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Montana Kaimin, September 28, 1978 Associated Students of the University of Montana
University of Montana ScholarWorks at University of Montana Associated Students of the University of Montana Montana Kaimin, 1898-present (ASUM) 9-28-1978 Montana Kaimin, September 28, 1978 Associated Students of the University of Montana Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/studentnewspaper Recommended Citation Associated Students of the University of Montana, "Montana Kaimin, September 28, 1978" (1978). Montana Kaimin, 1898-present. 6747. https://scholarworks.umt.edu/studentnewspaper/6747 This Newspaper is brought to you for free and open access by the Associated Students of the University of Montana (ASUM) at ScholarWorks at University of Montana. It has been accepted for inclusion in Montana Kaimin, 1898-present by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. Closed UM-UTU session questioned by newspapers By JILL THOMPSON address the question of whether ratify the final contract and that Montana Kalmln Reporter bargaining representatives of a regents’ meetings are open. public agency—in this case Noble said that he had received a The legality of closed collective negotiators for the Board of letter from Lee Newspapers, a bargaining sessions held at the Regents—would be subject to the chain to which the Missoulian University of Montana between the law. "It's a gray area," he said, one belongs, stating that they con University Teachers Union (UTU) which has not yet been determined sidered the bargaining sessions to and management representatives in court. be open under the law. He said he was challenged yesterday under The reporters contended the sent a letter back explaining his the 1977 Montana Open Meeting management bargaining team was belief that they are closed. -
The Removalists
Education Resources STC Ed presents a Staged Reading of David Williamson’s The Removalists RESOURCES About Sydney Theatre Company 2 About STCEd 2 Creative Team and Cast 2 Themes 2 Synopsis 2‐4 Historical and social background 5‐6 David Williamson Quotes 7‐8 Additional Resources 9 Education Resource written by Kerreen Ely‐Harper and compiled by Education Coordinator Toni Murphy KEY AIM of exercise or section Extension Exercises Download and watch + Drama Exercises English Exercises Play online DAVID WILLIAMSON’S THE REMOVALISTS – STAGED READING Sydney Theatre Company Education Resources 2012 © Copyright protects this Education Resource. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. RESOURCES ABOUT SYDNEY THEATRE COMPANY www.sydneytheatre.com.au/about ABOUT STC ED www.sydneytheatre.com.au/stced/about/us CREATIVE TEAM Director – Jemma Gurney CAST Sergeant Simmonds – tba “SIMMONDS Constable Ross – tba Fiona Carter – tba Stuff the rule book up your Kate Carter – tba arse. That’s the first thing Kenny Carter – tba you’ve got to learn. Act 1 Removalist – tba The Removalists ” THEMES Australian Drama Power & Corruption Australian Culture & Society Domestic Violence Satire DAVID WILLIAMSON’S THE REMOVALISTS – STAGED READING 2 Sydney Theatre Company Education Resources 2012 www.sydneytheatre.com.au/stced © Sydney Theatre Company SYNOPSIS ACT ONE Police Station Sergeant Simmonds is inducting new police recruit Constable Ross on his first day at the station. Simmonds insists on knowing everything about Ross if he is to be on his team. They are interrupted by two women who have come to the station to report an offense. -
DAVID WILLIAMSON Is Australia's Best Known and Most Widely
DAVID WILLIAMSON is Australia’s best known and most widely performed playwright. His first full-length play The Coming of Stork was presented at La Mama Theatre in 1970 and was followed by The Removalists and Don’s Party in 1971. His prodigious output since then includes The Department, The Club, Travelling North, The Perfectionist, Sons of Cain, Emerald City, Top Silk, Money and Friends, Brilliant Lies, Sanctuary, Dead White Males, After the Ball, Corporate Vibes, Face to Face, The Great Man, Up For Grabs, A Conversation, Charitable Intent, Soulmates, Birthrights, Amigos, Flatfoot, Operator, Influence, Lotte’s Gift, Scarlet O’Hara at the Crimson Parrot, Let the Sunshine and Rhinestone Rex and Miss Monica, Nothing Personal and Don Parties On, a sequel to Don’s Party, When Dad Married Fury, At Any Cost?, co-written with Mohamed Khadra, Dream Home, Happiness, Cruise Control and Jack of Hearts. His plays have been translated into many languages and performed internationally, including major productions in London, Los Angeles, New York and Washington. Dead White Males completed a successful UK production in 1999. Up For Grabs went on to a West End production starring Madonna in the lead role. In 2008 Scarlet O’Hara at the Crimson Parrot premiered at the Melbourne Theatre Company starring Caroline O’Connor and directed by Simon Phillips. As a screenwriter, David has brought to the screen his own plays including The Removalists, Don’s Party, The Club, Travelling North and Emerald City along with his original screenplays for feature films including Libido, Petersen, Gallipoli, Phar Lap, The Year of Living Dangerously and Balibo. -
Emotion Pictures
Unit 6203 Screen Analysis 3 OzScreen: Constructing Histories EMOTION PICTURES An examination of the ways in which history films emotionalise the past, with particular reference to Phar Lap, Gallipoli and Strikebound A paper 2600 words By David Lowe (3rd Year BA) © 28 March 1996 email: [email protected] EMOTION PICTURES ...1 Filming historical stories is a risky business; commercially, dramatically and culturally. Unlike most written history, the history film is concerned with an emotional journey, as well as an ideological and sociological one. The concerns of history and drama overlap, but do not match, and film’s uneasy balancing act between art and commerce can easily become perilous when history is added to the load. Some believe that only film can “recover the past’s liveliness”.1 Others question whether it is possible to tell historical stories on film without losing “our professional or intellectual souls”.2 Despite the risks, film-makers continually delve into the past as a source of inspiration and subject matter. Australian film-makers have traditionally had a particular interest in historical stories. Our desire to stand alone and establish an independent identity from Britain and the United States led to a spate of films in the 1970s and early 80s which focused almost exclusively on local historical subjects. Phar Lap, Gallipoli and Strikebound were among the most important of these films. Unlike some other examples that come to mind, like Picnic at Hanging Rock and The Man From Snowy River, these three films attempt to deal with undisputed and actual events. The creators of the films took on the difficult task of melding drama and history at a time when the search for an Australian identity was more intense than ever before. -
Cheech and Chong St
Successful beyond their wildest dreams, the iconic comedy duo Cheech & Chong defined an era with their hilariously irreverent, satirical, counter-culture, no-holds-barred comedy routines. Cheech Marin and Tommy Chong’s phenomenal success began on the stand up comedy circuit which led to 9 Section 1) Fonts - Page 2 - 3 hit comedy albums and 8 hit films, breaking box office records, shattering comedy album sales, garnering multiple Section 2) Logos - Page 4 - 6 Grammy nominations and mesmeriz - ing fans for more than a decade. Page 8 - 12 With nine albums released Section 3) Illustrations - from 1972 through 1985, Cheech and Chong were nominated for four Section 4) Designs - Page 14 - 16 Grammy Awards, winning the Grammy Award for Best Comedy Album Section 5) Photos - Page 18 -19 with their third album, Los Cochinos, re - leased in 1973. Big Bambu, Section 7) Design Concepts - Page 20- 33 their second album, was the biggest selling Section 8) Contact Information - Page 25 comedy record of all time in 1972 and remained so for many years. Their stunningly success - ful comedy streak transitioned to film in 1978 with their first movie, “Up In Smoke,” the highest grossing comedy of 1978, topping $100 million at the box office. Cheech and Chong co-wrote and starred in a total of eight feature films together, all directed by Chong. From the world famous Troubadour in Los Angeles where they were initially discovered, Cheech & Chong Copyright Information- All Cheech and Chong Merchandise must be copyrighted with: announced their first tour in over 25 years! © 20__ Cheech & Chong, LLC. -
After the Ball David Williamson
David Williamson’s first full-length play, The Coming of Stork, premiered at the La Mama Theatre, Carlton, in 1970 and later became the film Stork, directed by Tim Burstall. The Removalists and Don’s Party followed in 1971, then Jugglers Three (1972), What If You Died Tomorrow? (1973), The Department (1975), A Handful of Friends (1976), The Club (1977) and Travelling North (1979). In 1972 The Removalists won the Australian Writers’ Guild AWGIE Award for best stage play and the best script in any medium and the British production saw Williamson nominated most promising playwright by the London Evening Standard. The 1980s saw his success continue with Celluloid Heroes (1980), The Perfectionist (1982), Sons of Cain (1985), Emerald City (1987) and Top Silk (1989); whilst the 1990s produced Siren (1990), Money and Friends (1991), Brilliant Lies (1993), Sanctuary (1994), Dead White Males (1995), Heretic (1996), Third World Blues (an adaptation of Jugglers Three) and After the Ball (both in 1997), and Corporate Vibes and Face to Face (both in 1999). The Great Man (2000), Up for Grabs, A Conversation, Charitable Intent (all in 2001), Soulmates (2002), Birthrights (2003), Amigos, Flatfoot (both in 2004), Operator and Influence(both 2005) have since followed. Williamson is widely recognised as Australia’s most successful playwright and over the last thirty years his plays have been performed throughout Australia and produced in Britain, United States, Canada and many European countries. A number of his stage works have been adapted for the screen, including The Removalists, Don’s Party, The Club, Travelling North, Emerald City, Sanctuary and Brilliant Lies. -
New Mexico Daily Lobo, Volume 082, No 6, 8/25/1978." 82, 6 (1978)
University of New Mexico UNM Digital Repository 1978 The aiD ly Lobo 1971 - 1980 8-25-1978 New Mexico Daily Lobo, Volume 082, No 6, 8/ 25/1978 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1978 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 082, No 6, 8/25/1978." 82, 6 (1978). https://digitalrepository.unm.edu/daily_lobo_1978/85 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1978 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. New Mexico CETAjobs ·/ DAILY up in the air ATTENTION Friday, August 25,1978 Uy ANNA POOLE The future of 55 employees on the UNM campus whose positions arc Comprehensive Employment Training Act (CETA) are uncertain due to Traffic accidents mount mismanagement of funds at the city level. Phillip Alarid, director of UNM's personnel office, said the University "aoesn't know" what it will do .about the problems arising frotn CETA Freshmen and Sophomores!!! budget deficits program or what will happen to the 55 employees hired under the program. The CETA office, administered through the mayor's office, reported Sbc~~hospitalized Wednesday a deficit of $915,000 if the program continued through Sep tember 30, the end of the fiscal year. The CET A main office reported enough uncommitted funds to reduce ARE YOU INTERESTED IN HEAVY the cleficit to $652,000. CET A reported funds will reduce deficit FINANCIAL ASSISTANCE AND Before Mayor Rusk's press conference Wednesday, CETA regional director, William Harris called Rusk and announced that $350,000 in emergency funds would be sent to Albuquerque to cover part of the deficit. -
Smock Ends Eatontown Council Service Carlton Theater Sale Set For
Smock Ends Eatontown Council Service SEE STORY PAGE 2 The Weather Cloudy, mild today and tonight. Cooler tomorrow. FINAL EDITION 21 PACES Monmoulh County** Oulslandintf llomt* Xewspapor VOL.96 NO. 129 RED BANK-MIDDLKTOWN, N.J. THURSDAY, DECEMBER 27,1973 TEN CENTS • Illlllllllllllllllllllllllllllll Illl Illl HUH Hill Ill Illllll IIIIIIIIHIHIIIIIIIIIIIIIIIIIIIHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIINIIIIIIIH Carlton Theater Sale Set for Tomorrow By BETTE SPERO cation, citing the tentative na- ing climaxes 11 months of ne- president. ture of negotiations, until the gotiations between the arts John Balmer. a Keadc execu- RED BANK - The Mon- contract had been formalized. group and the Reade Organi- tive, the firm's chief negotia- mouth County Arts Council is Council spokesmen have zation. The Reade firm, which tor with the council, has said scheduled to formally buy The been especially reticent, ex- has offices in Oakhurst, first the theater ;hain favored the Carlton Theatre from the Wal- pressing concern that a "pre- announced plans to sell The council purchase because ter Reade Organization to- mature'' announcement of the Carlton in October. 1972. such a move would retain the morrow. purchase might thwart fund- The theater and other theater's cultural heritage. U mm 1 Contract closing ceremonies raising necessary to finance Reade properties in Mon- The Carlton, which had di- for the transfer of the proper- the theater operation. mouth and Ocean counties minished in recent years as a ty from the Reade Organiza- In addition to the purchase and elsewhere in New Jersey moviehouse, no longer func- tion to the Council are slated price, council officials have were being sold because they tioned as a first-run film the- to be held between the prin- estimated annual operating were no longer profitable to ater. -
October 25, 2011 (XXIII:9) Peter Weir, the LAST WAVE (1977, 106 Min.)
October 25, 2011 (XXIII:9) Peter Weir, THE LAST WAVE (1977, 106 min.) Directed by Peter Weir Written by Peter Weir, Tony Morphett & Petru Popescu Produced by Hal McElroy and James McElroy Original Music by Charles Wain Cinematography by Russell Boyd Film editing by Max Lemon Costume Design by Annie Bleakley Richard Chamberlain...David Burton Olivia Hamnett...Annie Burton David Gulpilil...Chris Lee (as Gulpilil) Frederick Parslow...Rev. Burton Vivean Gray...Dr. Whitburn Nandjiwarra Amagula...Charlie Walter Amagula...Gerry Lee Roy Bara...Larry Cedrick Lalara...Lindsey Hanging Rock, 1974 Between Wars, 1974 Matchless, and 1972 Morris Lalara...Jacko “The Marty Feldman Show”. Peter Carroll...Michael Zeadler RICHARD CHAMBERLAIN (March 31, 1934, Beverly Hills, Los PETER WEIR (August 21, 1944, Sydney, New South Wales, Angeles, California) has 80 acting credits, some of which are Australia) has 30 directing credits, among them 2010 The Way 2011 We Are the Hartmans, 2011 The Perfect Family, 2007 Back, 2003 Master and Commander: The Far Side of the World, “Desperate Housewives”, 2006 “Nip/Tuck”, 2006 “Hustle”, 2005 1998 The Truman Show, 1993 Fearless, 1990 Green Card, 1989 “Will & Grace”, 2004 The Pavilion, 2002 “The Drew Carey Dead Poets Society, 1986 The Mosquito Coast, 1985 Witness, Show”, 2000 “Touched by an Angel”, 1989 The Return of the 1982 The Year of Living Dangerously, 1981 Gallipoli, 1977 The Musketeers, 1988 “The Bourne Identity”, 1987 “Casanova”, Last Wave, 1975 Picnic at Hanging Rock, 1972 The Billiard 1986 Allan Quatermain and the Lost City of Gold, 1985 King Room, and 1969 Stirring the Pool. Solomon's Mines, 1985 “Wallenberg: A Hero's Story”, 1983 “The Thorn Birds”, 1982 Murder by Phone, 1980 “Shogun”, RUSSELL BOYD (April 21, 1944, Victoria, Australia) won a Best 1978-1979 “Centennial” (12 episodes), 1977 The Last Wave, Cinematography Oscar for Master and Commander: The Far 1975 “The Count of Monte-Cristo”, 1974 The Towering Inferno, Side of the World (2003). -
The Big Question: List Prices on Catalog Product Montgomery
Jan. 4, 1975 $1.50 ART ANL bEdORDINGS DEPARTMlI YES/THE ULTIMATE CHART AgFIRMATIVE The Big Question: Here's Our Answer (Ed) Col Canada Drops List Prices On Catalog Product Racks, Retailers, Distribs Separate Meets At NARM Montgomery Named RCA Promo Chief www.americanradiohistory.com 1974 CBS Inc On his first date, Alvin "In Flight" is filled with the Lee went all the way. He superb musicianship that embarked on his new has brought Alvin to the solo career with a simull- forefront of rock 'n' roll- taneous appearance and live recording original tunes and personalized versions at London's prestigious Rainbow Theatre. of classics like "Don't Be Cruel," "Money And the results, captured on his double Honey"and"Keep A KnockinY And a surprise album, "In Flight," are phenomenal. treat: "Freedom for the Stallion." "In Flight"delighted the normally Alvin Lee & Co. are coming right conservative English critics:"the sound behind their new album with an throughout from all angles is exceptional"; extensive international tour, too. "Lee and his band are very tight, almost faultless";"Lee has never played better." Alvin Lee & Co."In Flight." PG 33187` The auspicious beginning of a great new career. On Columbia Records and Tapes THE WINTER TOUR January 16 Pittsburgh, Pa. (Syria Mosque) February 4 Miami, Fla. (Auditorium) 17 Hershey, Pa. (The Arena) 1 St. Louis, Mo. (Ambassador Theatre) 5 Charleston, S.C. (Civic Center) 18 New York, N.Y. (Academy of Music) 6 San Diego, Calif. (Civic Center) 6 Atlanta, Ga. (Municipal Auditorium) 19 Baltimore, Md. (Civic Center) 7 Long Beach, Calif. -
David Williamson's the Club
THE CLUB BY DAVID WILLIAMSON TEACHER’S NOTES BY PETER FITZPATRICK CurrenCy Press STUDY GUIDE The performing arts publisher www.currency.com.au DAVID WILLIAMSON’S THE CLUB by Peter Fitzpatrick . Introducing the play 1 2. The playwright comments 1 3. The critics’ views 1 4. Questions for discussion 1 5. Further reading 1. Introducing the play disparaged, figure in contemporary Australian theatre. He is, in a non-pejorative sense, an old- In 1976 some jeremiahs greeted the news fashioned playwright; his plays are not avant- that Australia’s most popular playwright was garde in their forms or expectations, and only working on a play about football—Australia’s in his unexpurgated dialogue does he take any most consuming form of popular theatre—with developed advantage of the freedoms won for his mutterings about the dangers of sacrilege, or generation of writers. All his plays are naturalistic of pandering to the public. But it didn’t take in form, suited to the proscenium stages and an expert to tip the success of The Club at the convincingly solid sets of the subsidised State box office. The degree of success has, however, companies who have found a new Williamson play exceeded anyone’s expectations, even in a godsend. Melbourne, the football culture in which the play Williamson’s earliest work was performed in is set. The Club, in its premiere season which 1970 at the tiny La Mama theatre in Melbourne, opened on 24 May 1977 at the Russell Street perhaps the main focus of the so-called ‘new Theatre, played to packed houses for an extended wave’ in Australian theatre in the late 1960s and four-month run, and brought unprecedented early 1970s; but since 1971, when The Removalists profits to the Melbourne Theatre Company; and Don’s Party were taken up by ‘establishment’ twenty months later it was back again, the laughs companies, all of his plays have first appeared in and full houses showing no signs of flagging. -
MEDL Mobile Blazes New Trails with Cheech and Chong App
Source: MEDL Mobile Holdings Inc. April 17, 2012 09:06 ET MEDL Mobile Blazes New Trails With Cheech and Chong App MEDL Mobile Collaborates With Cheech and Chong to Bring Their Fans the Most Far-Out App Ever Created for iPhone and Android FOUNTAIN VALLEY, Calif., April 17, 2012 (GLOBE NEWSWIRE) -- MEDL Mobile, Inc. (OTCBB:MEDL), a leader in mobile app development, announced today that they will be launching the very first "official" Cheech and Chong mobile app, dubbed "The Fatty," set to debut on April 20th at 4:20pm ET. Fans won't want to miss the live stream and chat with Cheech and Chong backstage at their special 4/20 comedy show. Fans will get a behind the scenes look at the making of the app, virtually hang out with and get tips from Cheech and Chong on using "The Fatty." The live stream can be seen at CheechandChong.com. This feature-heavy app is specially designed to engage multiple generations of fans; from the younger generation just now discovering Cheech and Chong's counter-culture comedy to longtime fans that have followed the duo since their start in the early 70's. The Fatty will bring you on an adventure that only Cheech and Chong could have masterminded. Take a ride in their tricked out Chevy Bel Air and discover the features. Play with the far-out Cheech and Chong Soundboard Wish it was always 4:20? Now it is on The World's Greatest Clock Ever Read The Chronic, a news feed to keep you up-to-date on everything counter-culture Use Kush Reminders to stay on track with remembering that thing you have to do Social 420 will update your Facebook status with a clever message when it hits 4:20 Visit the Head Shop for the latest Cheech and Chong music, movies, and merchandise And this cool trip is just getting started with even more features coming this summer Cheech and Chong are widely known and still celebrated for their 1970s and 1980s cult classic films and stand- up routines largely based on the hippie, free-love era and their personal love for cannabis.