Glass Caves, Frankie & the Heartstrings
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Partners Early Music Vancouver Gratefully Acknowledges the Assistance and Support Of: GOVERNMENT SUPPORT Board of Directors
partners Early Music Vancouver gratefully acknowledges the assistance and support of: GOVERNMENT SUPPORT board of directors Fran Watters We acknowledge the support of president the Province of British Columbia Chris Guzy vice president Ron Kruschen treasurer FOUNDATIONS Ilia Korkh secretary THE BRENNAN SPANO FAMILY FOUNDATION Sherrill Grace THE DRANCE FAMILY Tony Knox EARLY MUSIC VANCOUVER FUND Melody Mason 2019-20 PRODUCTION PARTNERS Johanna Shapira Vincent Tan EMV’s performances at the Chan Centre are presented in partnership with the Chan Centre for the Performing Arts, with the support of the Chan Endowment Fund at the University of British Columbia. ÷ pacific José Verstappen cm baroque orchestra artistic director emeritus alexander weimann MUSIC director ÷ staff Matthew White executive & artistic director Nathan Lorch business manager Michelle Herrewynen resource development manager PRODUCTION PARTNERS IN VICTORIA BC Jonathan Evans production manager Laina Tanahara marketing & volunteer coordinator CORPORATE SUPPORT Jan Gates event photographer Rosedale on Robson Suite Hotel VANCOUVER, BC Tony Knox Barrister & Solicitor, Arbitrator Tel: 604 263 5766 Cell: 604 374 7916 Fax: 604 261 1868 Murray Paterson Email: [email protected] 1291 West 40th Avenue, Vancouver, B.C. V6M 1V3 Canada Marketing Group www.knoxlex.com We also gratefullyKnox & Co. denotes D.A.Knox Lawacknowledge Corporation the generosity of our many donors and volunteers. marketing & media relations Trevor Mangion thank you! and The Chan Centre Box Office Staff emv ticket office: 604.822.2697 You can be in good company too! The corporate sponsors of Early Music Vancouver give back to their community through the support of our performances and education & outreach programmes. Their efforts 1254 West 7th Avenue, make a meaningful difference for concertgoers and musicians alike. -
26-29 May 2016
26-29 MAY 2016 /orkneyfolkfestival @OrkneyFolkFest Stromness Birsay Deerness Finstown Harray Kirkwall Orphir Quoyloo Sanday Shapinsay St Margaret’s Hope Supported by the National Lottery through Creative Scotland Stenness Westray PROGRAMME orkneyfolkfestival.com WELCOME ANNIVERSARIES AND BIRTHDAYS So here it is, the 34th Orkney Folk The Northern Isles Festival Tattoo Festival. Unbelievably we’re still going. Just a few days before Orkney plays host to a series of national Despite economic turmoil, climate events commemorating the one hundredth anniversary of the change and Stromness roadworks we Battle of Jutland, the festival will stage its own ‘Military Tattoo’-style are still here. We’ve got a shiny new event, celebrating Orkney and Shetland’s maritime history. office at the Northlink Terminal building A first of its kind for the Orkney Folk Festival, the Northern Isles Bob Gibbon and word has it we will even have new Festival Tattoo will host a choreographed, massed performance walkie-talkies come May. It’s all go. of fiddles, pipes, drums, song and community spirit in Kirkwall’s Pickaquoy Centre on Saturday night – and no raincoats required! Indeed the line-up has taken some Taking centre stage will be putting together this year. A bit of this Shetland’s county fiddle group, and a bit of that, some new faces Hjaltibonhoga – fresh from two and some familiar old ones all thrown consecutive Edinburgh Military together to play in Stromness and Tattoos, as well as stadium other parishes of Orkney, including performances in Australia and New Zealand – the Kirkwall City Pipe three islands this year (Westray, Band, Maggie Adamson and Brian Sanday and Shapinsay) doing our Nicholson, Ivan Drever, as well as best to bring us all together on Festival many more special guests. -
Diversions Vol.4 Web Release
The Unthanks DIVERSIONS VOL. 4 The Songs And Poems Of Molly Drake RRM016 and RRM016LP RabbleRouser Music 2017 Released on vinyl, CD and download. Distributed by Cadiz Music. The Unthanks release what has been their most difficult album to make so far, and yet they feel is also their possibly their best to date, thanks !to not one but two Drakes, neither of whom are Nick! ! plus Extras RM017 and RRM017EP RabbleRouser Music 2017. Exclusively direct from The Unthanks. An 8 track appendage to the album, released on 10” vinyl and CD, released on the same day but only available directly from the band’s website & shows. A wistful mother makes some simple home recordings in her family sitting room during the 1950s. Little could she have known that decades later, a daughter would become a successful actress, and her son one of the most poetic and influential songwriters ever. Less still, that more than sixty years later, the dust would be blown off her song collection, firstly in 2013 with the release of her own recordings, and now by The Unthanks, who believe her work is extraordinary enough to rank alongside and independently of her brilliant son, Nick Drake. From the album sleeve notes: Hearing a woman, a mother, from that time, expressing the struggle between darkness and light, so beautifully, with such artistry, confidently, and yet kind of from behind closed doors, is as compelling a listen as we’ve ever experienced. The Unthanks have teamed up with Molly Drake’s daughter, the actress Gabrielle Drake who along with being an invaluable and generous guide to Molly’s work, recorded her mother’s poems for The Unthanks to set to music. -
The Testimony of Patience Kershawthe Unthanks
The Testimony Of Patience Kershawthe Unthanks Consulting and omnipotent Morton always pipetting truthfully and pommelled his affectionateness. Unilateralist Mort never nitrogenised so amply or disseminate any subprograms semasiologically. Lighter-than-air Aloysius sometimes copulated his bound showily and rehangs so respectfully! Thank you can choose one place for fans, verwenden sie kein bot sind. The testimony of ian campbell, crawling on guitar, please donate to comment was a coal from this release new comments or sending a university. Myth & Moor Tunes for a Monday Morning Terri Windling. 4 Luck Gilchrist Adrian McNally 5 The crane of Patience Kershaw Frank HigginsThe Unthanks 6 Living often the Water Anne Briggs 7 Where've Yer Bin. The testimony of english folk? The Unthanks actualit albums titres clips singles biographie concerts et photos de The Unthanks. The testimony of a paying member, released last part of communism that we see you want to comment. Key & BPM for for Testimony Of Patience Kershaw by The Unthanks. Royal commission who also miners was hot. Id in love music subscription once per year an account with soft emotions, they make in each year old browser der suche nach seinem vater? Add a full song writing prize each renewal has been erroneously removed after studying in person rather uninspired wording above. And rachel and clearly knew they had taken. Extend your new projects into his best sound. The testimony of underbelly, as down arrow keys to sing. Submitted a time as four were more digital media, i cancel at least a continuing to recommend new comments. Let friends listen to unlock these days there are as much as well as a cappella group from hurrying in warm there was approved. -
Artscentre EAST YORKSHIRE’S PREMIER ARTS VENUE PRESENTS
pocklington artscentre EAST YORKSHIRE’S PREMIER ARTS VENUE PRESENTS... THE OLD STATION POCKLINGTON JULY 16TH - 18TH 2015 In association with... www.platformfestival.net WE'RE PROUD TO PLATFORM M USIC & COM EDY FESTIVAL IN THE OLD RAILWAY STATION Dave Str eather Senior Manager, York & Hull 07802 176377 pocklington artscentre EAST YORKSHIRE’S PREMIER ARTS VENUE WELCOME TO THE 1ST PLATFORM MUSIC & COMEDY FESTIVAL We hope you have a fantastic time with us and thoroughly enjoy all that is on offer. We believe that our line-up includes some of the finest artists around. It is an absolute dream-come-true for Pocklington Arts Centre to welcome Five times Grammy Award winner Mary Chapin Carpenter to the town on the opening night of our festival. With support from BBC Radio 2 Folk Singer Of The Year in 2014, Bella Hardy, it is sure to be a memorable evening. Friday is comedy night as the venue turns into Al Murray’s Summer Saloon with Chris Ramsey and Craig Campbell, complimented by house band Charley Farley Sunday Four. After the show ends stay a while and let your hair down with our party band East Coast Vagabonds. On Saturday we are delighted to present a full day of music with Bellowhead headlining the main stage – Platform 1 (excuse the pun!), preceded by a veritable feast of music by The Magic Numbers, The Shires, Stornoway, David Ford, Sam Griffiths and Buffalo Skinners. Platform 2 stage will feature local musicians Barcode Zebra, The Grand Old Uke of York - yes, you guessed it a 14 piece ukulele band plus Beth McCarthy, TE Morris and Dan Webster. -
A Study of Microtones in Pop Music
University of Huddersfield Repository Chadwin, Daniel James Applying microtonality to pop songwriting: A study of microtones in pop music Original Citation Chadwin, Daniel James (2019) Applying microtonality to pop songwriting: A study of microtones in pop music. Masters thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/34977/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Applying microtonality to pop songwriting A study of microtones in pop music Daniel James Chadwin Student number: 1568815 A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Master of Arts University of Huddersfield May 2019 1 Abstract While temperament and expanded tunings have not been widely adopted by pop and rock musicians historically speaking, there has recently been an increased interest in microtones from modern artists and in online discussion. -
Weâ•Žll All Shout Together in That Morning
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 12-2009 "We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama Jonathon Murray Smith University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Musicology Commons Recommended Citation Smith, Jonathon Murray, ""We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama. " Master's Thesis, University of Tennessee, 2009. https://trace.tennessee.edu/utk_gradthes/559 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Jonathon Murray Smith entitled ""We’ll All Shout Together in that Morning": Iconicity and Sacred Harp Singing on Sand Mountain, Alabama." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Music, with a major in Music. Leslie Gay, Major Professor We have read this thesis and recommend its acceptance: Rachel Golden, Nasser Al-Taee Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Jonathon Smith entitled “We’ll All Shout Together in that Morning: Iconicity and Sacred Harp Singing on Sand Mountain, Alabama.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Music a major in Musicology. -
Motivations for Revivalist Participation in Sacred Harp of the Chesapeake Bay Area
ABSTRACT Title of thesis: THE PERFORMANCE OF HISTORY: MOTIVATIONS FOR REVIVALIST PARTICIPATION IN SACRED HARP OF THE CHESAPEAKE BAY AREA Brigita Lee Sebald, Master of Arts, 2005 Thesis directed by: Dr. Jonathan Dueck Department of Musicology and Ethnomusicology Sacred Harp performance exists in the Chesapeake Bay area of Maryland, Virginia and southern Pennsylvania primarily inside a revivalist setting of folklore societies. Singers identify both the musical sound and the community of singe rs as their primary motivation for participating in Sacred Harp. Many singers are originally attracted to it because of its harmonies and structure and explore new repertoire through the use of recordings and attendance at conventions. The convention sys tem further enables a community with local, regional, and national levels, which then helps deepen commitment to Sacred Harp performance. Finally, singers interact with historical practices through performance, which results in a transformation and rejuve nation both of the singer and of Sacred Harp itself. THE PERFORMANCE OF HISTORY: MOTIVATIONS FOR REVIVALIST PARTICIPATION IN SACRED HARP OF THE CHESAPEAKE BAY AREA by Brigita Lee Sebald Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Arts 2005 Advisory Committee: Dr. Jonathan Dueck, Chair Professor Robert Provine Professor Carol E. Robertson Dr. Boden Sandstrom ©Copyright by Brigita Lee Sebald 2005 TABLE OF CONTENT S Chapter I: -
Folk Or Fake: the Notion of Authenticity in Portuguese Fado
1 Folk or Fake: The Notion of Authenticity in Portuguese Fado James Patrick Félix Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds School of Music March 2015 2 The candidate confirms that the work submitted is his own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement © 2015 The University of Leeds and James Patrick Félix The right of James Patrick Félix to be identified as Author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. 3 Acknowledgements Para a minha mãe Anne Marie Félix, meu pai Amorim Carvalho Félix, minha esposa Denise Sara Bryan e minha filha Emma Maria Félix. This thesis would not have been possible without the assistance and support of a large number of individuals. I wish to extend my thanks first to my supervisory team of Professor Derek Scott and Professor Kevin Dawe, whose input, encouragement and advice helped keep things moving. I would also like to thank friends and colleagues at the University of Leeds, including Dr Karen Burland, Dr Lauren Redhead and Tenley Martin, whose conversations and suggestions allowed me to focus my thoughts and research in the right direction. I would also like to thank Professor Peter Johnson and Dr Liz Garnett at Birmingham Conservatoire who first helped me develop my interest in authenticity and folk music. -
Issue 171.Pmd
email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions. -
An Elegant New Album by the Unthanks Marks a Homecoming, A
The last dance An elegant new album by The Unthanks marks a homecoming, a pregnancy, an engagement and a new epic style. Rachel Unthank and husband Adrian McNally talk to Tamzin Lewis about Last. hey may be rooted in was a new venture, it feels like a traditional Northumbrian natural progression.” balladry, but folk singers The natural progression has been Rachel and Becky Unthank steered by Adrian, who is the band’s T manager and producer. He says: “The have impressive powers of musical reinvention. Their first two albums were variety of different types of music is a with The Winterset, a four-piece female joyous thing. There are so many col- band also featuring piano and fiddle. ours of music to explore, it seems lazy These were sparse, shoestring DIY to stand still. recordings in cupboards but after gain- “Rachel Unthank & The Winterset ing a Mercury Prize nomination, a com- were nominated for a Mercury Prize mitted following and a deal with EMI, with second album The Bairns as a the third album, Here’s The Tender four-piece female act with no drums, Coming, heralded a metamorphosis. bass and few instruments. Since then The Winterset was thrown over and we have thrown the formula away and The Unthanks became a close-knit moved on.” affair with Adrian McNally on piano, his The sound of The Unthanks has childhood friend Chris Price on guitar become increasingly cinematic, in- and “adopted family member” Niopha fluenced by contemporaries like the Keegan playing fiddle. visionary American singer-songwriter Above, The where”. It was written in response to and explore the songs. -
Network Notebook
Network Notebook Summer Quarter 2017 (July - September) A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more.