Commencement Program, 1992

Total Page:16

File Type:pdf, Size:1020Kb

Commencement Program, 1992 The University of the Arts Commencement May 22, 1992 ^^ The University of the Arts Commencement May 22, 1992 Philadelphia College of Art and Design 1876 Philadelphia College of Performing Arts 1870 Processional Welcome Peter Solmssen, President Student Address Khadijah Karriem Recognition of Life Trustees H. Ober Hess, Esq. John W. Merriam Alumni Awards Jerry Pinkney Pearl B. Schaefter Honorary Degree of Doctor of Fine Arts Mary Ellen Mark Bernard C. Watson, Ph.D. Conferring of Degrees and Certificates Dorrance H. Hamilton, Chairman Board of Trustees Closing Remarks Peter Solmssen Recessional • Audience will rise Degrees Master of Music Anita Margot Moss Toby Andrew Orgeron Ania Alexandra Paz Galvan **Michal Schmidt Graduate Diploma in Music Sandrine Erdely-Sayo Lan Lee Commencement Candidates Bachelor of Fine Arts Pennsylvania Academy of the Fine Arts Coordinate Program ** Erika Lopez t Elizabeth Anne Peirce Master of Arts in Art Education Bachelor of Fine Arts "Carol Allen in Animation Nancy Citrino Robert Cozzi **' Kathleen Anne Devine Eric Tyrone Elder •Barbara Gail "Robert J. Gillespie *** Kimberley Lyies Jennifer L. Jones Merkle ***Lou Ann Sarah J. Tomlinson Marjorie L. Reppert William Earl Van Ness Master of Arts ' Bachelor of Science in Teaching in Architectural in Music Education Studies Galiva Joseph R. Michael J. Balser Margaret Carroll Jeffrey P. Deivy James Michael Melillo David S. Granovsky Norman C. Spratt Carol Lynn Kegley Bridget Jean McClary Pantelis A. Papadopoulos Master of Arts in Teaching in Visual Arts Bachelor of Fine Arts Claire L. Brown in Crafts "Wendell Jeffrey ttMary Anna Boston Patricia A. McBride Mathew Citrenbaum Lou Ann Merkle Elizabeth A. Dorbad Phyllis Paston Shara M. Gordon ** Jody Smith-Long ** Emily M. Hearn ** Ann Marie Taylor Samantha Hirsch Darren Lome Umble LisaC, Holley * Louise Ann Willis-Lorenz Alexander T. Hong James H. Jewell III Jeffery D. Kaller Master of Fine Arts Susan J. Kolvek in Book Arts/ Lisa Kolvites Printmaking " Hedwig Mary McGee Siri Beckman Caroline E. McGorry Denise Carbone Torin Alissa Richards Laura Cassandra Kaufman Jennifer L. Rife ** Karen B. Lefkovitz Susan Hillary Rosen Susan C. MacClain Diane V. Scott ** Jennifer Simons Robin Snow Master of Fine Arts Sara Monserrat Teixido in Museum Exhibition Victoria Regina Westfield Planning and Design Seth Andrew Winner James Claus Gilmore Diana Larsen Pattie Ann Smith Jennifer R. Spitzer ' Bachelor of Fine Arts Bachelor of Fine Arts in Dance in Graphic Design Victoria A. Alden Kristen R. Bower Debra J. Allen Cynthia L. Cheatham Amy L. Browne Jeannie S. Chung Stephanie Ellen Garden Richard T. Conway, Jr. Nicole Danielle Cousineau Judyann Ellas Donna M. Demenczuk Gorete Ferreira Dos Passes Lisa Maria DeVine Laurie A. Frick Cynthia M. Dickey Lynn Ann Fylak Lisa Michelle Duggan Eric S. Griffin Lakey A. Evans Kara K. Hannon KimberlyA. Hill Lyda B. Heller Lisa L. Hudson Armena D. Jehanian Christina A. Hurley Sun Sook Jung Kim Marie Jascewsky Maria Isabel Kerdel Kimberly M. Krentz Carol A. Kindermann *** Kerry L. Lacy Sheri D. Kriebel Kama L. Linden Frank Joseph Marchese Greer Kristen Lockard Sonali Nande Jennifer Claire Mann Vaishali A. Nande Joseph A. McClintock **Dinh Nguyen Sheryl A. Melio Rebekah Anne Schmidt Stacey Lynn Mossbarger Melissa Squillante Kari Ann Nolan Agnieszka Milena Swigonlak Alisa Ann Payne ** Ronald Tinsley Elizabeth H. Rotsch Brian Edward Sanders Yoshimi Sato Bachelor of Fine Arts Teresa M. Spagnuola in Illustration Stacey Christine Tate Marni Backer Deborah E. Tuitt Francesco Andrea Belvedere Gregory A. Ugrin Kimberley Ann Branson Heidi Lynn Weiss Richard Buttari Daniel C. Cardillo Neilson M. Carlin ('bachelor of Fine Arts t Michelle L. Barley in Dance Education Veronica Rachel Elmer Teresa L. McKenzie Nancy Ann Eppel Janelle A. Stevenson Robin L. Ferguson Arlanda M. Tabor Jean Michel Fiedler Brian T. Vernon Adam L. Furgang Tracy L. Hartman Brenda Leigh Holmes Bachelor of Fine Arts Jason A. Karecki in Film Richard Dale Kauzlarich, Jr. *** Brendan S. McGlynn ***Jin S. Kim **Yoichi Suzuki Patrick E. Kitson Rachel Miloure Kolar Chris Kotsakis II Bachelor of Fine Arts t David S. Laurenzi in Fine Arts t Christina Eun Young Lee in Printmaking Julie K. Lee Jennifer Gaines Heidi L. Linke ** Matthew William McHale ** Steven E. McKay Alexander Mill, Jr. ** Anthony Morrow James P. Rider **Ricardo Sanchez *** Brian M. Saylor ifSuzan L. Schwarz Kelly J. Shoemaker Daniel S. Stigler ** John Jay Thompson Craig S. Van Ness Kaj M. WInje t Shirley Alexandrea Zafir Bachelor of Science Bachelor of Fine Arts in Industrial Design in Photography ** Peter B. Alston Jeffrey D. Blose Paul Joseph Angeloni Gary Joseph Cohen Hadley P. Burns Francis J. Dzikowski Janet V. Chin "t Heather G. Evans tCrystale L. Conquest Wendy J. Fellenbaum Sophia Reynolds Daly Christa M. Gearhart Luis Duarte Seth A. Grossman Philip Flerlinger Juha M. Hollo Brandon S. Grantham Todd A. Katzberg Margaret McDermott lllenberger :|: Angela L. Kramer Pil Joo Kim Geoffrey McKonly *** Mark E. Kirkland Alexandra Solmssen Matthew J. MarianI "'Suzanne Sonner **Celena Ellen McAfee Harold C. Taylor Scott Evan Miller Don Weedman Edward J. Morris III Susan Kelly Witmer Jennifer Lee Palermo Evan H. Woldow Daniel A. Peralta Crista Riccio Bachelor of Fine Arts *** Jason Robinson John D. Rosella, Jr. in Printmaking Craig Y. Rullo Kimberley A. Bursic 'Samuel Staten Albert T. Frenzel * John Timczyk Jeffrey G. Kemp Rodney A. Wilson, Jr. Stephanie Cheryl Morad Mark M. Zacieracha Aimee J. Murray "Seanna J. Noonan Christopher Nowell Bachelor of Music " James Thomas O'Connor Ian Ash Alexandra Preziosi Julie C. Baker 'John Speer Voskamp Robert James Birch Louis D. Brigandi, Jr. ** Joseph R. Caliva Bachelor of Fine Arts ** Margaret Carroll in Sculpture **Gina Degnars "tBngitte R. Bast Christina DiZebba Doreen J. Brown Anne M. Fiskvik "Melissa Mary Cox Kevin D. Francis Joseph C. Deissroth **Randi Lauren Freeman Michelle L. Demetrakas **Lisa Anne Guglielmo Stephen Daniel Garraty '" Daniel A. Levinson Michael J. Gaudioso ** James Michael Melillo irJeanine M. Gentile Ernest Privetera Frank R. Hartman Judith C. Rivera Timothy A. Heireth Mayumi Sasaki t Michael Barry Lavallee Brian M. Silvoy "Joshua Lowenfels ** Norman C. Spratt t Alison Jensen Manthey ** Aimee Jo Stephenson Shari N. Marder Michael Tabasco Aimee L. McElroy "Benjamin Whilten Joseph F. Menna t Rachel Ann Miller "James Grayson Porter Bachelor of Fine Arts *" Bryan S. Robertson in Painting Shelley Lynn Whitman t Elizabeth S. Acton Susannah W. Anderson David M. Applegate if Jacqueline Cassel t David W. Cloutier ** Kimberly A. Connerton Erika R. Dahlberg Jennifer S. Fried Judy J. Kim Matthew Marello t Stephanie Morris Nancy H. No Marlisa Anne Ward Schiavone Emily M. Scripter F. Timpson Seggerman Stephen Christopher Shellooe I Thomas Edward Szewc Bachelor of Fine Arts Honor Graduates in Theater Arts Susannah W. Anderson Daniel J. Burke Gary Joseph Cohen '-^ Christine S. Cleary Nicole D. Cousineau Christine A. Cowin Christine A. Cowin Anita K. Davenport Christina DiZebba Joan Kathryn Hamilton Jean Michel Fiedler Keo Luwan Johnson Kevin D. Francis Laura Jones Samantha Hirsch Khadijah Karriem Juha M. Hollo 'Louise C. Langford Brenda Leigh Holmes Philip F. Lynch Judy J. Kim Jennifer S. Powers Kama L. Linden Carol Anne Raffa Jennifer C. Mann /--^ Troy Michael Rowland Joseph A. McClintock Steven Peter Salotto Nancy H. No Jenny L. SeidI Elizabeth H. Rotsch Maryanne Smith Craig Y. Rullo Raymond Lament Thomas Steven Peter Salotto Brian E. Sanders Norman C. Spratt Associate in Arts Sara Monserrat Teixido in Illustration Gregory A. Ugrin * Betty Lou Marchant Associate in Arts in Interior Design Susan L. Greenbaum Certificate in Dance Lori-Ann Eorio Channa Alayne Rock Sharyn Sena Certificate in Interior Design * William W. Rinko Certificate in Music Dolly Hemphill 'Degree Conferred August 9, 1991 ** Degree Conferred December 20, 1991 "* Degree in Progress t Art Education Teacher Certification Program in addition to degree ij: Concentration in Art Therapy This program is not an official graduation list. The University's official registry for conferral is the student's permanent academic record kept by the Office of the Registrar, The University of the Arts, 320 South Broad Street, Philadelphia, Pennsylvania 19102 Commencement Awards Academic Achievement Scholastic Award Winners Program Richard T. Conway, Jr. - Graphic Design James Jewell, III - Wood Architectural Studies The Richard T. Henkels Award for the Outstanding Senior Project Jeffrey Delvey Rouse and Associates Award for Outstanding Overall Achievement by a Senior in Architectural Studies David Granovsky Pantelis Papadopoulos Crafts Rear Admiral and Mrs. Jack Bowling Memorial Award in Metalsmithing Jennifer Rife The Addie Grossman Annual Memorial Award in Jewelry Design and Creation Samantha Hirsch The Josef Jaffe Award for the Outstanding Finished Piece in Ceramics Jeffery Kaller The Oscar E. Mertz Memorial Award in Wood for the Outstanding Finished Piece James Jewell, III Rosalie Borowsky Belkin Award in Fibers Elizabeth Dorbad The William Kellmer Award Honorable Mention: Samantha Hirsch Jennifer Rife The Hammill & Gillespie, Inc. Award in Ceramics Alexander Hong The Hilda Berg Memorial Award Kristin Urffer The William E. Ridgeway Memorial Award in Jewelry/Metal Design Caroline McGorry Ceramics Faculty Award Susan Mark Fibers Faculty Award Seth Winner Metals Faculty Award Sara Teixido School of Dance The W. W. Smith Charitable Trust Prize Nicole Cousineau The Stella Moore
Recommended publications
  • American Masters 200 List Finaljan2014
    Premiere Date # American Masters Program Title (Month-YY) Subject Name 1 ARTHUR MILLER: PRIVATE CONVERSATIONS On the Set of "Death of a Salesman" June-86 Arthur Miller 2 PHILIP JOHNSON: A SELF PORTRAIT June-86 Philip Johnson 3 KATHERINE ANNE PORTER: THE EYE OF MEMORY July-86 Katherine Anne Porter 4 UNKNOWN CHAPLIN (Part 1) July-86 Charlie Chaplin 5 UNKNOWN CHAPLIN (Part 2) July-86 Charlie Chaplin 6 UNKNOWN CHAPLIN (Part 3) July-86 Charlie Chaplin 7 BILLIE HOLIDAY: THE LONG NIGHT OF LADY DAY August-86 Billie Holiday 8 JAMES LEVINE: THE LIFE IN MUSIC August-86 James Levine 9 AARON COPLAND: A SELF PORTRAIT August-86 Aaron Copland 10 THOMAS EAKINS: A MOTION PORTRAIT August-86 Thomas Eakins 11 GEORGIA O'KEEFFE September-86 Georgia O'Keeffe 12 EUGENE O'NEILL: A GLORY OF GHOSTS September-86 Eugene O'Neill 13 ISAAC IN AMERICA: A JOURNEY WITH ISAAC BASHEVIS SINGER July-87 Isaac Bashevis Singer 14 DIRECTED BY WILLIAM WYLER July-87 William Wyler 15 ARTHUR RUBENSTEIN: RUBENSTEIN REMEMBERED July-87 Arthur Rubinstein 16 ALWIN NIKOLAIS AND MURRAY LOUIS: NIK AND MURRAY July-87 Alwin Nikolais/Murray Louis 17 GEORGE GERSHWIN REMEMBERED August-87 George Gershwin 18 MAURICE SENDAK: MON CHER PAPA August-87 Maurice Sendak 19 THE NEGRO ENSEMBLE COMPANY September-87 Negro Ensemble Co. 20 UNANSWERED PRAYERS: THE LIFE AND TIMES OF TRUMAN CAPOTE September-87 Truman Capote 21 THE TEN YEAR LUNCH: THE WIT AND LEGEND OF THE ALGONQUIN ROUND TABLE September-87 Algonquin Round Table 22 BUSTER KEATON: A HARD ACT TO FOLLOW (Part 1) November-87 Buster Keaton 23 BUSTER KEATON:
    [Show full text]
  • Welcome Letter 2013 Samuel H. Scripps American Dance Festival
    Welcome Letter 2013 Samuel H. Scripps American Dance Festival Award Lin Hwai-min The ADF wishes to thank the late Samuel H. Scripps, whose generosity made possible the annual $50,000 Samuel H. Scripps American Dance Festival Award. The Award was established in 1981 as the first of its kind and honors chorographers who have dedicated their lives and talent to the creation of modern dance. The continuation of the award is made possible through the SHS Foundation and its President, Richard E. Feldman. Celebrated choreographer, director, and educator Lin Hwai-min will be presented with the 2013 Award by Joseph V. Melillo in a special ceremony on Saturday, July 27th at 8:00 pm, prior to the Forces of Dance performance at the Durham Performing Arts Center. The program will also include a performance of the solo from Lin Hwai-min’s 1998 work Moon Water, performed by Cloud Gate Dance Theatre dancer Chou Chang-ning. Mr. Lin’s fearless zeal for the art form has established him as one of the most dynamic and innovative choreographers today. His illustrious career as a choreographer has spanned over four decades and has earned him international praise for his impact on Chinese modern dance. He is the founder, choreographer, and artistic director of both Cloud Gate Dance Theatre of Taiwan (founded in 1973) and Cloud Gate 2 (founded in 1992), and his choreography continues to be presented throughout the United States, Europe, and Asia. While his works often draw inspiration from traditional elements of Asian culture and aesthetics, his choreographic brilliance continues to push boundaries and redefine the art form.
    [Show full text]
  • Chronology of Choreographic Works by Alwin Nikolais
    Chronology of Choreographic Works by Alwin Nikolais Title Music Premiere Location Commissioned By Sabine Women Speaking 12/15/36 Palace Theatre Connecticut WPA Play by Leonid chorus Hartford, CT Federal Negro Theatre Andreyeff World We Live In Percussion 12/13/37 Avery Memorial Connecticut WPA Play by Kapek Bros. Theatre Federal "Insect Comedy" Hartford, CT Negro Theatre Eight Column Line Ernst Krenek 5/19/39 Avery Memorial Wadsworth Atheneum & Theatre Friends or Enemies of Hartford, CT Modern Music Birthday of the Dance 5/27/39 Avery Memoial Ann Randall Productions Infanta movement by Theater Play by Oscar Wilde A. Nikolais Hartford, CT American Greetings Louis Horst 1/19/40 Avery Memorial Theatre Hartford, CT The Jazzy 20's Beatrice 1/19/40 Avery Memorial MacLoughlin Theatre Hartford, CT Opening Dance Joaquin 5/29/41 Hartt College Turina Hartford, CT American Folk David Guion 5/29/41 Hartt College Themes Hartford, CT Pavanne Esther 5/29/41 Hartt College Williamson Hartford, CT Evocation Wallingford 5/29/41 Hartt College Reigger Hartford, CT Ten Maidens and No Dance 5/13/42 Hartt College, Man Comic Opera in Direction by Hartford, CT One Act by Franz Von Alwin Suppe Nikolais Character Sketches Sergei 5/15/42 Avery Memorial In the suite titled War Prokofiev Theatre Themes Hartford, CT Metamorphosis Osbourne 5/15/42 Avery Memorial Theatre Hartford, CT Chronology of Choreographic Works by Alwin Nikolais Title Music Premiere Location Commissioned By Popular Themes George 5/15/42 Avery Memorial Choreographed with Gershwin Theatre Olga Dzurich Hartford, CT Martha Dance 5/6/45 Hartt College Hartt Opera Guild Opera by Friedrich Von direction by Hartford, CT Flotow A.
    [Show full text]
  • Informance 2008
    INFORMANCE - MARCH 26, 2008 How can we know the dancer from the dance?” – Martha Graham, Murray Louis, and Bill T. Jones I begin this Informance talk by thanking Linda Roberts and Lori Katterhenry. In early November (the 9th, to be exact), Lori asked me if -- in view of my “obvious enthusiasm and expertise” -- I would be interested in writing study guides for the three guest artist works of the 2007-08 MSU Dance Program: Steps in the Street, by Martha Graham; Four Brubeck Pieces, by Murray Louis; and D-Man in the Waters by Bill T. Jones. “We have never done this before,” Lori said, “and I know it is quite common in theater.” …“Great idea,” Linda Roberts declared the next day, “This information would be very useful for the Informance. I know the students are interested in discussing the movement philosophies and stylistic differences of the three choreographers, and the challenges these elements present in performing and bringing to life the reconstructed dances we are rehearsing.” A few days thereafter, Lori , Linda and I were brainstorming in Lori’s spacious executive office suite and I cautioned them that I was not a dance critic by training; I am an historian and biographer. They were well aware, and that was precisely the reason they asked me to become involved. They were looking for insights about the “historical” side to each work, the social and cultural circumstances that engendered them, the aesthetic contexts against which they were created. I then said that I was not sure I would end up doing actual “study guides,” per se.
    [Show full text]
  • Commencement Program, 1991
    The University of the Arts Commencement May 18, 1991 ^^ Digitized by the Internet Archive in 2011 with funding from LYRASIS IVIembers and Sloan Foundation http://www.archive.org/details/commencementprog1991univ The University of the Arts Commencement May 18, 1991 Philadelphia College of Performing Arts 1870 Philadelphia College of Art and Design 1876 Processional Welcome Peter Solmssen, President Commencement Address Ambassador Daniel J. Terra Student Address Stacey N. Martino Ronald Scott McBain H. Colton O'Conner Jeff T. Ryan Anthony D. Thyne Alumni Awards Lydia Artymiw Ed Colker Honorary Degree of Doctor of Fine Arts Ivan Chermayeff WillardG. Rouse Ellen Stewart Conferring of Degrees and Certificates Dorrance H. Hamilton, Chairman Board of Trustees Closing Remarks Peter Solmssen Recessional Audience will rise Degrees Bachelor of Fine Arts, Pennsylvania Academy of the Fine Arts Coordinate Program "Jane E. Buscher " Lisa George Fox William Thompson "James Brian Walsh Bachelor of Fine Arts in Animation Samuel H. Bullock James E. Eyies Maria Crisstina Mailey Commencement "Christopher Scott Moeller Candidates Larry C. Schmehl II Anthony D. Thyne Bachelor of Science in Architectural Studies Sherri M. Adier Elizabeth Maria Blengino Master of Arts in Amena C. Najjar Art Education Helen H. Kang Ambar Astuti Jeffrey Reid Kiefer Annette Barnett Lea Marie Munjone 'Elizabeth Hoak Doering Janice Emily Muscio "Elizabeth Puetter Schaeffer Sittisan Sundaravej Jess A. Walker "Jennifer K. Woodhouse Master of Arts in Teaching Bachelor of Fine Arts in Visual Arts in Crafts •Rebekah Finstein Mary Anna Boston Cheryl Fisher :t:Devin Coyne Linda Audrey Keels Elizabeth L. Despard Keith C. Sharp Laura Ferry 'Patricia M. Siembora "David Downing Gibson Kevin Charles Washabaugh Rebecca C.
    [Show full text]
  • Certificate Program Student Handbook
    CERTIFICATE PROGRAM STUDENT HANDBOOK 2016-2017 Artistic Director, Igal Perry Director of Development, Yarden Ronen Certificate Program Coordinator, Nikki Holck Certificate Program Assistant Coordinator, Cleo Sykes Peridance Capezio Center 126 East 13th Street New York, NY 10003, USA 212.505.0886 www.peridance.com Peridance Capezio Center ___________________________________________________________________________________________ Table of Contents History of Peridance Capezio Center 3 Statement of Purpose 3 General Information 4 Size and Scope 4 Tracks 5 Program Components and Coursework 6 Sample Class Schedule 8 Faculty 9 Administrative Contacts 23 Board of Trustees 24 Peridance Capezio Center Facilities 24 Library Facilities 24 Housing 25 Tuition and Fees 25 Financial Aid 25 Withdrawal, Refund, and Transfer Policies 26 Attendance Policy 27 Sign In and Sign Out ____________________________________________________________________29 Space Rental Procedure and Policy _______________________________________________________ 29 Rules of Conduct 30 Dress Code 31 Tactile Cueing 31 Injury Policy 32 Admission Information 32 Orientation 32 Evaluation Policy 33 Failing Grades 33 Grading Policy 34 Retention Policy 35 Credit Policy 35 Graduation Requirements 35 Certificates Granted and Requirements 36 Visa Options and Employment 36 Academic Calendar 37 Grievance, Probation, and Appeals Procedures 38 Self-Evaluative Process 38 Other Services 39 Contracted Education Services 39 Certificate Program 2 Peridance Capezio Center ___________________________________________________________________________________________
    [Show full text]
  • Books Received
    Books Received Dance Research, Volume 24, Number 1, Summer 2006, pp. 72-73 (Article) Published by Edinburgh University Press For additional information about this article https://muse.jhu.edu/article/198378 [ This content has been declared free to read by the pubisher during the COVID-19 pandemic. ] Books Received Ananya Chatterjea, Butting Out. Reading Resistive Choreographies Through Works by Jawola Willa Jo Zollar and Chandralekha, Middletown, Connecticut: Wesleyan University Press, 2004, 398 pp., 42 b/w illus., ISBN 0-8195-6732-9 (cloth), ISBN 0-8195-6733-7. Judith Chazin-Bennahum, The Lure of Perfection. Fashion and Ballet, 1780-1830, New York and London: Routledge, 2005, xx + 280 pp., 74 monochrome illus- trations, h/b, n.p. and p/b, £18.99, ISBN 0-415-97037-7 and 0-415-97038-5. Judith Chazin-Bennahum (ed.), Teaching Dance Studies, New York and London: Routledge, 2005, xvi + 252 pp., with monochrome illustrations, h/b and p/b, n.p., ISBN 0-415-97035-0 and 0-415-97036-9. Marie-Françoise Christout, Le Ballet de Cour de Louis XIV 1643–1672 Mises en Scène, new edn., Paris: Picard and Centre National de la Danse, 2005, 292 pp., with 56 illustrations (17 of which are polychrome), p/b, 42 Euros, ISBN 2-7084- 0742-2. Yvonne Daniel, Dancing Wisdom, 2005, 256 pp., cloth cover (ISBN 0-252-02966- 6), $55.00, paper cover (ISBN 0-252-07207-3), $22.00. Katherine Dunham, Kaiso! Writings by and about Katherine Dunham, VèVè A. Clark and Sara E. Johnson (eds.), Madison: University of Wisconsin Press (Studies in Dance History.
    [Show full text]
  • Philharmonic Hall Lincoln Center F O R T H E Performing Arts
    PHILHARMONIC HALL LINCOLN CENTER F O R T H E PERFORMING ARTS 1968-1969 MARQUEE The Chamber Music Society of Lincoln Center is Formed A new PERFORMiNG-arts institution, The Chamber Music Society of Lincoln Center, will begin its first season of con­ certs next October with a subscription season of 16 concerts in eight pairs, run­ ning through early April. The estab­ lishment of a chamber music society completes the full spectrum of perform­ ing arts that was fundamental to the original concept of Lincoln Center. The Chamber Music Society of Lin­ coln Center will have as its home the Center’s new Alice Tully Hall. This intimate hall, though located within the new Juilliard building, will be managed by Lincoln Center as an independent Wadsworth Carmirelli Treger public auditorium, with its own entrance and box office on Broadway between 65th and 66th Streets. The hall, with its 1,100 capacity and paneled basswood walls, has been specifically designed for chamber music and recitals. The initial Board of Directors of the New Chamber Music Society will com­ prise Miss Alice Tully, Chairman; Frank E. Taplin, President; Edward R. Ward­ well, Vice-President; David Rockefeller, Jr., Treasurer; Sampson R. Field, Sec­ retary; Mrs. George A. Carden; Dr. Peter Goldmark; Mrs. William Rosen- wald and Dr. William Schuman. The Chamber Music Society is being organ­ ized on a non-profit basis and, like other cultural institutions, depends upon voluntary contributions for its existence. Charles Wadsworth has been ap­ pointed Artistic Director of The Cham­ ber Music Society of Lincoln Center. The Society is the outgrowth of an in­ tensive survey of the chamber music field and the New York chamber music audience, conducted by Mr.
    [Show full text]
  • Running Away to Dance in the 40'S
    NO DAUGHTER OF MINE IS GOING TO BE A DANCER! Dancing for Agnes de Mille and the Giants of Dance in the 40s By Sharry Traver Underwood Foreword by Deborah Jowitt Table of Contents Foreword by Dance Critic Deborah Jowitt i i Acknowledgements v iii iii Introduction 1 1 Chapter One 3 3 1942 Summer Harrisburg, PA It is my dancing! WWII raging. Dance while others die? Dance at Syracuse University Jungle Rhythms The plan: to go to Jacob’s Pillow University of the Dance My dance training; is there any? Chapter Two 13 1942 Summer Jacob’s Pillow Opening Season of Jacob’s Pillow University of the Dance First day in class with Joseph Pilates, Steffi Nossen Ted Shawn, Bronislava Nijinska, Elizabeth Burchenal. Classes with Anna Duncan, Arthur Mahoney, Thalia Mara, Dr. Margaret d’Houbler, Dr. Anne Duggan A spectacular class with Ruth St. Denis Performance dance artists: Ted Shawn, Barton Mumaw, Helen Tamiris, Asadata Defora, Elizabeth Waters, Miriam Winslow, Marina Svetlova. Comprehension of Dance as A Living Art Ted Shawn proclaims Body, Mind and Spirit inseparable! Ted Shawn’s appraisal of my dancing. Chapter Three 39 1943 Summer Jacob’s Pillow Jacob’s Pillow Dance Festival Scholarship students Classes with Natasha Krassovska, Grant Mouradoff, Joe Pilates, Arthur Mahoney, La Meri, Anne Schley Duggan & Jeanette Schlottman, Thalia Mara Ted Shawn, teaching Denishawn repertory Delsarte Lectures Being Shawn’s partner on Jacob’s Pillow Dance Theatre program. Barton Mumaw’s performance Papa Shawn finds job for me, teaching dance at Brenau College in Georgia Chapter Four 65 1943-44 Brenau College, Gainesville, GA Teaching Modern Dance and Folk Dance at Brenau College Produce student musical for War Bond & Red Cross Benefits Present Solo Dance Recital The Indian Pageant Contretemps with my Physical Education Director My trial BA Degree in Theatre.
    [Show full text]
  • News from the Jerome Robbins Foundation Vol
    NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries.
    [Show full text]
  • Dance History – a Brief Overview
    Dance History – a brief overview French Court spectacles of the 16th & 17th centuries existed to glorify the state and the monarchy. They were essentially a mixture of art, politics and entertainment – plays, with musical interludes. Courtiers and noblemen wore heavy ornate costumes and masks and any dancing consisted largely of groups of people moving in intrictae patterns around the space. Women’s roles as such, were invariably played by men. Dancing was considered to be a very social activity and at the end of these evenings in court, the audience joined the noblemen and danced a long dance, often led by a royal or state official. During these centuries, ballet in France gradually progressed from this sort of entertainment for the court noblemen (who had little or no formal training,) into a professional art form. This was definitely helped along by Louis X1V, who started the process of the creation of the ‘Academie Royale de Danse’ in 1661. The purpose of the academie was to train dancers to perform in the King’s opera ballets. (Ballet & opera had not yet evolved into separate art forms.) The 18th century saw the age of the brilliant dancers, technical elements of dancing were inproved by the sheer raise in standard of the dancers. This century saw the rise of the so called ‘ballet d’action,’ in which stories unfolded purely through the dancers’ movements. In 1760, a dancer and choreographer, Jean Georges Noverre published his ‘Letters on dancing and ballets’ – which were very influencial on choreographers right across Europe. Noverre shunned the use of masks.
    [Show full text]
  • NEA Chronology Final
    THE NATIONAL ENDOWMENT FOR THE ARTS 1965 2000 A BRIEF CHRONOLOGY OF FEDERAL SUPPORT FOR THE ARTS President Johnson signs the National Foundation on the Arts and the Humanities Act, establishing the National Endowment for the Arts and the National Endowment for the Humanities, on September 29, 1965. Foreword he National Foundation on the Arts and the Humanities Act The thirty-five year public investment in the arts has paid tremen­ Twas passed by Congress and signed into law by President dous dividends. Since 1965, the Endowment has awarded more Johnson in 1965. It states, “While no government can call a great than 111,000 grants to arts organizations and artists in all 50 states artist or scholar into existence, it is necessary and appropriate for and the six U.S. jurisdictions. The number of state and jurisdic­ the Federal Government to help create and sustain not only a tional arts agencies has grown from 5 to 56. Local arts agencies climate encouraging freedom of thought, imagination, and now number over 4,000 – up from 400. Nonprofit theaters have inquiry, but also the material conditions facilitating the release of grown from 56 to 340, symphony orchestras have nearly doubled this creative talent.” On September 29 of that year, the National in number from 980 to 1,800, opera companies have multiplied Endowment for the Arts – a new public agency dedicated to from 27 to 113, and now there are 18 times as many dance com­ strengthening the artistic life of this country – was created. panies as there were in 1965.
    [Show full text]