GREAT Day 2019 Program
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Latest Early-Early Middle Eocene Deposits of Algeria
MONOGRAPH Latest Early-early Middle Eocene deposits of Algeria (Glib Zegdou, HGL50), yield the richest and most diverse fauna of amphibians and squamate reptiles from the Palaeogene of Africa JEAN-CLAUDE RAGEa †, MOHAMMED ADACIb, MUSTAPHA BENSALAHb, MAHAMMED MAHBOUBIc, LAURENT MARIVAUXd, FATEH MEBROUKc,e & RODOLPHE TABUCEd* aCR2P, Sorbonne Universités, UMR 7207, CNRS, Muséum National d’Histoire Naturelle, Université Paris 6, CP 38, 57 rue Cuvier, 75231 Paris cedex 05, France bLaboratoire de Recherche n°25, Université de Tlemcen, BP. 119, Tlemcen 13000, Algeria cLaboratoire de Paléontologie, Stratigraphie et Paléoenvironnement, Université d’Oran 2, BP. 1524, El M’naouer, Oran 31000, Algeria dInstitut des Sciences de l’Evolution de Montpellier (ISE-M), UMR 5554 CNRS/UM/ IRD/EPHE, Université de Montpellier, Place Eugène Bataillon, 34095 Montpellier cedex 5, France eDépartement des Sciences de la Terre et de l’Univers, Faculté des Sciences de la Nature et de la Vie, Université Mohamed Seddik Ben Yahia - Jijel, BP. 98 Cité Ouled Aïssa, 18000 Jijel, Algeria * Corresponding author: [email protected] Abstract: HGL50 is a latest Early-early Middle Eocene vertebrate-bearing locality located in Western Algeria. It has produced the richest and most diverse fauna of amphibians and squamate reptiles reported from the Palaeogene of Africa. Moreover, it is one of the rare faunas including amphibians and squamates known from the period of isolation of Africa. The assemblage comprises 17 to 20 taxa (one gymnophionan, one probable caudate, three to six anurans, seven ‘lizards’, and five snakes). Two new taxa were recovered: the anuran Rocekophryne ornata gen. et sp. nov. and the snake Afrotortrix draaensis gen. -
Museum Alive Educator Guide
GRADES K-8 EDUCATOR GUIDE ABOUT COLOSSUS PRODUCTIONS Colossus Productions is the 3D-specialist production company formed by Atlantic Productions (see more below) with Sky in 2011. The joint venture was created to develop and produce high-end 3D films for UK and international audiences. Emerging from Atlantic Production’s record in producing award winning content, Colossus has already released in IMAX and Giant Screen such diverse educational and entertaining films as Flying Monsters 3D, Penguins 3D and Galapagos 3D: Nature’s Wonderland into cinemas worldwide. Colossus’ most recent IMAX/Giant Screen films are Museum Alive and Amazing Mighty Micro Monsters which were released in late 2016 and the newest Colossus production, Conquest of the Skies will be released in IMAX and Giant Screen later in 2016. ATLANTIC PRODUCTIONS Atlantic Productions is one of the world’s leading factual production companies whose multi BAFTA and Emmy award-winning films nda content are regularly seen in over 100 countries around the world. Founded in 1992, Atlantic has built a reputation for world-class story-telling, enhanced by the latest techniques and technologies including the building of pioneering cross-platform and digital experiences. Atlantic Productions leads a group of companies which make television programmes, theatrical and IMAX films, apps (Atlantic Digital), visual effects (Zoo VFX) and now, immersive virtual reality experiences (Alchemy VR). CREDITS Educator Reviewers Writer Garrick Humphrey, M.S.Ed. Literacy, Samantha Zuhlke, Creative Management elementary educator Solutions Colleen Humphrey, M.S.Ed. Curriculum and Instruction, secondary math educator Editors Christina Riska Simmons, Education Fact Checker Consultant Bob Connelly Jessica Shea, M.S. -
Paleontological Discoveries in the Chorrillo Formation (Upper Campanian-Lower Maastrichtian, Upper Cretaceous), Santa Cruz Province, Patagonia, Argentina
Rev. Mus. Argentino Cienc. Nat., n.s. 21(2): 217-293, 2019 ISSN 1514-5158 (impresa) ISSN 1853-0400 (en línea) Paleontological discoveries in the Chorrillo Formation (upper Campanian-lower Maastrichtian, Upper Cretaceous), Santa Cruz Province, Patagonia, Argentina Fernando. E. NOVAS1,2, Federico. L. AGNOLIN1,2,3, Sebastián ROZADILLA1,2, Alexis M. ARANCIAGA-ROLANDO1,2, Federico BRISSON-EGLI1,2, Matias J. MOTTA1,2, Mauricio CERRONI1,2, Martín D. EZCURRA2,5, Agustín G. MARTINELLI2,5, Julia S. D´ANGELO1,2, Gerardo ALVAREZ-HERRERA1, Adriel R. GENTIL1,2, Sergio BOGAN3, Nicolás R. CHIMENTO1,2, Jordi A. GARCÍA-MARSÀ1,2, Gastón LO COCO1,2, Sergio E. MIQUEL2,4, Fátima F. BRITO4, Ezequiel I. VERA2,6, 7, Valeria S. PEREZ LOINAZE2,6 , Mariela S. FERNÁNDEZ8 & Leonardo SALGADO2,9 1 Laboratorio de Anatomía Comparada y Evolución de los Vertebrados. Museo Argentino de Ciencias Naturales “Bernardino Rivadavia”, Avenida Ángel Gallardo 470, Buenos Aires C1405DJR, Argentina - fernovas@yahoo. com.ar. 2 Consejo Nacional de Investigaciones Científicas y Técnicas, Argentina. 3 Fundación de Historia Natural “Felix de Azara”, Universidad Maimonides, Hidalgo 775, C1405BDB Buenos Aires, Argentina. 4 Laboratorio de Malacología terrestre. División Invertebrados Museo Argentino de Ciencias Naturales “Bernardino Rivadavia”, Avenida Ángel Gallardo 470, Buenos Aires C1405DJR, Argentina. 5 Sección Paleontología de Vertebrados. Museo Argentino de Ciencias Naturales “Bernardino Rivadavia”, Avenida Ángel Gallardo 470, Buenos Aires C1405DJR, Argentina. 6 División Paleobotánica. Museo Argentino de Ciencias Naturales “Bernardino Rivadavia”, Avenida Ángel Gallardo 470, Buenos Aires C1405DJR, Argentina. 7 Área de Paleontología. Departamento de Geología, Universidad de Buenos Aires, Pabellón 2, Ciudad Universitaria (C1428EGA) Buenos Aires, Argentina. 8 Instituto de Investigaciones en Biodiversidad y Medioambiente (CONICET-INIBIOMA), Quintral 1250, 8400 San Carlos de Bariloche, Río Negro, Argentina. -
The Showfoto Handbook the Showfoto Handbook
The Showfoto Handbook The Showfoto Handbook 2 Contents 1 Introduction 13 1.1 Background . 13 1.1.1 About Showfoto . 13 1.1.2 Reporting Bugs . 13 1.1.3 Support . 13 1.1.4 Getting Involved . 13 1.2 Supported Image Formats . 14 1.2.1 Introduction . 14 1.2.2 Still Image Compression . 14 1.2.3 JPEG . 14 1.2.4 TIFF . 15 1.2.5 PNG . 15 1.2.6 PGF . 15 1.2.7 RAW . 15 2 The Showfoto sidebar 17 2.1 The Showfoto Right Sidebar . 17 2.1.1 Introduction to the Right Sidebar . 17 2.1.2 Properties . 17 2.1.3 Metadata . 18 2.1.3.1 EXIF Tags . 19 2.1.3.1.1 What is EXIF . 19 2.1.3.1.2 How to Use EXIF Viewer . 19 2.1.3.2 Makernote Tags . 20 2.1.3.2.1 What is Makernote . 20 2.1.3.2.2 How to Use Makernote Viewer . 20 2.1.3.3 IPTC Tags . 20 2.1.3.3.1 What is IPTC . 20 2.1.3.3.2 How to Use IPTC Viewer . 21 2.1.3.4 XMP Tags . 21 2.1.3.4.1 What is XMP . 21 2.1.3.4.2 How to Use XMP Viewer . 21 2.1.4 Colors . 21 The Showfoto Handbook 2.1.4.1 Histogram Viewer . 21 2.1.4.2 How To Use an Histogram . 23 2.1.5 Maps . 25 2.1.6 Captions . 26 2.1.6.1 Introduction . -
Op E N So U R C E Yea R B O O K 2 0
OPEN SOURCE YEARBOOK 2016 ..... ........ .... ... .. .... .. .. ... .. OPENSOURCE.COM Opensource.com publishes stories about creating, adopting, and sharing open source solutions. Visit Opensource.com to learn more about how the open source way is improving technologies, education, business, government, health, law, entertainment, humanitarian efforts, and more. Submit a story idea: https://opensource.com/story Email us: [email protected] Chat with us in Freenode IRC: #opensource.com . OPEN SOURCE YEARBOOK 2016 . OPENSOURCE.COM 3 ...... ........ .. .. .. ... .... AUTOGRAPHS . ... .. .... .. .. ... .. ........ ...... ........ .. .. .. ... .... AUTOGRAPHS . ... .. .... .. .. ... .. ........ OPENSOURCE.COM...... ........ .. .. .. ... .... ........ WRITE FOR US ..... .. .. .. ... .... 7 big reasons to contribute to Opensource.com: Career benefits: “I probably would not have gotten my most recent job if it had not been for my articles on 1 Opensource.com.” Raise awareness: “The platform and publicity that is available through Opensource.com is extremely 2 valuable.” Grow your network: “I met a lot of interesting people after that, boosted my blog stats immediately, and 3 even got some business offers!” Contribute back to open source communities: “Writing for Opensource.com has allowed me to give 4 back to a community of users and developers from whom I have truly benefited for many years.” Receive free, professional editing services: “The team helps me, through feedback, on improving my 5 writing skills.” We’re loveable: “I love the Opensource.com team. I have known some of them for years and they are 6 good people.” 7 Writing for us is easy: “I couldn't have been more pleased with my writing experience.” Email us to learn more or to share your feedback about writing for us: https://opensource.com/story Visit our Participate page to more about joining in the Opensource.com community: https://opensource.com/participate Find our editorial team, moderators, authors, and readers on Freenode IRC at #opensource.com: https://opensource.com/irc . -
G Iant Snakes
Copyrighted Material Some pages are omitted from this book preview. Giant Snakes Giant Giant Snakes A Natural History John C. Murphy & Tom Crutchfield Snakes, particularly venomous snakes and exceptionally large constricting snakes, have haunted the human brain for a millennium. They appear to be responsible for our excellent vision, as well as the John C. Murphy & Tom Crutchfield & Tom C. Murphy John anxiety we feel. Despite the dangers we faced in prehistory, snakes now hold clues to solving some of humankind’s most debilitating diseases. Pythons and boas are capable of eating prey that is equal to more than their body weight, and their adaptations for this are providing insight into diabetes. Fascination with snakes has also drawn many to keep them as pets, including the largest species. Their popularity in the pet trade has led to these large constrictors inhabiting southern Florida. This book explores what we know about the largest snakes, how they are kept in captivity, and how they have managed to traverse ocean barriers with our help. Copyrighted Material Some pages are omitted from this book preview. Copyrighted Material Some pages are omitted from this book preview. Giant Snakes A Natural History John C. Murphy & Tom Crutchfield Copyrighted Material Some pages are omitted from this book preview. Giant Snakes Copyright © 2019 by John C. Murphy & Tom Cructhfield All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the publisher. Printed in the United States of America First Printing March 2019 ISBN 978-1-64516-232-2 Paperback ISBN 978-1-64516-233-9 Hardcover Published by: Book Services www.BookServices.us ii Copyrighted Material Some pages are omitted from this book preview. -
Engaging Developers in Open Source Software Projects: Harnessing Social
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2015 Engaging developers in open source software projects: harnessing social and technical data mining to improve software development Patrick Eric Carlson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Computer Engineering Commons, Computer Sciences Commons, and the Library and Information Science Commons Recommended Citation Carlson, Patrick Eric, "Engaging developers in open source software projects: harnessing social and technical data mining to improve software development" (2015). Graduate Theses and Dissertations. 14663. https://lib.dr.iastate.edu/etd/14663 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Engaging developers in open source software projects: Harnessing social and technical data mining to improve software development by Patrick Eric Carlson A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Human-Computer Interaction Program of Study Committee: Judy M. Vance, Major Professor Tien Nguyen James Oliver Jon Kelly Stephen Gilbert Iowa State University Ames, Iowa 2015 Copyright c Patrick Eric Carlson, 2015. All rights reserved. ii DEDICATION This is dedicated to my parents who have always supported me. iii TABLE OF CONTENTS Page LIST OF TABLES . vi LIST OF FIGURES . vii ACKNOWLEDGEMENTS . ix ABSTRACT . x CHAPTER 1. -
Selected Essays of Richard M. Stallman
Free Software, Free Society: Selected Essays of Richard M. Stallman Introduction by Lawrence Lessig Edited by Joshua Gay GNU Press www.gnupress.org Free Software Foundation Boston, MA USA First printing, first edition. Copyright © 2002 Free Software Foundation, Inc. ISBN 1-882114-98-1 Published by the Free Software Foundation 59 Temple Place Boston, MA Tel: 1-617-542-5942 Fax: 1-617-542-2652 Email: [email protected] Web: www.gnu.org GNU Press is an imprint of the FSF. Email: [email protected] Web: www.gnupress.org Please contact the GNU Press for information regarding bulk purchases for class- room or user group use, reselling, or any other questions or comments. Original artwork by Etienne Suvasa. Cover design by Jonathan Richard. Permission is granted to make and distribute verbatim copies of this book provided the copyright notice and this permission notice are preserved on all copies. Permission is granted to copy and distribute translations of this book into another language, from the original English, with respect to the conditions on distribution of modified versions above, provided that it has been approved by the Free Software Foundation. i Short Contents Editor’s Note................................................ 1 A Note on Software .......................................... 3 Topic Guide ................................................ 7 Introduction ............................................... 11 Section One ............................................... 15 1 The GNU Project ....................................... 17 2 The GNU Manifesto ..................................... 33 3 Free Software Definition ................................. 43 4 Why Software Should Not Have Owners ..................... 47 5 What’s in a Name? ...................................... 53 6 Why “Free Software” is Better than “Open Source” ............ 57 7 Releasing Free Software if You Work at a University ........... 63 8 Selling Free Software ................................... -
Die Geschichte Von KDE
SelfLinux-0.12.3 Die Geschichte von KDE Autor: Sandra Fischer ([email protected]) Formatierung: Alexander Fischer ([email protected]) Lizenz: GFDL Obwohl KDE (K Desktop Environment ursprünglich Kool Desktop Environment) nun schon über elf Jahre alt ist, könnte man meinen, erst gestern hätte man sich ob der "Ã#berlegenheit" von GNUstep und CDE noch gefragt, ob das denn was werden würde.... Die Geschichte von KDE Seite 2 Inhaltsverzeichnis 1 Der durchplante Start von KDE 2 Das Projekt "Harmony" 3 Der Durchbruch SelfLinux-0.12.3 Die Geschichte von KDE Seite 3 1 Der durchplante Start von KDE Das KDE-Logo Das Projekt wurde am 14. Oktober 1996 von Matthias Ettrich gegründet. Man orientierte sich erst, sowohl vom Funktionsumfang als auch vom Namen her, am damals schon verfügbaren aber proprietären UNIX-Desktop CDE (Common Desktop Environment), setzte aber von Anfang an auf die objektorientierte Programmiersprache C++ und die umfangreiche, bereits vorhandene Oberflächenbibliothek Qt, jene von Trolltech entwickelt wurde. Die Version 1.0 war am 12. Juli 1998 soweit, dass man sie der Ã#ffentlichkeit präsentieren konnte. Frühere Versionen wurden von der UNIX-Community mit gemischten Gefühlen empfangen: Es hagelte Kritik an der Verwendung eines kommerziellen Programmpaketes (das oben genannte Qt) zur Erstellung eines freien Desktops. Andere Kritiker bemängelten wiederum, dass man statt auf Qt nicht auf Motiv bzw. das freie Pendant LessTif gesetzt hatte, das von den Kritikern als Standard empfunden wurde. Trotz der ganzen Kritik wurde KDE von den Endbenutzern durchaus positiv aufgenommen und fand den Weg in die ersten Linux-Distributionen. -
KDE: New Legal Grounds
KDE: New Legal Grounds Adriaan de Groot July 3rd 2010 Adriaan de Groot | KDE: New Legal Grounds 1/33 Who is this guy? KDE contributor since 1999 KDE e.V. board since 2006 NLUUG board since 2008 FSFE's FTF Coordinator 2009 Not a Lawyer Father of two kids Likes hoes and rows of potatoes Adriaan de Groot | KDE: New Legal Grounds 2/33 What is this talk? Why do we need legal stuff anyway? Copyrights Trademarks Patents Oh my! (or, how you can help) Adriaan de Groot | KDE: New Legal Grounds 3/33 Why do we need legal stuff anyway? Simple answer: because we live in the world we live in. Adriaan de Groot | KDE: New Legal Grounds 4/33 Copyright Software is intellectual work Considered creative work Adriaan de Groot | KDE: New Legal Grounds 5/33 Trademarks Software is recognizable \KDE is ours" Adriaan de Groot | KDE: New Legal Grounds 6/33 Patents Software solves problems Innovation worth fostering Adriaan de Groot | KDE: New Legal Grounds 7/33 Governance How do we work together normally How do we work together in adversity Who does what to whom Who owns stuff Adriaan de Groot | KDE: New Legal Grounds 8/33 Looking more closely How KDE does it Pros and cons Things to improve Adriaan de Groot | KDE: New Legal Grounds 9/33 Copyright Distributed copyright (held by individual contributors) Little oversight (no sign-off or contribution policy) Clear license policy (one of the fixed set of allowed terms) Assignment is possible (preferrably to KDE e.V.) Adriaan de Groot | KDE: New Legal Grounds 10/33 Constant Vigilance! <one line to give the program's name and a brief idea of what it does.> Copyright (C) <year> <name of author> This program is free software: you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version. -
Digikam How to Touch up Your Photos Inkscape Using the Right Tool for the Job
REVIEWED: OpenOffice.org Calc, Three Portable Power Solutions “Tell Us About Diary of a Well- Yourselves” Dressed Penguin digiKam How to touch up your photos Inkscape Using the right tool for the job The First and Only Magazine for the New LINUX User ISSUE 6 • SEPTEMBER 2005 PLUS: LIGHTNING STRIKES WITH THUNDERBIRD READERS’ How to add more power to this wonderful e-mail client CHOICE GOOGLE THIS How to add a Google AWARDS bar to Konqueror YOU PICKED THE BEST OF THE BEST. LIGHTWEIGHT SOME PRODUCTS WON IN THEIR CATEGORY BY A WINDOW MANAGERS LANDSLIDE, OTHERS NEARLY TIED FOR FIRST PLACE. GNOME and KDE too slow FIND OUT WHAT TUX READERS THINK ABOUT for you? Try IceWM DISTROS, BROWSERS AND MORE. TUX HAS AUDACITY You can use it to edit sound files METADOT WEB PAGE EDITOR CASE STUDY THIS MONTH’S MANGO PARFAIT: We never Metadot • Associate files to programs in GNOME and KDE we didn’t like • The easy way to initialize a new Linux install • Get beyond Fedora Core’s limited package selection • GNOME inserts bamboo shoots under your fingernails REVIEWS ISSUE 6 54 OpenOffice.org 2.0 SEPTEMBER 2005 Calc XAVIER SPRIET 58 The Gadget Guy: Power to the People CONTENTS • Electrovaya PowerPad • Socket Mobile Power Pack • Voltaic Backpack P2P TUX EXPLAINS SEAN CARRUTHERS 3 Linux Evolution 37 Having the Audacity 58 24 2005 Readers’ Choice Awards PHIL HUGHES to Manipulate Sound JOSHUA BACKFIELD 5 Diary of a Well-Dressed Penguin 39 Introduction to Inkscape NICHOLAS PETRELEY DMITRY KIRSANOV 8 Letters 43 Extending Thunderbird: the Best of All Worlds 16 Q&A with -
Doudoulinux the Computer They Prefer!
DoudouLinux The computer they prefer! User's manual Visit us at http://www.doudoulinux.org/ 2/21/13 DoudouLinux 1/170 Table of contents Table of contents ................................................................................................. 1 About ................................................................................................................... 4 DoudouLinux, the computer they prefer! ............................................................ 6 A simple yet efficient environment ............................................................................................. 6 Also easy for Dad and Mum! ..................................................................................................... 6 And this is 100% legal! .............................................................................................................. 7 Footnotes .................................................................................................................................. 7 About ................................................................................................................... 6 Why should I try DoudouLinux? .......................................................................... 8 Article table of contents ............................................................................................................. 8 Your Concerns ........................................................................................................................... 8 The philosophy of free software