DOCSLIB.ORG

{PDF EPUB} No Downlink a Dramatic Narrative About the Challenger

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
{PDF EPUB} No Downlink a Dramatic Narrative About the Challenger Read Ebook {PDF EPUB} No Downlink A Dramatic Narrative about the Challenger Accident and Our Time by Claus Jensen No Downlink: A Dramatic Narrative about the Challenger Accident and Our Time by Claus Jensen. If you have information about this name , share it in the comments area below! Numerology information Downlink: Name Number: 3 Meaning: Communication, Interaction, Friendship, Joy, Lightness, Humor, Art, Positivity, Optimism. Definition funny of Downlink: On the internets, a downlink is a cross between a link and a download. Downlinks are associated with file sharing and file distribution, generally via zipped 'online storage' sites and other unencrypted distribution methods. This difference in functionality separates downlinks from standard links, downloads and torrents. Alex: I need you to send me that file, the really big one. Stephen: Ok Ok Ok; I'll send you a downlink. Insane dubstep artist, usually in the works with Excision, Datsik, and Vaski. He has a sick logo and not many people recognize him for his amazing sound, usually Excision will take all the credit for what Downlink does most of the backround work on his music. Me: "Downlink isn't getting recognized for his amazing talent which Excision takes all the credit" Douche: "Is that Skrillex's brother?" Me: "Go fuck a tree" Songs about Downlink: Swagga (Downlink Remix) by Excision and Datsik from the Album Boom / Swagga (Remixes) Tension (Feat. Excision, Datsik And Downlink) [Explicit] by Korn from the Album The Path Of Totality (Special Edition) [Explicit] Illuminati (Feat. Excision And Downlink) by Korn from the Album The Path Of Totality (Special Edition) [Explicit] Sanctuary (Feat. Downlink) by Korn from the Album The Path Of Totality (Special Edition) [Explicit] 100% In The Bitch (Downlink Remix) [Explicit] by Porter Robinson from the Album Spitfire [Explicit] Illuminati (Feat. Excision And Downlink) by Korn from the Album The Path Of Totality [Explicit] Illuminati (Feat. Excision And Downlink) by Korn from the Album The Path Of Totality. Books about Downlink: Uplink-Downlink: A History of the Deep Space Network, 1957-1997 (The NASA History Series) by Douglas J. Mudgway (Dec 19, 2013) No Downlink: A Dramatic Narrative About the Challenger Accident and Our Time by Claus Jensen and Barbara Haveland (Jan 1996) Uplink Downlink: A History of the Nasa Deep Space Network, 1957-1997 (The Nasa History Series, 2001 4227) S/N. by Douglas J. Mudgway (Mar 2002) Uplink - Downlink: A History of the Deep Space Network 1957-1997, Mariner, Viking, Voyager, Galileo, Cassini Eras. by National Aeronautics and Space Administration (NASA), World Spaceflight News and Douglas J. Mudgway (Jan 19, 2012) Downlink: Webster's Timeline History, 1965 - 2007 by Icon Group International (May 17, 2010) Downlink to Maine: how the GFOA satellite conferences bring leading-age information to local governments.(Governm. by David G. Kline (Jul 28, 2005) LTE Advanced - Physical Layer Improvements: Estimation of the Number of Multipath Components in a Delay-Dispersive. by Vincenzo Malta (Mar 22, 2011) Movies about Downlink: Apollo 14: Complete Downlink Edition - Apollo 15 - Complete Downlink Edition - Wiki information Downlink: High-Speed Downlink Packet Access is an enhanced 3G mobile-telephony communications protocol in the High-Speed Packet Access family, also dubbed 3.5G, 3G+, or Turbo 3G, which allows networks based on Universal Mobile Telecommunications System to have. Military: Space Travel. STAR WARRIORS: A Penetrating Look Into the Lives of the Young Scientists Behind Our Space Age Weaponry. By: William J. Broad. First American Edition. THE MAN-IN-SPACE DICTIONARY: A Modern Glossary. By: Martin Caidin. FIrst American Edition. AIR AND SPACE: The National Air and Space Museum Story of Flight. By: Andrew Chaikin. First American Edition. MISSION TO MARS: An Astronaut’s VIsion of Our Future in Space. By: Michael Collins. First American Edition. LIFTOFF: The Story of America’s Adventure in Space. By: Michael Collins. First American Edition. BEFORE LIFT-OFF: The Making of a Space Shuttle Crew. By: Henry S.F. Cooper Jr. First American Edition. MAN IN SPACE. The United States Air Force Program for Developing the Spacecraft Crew. By: Kenneth F. Gantz (editor) First American Edition. SPACE FLIGHT REPORT TO THE NATION. By: Jerry & Vivian Grey (editors) First American Edition. OPERATION MORNING LIGHT. First American Edition. NO DOWNLINK: A Dramatic Narrative about the Challenger Accident and Our Time. By: Claus Jensen. FIrst American Edition. MARINER: Mission to Venus. By: Jet Propulsion Laboratory Staff. First American Edition. PLANETARY ENCOUNTERS. By: Robert M. Powers. First American Edition. MOON SHOT: The Inside Story of America’s Race to the Moon. By: Alan Shepard; Deke Slayton. First American Edition. VIKING ORBITER VIEWS OF MARS. By: Cary R. Spitzer. First American Edition. THE FALLACY OF STAR WARS: Based on studies conducted by the Union of Concerned Scientists. First American Edition. PRESCRIPTION FOR DISASTER. By: Joseph J. & Susan B. Trento. First American Edition. SPUTNIK INTO SPACE. By: M. Vassilev; V.V. Dobronravov. First American Edition. THE UNBROKEN CHAIN. By: Geunter Wendt; Russell Still. First Canadian Edition. Chartwell Booksellers In the lobby of the Park Avenue Plaza Building Between Park & Madison Avenues. 55 East 52nd Street New York City 10055. Store Hours Monday-Friday 10-4 COVID-19 Policy. © 2018 Chartwell Booksellers. All Rights Reserved. Design: Tom Smith Design Development: Bentley Hoke Interactive. UNDERSTANDING A DISASTER. Though it hardly seems possible that 10 years have passed, it was on Jan. 28, 1986, that the nation was shocked by the image of the space shuttle Challenger, with its diverse crew of seven astronauts, disintegrating before our collective eyes. There was an immediate demand to know "why?"-- why did this horrible accident happen? Until now the accepted wisdom has been that the accident was a result of decisions by "amorally calculating managers intentionally violating rules to achieve organization goals"--as Diane Vaughan puts it in "The Challenger Launch Decision." But neither Vaughan nor the author of "No Downlink," Claus Jensen, accepts that conclusion. Instead, these two very different books, appearing so long after the event, reach fundamentally the same conclusion: that the decision to launch Challenger was an almost inevitable organizational mistake, the kind of mistake that happens when large, complex organizations deal with tricky technologies. To Vaughan, the accident was no individual's fault but rather the culmination of "a series of seemingly harmless decisions . that incrementally moved the space agency toward a catastrophic outcome." To Jensen, the accident was a particular manifestation of "forces within large systems, political organizations, and corporations which would, by all accounts, become more and more difficult to monitor and control." And that is perhaps the most important general finding of the two books--the suggestion that organizational mistakes are inevitable and that the social control of risky technology is thus an extremely challenging task. As Jensen puts it, large systems "are not going to guard themselves." Vaughan is a professor of sociology at Boston College, and her book is the result not only of in-depth, painstaking research in the vast collection of original documents related to the Challenger accident, including the more than 9,000 pages of interview transcripts that resulted from the post- accident investigation of the Rogers Commission, but also of interviews conducted with many of those involved in the long chain of events that led up to the launch decision. Her purposely narrow focus is on the Solid Rocket Booster (SRB) part of the shuttle system; it was an O-ring on a SRB joint that failed during the Challenger launch and was the proximate cause of the accident. Firmly situated within the academic study of organizational behavior, Vaughan's book is full of what she characterizes as "thick description." It is not easy reading, but those who follow her sophisticated line of reasoning will be rewarded with multiple insights into "the hazards of living in this technological age." Key to Vaughan's analysis is what she calls the "normalization of deviance." Step by step during the design of the SRB joint and its performance in the 24 shuttle flights preceding Challenger, NASA engineers accepted the risks of a design that did not perform quite as expected but also did not fail. Each small deviation from expectations became accepted after the fact and then was treated as the norm against which future deviations were evaluated. By the end of 1985, the many signals that the shuttle was operating with a major design problem had become almost lost in the repetitive process of clearing the shuttle for each launch. The evidence presented the night before the Challenger launch by engineers from the SRB's manufacturer, Morton Thiokol, was not sufficiently convincing to reverse the collective judgment of those responsible that the risk of O-ring failure continued to be acceptable. No rules were broken. No manager deliberately ignored predictions of possible failure. Rather, they made a judgment to accept the risk of going ahead with the launch within what Vaughan calls a "bureaupathological" context created by the decisions and behavior of the preceding decade. Very unfortunately, that judgment was horribly mistaken. Vaughan's account of how all this happened is very wordy. She tells us what she is going to do; does it; then tells us what she has done. The study is full of references to a wide range of organizational and sociological studies that are not likely to be of general interest. Professor Vaughan is writing as much for her academic colleagues as for a more general audience. In the end, however, the cumulative force of her argument and evidence is compelling. Challenger was close to a "normal accident," a term first coined by Vaughan's colleague Charles Perrow. What was different was that high visibility individuals, including teacher Christa McAuliffe, were its victims.
Load more

Recommended publications
  • Song List 2012
    SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat.
    [Show full text]
  • Thehard DATA Summer 2015 A.D
    FFREE.REE. TheHARD DATA Summer 2015 A.D. EEDCDC LLASAS VEGASVEGAS BASSCONBASSCON & AAMERICANMERICAN GGABBERFESTABBERFEST REPORTSREPORTS NNOIZEOIZE SUPPRESSORSUPPRESSOR INTERVIEWINTERVIEW TTHEHE VISUALVISUAL ARTART OFOF TRAUMA!TRAUMA! DDARKMATTERARKMATTER 1414 YEARYEAR BASHBASH hhttp://theharddata.comttp://theharddata.com HARDSTYLE & HARDCORE TRACK REVIEWS, EVENT CALENDAR1 & MORE! EDITORIAL Contents Tales of Distro... page 3 Last issue’s feature on Los Angeles Hardcore American Gabberfest 2015 Report... page 4 stirred a lot of feelings, good and bad. Th ere were several reasons for hardcore’s comatose period Basscon Wasteland Report...page 5 which were out of the scene’s control. But two DigiTrack Reviews... page 6 factors stood out to me that were in its control, Noize Suppressor Interview... page 8 “elitism” and “moshing.” Th e Visual Art of Trauma... page 9 Some hardcore afi cionados in the 1990’s Q&A w/ CIK, CAP, YOKE1... page 10 would denounce things as “not hardcore enough,” Darkmatter 14 Years... page 12 “soft ,” etc. Th is sort of elitism was 100% anti- thetical to the rave idea that generated hardcore. Event Calendar... page 15 Hardcore and its sub-genres were born from the PHOTO CREDITS rave. Hardcore was made by combining several Cover, pages 5,8,11,12: Joel Bevacqua music scenes and genres. Unfortunately, a few Pages 4, 14, 15: Austin Jimenez hardcore heads forgot (or didn’t know) they came Page 9: Sid Zuber from a tradition of acceptance and unity. Granted, other scenes disrespected hardcore, but two The THD DISTRO TEAM wrongs don’t make a right. It messes up the scene Distro Co-ordinator: D.Bene for everyone and creativity and fun are the fi rst Arcid - Archon - Brandon Adams - Cap - Colby X.
    [Show full text]
  • Overthrow Sound!
    OVERTHROW SOUND! The Collaborative Electronic Mixed Media Institute OVERTHROW SOUND! A first course in electronic music production Prof. Russell Hanson, April 2012 The Collaborative Electronic Mixed Media Institute Class 1 Outline: I. In Class & Introductions II. Programs & files to download and install III. Native Instruments Massive Preset Libraries IV. Loopmasters and Building up Loop Libraries V. Homework – Pick a few if time is limited I. In Class & Introductions • Write down on a piece of paper a song you like and would like to remix, edit, or learn how it works. • Write down a piece of music you admire and what you admire about it. • Write down an instrument you would like to master, what you admire about its sound, and how you would approach using that instrument in a song. • Write down a lyric or vocal you have in mind that you find catchy and would like to use in a song. • Write down the artist/name of a composition that has a beat you find catchy. What instrument is that beat played on? Can you tap out the beat structure? Write down the beat in standard musical notation. • Take a few minutes and share these observations/musical pieces! II. Programs & files to download and install: Ableton Suite http://www.ableton.com/download-suite-trial (mac/pc) Partner Instrument Compilation (download size: 1.6 GB) http://www.ableton.com/partner-instrument-compilation Massive Synth Trial 1.3 http://native-instruments.com/index.php?id=massivemacdemo http://native-instruments.com/index.php?id=massivepcdemo Phoscyon Bass Line Roland TB-303 emulator http://www.d16.pl/phoscyon http://www.d16.pl/pub/install/Phoscyon-1.9.0.dmg (mac) http://www.d16.pl/pub/install/Phoscyon-1.9.0 (x86).msi (pc) The Collaborative Electronic Mixed Media Institute| cemmi.org Page 1 of 4 © Russell Hanson | russellhanson.com OVERTHROW SOUND! A first course in electronic music production Prof.
    [Show full text]
  • The Role of Music in the Lives of Homeless Young People
    Tuned Souls: The Role of Music in the Lives of Homeless Young People Jill P. Woelfer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2014 Reading Committee: David Hendry, Chair Susan Kemp Batya Friedman Julie A. Hersberger Program Authorized to Offer Degree: The Information School ©Copyright 2014 Jill P. Woelfer University of Washington Abstract Tuned Souls: The Role of Music is the Lives of Homeless Young People Jill P. Woelfer Chair of the Supervisory Committee: Associate Professor, David G. Hendry The Information School Although music is considered to be an important part of adolescence and young adulthood, little is known about music and homeless youth. Accordingly, this dissertation research investigated the role of music in the lives of homeless young people, aged 15-25. The study was conducted in Seattle, Washington and Vancouver, British Columbia and engaged homeless young people (n=202) and service providers staff who work at agencies that provide support for homeless young people (n=24). Homeless young people completed surveys (n=202), design activities, which included drawing and story writing (n=149), and semi-structured interviews (n=40). Service providers completed semi-structured interviews (n=24). Data analysis included descriptive analysis of survey data and qualitative coding of the design activities and interview responses. Findings indicated that music was an important part of everyday life for homeless young people, who listened to music daily (98%), owned music players (89%), and had wide- ranging and eclectic tastes in music which did not vary based on location.
    [Show full text]
  • Bernadette Peters Bernadette Peters
    --------------- Calendar • On The Road --------------- 12th Planet Feb. 16 Bottom Lounge Chicago 1964 The Tribute Feb. 11 State Theatre Kalamazoo Ahmed Ahmed ($20) Mar. 2 Magic Bag Ferndale Sweetwater The All-American Rejects Feb. 2 Pepsi Superbowl Fan Jam Indianapolis The All-American Rejects ($17 adv., $20 d.o.s.) Feb. 4 Piere’s Fort Wayne Allstar Weekend Feb. 24 House of Blues Cleveland POPS Allstar Weekend Feb. 25 Egyptian Room Indianapolis Allstar Weekend Feb. 26 House of Blues Chicago Altan ($25) Mar. 4 The Ark Ann Arbor Amy Schumer ($20) Mar. 9 Magic Bag Ferndale, MI Andra Faye & the Rays ($15) Feb. 18 Key Palace Theatre Redkey Andrew Bird Mar. 20 Southern Theatre Columbus, OH Andrew Jr. Boy Blues Jones ($15) Apr. 28 Key Palace Theatre Redkey Andy Grammer w/Ryan Star and Rachel Platten Feb. 2 20th Century Theatre Cincinnati Anjelah Johnson Mar. 17 The Vic Theatre Chicago Anthrax w/Testament & Death Angel Jan. 27 Egyptian Room Indianapolis Anti-Flag Mar. 12 Magic Stick Detroit Anthrax w/Testament & Death Angel ($25 adv., $28 d.o.s.) Jan. 28 Piere’s Fort Wayne Anthrax w/Testament & Death Angel Feb. 3 Promowest Pavilion Columbus, OH Anthrax w/Testament Feb. 4 Bogart’s Cincinnati Arkells Mar. 2 The Shelter Detroit August Burns Red w/Silverstein & Texas in July Feb. 18 House of Blues Chicago August Burns Red w/Silverstein & Texas in July Feb. 21 Bogart’s Cincinnati August Burns Red w/Silverstein & Texas in July Feb. 22 House of Blues Cleveland August Burns Red w/Silverstein & Texas in July Feb. 23 Saint Andrews Hall Detroit Augustana Jan.
    [Show full text]
  • Jan. 29- Feb. 4, 2015 ------Cover Story • the Kid from Kokomo------The Boy Who Changed by Steve Penhollow
    JAN. 29- FEB. 4, 2015 -------------------------Cover Story • The Kid from Kokomo ----------------------- The Boy Who Changed By Steve Penhollow Fort Wayne Youtheatre doesn’t usually precast roles, but the role of Ryan White was an exception. The young Hoosier who, in his short life, was a lightning HeartsHearts && MindsMinds rod for much of the confusion, controversy and compassion generated by the nascent AIDS virus in the mid-80s is the cen- tral character in Gregory Stie- ber’s original play, The Kid From Kokomo. It opens February 6 at the Auer Center for Arts & Cul- ture. The family of White, a hemophiliac who contracted AIDS from a blood product transfusion, fought a lengthy legal battle with the Kokomo- area school system that had barred him from returning to class after his diagnosis. He became a world-re- THE KID FROM KOKOMO nowned figure in the process. FORT WAYNE YOUTHEATRE After White’s death, AIDS activist 7 p.m. Friday, Feb. 6 Fear was transmuted into ugliness, he Larry Kramer said of him, “I think little says. Ryan White probably did more to change 11 a.m. & 2 p.m. Saturday, Feb. 7 “Bigotry was at the forefront,” he says, the face of this illness and to move people 2 p.m. Sunday, Feb, 8 “but underlying it was this struggle to un- than anyone.” Black Box Theatre, Auer Center derstand how the virus works. They were Stieber’s experience directing last 300 E. Main St., Fort Wayne afraid of Ryan. And people who are afraid year’s Little House on the Prairie: Mary’s tend to act out.” Story impressed upon him the necessity of Tix.: $7-$15, 260-422-6900 We’ve come a long way since then, and seeking out an actor to portray White who www.fortwayneyoutheatre.org yet it is not outrageous or unfair to imag- could handle rewrites and other unavoid- ine that people remain who would prefer able exigencies of the playwriting process.
    [Show full text]
  • Dubstep - Wikipedia, the Free Encyclopedia Dubstep from Wikipedia, the Free Encyclopedia
    6/18/2014 Dubstep - Wikipedia, the free encyclopedia Dubstep From Wikipedia, the free encyclopedia Dubstep /ˈdʌbstɛp/ is a genre of electronic dance music that originated in South London, England. It emerged in the late Dubstep 1990s as a development within a lineage of related styles Stylistic Reggae, dub, grime, 2-step garage, such as 2-step garage, broken beat, drum and bass, jungle, origins drum and bass, breakstep dub and reggae.[1] In the UK the origins of the genre can be Cultural Late 1990s — early 2000s, traced back to the growth of the Jamaican sound system origins London, England, United Kingdom party scene in the early 1980s.[1][2] The music generally features syncopated drum and percussion patterns with bass Typical Sequencer, turntables, sampler, drum lines that contain prominent sub bass frequencies. instruments machine, synthesiser, keyboard, personal computer The earliest dubstep releases date back to 1998, and were Derivative Future garage, post-dubstep, brostep, usually featured as B-sides of 2-step garage single releases. forms trap These tracks were darker, more experimental remixes with less emphasis on vocals, and attempted to incorporate Other topics elements of breakbeat and drum and bass into 2-step. In List of musicians, Drumstep, Dubstyle 2001, this and other strains of dark garage music began to be showcased and promoted at London's night club Plastic People, at the "Forward" night (sometimes stylised as FWD>>), which went on to be considerably influential to the development of dubstep. The term "dubstep" in reference to a genre of music began to be used by around 2002 by labels such as Big Apple, Ammunition, and Tempa, by which time stylistic trends used in creating these remixes started to become more noticeable and distinct from 2-step and grime.[3] A very early supporter of the sound was BBC Radio 1 DJ John Peel, who started playing it from 2003 onwards.
    [Show full text]
  • Miami Music Week 2011 Miami's Favorite Holiday Is Back and This
    Miami Music Week 2011 Miami's favorite holiday is back and this time it's bigger and better. With the addition of a third day at Ultra Music Festival and week full of parties, Miami Music Week will be sure to make a lasting impression in the electronic music community. The Untz has put together a guide to help you navigate through hundreds of parties this week has to offer. Starting on March 22 prepare to get loose with world renowned djs, beautiful people, and the best parties to have ever hit Miami. Miami Massive at Nikki Beach on Tuesday, kicks-off the week with a 17 hour-long party with three dance arena's featuring the best of Europe's Djs. The Flying Circus, taking place on Wednesday, is an all day and all night bonanza with Audiofly, Lee Burridge, Nic Fanicuilli, and many more mind blowing headliners. Roger Sanchez will be at Mansion that day for his Release Yourself party. Join Loco Dice, Marco Carola and Martin Buttrich at the Space Terrace on Thursday. Above & Beyond presents Anjunabeats in Miami at the Ice Palace on Thursday night will sure be a crazy party with artists like Above & Beyond, Cosmic Gate, Gabriel & Dresden, and John Dahlback. George Morel and Groove On Records present MADHOUSE on Friday at Rokbar with a star-studded lineup: George Morel, Saeed Younan, Dj Pierre, Supernova, Dj Wady, Armand Peña, Kevin Green & Damian. The Masquerade Motel on Saturday is an all day party on the beach with a killer lineup. Say goodbye to Miami with a bang at Mansion at the Ultra Carry On party on Sunday featuring Avicii and South Florida dou RioTGear.
    [Show full text]
  • P R E S S K I T 2 0
    P R E S S K I T 2 0 1 8 TABLE OF CONTENTS 1.0 Biography----------------------------------------------------------------------------------- 3 2.0 Discography -------------------------------------------------------------------------------- 5 3.0 Recent Press------------------------------------------------------------------------------- 11 4.0 Live Performances------------------------------------------------------------------------- 19 5.0 Contact Page ------------------------------------------------------------------------------ 25 N e r d R a g e ' s m u s i c , h a n d - in- h a n d w i t h h i s s t a g e p r e s e n c e , is l o u d , aggressive, a n d r i g h t in y o u r f a c e . P l a y i n g e v e r y t h i n g f r o m M o o m b a h t o n a n d D u b s t e p to D r u m a n d B a s s in a c t i o n - p a c k e d s e t s t h a t b r i n g t h e full e l e m e n t s of m e t a l i n t o t h e v i b e , w i t h i n s a n e e n e r g y , n o n - s t o p j u m p i n g a n d s c r e a m i n g , m o s h p i t s a n d s t a g e d i v e s .
    [Show full text]
  • The Obsession ++ Confession Issue Issue 5
    THE OBSESSION ++ CONFESSION ISSUE #5 / 2012 $9.99US $9.99CAN SHIRLEY MANSON / SANTIGOLD / BEACH HOUSE SPIRITUALIZED / MARINA & THE DIAMONDS / GOTYE GABRIEL MANN / M.WARD ++MORE ISSUE 5 SO WHAT IF PAGES 8 - 19 READ THE LETTER FROM THE EDITOR MEET THE CONTRIBUTORS YOU CANNOT HIDE. I CAN’T STOP THINKING ABOUT PAGES 20 - 57 SANTIGOLD BEACH HOUSE MARINA AND THE DIAMONDS SHIRLEY MANSON SPIRITUALIZED GABRIEL MANN ALEXANDRA BRECKENRIDGE GOTYE BRADLEY SOILEAU I TOLD MY GIRLS HE COULD GET IT WANTING TO LIKE BE WITH YOU (WITH YOU) PAGES 58-83 NICK WATERHOUSE LISSY TRULLIE SAMANTHA RONSON MIIKE SNOW TYLER BLACKBURN M.WARD SHANE WEST INDIA DE BEAUFORT THE TING TINGS OF MONTREAL SILVERSUN PICKUPS HOT CHIP R.I.P TO THE GIRL YOU USED TO KNOW EVERYONE THINKS YOU’RE FUCKING HOT i know you want to find out about this PAGES 84- 109 ALEX PRAGER DESIGNER OBSESSIONS +CONFESSIONS IN GOD WE TRUST PEOPLE WE LIKE STOLEN GIRLFRIENDS CLUB CONFESSIONS OF A BUNNY LOVER DIRTY SECRETS QUIZ STAFF OBSESSIONS AND CONFESSIONS ON THE STREET SUNGLASSES STOPPING THE WORLD AND MELTING WITH YOU SERIOUSLY DUDE Sweater, THE REFORMATION. Dress, SAVANT. Leggings, IRO. P 110-11 HONEY BUNNY I AM ERICA KANE CONTRIBUTORS Koko Ntuen Editor-In-Chief + Publisher MICHAEL DONOVAN Polly Brown Michael Donovan has found a strong underground following Guest Art Director for being the harbinger of the Post Bourgeois art movement. Mixing fashion and fine art, his distinguishable raucous and raw style mixed with his aggressive nature has been applied to Heather Seidler work for Bullet, Wonderland, Lovecat and many others while Editorial + Music Director his more conservative and exciting observant work has been applied to clients including The Pierre Hotel, MAGIC/Project, Reed Smith, Marie Claire Turkey, and others.
    [Show full text]
  • Dubstep, Darwin, and the Prehistoric Invention of Music
    University of Pennsylvania ScholarlyCommons Anthropology Senior Theses Department of Anthropology Spring 2012 Dubstep, Darwin, and the Prehistoric Invention of Music Myles Karp University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/anthro_seniortheses Part of the Anthropology Commons Recommended Citation Karp, Myles, "Dubstep, Darwin, and the Prehistoric Invention of Music" (2012). Anthropology Senior Theses. Paper 129. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/anthro_seniortheses/129 For more information, please contact [email protected]. Dubstep, Darwin, and the Prehistoric Invention of Music Abstract Where did music come from, and why are we so drawn to it? Though various scholars have offered a diverse set of hypotheses, none of these existing theories can fully encapsulate the complexity of music. They generally treat music holistically, but music is not monolithic. Musical ability encompasses myriad component parts, such as pitch perception and beat synchronization. These various musical elements are processed in different parts of the brain. Thus, it is unlikely that music arose in one place, at one time, in response to one evolutionary pressure. While existing theories can explain pitch-related aspects of music, such as melody and harmony, they fail to encapsulate rhythm. I explore rhythm’s connection with motion, social function, and the brain in order to investigate how and why it may have evolved. In order to do so, I use diverse lines of evidence, such as my own ethnomusicological fieldwork, autism studies, and brain scans of monkeys. I hypothesize that the mirror neuron system, a mechanism in the brain that allows cognitive and physical synchronization, may be behind the connection between rhythm, movement, and social cognition.
    [Show full text]
  • Khiflee Mixtape Collection Vol 16 Mp3, Flac, Wma
    Khiflee Mixtape Collection Vol 16 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Hip hop / Rock / Reggae / Pop Album: Mixtape Collection Vol 16 Country: Hungary Released: 2017 Style: Dubstep, Drum n Bass, Glitch, Trap, Breakbeat, Breaks, Electro, Electro House, House, Experimental, Dance-pop, Dancehall, Reggae, Deep House, Synth-pop MP3 version RAR size: 1193 mb FLAC version RAR size: 1784 mb WMA version RAR size: 1683 mb Rating: 4.1 Votes: 250 Other Formats: MP2 AUD WAV AU DXD ADX VOC Tracklist Hide Credits Real Bass Music vol 14 - Dubstep – (31:01) DJ Mix – Khiflee 1-1.1 –Eptic Like A Boss 1-1.2 –Engine-EarZ Experiment* They Live 1-1.3 –Emalkay feat Glen Boden The Line 1-1.4 –Emalkay Bring It Down Explosions (Gemini Remix) 1-1.5 –Ellie Goulding Remix – Gemini Drunk (Doctor P Remix) 1-1.6 –Ed Sheeran Remix – Doctor P 1-1.7 –Dubba Jonny Not Another UKF Dubstep Tutorial 1-1.8 –Dubba Jonny UKF Dubstep Tutorial 1-1.9 –Dubba Jonny Always Through The Night (Bare Noize Remix) 1-1.10 –Drumsound & Bassline Smith* feat Tom Cane Remix – Bare Noize Gangster (Trolley Snatcha Remix) 1-1.11 –Dreadzone Remix – Trolley Snatcha Wondering (Dirtyphonics Remix) 1-1.12 –Does It Offend You, Yeah? Remix – Dirtyphonics 1-1.13 –Dodge & Fuski Come Again 1-1.14 –Dodge & Fuski Aerophobia 1-1.15 –DJ Fresh* Fight Selection vol 17 - Excision – (48:15) DJ Mix – Khiflee 1-2.1 –Excision Execute –Excision & Pegboard Nerds feat Mayor 1-2.2 Bring The Madness Apeshit 1-2.3 –Excision & Downlink Crowd Control 1-2.4 –Excision & Datsik Deviance 1-2.5 –Excision feat
    [Show full text]