Jane Mcadam Freud: Mother Mould
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Descendants of Nathan Spanier 17 Feb 2014 Page 1 1
Descendants of Nathan Spanier 17 Feb 2014 Page 1 1. Nathan Spanier (b.1575-Stadthagen,Schaumburg,Niedersachsen,Germany;d.12 Nov 1646-Altona,SH,H,Germany) sp: Zippora (m.1598;d.5 Apr 1532) 2. Isaac Spanier (d.1661-Altona) 2. Freude Spanier (b.Abt 1597;d.25 Sep 1681-Hannover) sp: Jobst Joseph Goldschmidt (b.1597-witzenhausen,,,Germany;d.30 Jan 1677-Hannover) 3. Moses Goldschmidt 3. Abraham Goldschmidt sp: Sulke Chaim Boas 4. Sara Hameln 4. Samuel Abraham Hameln sp: Hanna Goldschmidt (b.1672) 3. Jente Hameln Goldschmidt (b.Abt 1623;d.25 Jul 1695-Hannover) sp: Solomon Gans (b.Abt 1620;d.6 Apr 1654-Hannover) 4. Elieser Suessmann Gans (b.Abt 1642;d.16 Oct 1724-Hannover) sp: Schoenle Schmalkalden 5. Salomon Gans (b.Abt 1674-Hameln;d.1733-Celle) sp: Gella Warburg (d.1711) 6. Jakob Salomon Gans (b.1702;d.1770-Celle) sp: Freude Katz (d.1734) 7. Isaac Jacob Gans (b.1723/1726;d.12 Mar 1798) sp: Pesse Pauline Warendorf (d.1 Dec 1821) 8. Fradchen Gans sp: Joachim Marcus Ephraim (b.1748-Berlin;d.1812-Berlin) 9. Susgen Ephraim (b.24 Sep 1778-Berlin) 9. Ephraim Heymann Ephraim (b.27 Aug 1784;d.Bef 1854) sp: Esther Manasse 10. Debora Ephraim sp: Heimann Mendel Stern (b.1832;d.1913) 11. Eugen Stern (b.1860;d.1928) sp: Gertrude Lachmann (b.1862;d.1940) 12. Franz Stern (b.1894;d.1960) sp: Ellen Hirsch (b.1909;d.2001) 13. Peter Stern Bucky (b.1933-Berlin;d.2001) sp: Cindy 10. Friederike Ephraim (b.1833;d.1919) sp: Leiser (Lesser) Lowitz (b.Abt 1827;m.11 Jan 1854) 9. -
And Sigmund Freud (1856-1939): Overlapping Hukvaldy/Příbor Reveries
OF LEOŠ JANÁČEK (1854-1928) AND SIGMUND FREUD (1856-1939): OVERLAPPING HUKVALDY/PŘÍBOR REVERIES Lawrence M. Ginsburg In 2016, Adele Tutter, M.D., Ph.D. (hereafter 'Tutter') and Léon Wurmser, M.D. (here- after 'Wurmser') co-edited their joint volume entitled Grief And Its Transcendence: Memory, Identity, Creativity (hereafter 'Grief'). Each is a physician/psychoanalyst and renowned individual author. Their front cover features a photograph of the adult Freud with his daughter Sophie Freud Halberstadt before her demise. Unlike the broader focus of another Book Reviewer (Schwartz, 2016, pp. 1274-1282), the following critique is circumscribed by the individual contributions of co-editor Tutter. Tutter (2016a) authored Grief ‘s “Prologue: Give Sorrow Words” (pp. xxv-xlii) and co- edited Part III (sub-titled “History, Ancestry, Memory”) embracing Chapters 12-14 (pp. 131- 194). The volume’s Chapter 13 entitled “Sudek, Janáček, Hukvaldy, and Me: Notes on Art, Loss, and Nationalism under Political Oppression” (2016b, pp. 149-188),¹ solely authored by Tutter (ibid., 2016b), included endnote #5, to wit: “…The only mention of Janáček in the English language psychoanalytic literature are from Chipman 2000, who compares his late creativity to that of Jean Sibelius, and Ginsburg and Ginsburg, 1992 who find Janáček of interest for his proximity to Sigmund Freud, born only two years after Janáček in the same village of Příbor, not five kilometers from Hukvaldy. Like Janáček, Freud also referred to Hukvaldy ---more than once---as his ‘Paradise’…” (p. 185) [underlining for emphasis]. “Paradise in the Life of Sigmund Freud: An Understanding of Its Imagery and - ¹ “Me,” the culminating word in Tutter’s (2016b) leading title in the aforesaid essay, laudably memorializes---in textual sub-sections 25-30 (pp. -
2014 Jane Mcadam Freud
PSICOART n. 4 – 2014 Jane McAdam Freud In the Mould of the Fathers – Objects of Sculpture, Subjects of Legacy with a text by Luca Trabucco Abstract In this text Jane McAdam Freud interrogates the forms and processes used in portrait sculpture with the objective of exploring her con- scious and unconscious drives. Contextualizing these self-portraits, she shows the works that led up to her returning to the self as a focus for sculpture driven by feelings of the responsibility of heritage. Furthermore, the paper focus on some points related to the work of sub- limation and memory, from the perspective of a creative work that is put in place by the dream/artistic work. Keywords Lucian Freud; Sigmund Freud; Psychoanalysis; Sculpture; Portrait; Self-portrait DOI – https://doi.org/10.6092/issn.2038-6184/4369 https://psicoart.unibo.it/ PSICOART n. 4 – 2014 PSICOART n. 4 – 2014 Jane McAdam Freud In the Mould of the Fathers – Objects of Sculpture, Subjects of Legacy* The aim of my presentation is to interrogate the forms and sponsibility of heritage. Looking back at the trajectory of processes used in my sculpture and to express how the works, many of which were inspired by the faces and sublimation of my psychodynamic processes may manifest works of Lucian and Sigmund Freud I focus on some in my works. My objective is to explore my conscious and points for reflection. These points will centre on the for- unconscious drives as a contribution to art and psychoa- mal, visual and sculptural devices I have selected for ex- nalysis. -
Download Press Release
39 DOVER STREET, MAYFAIR, LONDON, W1 FAMILY MATTERS 25 April – 29 May 2012 Jane McAdam Freud, EarthStone Triptych, 2011 Fine artist Jane McAdam Freud presents her latest body of work entitled Family Matters in a solo exhibition at Gazelli Art House. From 25 April – 29 May 2012, McAdam Freud will display an array of personal sculptures and drawings that focus on her familial relationships and the broader concept of family at the new Dover Street gallery. Family Matters shows defining works in the artist’s career including new, previously unseen sculptures and installations. The daughter of famed portrait artist Lucian Freud and great-granddaughter of groundbreaking psychologist Sigmund Freud, Jane McAdam Freud is highly influenced by her family history. Channelling her artistic heritage, McAdam Freud decided at an early age to pursue a career in art although it would not be until later in her life that father and daughter would work side by side when McAdam Freud taught Lucian Freud some sculpture techniques during her time at the Royal Mint in South Wales. Determined to find her creative niche within her family, McAdam Freud gravitated towards sculpture because it was a medium previously unexplored by her relatives. Although drawing has always underpinned her practice, sculpture remains McAdam Freud’s first love. Throughout her career, however, the artist has experimented with several mediums including carved and modelled relief, etching and digital media earning her awards and artist residencies in these respective fields. Acquired by museums around the world, McAdam Freud’s art is as beautiful as it is powerful with each piece relaying a narrative of the artist’s internal struggle with who she is and what her family name represents. -
Geordie Grieg Café Com Lucian Freud.Pdf
Tradução de WALDÉA BARCELLOS 1ª edição 2013 CIP-BRASIL. CATALOGAÇÃO NA PUBLICAÇÃO SINDICATO NACIONAL DOS EDITORES DE LIVROS, RJ G862c Grieg, Geordie, 1960- Café com Lucian Freud [recurso eletrônico] / Geordie Grieg ; tradução Waldéa Barcellos. - 1. ed. - Rio de Janeiro : Record, 2013. recurso digital Tradução de: Breakfast with Lucian Formato: ePub Requisitos do sistema: Adobe Digital Editions Modo de acesso: World Wide Web ISBN 978-85-01-10167-9 (recurso eletrônico) 1. Freud, Lucian, 1922-2011. 2. Freud, Lucian, 1922-2011 – Narrativas pessoais. 3. Pintores – Grã-Bretanha – Biografia. 4. Livros eletrônicos. I. Título. 13-07241 CDD: 927 CDU: 929:75 Título original em inglês: Breakfast with Lucian Copyright © Geordie Greig, 2013 Todos os direitos reservados. Proibida a reprodução, armazenamento ou transmissão de partes deste livro através de quaisquer meios, sem prévia autorização por escrito. Proibida a venda desta edição em Portugal e resto da Europa. Texto revisado segundo o novo Acordo Ortográfico da Língua Portuguesa. Direitos exclusivos de publicação em língua portuguesa para o Brasil adquiridos pela EDITORA RECORD LTDA. Rua Argentina 171 – 20921-380 – Rio de Janeiro, RJ – Tel.: 2585-2000, que se reserva a propriedade literária desta tradução Produzido no Brasil ISBN 978-85-01-10167-9 Seja um leitor preferencial Record. Cadastre-se e receba informações sobre nossos lançamentos e nossas promoções. Atendimento direto ao leitor: [email protected] ou (21) 2585-2002. What matter? Out of cavern comes a voice And all it knows is that one word ‘Rejoice!’ Conduct and work grow coarse, and coarse the soul, What matter? Those that Rocky Face holds dear, Lovers of horses and of women, shall, From marble of a broken sepulchre, Or dark betwixt the polecat and the owl, Or any rich, dark nothing disinter The workman, noble and saint, and all things run On that unfashionable gyre again.* “The Gyres”, W.