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Image and Influence: the Political Uses of Music at the Court of Elizabeth I
Image and Influence: The Political Uses of Music at the Court of Elizabeth I Katherine Anne Butler Royal Holloway, University of London Submitted for the Degree of Doctor of Philosophy Acknowledgements With thanks to all the people who supported me throughout my research, especially: My supervisor, Stephen Rose, My advisors, Elizabeth Eva Leach and Anna Whitelock, The Arts and Humanities Research Council for funding this research, Royal Holloway Music Department for conference grants, My proofreaders, Holly Winterton, Sarah Beal, Janet McKnight and my Mum, My parents and my fiancé, Chris Wedge, for moral support and encouragement. Declaration of Authorship I, Katherine Butler, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 Abstract In their Cantiones sacrae (1575), court musicians William Byrd and Thomas Tallis declared that ‘music is indispensable to the state’ (necessarium reipub.). Yet although the relationship between Elizabethan politics and literature has been studied often, there has been little research into the political functions of music. Most accounts of court music consist of documentary research into the personnel, institutions and performance occasions, and generally assume that music’s functions were limited to entertainment and displays of magnificence. However, Elizabethans believed that musical concord promoted a social harmony that would ease the process of government; hence politics and music were seen as closely connected. This thesis is an interdisciplinary investigation into the role of music in constructing royal and courtly identities and influencing Elizabeth’s policies and patronage. -
The Purpose of This Thesis Is to Trace Lady Katherine Grey's Family from Princess Mary Tudor to Algernon Seymour a Threefold A
ABSTRACT THE FAMILY OF LADY KATHERINE GREY 1509-1750 by Nancy Louise Ferrand The purpose of this thesis is to trace Lady Katherine Grey‘s family from Princess Mary Tudor to Algernon Seymour and to discuss aspects of their relationship toward the hereditary descent of the English crown. A threefold approach was employed: an examination of their personalities and careers, an investigation of their relationship to the succession problem. and an attempt to draw those elements together and to evaluate their importance in regard to the succession of the crown. The State Papers. chronicles. diaries, and the foreign correspondence of ambassadors constituted the most important sources drawn upon in this study. The study revealed that. according to English tradition, no woman from the royal family could marry a foreign prince and expect her descendants to claim the crown. Henry VIII realized this point when he excluded his sister Margaret from his will, as she had married James IV of Scotland and the Earl of Angus. At the same time he designated that the children of his younger sister Mary Nancy Louise Ferrand should inherit the crown if he left no heirs. Thus, legally had there been strong sentiment expressed for any of Katherine Grey's sons or descendants, they, instead of the Stuarts. could possibly have become Kings of England upon the basis of Henry VIII's and Edward VI's wills. That they were English rather than Scotch also enhanced their claims. THE FAMILY OF LADY KATHERINE GREY 1509-1750 BY Nancy Louise Ferrand A THESIS Submitted to Michigan State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Department of History 1964 ACKNOWLEDGMENTS I am indebted to Dr. -
Crown of Blood.Indd
CONTENTS List of Illustrations. ix Genealogical Tables . xi Timeline . xiv Author’s Note . .xvi Introduction . xvii Prologue. xxiii Chapter 1: A Time to be Born and a Time to Die . 1 Chapter 2: Rejoiced All True Hearts . 19 Chapter 3: Anyone More Deserving of Respect . 36 Chapter 4: Th e Imperial Crown. 51 Chapter 5: A Loving and Kind Father. 60 Chapter 6: A Second Court of Right . 69 Chapter 7: Ruled and Framed Towards Virtue . 77 Chapter 8: She Did Never Love Her Aft er . 88 Chapter 9: I Th ink Myself in Hell . 98 Chapter 10: Godly Instruction. 118 Chapter 11: A Comely, Virtuous and Goodly Gentleman . 126 Chapter 12: Th e First Act of a Tragedy . 135 Chapter 13: Long Live the Queen!. 154 Chapter 14: Falsely Styled Queen . 169 Chapter 15: Jana Non Regina . 181 vii CCrownrown ooff BBlood.inddlood.indd vviiii 112/09/20162/09/2016 114:27:114:27:11 CROWN OF BLOOD Chapter 16: Shut Up in the Tower . 190 Chapter 17: Jane of Suff olk Deserved Death . 200 Chapter 18: Justice is an Excellent Virtue. 215 Chapter 19: Fear Not for Any Pain . 230 Chapter 20: Liberty of the Tower. 237 Chapter 21: Th e Permanent Ruin of the Ancient House of Grey 248 Chapter 22: Bound by Indissoluble Ties. 259 Chapter 23: I am Come Hither to Die. 270 Chapter 24: God and Posterity Will Show Me Favour . 280 Epilogue . 291 Appendix 1: Th e Queen Without a Face: Portraits of Lady Jane Grey . 296 Appendix 2: Jane’s Debate with Dr John Feckenham. -
Tudors: the History of England from Henry Viii to Elizabeth I Pdf, Epub, Ebook
TUDORS: THE HISTORY OF ENGLAND FROM HENRY VIII TO ELIZABETH I PDF, EPUB, EBOOK Peter Ackroyd | 507 pages | 08 Oct 2013 | Thomas Dunne Books | 9781250003621 | English | United States Tudors: The History of England from Henry VIII to Elizabeth I PDF Book They tie up the dynastic wars of the heirs of Edward Iii in fifteenth century into such a neat little bow. Often this theme is explored through the city's artists, and especially its writers. The JP duties involved a great deal of paperwork — primarily in Latin — and attracted a surprisingly strong cast of candidates. Tudor Rose Uncrowned. May 30, Diana rated it really liked it Shelves: re-read , history-read , read-in Although Henry was only in his mids, his health deteriorated rapidly in Edward's Privy Council kept his death secret for three days to install Lady Jane, but Northumberland had neglected to take control of Princess Mary. Bindoff, "A Kingdom at Stake, Although the marriage made sense in terms of foreign policy, Henry was still enraged and offended by the match. Nevertheless, I did not enjoy Tudors to the same degree as I did the first volume, because Ackroyd jumps right into the action with his initial chapter instead of explaining his approach to the topic, his selection of data and his focus. Elton, Reform and Reformation: England, — pp — Henry died on 28 January The day-to-day business of government was in the hands of several dozen justices of the peace JP. The rivals. The second time around, I enjoyed it about the same. A revision of the Book of Common Prayer was published in Thankfully the crisis passed and Elizabeth recovered. -
A Tudor Princess at 4 Tudor Courts
A TUDOR PRINCESS AT FOUR TUDOR COURTS In April 1530 Henry VIII’s ordered dress from the Great Wardrobe for ‘our niece’, Lady Margaret Douglas, to welcome her arrival at court. The fourteen-year old princess was destined to be a player in key events over four Tudor reigns. Her youthful romances would see her caught up in the fall of two of Henry’s queens, she would be arrested at least four times, imprisoned in the Tower twice, and plot - ultimately successfully -for her heirs to inherit queen Elizabeth’s throne. In Margaret’s will of 1578, she still remembered her uncle fondly, listing a picture of Henry amongst her treasured possessions. Yet until I rescued her story from obscurity in Tudor: The Family Story, her dramatic life and dynastic significance was obscured by the story of a quarrel between them that never was. I am the historian Leanda de Lisle, uncovering the Tudors and Stuarts behind the myths Margaret Douglas was the child of Henry’s elder sister, Margaret Tudor, Queen of Scots, by her second husband Archibald Douglas, Earl of Angus. As such she was third in line to the English throne in 1530, following her elder half-brother, the sixteen-year-old James V of Scots, and Henry’s daughter, Mary Tudor, who was four months younger than she. Her parents’ unhappy marriage had been annulled in 1527 and a year later, when her father was anxious to flee the stepson who hated him, and needed free passage to England, he had kidnapped Margaret and sent her to Henry as a good will gesture. -
Bartonlibrarycatalogue SEPT 2016
ABBEY Anne Merton Kathryn in the Court of Six Queens Date of Publication: 1989 Paperback Synopsis: 1502-47: The daughter of an illegitimate son of Edward IV is a lady-in-waiting to Henry VIII’s wives and discovers the truth about the disappearance of the Princes. ABBEY Margaret Trilogy about Catherine Newberry:- Brothers-in-Arms Date of Publication: 1973 Hardback Synopsis: Catherine seeks revenge on Edward IV, Clarence and Gloucester for the execution of her father after the battle of Tewkesbury The Heart is a Traitor Date of Publication: 1978 Hardback Synopsis: Summer 1483: Catherine’s struggle to reconcile her love for Richard with her love for her husband and family Blood of the Boar Date of Publication: 1979 Hardback Synopsis: Catherine lives through the tragedies and treacheries of 1484-85 ABBEY Margaret The Crowned Boar Date of Publication: 1971 Hardback Synopsis: 1479-83: love story of a knight in the service of the Duke of Gloucester ABBEY Margaret The Son of York Date of Publication: 1972 Paperback Paperback edition of ‘The Crowned Boar’ ABBEY Margaret The Warwick Heiress Date of Publication: 1970 Hardback Date of Publication: 1971 Paperback Synopsis: 1469-71: love story of a groom in the Household of the Duke of Gloucester and a ward of the Earl of Warwick ALLISON-WILLIAMS Jean Cry ‘God for Richard’ Date of Publication: 1981 Hardback Synopsis: 1470-85: Richard’s story told by Francis Lovell and his sister Lady Elinor Lovell, mother of John of Gloucester ALLISON-WILLIAMS Jean Mistress of the Tabard Date of Publication: 1984 Hardback Synopsis: 1471: inn keeper’s daughter , Sir John Crosby’s niece, meets Richard of Gloucester, has an affair with Buckingham and helps find Anne Neville ALMEDINGEN E.M. -
The Male Body and Adornment in Early Modern England
Bejewelled: the male body and adornment in early modern England Natasha Awais-Dean Submitted for the degree of PhD Queen Mary, University of London October 2012 1 Queen Mary, University of London The British Museum Bejewelled: the male body and adornment in early modern England This thesis investigates the significance of the jewellery that was worn, owned, and circulated by men within sixteenth- and early seventeenth-century England, to provide a social and historical context for objects that are often viewed in terms of their materiality. Within the period 1509-1625 male consumption of jewellery was just as great as female consumption, yet jewellery has traditionally been considered a feminine preoccupation. This thesis readdresses this imbalance and in doing so aligns itself with the growing studies on masculinity, community, and sociability. Traditionally, studies on jewellery have adopted a more chronological or stylistic approach but there is now evidence of movement towards providing a social context for these objects and this thesis is a part of this development. In the early modern period jewellery was not valued purely for its intrinsic monetary worth; it had the ability to reflect meanings of magnificence and lineage, as well as sustain social bonds and networks of reciprocity. The myriad meanings of a man’s jewelled possessions demonstrate that jewellery was important and therefore constituted a valid part of a society’s material culture. This thesis centres on the collections of early modern European jewellery within the department of Prehistory and Europe at the British Museum. It is interdisciplinary in nature and combines strong object analysis with evidence from documentary, literary, archival, and visual sources, to provide a new context for these holdings. -
Hidden from History the Representation of Marginalized Figures in Historical Novels by Elizabeth Fremantle, Susan Fletcher and Colson Whitehead
Hidden from History The Representation of Marginalized Figures in Historical Novels by Elizabeth Fremantle, Susan Fletcher and Colson Whitehead Ritgerð til MA-prófs í enskukennslu Anna Marie Fennefoss Nielsen Maí 2019 University of Iceland School of Humanities Department of English Hidden from History The Representation of Marginalized Figures in Historical Novels by Elizabeth Fremantle, Susan Fletcher and Colson Whitehead M.A. Essay in English Teaching Anna Marie Fennefoss Nielsen Kt.: 060790-2059 Supervisor: Dr. Ingibjörg Ágústsdóttir May 2019 Acknowledgements Writing this thesis has been a long and demanding process and at the same time it has been incredibly rewarding. I truly feel that this experience has taught me a great deal and I have learned to trust my instincts, to be organized and to push myself further than I ever thought possible. The completion of my master’s thesis is an important milestone in my life and it is my biggest academic achievement to date. While I did my writing, I delved into the lives of Tudor women, accused witches and African American slaves. Their stories continue to inspire me and the novels I covered in my thesis will always have a special place in my heart. I would like to thank my parents, especially my mother Þórkatla who provided me with financial support so that I could take time off from work and focus on the task at hand. My family and friends have been extremely understanding and supportive through this whole process, even though I became somewhat of a social recluse for past few months. Specifically, I would like to thank Bryndís who is one of my oldest and dearest friends. -
Brandeston and Kettleburgh Parish News December 2017
BRANDESTON AND KETTLEBURGH PARISH NEWS DECEMBER 2017 1 From The Reverend Canon Richard Ginn Here comes Christmas! At Christmas we celebrate. We celebrate that God reaches out to us. We celebrate by reaching out to others. Jesus came, as a baby, and changed the possibilities of life and living. Jesus teaches that life has to be based on love. Without love, there is only emptiness. At Christmas, there are so many gatherings. We have to be generous. We can include those who may be left out. At the darkest time of the year we remember that Jesus is announced as the Light of the World. In this age of confusion, violence, and distress we remember that Jesus comes to show that there is a better way. God still reaches out to us - in hope, love, and peace. We have lots of local church services for Christmas. Please come. If anyone is unwell and wishes to receive communion at home to affirm the companionship of God at this time, please ask. On behalf of all your local volunteer ministers and churchwardens, a very happy Christmas to you all. IMPORTANT NOTICE To arrange a Funeral, Wedding, or Baptism after July 16th contact your Churchwarden. Brandeston Mary Baker 685807 or Alison Molyneaux 685244 Easton Jane Woodbury Eggins 746667 Kettleburgh John Bater 723532 For pastoral emergencies ONLY please contact: The Rural Dean The Revd Mark Sanders [email protected] Tel 768875 2 All Saints’ Church, Brandeston – Giving Thank you! Thank you! Thank you! Thank you to members of the Church Electoral Roll who have recently made a regular commitment in the form of a donation on a monthly, quarterly or annual basis. -
English Aristocratic Women and the Fabric of Piety, 1450-1550 Gendering the Late Medieval and Early Modern World
GENDERING THE LATE MEDIEVAL AND EARLY MODERN WORLD Harris and the Fabric of 1450-1550 and Piety, the Fabric English Aristocratic Women Barbara J. Harris English Aristocratic Women and the Fabric of Piety, 1450-1550 English Aristocratic Women and the Fabric of Piety, 1450-1550 Gendering the Late Medieval and Early Modern World Series editors: James Daybell (Chair), Victoria E. Burke, Svante Norrhem, and Merry Wiesner-Hanks This series provides a forum for studies that investigate women, gender, and/ or sexuality in the late medieval and early modern world. The editors invite proposals for book-length studies of an interdisciplinary nature, including, but not exclusively, from the fields of history, literature, art and architectural history, and visual and material culture. Consideration will be given to both monographs and collections of essays. Chronologically, we welcome studies that look at the period between 1400 and 1700, with a focus on any part of the world, as well as comparative and global works. We invite proposals including, but not limited to, the following broad themes: methodologies, theories and meanings of gender; gender, power and political culture; monarchs, courts and power; constructions of femininity and masculinity; gift-giving, diplomacy and the politics of exchange; gender and the politics of early modern archives; gender and architectural spaces (courts, salons, household); consumption and material culture; objects and gendered power; women’s writing; gendered patronage and power; gendered activities, behaviours, rituals and fashions. Books in the series: Gendered Temporalities in the Early Modern World English Aristocratic Women’s Religious Patronage, 1450-1550: The Fabric of Piety Chivalry, Reading, and Women’s Culture in Early Modern Spain: From Amadís de Gaula to Don Quixote English Aristocratic Women and the Fabric of Piety, 1450-1550 English Aristocratic Women and the Fabric of Piety, 1450-1550 Barbara J. -
Women of the Tudor Court, 1501-1568
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1989 Women of the Tudor court, 1501-1568 Carol De Witte Bowles Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Courts Commons, European History Commons, and the Women's Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Bowles, Carol De Witte, "Women of the Tudor court, 1501-1568" (1989). Dissertations and Theses. Paper 3874. https://doi.org/10.15760/etd.5759 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Carol De Witte Bowles for the Master of Arts in History presented May 11, 1989. Title: Women of the Tudor Court, 1501-1568 APPROVED BY MEMBERS OF THE THESIS COMMITTEE: Ann Weikel Susan Karant-Nunn \."· Charles LeGuin Marjorie Writing the history of Tudor women is a difficult task. "Women's lives from the 16th century can rarely be constructed except when these women have had influential connections with notable men. 11 1 This is no less true for 1Minna F. Weinstein, "Reconstructing Our Past: Reflections on Tudor Women," International Journal of Women's Studies 1 (1978), p. 133. 2 the court women of Tudor England than for other women of the time. The purpose of this thesis is to discuss some of the more memorable court women of Tudor England who served the queens of Henry VIII, Mary I, and Elizabeth I, 2 and to determine what impact, if any, they had on their contemporary times and to evaluate their roles in Tudor history. -
My Dere Chylde Take Hede How Trystram Doo You Tell”: Hunting in English Literature, 1486-1603
“My dere chylde take hede how Trystram doo you tell”: Hunting in English Literature, 1486-1603 Dissertation Presented in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Graduate School of The Ohio State University By Erin Katherine Kelly, M.A. Graduate Program in English The Ohio State University 2013 Dissertation Committee: Luke Wilson, Advisor John N. King Richard Dutton Christopher Highley Copyright by Erin Katherine Kelly 2013 Abstract Hunting was a widely known and practiced pastime in early modern England. Aristocratic hunting was a complex practice that required knowledge of specific procedures and vocabulary, regardless of the prey being pursued. As such, hunting was an assertion of status in society and of one’s identity as a human, dominant over the animal kingdom. My dissertation examines the practice of the hunt in Tudor literature, expanding the chronological and generic focus of previous work. I argue that when early modern English authors cite hunting in their text, or structure a text around an incident or trope of hunting, they are doing so in an attempt to assert a kind of status for themselves, their text, their argument. I focus on moments where the hunt is traditionally and conventionally used as a trope: in a retreat to the country from the city or court, in religious satire, in the love chase, and in progress entertainments. My methodology is to expand on these traditional tropes, demonstrating how the author subtly uses the language and procedures of the practice of the hunt in order to assert his status. These authors go beyond simple metaphors or allegories, using what was a widely known and practiced pastime to their rhetorical advantage.