SEPTEMBER 2019 One Timely Topic
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My Life at Shaare Zedek
From 1906 until 1916 I was a nurse at the Salomon Heine Hospital in Hamburg. (Salomon Heine was the uncle of Heinrich Heine who wrote a poem about this hospital.) The first time that Jewish nurses sat for examinations by the German authorities and received a German State Diploma was in 1913. One of my colleagues and I were the first Jewish nurses who received a State Diploma in Germany. We both passed the examinations with “very good”, and the German doctors especially praised our theoretical and practical knowledge. In 1916, during the first world war, I left the hospital and started out on my way to the then called Palestine. I arrived in the country in December of that year. The following events influenced my decision to come here. Dr. Wallach went on a trip to Europe when the hospital urgently needed a head nurse. He inspected several hospitals and, among them, the Salomon Heine Hospital in Hamburg, which impressed him especially because its structure was similar to that of his own hospital. Dr. Wallach turned to the head nurse to ask if she could spare a nurse who would be willing to serve as head nurse for him. Four nurses of the hospital had already been put at the disposal of the State. She thought that Schwester Selma might like to serve her war service in Palestine. Dr. Wallach came to this country at the end of the 19th century, a native 5 of Cologne. His coming was prompted by sheer idealism and also by his religious attitude. -
Imdb Verdict Paul Newman
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The Nation's Matron: Hattie Jacques and British Post-War Popular Culture
The Nation’s Matron: Hattie Jacques and British post-war popular culture Estella Tincknell Abstract: Hattie Jacques was a key figure in British post-war popular cinema and culture, condensing a range of contradictions around power, desire, femininity and class through her performances as a comedienne, primarily in the Carry On series of films between 1958 and 1973. Her recurrent casting as ‘Matron’ in five of the hospital-set films in the series has fixed Jacques within the British popular imagination as an archetypal figure. The contested discourses around nursing and the centrality of the NHS to British post-war politics, culture and identity, are explored here in relation to Jacques’s complex star meanings as a ‘fat woman’, ‘spinster’ and authority figure within British popular comedy broadly and the Carry On films specifically. The article argues that Jacques’s star meanings have contributed to nostalgia for a supposedly more equitable society symbolised by socialised medicine and the feminine authority of the matron. Keywords: Hattie Jacques; Matron; Carry On films; ITMA; Hancock’s Half Hour; Sykes; star persona; post-war British cinema; British popular culture; transgression; carnivalesque; comedy; femininity; nursing; class; spinster. 1 Hattie Jacques (1922 – 1980) was a gifted comedienne and actor who is now largely remembered for her roles as an overweight, strict and often lovelorn ‘battle-axe’ in the British Carry On series of low- budget comedy films between 1958 and 1973. A key figure in British post-war popular cinema and culture, Hattie Jacques’s star meanings are condensed around the contradictions she articulated between power, desire, femininity and class. -
M a G a Z I N
JUNE VOLUME 17 2017 MAGAZINE ® ISSUE 3 Where everyone goes for scripts and writers™ If I Had Wings: Producer Cynde Harmon’s Passion Project Soars to Festival Success PAGE 8 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 Feature Scripts – FIND YOUR Grouped by Genre SCRIPTS FAST 5 ON INKTIP! If I Had Wings: Producer Cynde Harmon’s Passion Project Soars to Festival Success INKTIP OFFERS: 8 • Listings of Scripts and Writers Updated Daily • Mandates Catered to Your Needs Scripts Represented by Agents/Managers • Newsletters of the Latest Scripts and Writers • Personalized Customer Service 34 • Comprehensive Film Commissions Directory Teleplays 36 You will find what you need on InkTip Sign up at InkTip.com! Or call 818-951-8811. Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers then InkTip – nobody. PASSIONATE and not the guys trying THEY OPENED DOORS that I would to make a buck.” have never been able to open.” – DWAIN WORRELL, OPERATOR – RICKIE BLACKWELL, MOBSTER KIDS PRODUCERS “We love InkTip. -
The Booklet That Accompanied the Exhibition, With
GGeeoorrggee CCoouulloouurriiss AAccttoorr 11990033 --11998899 George Coulouris - Biographical Notes 1903 1st October: born in Ordsall, son of Nicholas & Abigail Coulouris c1908 – c1910: attended a local private Dame School c1910 – 1916: attended Pendleton Grammar School on High Street c1916 – c1918: living at 137 New Park Road and father had a restaurant in Salisbury Buildings, 199 Trafford Road 1916 – 1921: attended Manchester Grammar School c1919 – c1923: father gave up the restaurant Portrait of George aged four to become a merchant with offices in Salisbury Buildings. George worked here for a while before going to drama school. During this same period the family had moved to Oakhurst, Church Road, Urmston c1923 – c1925: attended London’s Central School of Speech and Drama 1926 May: first professional stage appearance, in the Rusholme (Manchester) Repertory Theatre’s production of Outward Bound 1926 October: London debut in Henry V at the Old Vic 1929 9th Dec: Broadway debut in The Novice and the Duke 1933: First Hollywood film Christopher Bean 1937: played Mark Antony in Orson Welles’ Mercury Theatre production of Julius Caesar 1941: appeared in the film Citizen Kane 1950 Jan: returned to England to play Tartuffe at the Bristol Old Vic and the Lyric Hammersmith 1951: first British film Appointment With Venus 1974: played Dr Constantine to Albert Finney’s Poirot in Murder On The Orient Express. Also played Dr Roth, alongside Robert Powell, in Mahler 1989 25th April: died in Hampstead John Koulouris William Redfern m: c1861 Louisa Bailey b: 1832 Prestbury b: 1842 Macclesfield Knutsford Nicholas m: 10 Aug 1902 Abigail Redfern Mary Ann John b: c1873 Stretford b: 1864 b: c1866 b: c1861 Greece Sutton-in-Macclesfield Macclesfield Macclesfield d: 1935 d: 1926 Urmston George Alexander m: 10 May 1930 Louise Franklin (1) b: Oct 1903 New York Salford d: April 1989 d: 1976 m: 1977 Elizabeth Donaldson (2) George Franklin Mary Louise b: 1937 b: 1939 Where George Coulouris was born Above: Trafford Road with Hulton Street going off to the right. -
Intersectional Divisiveness
MARCH 2018 INNOVATIVE EDUCATION: FROM CLASSROOM TO TELEVISION lassroom Close-up, NJ profiles the students, teachers and communities who create and participate in positive, successful projects and events that broaden their educational horizons. In new episodes, the series spotlights how students tackle national issues in classrooms and how they engage outside school to better their community, among other initiatives. C At East Windsor’s Hightstown High School, the AP Government and Politics class is in its third year lobbying for a federal law that calls for the release of documents related to civil rights cold cases (March 4). As immigration continues to be a hot topic, Marlton Elementary School’s fourth graders witness a naturalization ceremony as part of a social studies lesson on immigration (March 11). For Red Bank Primary School, it takes a village to turn a once failing school into a successful thriving learning environment. Classroom Close-up, NJ looks at how the school increased the number of ESL and Bilingual certified teachers to accommodate its high Spanish-speaking population struggling to learn English. Due to low funding, community partners like Count Basie Theater, the YMCA, RSVP and day schools provide educators, free summer programs, swimming lessons and even free dental and optical care programs for students (March 4). In Linden, high schoolers work with the police department, the Union County Prosecutor’s Office and Union County Human Relations Commission to implement an anti-bullying program that reduces bias crime and encourages others to be socially aware and sensitive to victims (March 11). SUNDAYS, MARCH 4, 11 & 18 AT 7:30AM, 12:30PM, 7:30PM The series also features a special segment on the 2018 Teacher of the Year: Sign Language Preview videos and more at Teacher Amy Andersen from Ocean City High School. -
Are Online Consultations a Prescription for Trouble? the Nchu Arted Waters of Cybermedecine Kelly K
Brooklyn Law Review Volume 66 | Issue 1 Article 6 9-1-2000 Are Online Consultations a Prescription for Trouble? The nchU arted Waters of Cybermedecine Kelly K. Gelein Follow this and additional works at: https://brooklynworks.brooklaw.edu/blr Recommended Citation Kelly K. Gelein, Are Online Consultations a Prescription for Trouble? The Uncharted Waters of Cybermedecine, 66 Brook. L. Rev. 209 (2017). Available at: https://brooklynworks.brooklaw.edu/blr/vol66/iss1/6 This Note is brought to you for free and open access by the Law Journals at BrooklynWorks. It has been accepted for inclusion in Brooklyn Law Review by an authorized editor of BrooklynWorks. NOTE ARE ONLINE CONSULTATIONS A PRESCRIPTION FOR TROUBLE? THE UNCHARTED WATERS OF CYBERMEDICINE INTRODUCTION Dr. Leandro Pasos was an orthopedic surgeon who strug- gled to make a living and needed a job.' Upon reading a Seat- tle newspaper, an unusual advertisement caught his eye: Doc- tors with active licenses could earn up to $10,000 a month for conducting "fully automated online medical reviews."2 The ad was placed by Performance Drugs Inc., a company that mar- keted Viagra on the Internet. In response to the increased public demand for this drug, the company needed doctors to write prescriptions.3 For a salary of $5,000 a month, Dr. Pasos agreed to review questionnaires submitted over the Internet by prospective Viagra patients and to authorize prescriptions. However, last May, the Washington Medical Quality Assurance Commission cited Dr. Pasos for unprofessional conduct, and he was fined $500. Dr. Pasos was sanctioned by the Quality As- surance Commission because he was an orthopedic surgeon specializing in complications of bones and joints, rather than in ' See 'Cybernedicine' Raises Ethical Questions, THE NEWS & OBSERVER (Raleigh, NC), June 28, 1999, at A7, available in 1999 WL 2757600. -
Some Aspects of Medicine in Pioneer Southern Indiana by Gerald O
SOME ASPECTS OF MEDICINE IN PIONEER SOUTHERN INDIANA BY GERALD O. HAFFNER* On the frontier "infant mortality was shockingly high." "Sitting up with the sick" was a common occurrence. When a patient "pick- ing at the cover" was observed, this was regarded as a "sure sign of impending death" by the pioneers.' Good health and stamina were prerequisites for survival and, naturally, frontiersmen were interested in their physical well-being and were concerned deeply about their ailments. The medical men, living on the raw frontier, also had to be in good physical condition in order to practice their profession. Their hardships were many. They lost their lives "swimming the streams on horseback." The "hazards of the profession" -- such as, cholera, smallpox, measles, etc. -- were ever-present dangers. The distances that some practitioners rode to visit the sick were undoubtedly experiences in sheer exhaustion.' What happened when no medical men were available, which was often the case during the early phases of pioneering? In such in- stances the pioneers resorted to their limited knowledge of treat- ment or the advice of their neighbors. Out of desperation they often grasped the hand of some charlatan who masqueraded as a doctor. Thus, ignorance, superstition, and quackery were characteristics (along with prayer for spiritual strength) which cannot be dis- counted in the history of medicine on the frontier. When ill, the pioneer could avail himself of a variety of practices and approaches to his medical problems. One approach was a great number of home remedies, folk medicines, and folk cures. Of the home remedies, whiskey was high on the list. -
Shail, Robert, British Film Directors
BRITISH FILM DIRECTORS INTERNATIONAL FILM DIRECTOrs Series Editor: Robert Shail This series of reference guides covers the key film directors of a particular nation or continent. Each volume introduces the work of 100 contemporary and historically important figures, with entries arranged in alphabetical order as an A–Z. The Introduction to each volume sets out the existing context in relation to the study of the national cinema in question, and the place of the film director within the given production/cultural context. Each entry includes both a select bibliography and a complete filmography, and an index of film titles is provided for easy cross-referencing. BRITISH FILM DIRECTORS A CRITI Robert Shail British national cinema has produced an exceptional track record of innovative, ca creative and internationally recognised filmmakers, amongst them Alfred Hitchcock, Michael Powell and David Lean. This tradition continues today with L GUIDE the work of directors as diverse as Neil Jordan, Stephen Frears, Mike Leigh and Ken Loach. This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs. An introduction places the individual entries in context and examines the role and status of the director within British film production. Balancing academic rigour ROBE with accessibility, British Film Directors provides an indispensable reference source for film students at all levels, as well as for the general cinema enthusiast. R Key Features T SHAIL • A complete list of each director’s British feature films • Suggested further reading on each filmmaker • A comprehensive career overview, including biographical information and an assessment of the director’s current critical standing Robert Shail is a Lecturer in Film Studies at the University of Wales Lampeter. -
February 2018
FEBRUARY 2018 Penne, Parmesan & Party Politics ho’s in for a night of Italian cuisine and political discourse? In a third season of Pasta & Politics with Nick Acocella, the Politifax editor combines his two passions in a delicious talk show that will have viewers salivating for what’s on the stove as well as the juice of the conversation. W WIn the first few episodes, former State Senators Ray Lesniak and Joe Kyrillos show off their culinary skills in the kitchen. Lesniak, the second longest serving state legislator in history, dives into creating a meatball lasagna and recounts his involvement in the panorama of progressive issues like marriage equality and environmental protection. Kyrillos brings some flavor from his own family to the program — his brother’s summer marinara rigatoni recipe — and wittily observes his own political career history and motivation. Between debating beach replenishment and Superstorm Sandy relief, Congressman Frank Pallone whisks eggs, pecorino and pepper and sautés pancetta for a hearty take on spaghetti carbonara. To combat the rich creaminess of that dish, Congressman Donald Payne, Jr. whips up a heart-healthy no-carb pasta with roasted cauliflower, while speaking of his admiration and respect for those he has served with while representing New Jersey’s 10th Congressional District. A sure-to-please Italian meal of seared scallops over linguine with capers and lemon juice is prepped by Congressman Leonard Lance. After tasting his creation, Nick Acocella asked him about the instances when Lance defied his party leadership in both the State Legislature and Congress when his principles demanded it. -
Pay for Performance (P4P) Programs in Health Services: What Is the Evidence?
Pay For Performance (P4P) Programs in Health Services: What is the Evidence? Richard M. Scheer World Health Report (2010) Background Paper, 31 HEALTH SYSTEMS FINANCING The path to universal coverage © World Health Organization, 2010 All rights reserved. The designations employed and the presentation of the material in this publication do not imply the expression of any opinion whatsoever on the part of the World Health Organization concerning the legal status of any country, territory, city or area or of its authorities, or concerning the delimitation of its frontiers or boundaries. Dotted lines on maps represent approximate border lines for which there may not yet be full agreement. The mention of specific companies or of certain manufacturers' products does not imply that they are endorsed or recommended by the World Health Organization in preference to others of a similar nature that are not mentioned. Errors and omissions excepted, the names of proprietary products are distinguished by initial capital letters. All reasonable precautions have been taken by the World Health Organization to verify the information contained in this publication. However, the published material is being distributed without warranty of any kind, either expressed or implied. The responsibility for the interpretation and use of the material lies with the reader. In no event shall the World Health Organization be liable for damages arising from its use. The findings, interpretations and conclusions expressed in this paper are entirely those of the author and should not be attributed in any manner whatsoever to the World Health Organization. Pay For Performance (P4P) Programs in Health Services: What is the Evidence? World Health Report (2010) Background Paper, No 31 Richard M. -
Women Physicians and the Politics and Practice of Medicine in the American West, 1870-1930
Medical Frontiers: Women Physicians and the Politics and Practice of Medicine in the American West, 1870-1930 by Jacqueline D. Antonovich A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (History) in the University of Michigan 2018 Doctoral Committee: Professor Alexandra Minna Stern, Co-chair Professor Regina Morantz-Sanchez, Co-chair Professor Anna Kirkland Professor Matthew D. Lassiter Professor Martin Pernick Jacqueline D. Antonovich [email protected] ORCID iD: 0000-0002-6295-7735 © Jacqueline D. Antonovich 2018 For my younger self. A single mother, working as a waitress, with only an associate degree in hand. You are my inspiration every day. ii Acknowledgements Years ago, when I decided to return to school to finish my bachelor’s degree, I never imagined that the journey would end with a Ph.D. I want to thank the History Department at the University of Michigan for taking a chance on me, and I also want to encourage them to keep taking chances on students like me – first-generation, non-traditional students bring a valuable and much-needed perspective to the academy. Alexandra Minna Stern is a phenomenal advisor. Her scholarly insight and professional mentorship has made this dissertation a stronger project, and I am a better historian because of her. My dissertation co-chair, Regina Morantz Sanchez, provided unwavering support over the past seven years. She has always taken my claims about the importance of medical women’s politics seriously, and graciously opened up both her home and her archives to me. Martin Pernick taught me not only how to be a pretty good medical historian, but also how to be an excellent teacher.