Erotic Nude Photography - Nude Art - Best Nuder
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Hot Or Not.Pdf
PSYCHOLOGICAL SCIENCE Research Article If I’m Not Hot, Are You Hot or Not? Physical-Attractiveness Evaluations and Dating Preferences as a Function of One’s Own Attractiveness Leonard Lee,1 George Loewenstein,2 Dan Ariely,3 James Hong,4 and Jim Young4 1Columbia University, 2Carnegie Mellon University, 3Duke University, and 4HOTorNOT.com, San Francisco, California ABSTRACT—Prior research has established that people’s Such attractiveness matching can potentially be explained own physical attractiveness affects their selection of by various theories, including evolutionary theories, which posit romantic partners. This article provides further support that assortative mating maximizes gene replication and in- for this effect and also examines a different, yet related, creases fitness (Thiessen & Gregg, 1980); equity theory, which question: When less attractive people accept less attractive proposes that a relationship built on attribute matching could dates, do they persuade themselves that the people they be perceived to be more equitable and satisfactory than a choose to date are more physically attractive than others relationship that involves a mismatch of personal attributes perceive them to be? Our analysis of data from the pop- (Walster, Walster, & Berscheid, 1978); market theories, which ular Web site HOTorNOT.com suggests that this is not the indicate that attractive people seek one another as mates, case: Less attractive people do not delude themselves into leaving the less attractive people to choose among themselves thinking that their dates are more physically attractive (Hitsch, Hortacsu, & Ariely, 2006; Kalick & Hamilton, 1986); than others perceive them to be. Furthermore, the results and parental-image theories, which claim that people are at- also show that males, compared with females, are less tracted to others who resemble their parents and thus indirectly affected by their own attractiveness when choosing whom themselves (Epstein & Guttman, 1984). -
Judith Bernstein, Trailblazer in Erotic Art an Interview with the Feminist Visionary About Her Art and Its Current Revival
805 Traction Avenue Los Angeles CA 90013 213.625.1747 www.theboxla.com Judith Bernstein, Trailblazer in Erotic Art An interview with the feminist visionary about her art and its current revival. BY HAZEL CILLS | JAN 20, 2016 (ELENA POLSON AND STEFANIE APPLE) As one of the founders of New York City's A.I.R. Gallery, the first-ever all-female art gallery in the United States, artist Judith Bernstein had a career that seemed to be on the rise in the early 1970s. The Newark-born, Yale-educated artist made bold, erotic large-scale charcoal drawings of phalluses that stood apart from the clean, conceptual minimalist works that populated galleries at the time. But when one of these pieces, a scratchy, mural-size illustration of a screw-shaped phallus titled Horizontal, was censored from the 1974 show "Women's Work" in Philadelphia, Bernstein had trouble getting her graphic art into galleries. 805 Traction Avenue Los Angeles CA 90013 213.625.1747 www.theboxla.com It wasn't until decades later, in 2008, that gallerist Mitchell Algus gave Bernstein a solo show in New York and Paul McCarthy fell in love with her work and exhibited her at his West Coast gallery the Box. Suddenly, Bernstein's long-underrated art was being given positive reviews at contemporary galleries, and from there, her textured penises, anti-war paintings, and vaginal icons made their way into the collections of the Whitney, MoMA, and the Jewish Museum, among others. Today, the art world is just beginning to recognize Bernstein as a trailblazer in erotic art, and her work that was once relegated to storage has a newfound audience. -
Inserting Hans Bellmer's the Doll Into the History of Pornography
Claremont Colleges Scholarship @ Claremont Scripps Senior Theses Scripps Student Scholarship 2020 Softcore Surrealism: Inserting Hans Bellmer's The Doll into the History of Pornography Alexandra M. Varga Follow this and additional works at: https://scholarship.claremont.edu/scripps_theses Recommended Citation Varga, Alexandra M., "Softcore Surrealism: Inserting Hans Bellmer's The Doll into the History of Pornography" (2020). Scripps Senior Theses. 1566. https://scholarship.claremont.edu/scripps_theses/1566 This Open Access Senior Thesis is brought to you for free and open access by the Scripps Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Scripps Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. 1 SOFTCORE SURREALISM: INSERTING HANS BELLMER’S THE DOLL INTO THE HISTORY OF PORNOGRAPHY, 2020 By ALEXANDRA M. VARGA SUBMITTED TO SCRIPPS COLLEGE IN PARTIAL FULFILLMENT OF THE DEGREE OF BACHELOR ARTS FIRST READER: PROFESSOR MACNAUGHTON, SCRIPPS COLLEGE SECOND READER: PROFESSOR NAKAUE, SCRIPPS COLLEGE MAY 4TH 2020 2 Contents Acknowledgments. 3 Introduction: Finding The Doll. 4 Critical Reception: Who Has Explored The Doll?. 10 Chapter 1: Construction of the Doll and Creation of the Book. 22 Chapter 2: Publication in Germany and France. 37 Conclusion: Too Real For Comfort. 51 Bibliography. 53 Figures: Die Puppe Sequence, 1934. 56 Figures: La Poupée Sequence, 1936. 64 Figures: 19th and 20th Century Pornography. 71 3 Acknowledgments This thesis could not have been written without the support of my thesis readers, Professors Mary MacNaughton and Melanie Nakaue. I would like to thank them for their unwavering support. Their guidance gave me the confidence to pursue such an eccentric topic. -
The Allure and Magic of Renée Jacobs by Prof
the allure and magic of renée jacobs by Prof. John Wood (From the introduction to PARIS) This is a book about Paris, about passion, into our lives the most essential creative mo- one of women as free spirit—as free as any and about pleasure. …Erotic art, like any ments in the lives of artists, such as Renée man. When I look at Jacobs’ images, I see other visual art, is only good if it pulls us Jacobs, and the lives of her models, as well. something universal: Everywoman—or at back again and again to gaze, to wonder, least the potential of every woman. In her and to consider. Its power is the same as Jacobs, of course, shapes the aesthetic di- work we see the quintessence of style, im- that of great music which demands we lis- mension of her photographs, but part of her ages that could have served as models for ten again and again, no matter how many work’s gift to the viewer is also shaped by that great painter Tamara de Lempicka, times we already have, or great poetry her models’ creative partnership with her. who captured “the woman” like no other whose melodies and metaphors make us Erotic art is clearly the most generous of the painter of the 20th Century. Jacobs pres- read, reread, and then read again. The visual arts. Artist and model jointly agree ents formal elegance, desire, and beauty mark of great art is that it is forever fresh to create and share with others a moment all coupled within the allure of sexual and forever rewarding. -
Boudoir & Fine Art Photography: the Intersection of Fun & Seduction
Boudoir & Fine Art Photography: The Intersection of Fun & Seduction A Guide for First Time Clients and Veteran Boudies Monumental Arts Professional Fine Art Photography Boudoir & Fine Art Photography: Introduction So you are thinking about a Boudoir & Fine Art photography session – how exciting! But what is a boudoir & Fine Art session? Sounds simple – it’s just a sexy portrait session, right? Yes, no, and maybe, all at once! Boudoir is a unique and intimate style of photography – and whether you're looking for a romantic, glamour, pin-up, or fantasy session, it takes a big step to jump right in. Boudoir photography is a broad genre of photography that involves female subjects in sensual and suggestive poses. It is distinct from erotic photography in its emphasis on the aesthetic qualities of the subject and the craftsmanship of the photographic process over the sexually stimulating nature of the image. So, whether you are a veteran in front of the camera or brand new to the role, there are some things you should know about Boudoir & Fine Art photography. Tasteful, Private, and Confidential Sessions One of the top questions I’m asked regarding boudoir is “will these be online”? I have photographed over 300 boudoir sessions since I started in 2012 – most are completely private and are never seen online. In other words, if you don’t want your images shown on my website as examples, they never will be! I guarantee “Tasteful, Private, and Confidential Sessions!” Boudoir & Fine Art Styles Boudoir: Boudoir, as mentioned above, typically involves female subjects in sensual and suggestive poses. -
Erotic Ambiguities : the Female Nude in Art / 30111 Helen Mcdonald
1111 2 3 4 5111 EROTIC AMBIGUITIES 6 7 8 9 1011 1 2 3111 Art is always ambiguous. When it involves the female body it can also be erotic. 4 Erotic Ambiguities is a study of how contemporary women artists have recon- 5 ceptualised the figure of the female nude. Helen McDonald shows how, over 6 the past thirty years, artists have employed the idea of ambiguity to dismantle 7 the exclusive, classical ideal enshrined in the figure of the nude, and how they 8 have broadened the scope of the ideal to include differences of race, ethnicity, 9 sexuality and disability as well as gender. 20111 McDonald discusses the work of a wide range of women artists, including 1 Barbara Kruger, Judy Chicago, Mary Duffy, Zoe Leonard, Tracey Moffatt, Pat 2 Brassington and Sally Smart. She traces the shift in feminist art practices from 3 the early challenge to patriarchal representations of the female nude to contem- 4 porary, ‘postfeminist’ practices, influenced by theories of performativity, queer 5 theory and postcoloniality. McDonald argues that feminist efforts to develop 6 a more positive representation of the female body need to be reconsidered, 7 in the face of the resistant ambiguities and hybrid complexities of visual art in 8 the late 1990s. 9 30111 Helen McDonald is an Honorary Fellow in the School of Fine Arts, Classical 1 Studies and Archaeology at the University of Melbourne. 2 3 4 5 6 7 8 9 40111 1 2 3 44111 i RUNNING HEAD 1111 2 3 4 5 6 7 8 9 1011 1 2 3 4 5 6 7 8 9 20111 1 2 3 4 5 6 7 8 9 30111 1 2 3 4 5 6 7 8 9 40111 1 2 3 44111 ii RUNNING HEAD -
Art and Obscenity
STEFAN MORAWSKI Art and Obscenity i no, can obscenity arise in art and, if so, what place does it occupy in the artistic IN EXPLORING the relationship between structure as a whole? These questions are of art and obscenity it is easy to stray into a a structural nature, but to answer them we whole labyrinth of disconnected issues. The must also investigate the genesis and func- problem lends itself to examination from tion of the views which maintain there is a variety of viewpoints: the purely analy- such a thing as pornography, a designa- tic, the purely pragmatic (the moral, tion, be it noted, often applied to objects religious, or political angle, for example), which do not, from the aesthetic point of or a combination of the two when it is view, admit of qualification as obscene. hoped that theoretical inquiry will yield Our first task, then, must be to clarify the guidance for a working strategy. Here I two key concepts used in the title of this have chosen for the path of analysis, but essay, which, according to some, may be even this is far from being clear-cut since complementary and, according to others, there are a number of avenues to choose are mutually exclusive. Obscenity and from: sociology (or, in broader terms, pornography, let me add, are used here as culturology), psychology, ethics, aesthetics. synonymous terms. Though obscenity us- Finally, this field can be observed from a ually is understood in a larger sense, com- wider perspective, not so much scientific prising also description of acts which do in the strict sense as philosophical. -
Karin Bruns All by Myself Technologies of the Self in Porn
Vorträge im Rahmen der Tagung Medienamateure: Wie verändern Laien unsere visuelle Kultur? Internationale und interdisziplinäre Tagung der Universität Siegen Prof. Dr. Susanne Regener, 5.-7. Juni 2008 Alle Rechte liegen bei den Autorinnen und Autoren. Bei Verwendung bitte folgenden Quellennachweis angeben: „Vortrag im Rahmen der Tagung ›Medienamateure. Wie verändern Laien unsere visuelle Kultur?‹“ Universität Siegen 5.-7.6.2008, in: www.medienamateure.de Karin Bruns All by Myself Technologies of the Self in Porn Blogs and Web Forums In the pop song “All by Myself”, the American singer Eartha Kitt describes the pleasure felt in self-withdrawal as well as the dangers it brings.1 Since the song was first released in 1976 by Eric Carmen, it stands as a symbol for the ambivalent feelings arising from being famous, being a star, and loneliness.2 Again and again, Eartha Kitt sung “All by Myself”, adding variations and including passages with a seemingly very personal touch. The last time was in a New York revue theater, shortly before her seventieth birthday in 2008. The confession manifest in the lyrics of this version of the song and the related self-publishing of a star suffering under the pressure of publicity refer to the marginalized position of a female afro-American artist. The 1982 documentary film “All by Myself” (USA/D, director: Christian Blackwood) follows this interpretation. The refrain “I wanna be all by myself” is staged over and over again, and the film, just like at the close of the song, reverses it at the end (“don't wanna be all by myself anymore”). -
Erotic and Physique Studios Photography Collection, Circa 1930-2005 Coll2014-051
http://oac.cdlib.org/findaid/ark:/13030/c8br8z8d No online items Finding aid to the erotic and physique studios photography collection, circa 1930-2005 Coll2014-051 Michael C. Oliveira ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California © 2017 909 West Adams Boulevard Los Angeles, California 90007 [email protected] URL: http://one.usc.edu Coll2014-051 1 Language of Material: English Contributing Institution: ONE National Gay & Lesbian Archives, USC Libraries, University of Southern California Title: Erotic and physique studios photography collection creator: ONE National Gay & Lesbian Archives Identifier/Call Number: Coll2014-051 Physical Description: 30 Linear Feet37 boxes. Date (inclusive): circa 1930-2005 Abstract: Photographs produced from the 1930s through 2010 by gay erotic or physique photography studios. The studios named in this collection range from short-lived single person operations to larger corporations. Arrangement This collection is divided into two series: (1) Photographic prints and (2) Negatives and slides. Both series are arranged alphabetically. Conditions Governing Access The collection is open to researchers. There are no access restrictions. Conditions Governing Use All requests for permission to publish or quote from manuscripts must be submitted in writing to the ONE Archivist. Permission for publication is given on behalf of ONE National Gay and Lesbian Archives at USC Libraries as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which must also be obtained. Immediate Source of Acquisition This collection comprises photographs garnered from numerous donations to ONE Archives, many of which are unknown or anonymous. Dan Luckenbill, Neil Edwards, Harold Dittmer, and Dan Raymon are among some of the known donors of photographs in this collection. -
TEXAS SCHOOL of PROFESSIONAL PHOTOGRAPHY April 25-30, 2021 Tentative Schedule As of 1-1-2021 SATURDAY, April 24
TEXAS SCHOOL OF PROFESSIONAL PHOTOGRAPHY April 25-30, 2021 Tentative Schedule as of 1-1-2021 SATURDAY, April 24 10:00-5:00 PM Pre Con Classes. Registration 2 nd floor Crystal Ballroom foyer Print competition Boot camp, The Business of Headshots Fine Art Nude Photography, CPP Test Prep Class, Drone FAA Prep Course All Pre Con class require additional fee. 8:30-9:30 PM Texas Professional Photographers awards presentation, Le Gala ballroom SUNDAY, April 25 9:00AM Wranglers, and staff meet to set up rooms and assemble equipment. Le Gala ballroom, 1 st floor by restaurant 9:30-10:30AM Basic camera class Malachite Showroom, Free 10:30-11:30PM Tony Corbell with Profoto Demonstration Malachite Showroom, Free 11:30-12:30PM Worship service, Le Gala ballroom, 1 st floor by restaurant 1:00-4:00PM Registration in Garden Court #3, 1 st floor. PLEASE, DO NOT BE LATE! 2:00-5:00 PM Digital programs for everyone, presented by our vendors in the Malachite Showroom. This is included in registration, but not counted against you if you are traveling. Nikon 2:00-2:45, Mac Group 2:50-3:35, 3XM 3:45-4:30, Canon 4:35-5:00 4:00-4:45 PM Instructors, Trustees, Wranglers meet Le Gala ballroom, 1st floor by restaurant 5:00- 6:15PM FREE MEAL, Garden Court, first floor, Sponsored by Millers Professional Imaging 6:30-7:00PM MANDATORY! Orientation for all students and instructors in the Malachite Showroom. DOOR PRIZES GIVEN AWAY 7:00-8:00PM Program for all students – Malachite Showroom 8:00-9:40PM Instructors and students in classrooms for start of classes MONDAY, April 26 7:30AM Free Coffee Garden Court, first floor (While it last) 7:45-8:00AM Meeting of Trustees and Wranglers, Malachite Showroom 8:00- 5:00 PM Trade Show open Crystal Ballroom 2 nd floor 8:00-5:00PM Canon and Nikon clean and check Crystal Ballroom 2 nd floor 8:30-12:00PM Morning Classes in designated classrooms. -
Writing the Naked Body: Sex and Nudity in Nuala Ní Chonchuír's Nude
Estudios Irlandeses, Number 11, 2016, pp. 1-11 __________________________________________________________________________________________ AEDEI Writing the Naked Body: Sex and Nudity in Nuala Ní Chonchuír’s Nude Máximo Aláez Corral University of Oviedo, Spain Copyright (c) 2016 by Máximo Aláez Corral. This text may be archived and redistributed both in electronic form and in hard copy, provided that the author and journal are properly cited and no fee is charged for access. Abstract. This essay looks into the deconstruction of the male gaze and the objectification process around the concepts of nudity and nakedness. Starting from the review of some of Martha Nussbaum’s, John Berger’s, or Laura Mulvey’s main ideas on the topic of the gaze and objectification, a practical analysis of some of the short stories contained in Nuala Ní Chonchúir’s Nude (2009) is provided. By so doing, I intend to examine the ways in which conventional objectification phenomena can be turned upside down, challenged or parodied in order to reveal cultural discriminatory undercurrents and offer a new non-objectifying visual and written representation of the naked body. Key Words. Ní Chonchúir, Objectification, Male Gaze, Nude, Naked Body, Feminism. Resumen. Este ensayo analiza la deconstrucción de la mirada masculina y el proceso de reificación en torno al concepto de desnudez en toda su extensión. Tras plantear un breve repaso de algunas de las ideas planteadas por Martha Nussbaum, John Berger o Laura Mulvey acerca tanto de la mirada como de la reificación del cuerpo, realizo un análisis práctico de algunos de los relatos contenidos en Nude (2009), de la autora irlandesa Nuala Ní Chonchúir. -
Amber Spa Cosmetic Classic Energetic
Amber Spa Cosmetic Classic Energetic english edition Philosophy Amber Spa Karawanserai healing oils For us, using of Your safe haven in the mountains to recover in a safe natural active ingredients is a way of expressing atmosphere. That is what the amber stands for – its honesty and individuality. That is one reason original effect as a healing stone and a place in our why we make our oils together with our regional Alpen-Karawanserai. Arrive at your sheltered room, pharmacies in order to save resources. Our full of warmth and hospitality, in a secure refuge recipes are based on natural aromas such as that is the perfect place to recharge your batteries, almond oil, frankincense and cardamom oil and gather your strength and find your bearings. we don‘t use any synthetic additives. To recharge with positive energy, we use healing stones such We will accompany you all throughout your as rock crystal, rose quartz or amber. journey. Experience circumspect attention and a Depending on the composition, our healing oil few relaxing moments of withdrawal here at the treatments can be invigorating or relaxing, and Amber Spa. give you a feeling of nurturing or fill you with new energy. Our Amber Spa symbols are your companions and should help you find your bearings in choo- Babor for the highest demands and sustainably sing your treatment. for healthy skin. We use the finest, natural ingredients from the Alps to give you luxury skin care that is both highly effective and gentle. P Finding peace Reviderm Microdermabrasion was originally R Recharging your batteries developed for the medical sector.