkar det inte finnas några gränser för vad som är möjligt. När debutalbumet Caught In A Life släpptes i oktober tog det åtta - 8!! - dagar innan man passerat platina och nu har man kommit upp till hisnande 90 000 sålda exemplar. Nu är det dags för Sverige att stifta bekantskap med donkeyboy. 27 januari släpps albumet Caught In A Life i Sverige, och man har redan banat väg för en god start. Singeln Ambitions är Veckans Hitvarning på RIX och ligger som nr 15 på music control. P3 har spelat bandet redan sedan i höstas. donkeyboy har uppmärksammats av Warner Music International och ska under våren släppa albumet Caught In A Life i flera länder i Europa - och ny video till Ambitions spelas in i månadsskiftet i London. Bandet valde inte överraskande London som inspelningsplats då de mycket framgångsrikt agerade förband åt A-ha på deras avslutningsturné som bl a besökte UK. donkeyboy kreerade en rejäl buzz i brittisk media, och bland flera medier har t ex Pop Justice valt hela tre låtar från albumet till Song of the Day (Ambitions, Sometimes och Caught In A Life). -
Prosecutors Drop Remaining Charges in Jawbone- Fitbit Trade Secret Fight
2/18/2020 Prosecutors Drop Remaining Charges in Jawbone-Fitbit Trade Secret Fight | The Recorder NOT FOR REPRINT Click to print or Select 'Print' in your browser menu to print this document. Page printed from: https://www.law.com/therecorder/2020/02/14/prosecutors-drop-remaining-charges-in-jawbone- fitbit-trade-secret-fight/ Prosecutors Drop Remaining Charges in Jawbone- Fitbit Trade Secret Fight The move provides closure to the ve-year dispute between defunct tness tracking company Jawbone and Fitbit and four workers who faced looming trials. By Alaina Lancaster | February 14, 2020 Jawbone UP24 fitness tracker/courtesy photo The U.S. Attorney’s Oce for the Northern District of California has dropped the remaining charges against former employees of defunct tness tracking company Jawbone over allegations they brought trade secrets to rival Fitbit, closing the loop on an embattled legal spat that began in 2015. “It is a serious step for the United States to move to dismiss criminal charges at any time, and more so without a presentation to a trier of fact and, as occurred here, after the pendency of charges for more than a year,” said David Anderson, the U.S. attorney for the Northern District of California, in a statement. “However, it is the solemn duty of the United States to seek justice in all its cases, and to evaluate the https://www.law.com/therecorder/2020/02/14/prosecutors-drop-remaining-charges-in-jawbone-fitbit-trade-secret-fight/?printer-friendly 1/4 2/18/2020 Prosecutors Drop Remaining Charges in Jawbone-Fitbit Trade Secret Fight | The Recorder appropriateness of charges at all times, not just at the point of indictment or trial. -
1 Song Title
Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol. -
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions
NEW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Quotable New Orleans, Part 4 Below are a number of additional noteworthy quotes on America‘s truly unique city, my fourth installment. Musicians, writers, politicians and philosophers – they all had something to offer. Hope you enjoy. New Orleans is the only foreign city in the United States. - WALKER PERCY Noisy, bustling, gossiping, and a thousand leagues from the United States. - ALEXIS DE TOQUEVILLE, who toured the United States in 1831 A restaurant is a place where dollars are exchanged for food. Neither should be counterfeit. - JULES ALCIATORE I sing God's music because it makes me feel free. It gives me hope. With the blues, when you finish, you still have the blues. - MAHALIA JACKSON New Orleans is not in the grip of a neurosis of a denied past; it passes out memories generously like a great lord; it doesn't have to pursue ―the real thing.‖ - UMBERTO ECO, Travels in Hyperreality New Orleans is like the bad-kid island in ―Pinocchio.‖ - JONAH HILL People don't live in New Orleans because it is easy. They live here because they are incapable of living anywhere else in the just same way. - IAN McNULTY, A Season of Night: New Orleans Life After Katrina Everybody started calling my music rock and roll, but it wasn't anything but the same rhythm and blues I'd been playing down in New Orleans. - FATS DOMINO There is no other place on earth even remotely like New Orleans. Don't even try to compare it to anywhere else. -
The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry
UCLA UCLA Entertainment Law Review Title The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry Permalink https://escholarship.org/uc/item/7n4322vm Journal UCLA Entertainment Law Review, 22(1) ISSN 1073-2896 Author Richardson, James H. Publication Date 2014 DOI 10.5070/LR8221025203 Peer reviewed eScholarship.org Powered by the California Digital Library University of California The Spotify Paradox: How the Creation of a Compulsory License Scheme for Streaming On-Demand Music Platforms Can Save the Music Industry James H. Richardson* I. INTRODUCTION �����������������������������������������������������������������������������������������������������46 II. ILLEGAL DOWNLOADING LOCALLY STORED MEDIA, AND THE RISE OF STREAMING MUSIC ����������������������������������������������������������������������������������������������������������������47 A. The Digitalization of Music, and the Rise of Locally Stored Content. ......47 B. The Road to Legitimacy: Digital Media in Light of A&M Records, Inc. ..48 C. Legitimacy in a Sea of Piracy: The iTunes Music Store. ...........................49 D. Streaming and the Future of Digital Music Service. ���������������������������������50 III. THE COPYRIGHT AND DIGITALIZATION �������������������������������������������������������������������51 A. Statutory Background ................................................................................51 B. Digital Performance Right in Sound Recordings Act ................................52 -
Complaint of Aliphcom D/B/Ajawbone and Bodymedia, Inc
PUBLIC VERSION UNITED STATES INTERNATIONAL TRADE COMMISSION WASHINGTON, D.C. In the Matter of CERTAIN ACTIVITY TRACKING Investigation N0. DEVICES, SYSTEMS, AND COMPONENTS THEREOF VERIFIED COMPLAINT OF ALIPHCOM D/B/AJAWBONE AND BODYMEDIA, INC. UNDER SECTION 337 OF THE TARIFF ACT OF 1930,AS AMENDED COMPLAINANTS RESPONDENTS AliphCom d/b/a Jawbone Fitbit, Inc. 99 Rhode Island Street 405 Howard Street 3rd Floor San Francisco, CA 94105 San Francisco, CA 94103 Telephone: (877) 623-4997 Telephone: (714) 812-8200 Flextronics Intemational Ltd. BodyMedia, Inc. 6201 America Center Drive Union Trust Building San Jose, CA 95002 501 Grant Street, Suite 1075 Telephone: (408) 576-7000 Pittsburgh, PA 15219 Telephone: (412) 288-9901 Flextronics Intemational Singapore Pte Ltd COUNSEL FOR COMPLAINANTS 2 Changi South Lane Max L. Tribble Jr. Singapore 486123 SUSMANGODFREYL.L.P. Telephone: (65) 6543-2888 1000 Louisiana, Suite 5100 Flextronics Sales & Marketing (A-P) Ltd. Houston, TX 77002-5096 Suite 802, St. James Court, St. Denis Street Telephone: (713) 651-9366 Port Louis, Mauritius Facsimile: (713) 651-6666 Telephone: (230) 212-9760 Kalpana Srinivasan Oleg Elkhunovich SUSMANGODFREYL.L.P. 1901 Avenue of the Stars, Suite 950 Los Angeles, California 90067-6029 Telephone: (310) 789-3100 Facsimile: (310) 789-3150 Genevieve Vose Wallace Floyd G. Short SUSMANGODFREYL.L.P. 1201 Third Avenue, Suite 3800 Seattle, Washington 98101-3000 Telephone: (206) 516-3 880 Facsimile: (206) 516-3883 Andrew F. Pratt 3766856v1/014661 PUBLIC VERSION \/ENABLELLP 575 7th Street, NW Washington, DC 20004 Telephone: (202) 344-4389 Facsimile: (202) 344-8300 3766856v1/01466] PUBLIC VERSION TABLE OF CONTENTS I. INTRODUCTION ............................................................................................................. ..1 II.