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1984 “Na Makua Mahalo Ia (The Most Honored)” Award Concert
(Na Makua Mahalo Ia Award Concert—1984—broken into 2 videos on Vimeo.com) 1984 “NA MAKUA MAHALO IA (THE MOST HONORED)” AWARD CONCERT Enclosed are notes that correspond to the following three videos in the Na Makua Mahalo Ia Collection on HPSʻs Vimeo Channel. (http://vimeo.com/hulapreservationsociety) Ø 1984 Pt 1 of 2 Ø 1984 Pt 2 of 2 BACKGROUND: In the 1980s, a series of 5 concerts were held to honor elders of that time who persevered in the 20th century & planted seeds for the Hawaiian Renaissance that began in the 1970s. Over five concerts, 67 kūpuna were recognized, & their names are the ones we recall hearing stories about, for their contributions have deeply enriched the sentience of Hawaiians & the people of Hawaiʻi. “Na Makua” was created & led by Dr. Ishmael Stagner, who was a professor at Brigham Young University-Hawaiʻi at the time. To download a scan of BYUʻs actual program from this year, visit https://www.papakilodatabase.com & search the Hula Preservation Society Collection. You will also find short audio clips & comprehensive descriptions of select honorees there. 1984 Pt 1 of 2 Na Makua AwarD Concert MC, Host & Event Coordinator: Ishmael Stagner (1939-2014) (2:40) Opening prayer: Wylie W. Swapp (1919-2007) Tribute performances by: Ka Pa Hula Hawaii, Kumu Hula Kahai Topolinski Ka Pa Hula Hawaii under the direction of Kumu Hula Kahai Topolinski present the following performances as hoʻokupu to all of the recipients being honored at the 1984 Na Makua Mahalo Ia Awards: (3:31) - (Hula kahiko) “Pua Ai Lehua Ka Makani,” honoring -
Military Sun Press, Published Twice Edition of the Military Sun Press, Treat- HAWAII MARINE Is Not Published
NOTICE TO HAWAII MARINE READERS We hope you will enjoy this special readers during the holiday season when The Military Sun Press, published twice edition of the Military Sun Press, treat- HAWAII MARINE is not published. each year, is in no way connected to the ed especially for HAWAII MARINE U.S. Marines or the U.S. government. Hawaii Marine WEEK OF JANUARY 5-11, 1995 Military Sun Press BRIEFLY Recycling: Veterans Day honor Military families The Golden Dragons of Task Force 5th Bat- participate in new talion, 14th Infantry celebrated Veterans Day Nov. 10 with a ceremony performed at South Camp, near Sharm El Sheik, Sinai, Egypt. garbage program The ceremony was conducted at the South Camp amphitheater and began with the familiar The recently closed Waipahu sounds of Lee Greenwood's "God Bless the incinerator has created a need to USA." recycle more refuse, and military The Task Force Chaplain, Charles Ha Ilin, personnel coming to the rescue. delivered the invocation and led the group in Roughly one-half of military fami- the " Lord's Prayer." Sgt. 1st Class Jeffrey Stray- lies who live in government quarters er, operations non commissioned officer in now participate in active recycling charge, read the 23rd Psalm. programs. Thanks to an Army initia- Presiding over the ceremony was the Task tive, all 20,151 quarters will be ser- Force Executive Officer, Maj. John A. Kardos, viced by a new refuse and recycling who delivered the keynote address. system by early this year. In his address, Kardos called on the attendees The new system encourages the to "remember the tragedies of war, the promise military's 70,000 family housing resi- of peace and those who served so selflessly." dents to recycle and will also save The audience was asked to remember those money spent on refuse removal and who lost their lives during their service with the disposal. -
253537449.Pdf
CD 105402 HAWAII ISLES OF ENCHANTMENT By CLIFFORD GESSLER Illustrated by E. H. SUYDAM D. APPLETON- CENTURY COMPANY INCORPORATED NEW YORK LONDON 1938 COPYRIGHT, 1937, BY JD. APPLETON-CENTURY COMPANY, INC. rights reserved. This book, or part** thereof, must not be reproduced in any form without permission of the publisher. Illustrations copyright, 937, by JE. HL Suydam Printed in the United States of America INTRODUCTION write of it or must RO away from Hawaii to is bewildered by KO away and return. A newcomer dazed the sharp impact of ONEits contradictions, by resident of long standing, on the thronging impressions. A so for that he other hand, tends to take the islands granted them to the stranger. may he handicapped in interpreting to be in a sense both One is fortunate, therefore, perhaps with the zeal kamaaina and malihini, neither exaggerating V Introduction *$: new convert the charm of those bright islands nor al~ dulled lotting it to be obscured with sensitivity by prolonged and not too daily familiarity. Time, not too long, distance, great, help to attain balance. The aim of this book is to write a national biography a character illumi- and to paint, in broad strokes, portrait, nated here and there by anecdote, of a country and a people that I have loved. Nor shall I tell here all I know about any one aspect of the islands. Not now, at any rate; this is not that kind of book. Scandal seldom reveals the true spirit of a community. The exception is not a reliable index, and controversies are like the shattered window which caused the policeman, after inspecting it without and within, to exclaim: "It's worse than I thought; it's broke on both sides!" Here again the long view is the clearest. -
Mormon Influences on the Waikiki Entertainment Scene
Mormon Influences on the Waikīkī Entertainment Scene by Ishmael W. Stagner, II Before we can discuss the influence of Mormon Hawaiians on the Waikīkī music scene, we need to understand a few things about the development of Hawaiian music and its relationship to things developing in Waikīkī. It is normally thought that the apex of Hawaiian entertaining is being able to entertain on a steady basis in a Waikīkī showroom, or venue. However, this has not always been the case, especially as this relates to the Waikīkī experience. In fact, we need to go back only to the post World War II period to see that entertaining in Waikīkī, especially on a steady basis, was both rare and limited to a very few selected entertainers, most of whom, surprisingly, were not Hawaiian. There were a number of reasons for this, but the main reason for the scarcity of Hawaiian, or Polynesian entertainers in Waikīkī in any great number, goes back to the history of Waikīkī itself. At the turn of the 20th century, Waikīkī was still mostly a swamp, filled with taro patches, rice paddies and fish ponds. We have only to look at the pictures of Ray Jerome Baker, the great photographer of early 20th century Honolulu, to see that Waikīkī was, first and foremost, a bread basket area whose lowlands were the delta areas for the run-off waters of Mānoa, Pauoa, and Pālolo streams. As such, Waikīkī fed much of what we call East Oahu, and rivaled the food production and water-storage capacities of better-known farming areas such as Kāne‘ohe, Kahalu‘u and Waiāhole. -
Steel Guitar Player Gerald Ross Brings Hawaiian Sound to Mainland Posted by Mark Wedel | Special to the Gazette March 27, 2008 09:22AM
Steel guitar player Gerald Ross brings Hawaiian sound to mainland Posted by Mark Wedel | Special to the Gazette March 27, 2008 09:22AM KALAMAZOO -- From the lilting music of Hawaii to the wail of country and western, from the tropical islands to Kalamazoo, the Hawaiian steel guitar made its mark during the 20th century. But the history of the instrument, which is sometimes known as the lap steel because it's played on the lap with one hand plucking the strings while the other runs a steel bar along the fretboard, dates back much further than that. The story starts with a boy named Joseph Kekuku in the 1880s. "Rumor has it, when he was a schoolboy in Hawaii, he dropped his comb on his guitar which lay across his lap," said Ann Arbor musician Gerald Ross, who will play the instrument Saturday at the Fretboard Ann Arbor's Gerald Ross holds a Festival. 1936 Rickenbacker Bakelite lap steel guitar. Ross will perform at the Fretboard Festival. Ticket stub Kekuku slid it on the strings and invented a Gerald Ross, 1-2:30 p.m. new musical form. Ross Saturday, followed by a thinks there might a bit of myth in the story, but Kekuku workshop at 3 p.m., was the Hawaiian steel guitar's first big star. He was Kalamazoo Valley recorded on the earliest records, toured the world with Museum, 230 N. Rose his guitar in the early 1900s "and it just took off like St., Free. 373-7990. gangbusters." The phenomenon really took root in 1915 during the Panama Pacific International Exposition in San Francisco. -
'The Role of Hawaiian Guitar in the Present Context of Hindustani
KARNATAK UNIVERSITY DHARWAD ‘The Role of Hawaiian Guitar in the Present Context of Hindustani Classical Music – A Practical Analysis’ A thesis submitted to the Karnatak University, Dharwad for the award of the degree of ‘Doctor of Philosophy’ in performing arts Research Student PRAKASH SONTAKKE Research Guide Dr. Smt. MEERA SHIVSHANKAR GUNDI Associate Professor (Retd.) MA Sangeetha & Phd P G Department of Music and Fine Arts Karnatak University, Dharwad January 2015 Sculpture depicting Lord Ganesha playing the ancient Indian slide veena CONTENTS Acknowledgments ................................................................................................................................ vi Certificate ............................................................................................................................................ ix Declaration ........................................................................................................................................... x Introduction .......................................................................................................................................... 1 1. The Hawaiian Guitar .................................................................................................................. 11 1.1. The History of the Hawaiian Guitar .................................................................................. 11 1.2. The Development of the Hawaiian Guitar as a Main Instrument ..................................... 15 1.2.1. Arrival of the Electric -
Fifty-Second Issue
The Reference Book of Information and Statistics Relating to the Territory of Hawaii THOS. G. THRUM Compiler ·and Publisher FIFTY-SECOND ISSUE PRICE $1.00 PRINTED IN U. S. A. MAIL $1.15 llllll!li!lllillllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllliiiiHI!!IJIIIIIIIIIilllllllllllllllllllllllliiiiHIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII!NIIIIIIIIIIIllllllllllllllllllllllllll The Wheels of Progress \ Many changes have come over the business district of Honolulu since Bishop & Co. put up its bank building in 1877. Another corner is turned and again The Bank of Bishop & Co., Ltd. is the pioneer. The first to put up a modern bank building-complete in every de tail. We welcome all who wish to call. The Bank of Bishop &Co., Ltd. King & Bishop Streets Hllilllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllli!IHIIIIIIIIIIillllllllllllllllllllllllllllllllllllllllllllllllllllllllllllllll!ll!llllllllllllllllll'llllllllllllllllll!llllllllllllllllllll Travel by the OAHU RAILWAY The Scenic Route to HALEIWA HOTEL Spend a Perfect Week-End at Haleiwa The Beauty Spot of Oahu GOLF -SWIMMING - FISHING Excellent meals are served, including a Dinner Dance every Saturday evening. The trip to HALEI\VA by train is one of continuous interest and unsurpassed beauty. Round trip from Honolulu, daily ____________________________ $2.45 Special Week-End Excursion__________________________________ 2. 2 5 Round Trip Excursion, including Lunch at Haleiwa Hotel, and Observation Car, daily------------------ 5. PO (1) 1 OFFICERS -
The Transformation of the Steel Guitar from Hawaiian Folk Instrument to Popular Music Mainstay
Across the Pacific: The transformation of the steel guitar from Hawaiian folk instrument to popular music mainstay by R. Guy S. Cundell B Mus (Hons.), Grad Dip Ed A thesis submitted in fulfilment of the requirements for the degree of Master of Philosophy Elder Conservatorium of Music Faculty of Humanities and Social Sciences The University of Adelaide April 2014 ii Table of Contents I. List of Music Examples ..................................................................................................... v II. Abstract ......................................................................................................................... vii III. Declaration .................................................................................................................. viii IV. Acknowledgements ....................................................................................................... ix V. Notes on Transcriptions and Tablature ........................................................................... x Introduction ............................................................................................................................... 1 Literature Review ...................................................................................................................... 5 Chapter 1: Origins of the Steel Guitar ....................................................................................... 9 1.1 A Mode of Performance ................................................................................................. -
Lo Ha D Re Am
AAll oo hh aa DDrr ee aa mm April 2018 Vol. 16. Issue 1. C o n t e n t s 1. Cover photo: ‘The Perfect Spot’ by Pete Tillack 2. Contents Page 3. The Editor’s comments and usual apologies 4. Compassion in Action—Jeff Apaka 5. “ “ “ “ 6. “ “ “ “ 7. “ “ “ “ 8. “ “ “ “ 9. Hawaiian Soundies from the 1940’s by alan Morgan 10. “ “ “ “ “ “ “ 11. “ “ “ “ “ “ “ 12. Anthony Lis Analysis of Guy Cundell’s Thesis. Part Six section 2 13. “ “ “ “ “ “ “ “ “ 14. “ “ “ “ “ “ “ “ “ 15. “ “ “ “ “ “ “ “ “ 16. “ “ “ “ “ “ “ “ “ 17. “ “ “ “ “ “ “ “ “ 18. “ “ “ “ “ “ “ “ “ 19. Pioneer of the Hawaiian Guitar in England by Les Cook 20. “ “ “ “ “ “ “ “ 21. “ “ “ “ “ “ “ “ 22. The Arthur Layfield Collection by John Marsden 23. “ “ “ “ “ “ 24. “ “ “ “ “ “ 25. There’s no Steelin’ The Spotlight by Bill Wynne / Santo Farina 26. “ “ “ “ “ “ 27. “ “ “ “ “ “ 28. “ “ “ “ “ “ 29. Readers Letters 30. “ “ 31. Steel Guitar Sounds Slowly Fading away / Barney Isaacs 32. Richard Ho’opi’i / Peter Moon all enquires to :- Editorial and design:- Subscriptions:- per year Pat Henrick ‘aloha Dream’ Pat and Basil Henriques U.K: £20:00 38. Greenacre Park Honorary members :- on-line £8.00 Coton in the Elms Pat Jones (Wales.) Europe: €30:00 Swadlincote DE12 8HB Keith Grant (Portugal) on-line €10.00 Derbyshire --------------------------------- Overseas: $40:00 web address:- Hawaiian Musicologists on-line $15.00 http://www.waikiki-islanders.com John Marsden (U.K.) (U.S. dollars or equivalent) Prof. Anthony Lis (USA) All include P+P (S+H) E Mails :- [email protected] Bill Wynne (USA) ONLY STERLING CHEQUES, [email protected] Bill’s mentioned recordings or UK postal order payable to:- Phone No:- 01283 763399 can be found at his “PaT HENRICK” or Mobile No:- 07800-646-645. -
U·M·I University Microfilms International a Bell & Howell Intorrnanon Company 300 North Zeeb Road
INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copysubmitted. Thus, some thesis and dissertation copies are. in typewriter face, while others may be from any type of computer printer. The quaUt)' of this reproduction Is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adverselyaffect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sectionswith small overlaps. Each original is also photographed hi one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. U·M·I University Microfilms International A Bell & Howell intorrnanon Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 313 761-4700 800 521-0600 ---------- _. - .. ....•._ ..._-_._-~-~------------ _.....,._..,. ~::ro..~~l.I'_•• Order Number 9030583 Land tenure in Kahana, Hawai'i, 1846-1920 Stauffer, Robert Hammond, Ph.D. -
Ka Wai Ola O OHA – the Living Water of OHA Mei (May) 2005
Vol. 22, No. 5 Ka Wai Ola o OHA – The Living Water of OHA Mei (May) 2005 A conceptual draft of what an OHA headquarters and Hawaiian cultural center might look like at the Kaka‘ako waterfront site. While the boardroom, an outdoor performance actual design is likely to change, the complex is intended to include outdoor areas for cultural practice. Illustration: Courtesy of Architects Hawai‘i area, a food service court and an adjacent 180-stall parking lot. The complex would also include 60,000 OHA proposes new Hawaiian center square feet of office space for OHA and other organizations. $32-million waterfront complex would include offices and cultural center Wesley Kaiwi Nui Yoon, an architect OHA contracted to develop the By Sterling Kini Wong now begin more studies on the fea- “Many other groups have their own project’s preliminary plan, said that sibility of the site and will eventu- community centers, and it’s about time he used Hawaiian culture to guide his n April, OHA presented a ally provide a development plan to Hawaiians got their own, too. But this conceptual design of the complex. preliminary proposal to build a $32- its Board of Trustees for approval. isn’t just for Hawaiians, it’s for all “Hawaiian culture is very deep, and Imillion complex on the Kaka‘ako The agency would then present a for- of Hawai‘i.” the cultural nuances should be reflected waterfront that would include the first mal proposal to HCDA, which would The complex would serve as a multi- in the design of the project,” Yoon said, Hawaiian cultural center in the state and be followed by either lease or land functional location for a variety of adding that the project’s design was office space for the agency and other acquisition negotiations. -
Spring 2019-2020
HSGA QUARTERLY Published four times a year in Honolulu, Hawai‘i by the Hawaiian Steel Guitar Association Volume 35, Issue 138 Spring 2020 Inside this Issue… “Live-Streamed Steel Guitar 2 Showcases” from HIMELE “Introducing Ethan Goore” 3 by Teri Gorman Coco Wire – News and 3 Member Gossip “Lani Kai” – Steel 8 Arrangement by John Ely “Board News” by Teri An encore photo of a very young Lorene Ruymar playing her brand new National New 10 Gorman Yorker with her first group, the Regina-based Mauna Kea Hawaiians circa 1947. “HSGA Scholarship 10 Update” by Alan Akaka Aloha A Hui Hou E Lorene Ruymar! Hawaiian Steel Guitar By John Ely to her credit. Her major publication, The 10 Events Calendar Hawaiian Steel Guitar and Its Great It is with great sadness that we Hawaiian Musicians, is a landmark 11 Vintage Photos – Lani report the passing of our HSGA club book about the history of the Hawaiian McIntire circa 1930 founder, Lorene Lillian Ruymar, at age steel guitar. The cover photo shows leg- Closing Notes – Ron 89 this past June 9. There would surely endary steel guitarist Sol Ho‘opi‘i hold- 14 Simpson, Paul Weaver be no HSGA were it not for Lorene’s ing a National Tri-cone Hawaiian steel lifetime of devotion and dedication to guitar. It is full of history, photos of “A Tale of Two Marines” by our instrument and the countless hours instruments and musicians. (This book 14 Frank Della-Penna she put in, organizing and promoting is still available online.) 15 Member Donation the club, producing it’s newsletter, “The second publication is an Acknowledgements maintaining the club database and all instruction manual using the A major Treasurer’s Report from that goes along with keeping an asso- tuning.