2020 MAP Please Visit Stormking.Org 86

Total Page:16

File Type:pdf, Size:1020Kb

2020 MAP Please Visit Stormking.Org 86 Route 32 Route 32 ¼ mile ½ mile 3/4 mile 1 mile 1¼ miles 0 miles 5-minute walk 10-minute walk 15-minute walk 20-minute walk 25-minute walk M oo R dna C out 58C MU 13 reek e 32 SE E UM 15 reek Trail H oodna C 8 37 33 IL M 3 58 S L 17 2 45 D E 4 42C N T ILL DETA A 16 M H IL I 10 14 EU ail L S Mo Creek Tr W 52 U odna 50 24 M 90 58B E 40 51 53 E 68 27 S 42B 47 42A 82 55 56 23 91 30 26 18 12 42 54 6 19 9 84 46 21 89 32 7 22 20 65 MUSEUM BUILDING 49 83 29 43 63 57 48 11 5 MUSEUM 35 34 EAST 59 36 BUILDING - CLOSED 1 PARKING 80 31 NO PUBLIC 23 68 ACCESS 44 39 62 d 87 25 64 61 74 41 EAST PARKING 38 Museum Roa 88 28 NORTH 60 69 PARKING Al 79 lée Gord on Road 75 68 NO PUBLIC ACCESS Tompkins Road Tompkins O O 24 r ld Pleasa SOUTH r nt Hill Road M s PARKING o M EXIT 78 21 o i d l l s n a R 72 o 77 C a r d e 76 e k NO PUBLIC T ACCESS r a i l 73 81 70 71 68 Bunny Road 85 66 N O P U 67 B L IC A CC Welcome to Storm King ES S For information and updates, 2020 MAP please visit stormking.org 86 KEY New York State Thruway (I-87) ELEVATOR PICNIC AREA STORM KING ROADWAYS CoachUSA WATER FOUNTAIN TOILETS EXTERNAL ROADWAYS MEADOWS VENDING MACHINE VENDING MACHINE PARKING AUDIO GUIDE PAVED PATH 60 63 60 ALEXANDER CALDER SHUTTLE - SALISBURY MILLS– The Arch, 1975 BIKE RENTALS CORNWALL PARKING PICKUP UNPAVED PATH Text STORM to 56512 to access Storm King’s audio guide. Take 61 ROBERT GROSVENOR Untitled, 1970 SHUTTLE - BEACON TRAIN a self-guided tour or learn more about select works on view and OUTDOOR CAFÉ STATION PICKUP 62 ALEXANDER LIBERMAN special exhibitions. Artworks with audio descriptions are indicated CoachUSA Adonai, 1970– 71 Water Fountain Storm King Roadways below and on the grounds with the headphone icon. (refabricated 2000) Coach USA 64 65 SIGNAGE & INSTRUCTIONS 63 ALEXANDER LIBERMAN CoachUSA Iliad, 1974– 76 Vending Machine External Roadways NO SCOOTERS, PICNIC AWAY 64 DAVID VON SCHLEGELL DO NOT TOUCH SKATEBOARDS, OR Untitled, 1972 FROM SCULPTURES ARTWORK PERSONAL BIKES Picnic Area PavedCoach Path USA 65 TAL STREETER NO BALL PLAYING, Endless Column, 1968 DO NOT CLIMB Toilets FLYING DISCS,Unpaved OR Path SHIRTS REQUIRED ON ARTWORK AUDIBLE MUSIC CHILDREN MUST BE MUSEUM HILL SOUTH FIELDS NO SMOKING SUPERVISED BY AN CoachUSANO DRONES 77 MARK DI SUVERO NO VAPING ADULT AT ALL TIMES 28 36 RICHARD HUNT 49 DAVID SMITH Coach USA 31 Expansive Construction, 1974 Becca, 1964 66 78 Neruda’s Gate, 2005 NO COMMERCIAL *Storm King allows trained ADA service 37 SOL LEWITT 50 DAVID SMITH 78 MARK DI SUVERO NO PETS* animals only. Storm King does not allow Pyramidian, 1987/1998 PHOTOGRAPHY emotional support or comfort animals. Five Modular Units, 1971 Personage of May, 1957 (refabricated 2008) 51 DAVID SMITH 79 MARK DI SUVERO 38 HENRY MOORE Portrait of a Lady Painter, She, 1977-78 CoachUSA Reclining Connected Forms, 1969 1954/1956–57 80 ANDY GOLDSWORTHY 40 47 39 LOUISE NEVELSON 52 DAVID SMITH 81 83 Five Men, Seventeen Days, NORTH WOODS City on the High Mountain, 1983 Study in Arcs, 1957 Fifteen Boulders, One Wall, 2010 40 ISAMU NOGUCHI 53 DAVID SMITH 81 ANDY GOLDSWORTHY 4 CHAKAIA BOOKER 17 ROBERT MURRAY Momo Taro, 1977–78 The Sitting Printer, 1954–55 Storm King Wall, 1997–98 1 3 A Moment in Time, 2004 Kiana, 1978 41 CLAES OLDENBURG AND 54 DAVID SMITH 82 GIL HAWKINS COOSJE VAN BRUGGEN Three Ovals Soar, 1960 Ex, 1971 (refabricated 2020) 5 LOUISE BOURGEOIS 18 KARL PFANN 28 LYNDA BENGLIS Eyes, 2001 Trinity, 1960 Wayside Drainpipe, 1979 North South East West, 55 DAVID SMITH 66 MAGDALENA ABAKANOWICZ 83 ZHANG HUAN 6 MANUEL BROMBERG 19 JOSEF PILLHOFER 1988/2009/2014–15 42 NAM JUNE PAIK Volton XX, 1963 Sarcophagi in Glass Houses, 1989 Three Legged Buddha, 2007 Waiting for UFO, 1992 Catskill, 1968 Man in the Quarry 29 MAX BILL 67 RONALD BLADEN 84 MENASHE KADISHMAN (Mann in Steinbruch), 1960 (42A, 42B, 42C) 56 DAVID SMITH 7 GEORGE CUTTS Unit of Three Equal Volumes, 1965 XI Books III Apples, 1959 Untitled (Three Elements), 1965 Eight Positive Trees, 1977 (fabricated 1966-67) 4 7 Sea Change, 1996 20 GEORGE RICKEY 43 JOSEF PILLHOFER 30 ALEXANDER CALDER Reclining Man (Liegender Mann), 57 KENNETH SNELSON 85 ROY LICHTENSTEIN Five Open Squares Black Flag, 1974 68 DAVID BROOKS Mermaid, 1994 8 MARK DI SUVERO Gyratory Gyratory, 1981 1964 Free Ride Home, 1974 Mahatma, 1978– 79 Permanent Field Observations, 2018 31 ALEXANDER CALDER 44 ARNALDO POMODORO 58 RICHARD STANKIEWICZ 86 MAYA LIN 21 GEORGE RICKEY Five Swords, 1976 69 MARK DION Storm King Wavefield, 2007–08 9 ADOLPH GOTTLIEB Six Lines in a T, 1966– 79 The Pietrarubbia Group: il 1979-4, 1979 Petaloid, 1967–68 fondamento, l’uso, il rapporto, Storm King Environmental Field 32 ALEXANDER CALDER 59 FRITZ WOTRUBA Station, 2019 87 JOHN NEWMAN 22 GEORGE RICKEY Tripes, 1974 1975–76 Wit’s End, 1988–89 10 CHARLES GINNEVER Two Planes Vertical-Horizontal II, Man Walking, 1952 16 27 Fayette: For Charles and Medgar 45 URSULA VON RYDINGSVARD 70 MARK DI SUVERO 1970 33 ANTHONY CARO SPECIAL EXHIBITION: E=MC2, 1996–97 88 RICHARD SERRA Evers, 1979 Bitter Sky, 1983 For Paul, 1990-92/2001 Schunnemunk Fork, 1990–91 23 YERASSIMOS SKLAVOS Kiki Smith River Light 11 HANS HOKANSON 46 URSULA VON RYDINGSVARD 71 MARK DI SUVERO Les Yeux du Ciel 34 BARBARA HEPWORTH Figolu, 2005–11 89 JOEL SHAPIRO Helixikos Number 3, 1969 (Eyes of the Sky), 1964 Forms in Movement (Pavan), Luba, 2009–10 Untitled, 1994 12 ALFRED HRDLICKA 1956 (cast 1967) 47 ALYSON SHOTZ 72 MARK DI SUVERO 24 DAVID STOLTZ For Chris, 1991 90 ISAAC WITKIN Golgatha, 1963 Day Game, 1972 35 BARBARA HEPWORTH Mirror Fence, 2003 Masai, 1969 1 SIAH ARMAJANI (refabricated 2014) 13 PATRICIA JOHANSON Square Forms with Circles, 1963 73 MARK DI SUVERO Gazebo for Two Anarchists: 25 GEORGE SUGARMAN Frog Legs, 2002 91 ISAAC WITKIN Gabriella Antolini and Nostoc II, 1975 One, 1975–77 48 CHARLES SIMONDS Reunion, 1969 Alberto Antolini, 1992 Dwellings, 1981 14 MENASHE KADISHMAN 74 MARK DI SUVERO 26 UNKNOWN Mon Père, Mon Père, 1973–75 SPECIAL EXHIBITION: 2 ALICE AYCOCK Suspended, 1977 Easter Island Head Outlooks: Martha Tuttle Low Building with Dirt Roof (for Mary), 15 LYMAN KIPP (reproduction), 1970 75 MARK DI SUVERO 1973/2010 Mother Peace, 1969–70 Lockport, 1977 27 MIA WESTERLUND ROOSEN MUSEUM GALLERIES - CLOSED 3 ALICE AYCOCK 16 ALEXANDER LIBERMAN Muro Series X, 1979 76 MARK DI SUVERO Three-Fold Manifestation II, Mozart’s Birthday, 1989 1987 (refabricated 2006) Adam, 1970 Map is correct at time of printing. Sculptures are frequently added, moved, or removed. Please consult Visitor Services Staff for current locations. Storm King Art Center ©2020. Storm King Art Center is a public 501(c)(3) nonprofit institution. V. 2.
Recommended publications
  • 24 68 58 58C 42
    Route 32 Route 32 ¼ mile ½ mile 3/4 mile 1 mile 1¼ miles 0 miles 5-minute walk 10-minute walk 15-minute walk 20-minute walk 25-minute walk Moo dna Rou 12 Creek te 32 M 58C USE 14 E U na Creek Trail 32 M Mood 8 37 60 H 3 2 S IL L 4 42C 46 D ILL DETA N E M H IL T 9 16 U ail A 13 SE Moodna Creek Tr U 54 IL 24 M W 53 E E 58B 26 S 42B 52 55 48 42A 86 40 68 23 57 58 25 18 11 15 10 88 30 6 19 42 56 21 93 47 7 22 20 67 MUSEUM BUILDING 31 59 87 65 29 44 50 5 49 51 35 34 EAST 84 MUSEUM BUILDING 1 PARKING 33 NO PUBLIC E3 70 36 ACCESS d 64 a 91 23 17 o 66 72 45 39 R 73 78 m 63 u 61 se EAST u 41 M 92 PARKING 38 NORTH 62 71 43 28 PARKING A 83 ll ée 27 Gord on Road 70 NO PUBLIC 79 ACCESS Tompkins Road Tompkins O O r ld Pleasa SOUTH r nt Hill Road M s PARKING o M EXIT 82 24 o i d l l s n a R 76 o 81 21 C a r d e 80 e k NO PUBLIC T ACCESS r a i l 77 85 KEY TRAM 74 Trams are available to help you get around the ELEVATOR PICNIC AREA 70 Art Center.
    [Show full text]
  • BACKGROUNDER Storm King Art Center, Widely Celebrated As One Of
    BACKGROUNDER Storm King Art Center, widely celebrated as one of the world’s leading sculpture parks, has welcomed visitors from around the world for over fifty years. Located about an hour north of the George Washington Bridge, in New York State’s Hudson Valley, Storm King encompasses over 500 acres of open fields, rolling hills, and woodlands, with a backdrop of Storm King and Schunnemunk Mountains. These provide the setting for a collection of more than 100 sculptures by some of the most acclaimed artists of our time, spanning the years from post-World War II to the present and including a number of specially commissioned site-specific works. Storm King offers a unique and memorable experience with every season, as changing light and weather conditions transform both the grounds and the sculpture. Among the artists whose work is on permanent view are Alexander Calder, Andy Goldsworthy, Zhang Huan, Maya Lin, Louise Nevelson, Isamu Noguchi, Claes Oldenburg, Nam June Paik, Ursula von Rydingsvard, Richard Serra, David Smith, and Mark di Suvero. Special Exhibitions and Programs Storm King complements its permanent display with special exhibitions and installations. These may comprise large-scale sculptures sited in outdoor “galleries” defined by sky and landscape, or smaller works and supporting materials shown in Storm King’s Museum Building. Exhibitions include loans from artists, private collectors, galleries, and museums, as well as works from the permanent collection. For the 2016 season, Storm King is presenting Dennis Oppenheim: Terrestrial Studio, tracing the artist’s lifelong engagement with outdoor space, along with Outlooks: Josephine Halvorson, which will combine painting and sculpture in the artist’s first-ever outdoor project.
    [Show full text]
  • STORM KING ART CENTER RECEIVES GIFT of JOEL SHAPIRO SCULPTURE Sony Corporation of America Donates 21-Foot-Tall Untitled Work
    STORM KING ART CENTER RECEIVES GIFT OF JOEL SHAPIRO SCULPTURE Sony Corporation of America Donates 21-Foot-Tall Untitled Work from 1994 to Storm King’s Collection Joel Shapiro’s Untitled Sculpture from 1994 has been donated by Sony Corporation of America to Storm King Art Center. Mountainville, NY, April 19, 2016—Storm King Art Center is delighted to add Joel Shapiro’s 21-foot-tall Untitled (1994) sculpture to its collection, through a generous gift from Sony Corporation of America (SCA). The abstract sculpture is composed of five diagonal bronze beams with allusions to the figurative. Originally commissioned by SCA, the sculpture has been on view in the lobby of SCA’s former headquarters at 550 Madison Avenue since 1995. SCA recently moved its headquarters to 25 Madison Avenue in New York. The work will be installed in Storm King’s South Fields in advance of the Art Center’s May 14 exhibition openings. Shapiro’s minimalist sculpture activates the space it inhabits and invites viewers to experience the sculpture from all angles. The form of the sculpture is inspired by that of a walking man, and exemplifies Shapiro’s interest in movement. At the time it was commissioned, the sculpture was the largest work the artist had ever created. Untitled (1994) is the first work by Joel Shapiro in Storm King’s collection. Storm King previously presented work by Shapiro in 1987 as part of the exhibition The Re-emergent Figure: Seven Sculptors at Storm King Art Center. John Stern, President of Storm King, says, “This is a remarkable gift from Sony Corporation of America.
    [Show full text]
  • DONALD JUDD Born 1928 in Excelsior Springs, Missouri
    This document was updated January 6, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. DONALD JUDD Born 1928 in Excelsior Springs, Missouri. Died 1994 in New York City. SOLO EXHIBITIONS 1957 Don Judd, Panoras Gallery, New York, NY, June 24 – July 6, 1957. 1963–1964 Don Judd, Green Gallery, New York, NY, December 17, 1963 – January 11, 1964. 1966 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, February 5 – March 2, 1966. Donald Judd Visiting Artist, Hopkins Center Art Galleries, Dartmouth College, Hanover, NH, July 16 – August 9, 1966. 1968 Don Judd, The Whitney Museum of American Art, New York, NY, February 26 – March 24, 1968 [catalogue]. Don Judd, Irving Blum Gallery, Los Angeles, CA, May 7 – June 1, 1968. 1969 Don Judd, Leo Castelli Gallery, 4 East 77th Street, New York, NY, January 4 – 25, 1969. Don Judd: Structures, Galerie Ileana Sonnabend, Paris, France, May 6 – 29, 1969. New Works, Galerie Bischofberger, Zürich, Switzerland, May – June 1969. Don Judd, Galerie Rudolf Zwirner, Cologne, Germany, June 4 – 30, 1969. Donald Judd, Irving Blum Gallery, Los Angeles, CA, September 16 – November 1, 1969. 1970 Don Judd, Stedelijk Van Abbemuseum, Eindhoven, The Netherlands, January 16 – March 1, 1970; traveled to Folkwang Museum, Essen, Germany, April 11 – May 10, 1970; Kunstverein Hannover, Germany, June 20 – August 2, 1970; and Whitechapel Art Gallery, London, United Kingdom, September 29 – November 1, 1970 [catalogue]. Don Judd, The Helman Gallery, St. Louis, MO, April 3 – 29, 1970. Don Judd, Leo Castelli Gallery, 4 East 77th Street, and 108th Street Warehouse, New York, NY, April 11 – May 9, 1970.
    [Show full text]
  • View the Midsummer Party 2019 Invitation
    JULY 13, 2019 SCHEDULE 6:30 PM Cocktails 7:30 PM Dinner on the Mildred C. Brinn Terrace HONOREES Maya Lin 9:00 PM Live Auction Louise and Leonard Riggio 10:00 PM Late Night Party Dancing, Drinks, and Dessert CO-CHAIRS with music by DJ Alice Longyu Gao Deborah F. Bancroft Preston T. Phillips SPECIAL EXHIBITIONS Thomas Joshua Cooper: Refuge HOST COMMITTEE Mary and Howard S. Frank Renate Aller: The Space Between Memory and Expectation Laura Lofaro Freeman and James L. Freeman Jean-Luc Mylayne: A Matter of Place Chad A. Leat Denise LeFrak Christina and Alan MacDonald FUNDS RAISED AT THE MIDSUMMER PARTY Sandy and Stephen Perlbinder SUPPORT THE MUSEUM’S EXHIBITIONS, Frederic M. Seegal Marcia Dunn Sobel PUBLICATIONS, AND PROGRAMS. Joey Wölffer LATE NIGHT PARTY CHAIR Visit parrishart.org/midsummerparty2019 Larry Milstein CLICK HERE FOR TICKETS ARTISTS Renate Aller Valerie Jaudon Alfonso Ossorio Alice Aycock Lester Johnson Yigal Ozeri ON VIEW Reynolds Beal Richard Kalina Charlotte Park Charles Bell Matsumi “Mike” Kanemitsu Fairfield Porter Tom Blackwell Ron Kleemann James Rosenquist Norman Bluhm Elaine de Kooning David Salle James Brooks Willem de Kooning Leon Polk Smith Louisa Chase Lee Krasner Saul Steinberg William Merritt Chase Laurie Lambrecht Donald Sultan Thomas Joshua Cooper Roy Lichtenstein Andy Warhol Lydia Field Emmet Maya Lin Tom Wesselmann Jimmy Ernst Fred W. McDarrah Joe Zucker Richard Estes Bertrand Meniel Gary Falk Zella de Milhau Audrey Flack Candace Hill Montgomery Arthur Burdett Frost Robert Motherwell Margaret Garrett Jean-Luc Mylayne Mike Goldberg Louise Nevelson Frederick Hammersley Dennis Oppenheim ABOUT MAYA LIN Maya Lin’s acclaimed work encompasses large-scale environmental installations, intimate studio artworks, architectural projects, and memorials.
    [Show full text]
  • Manyhappyreturns
    W16 | Friday - Sunday, July 17 - 19, 2015 THE WALL STREET JOURNAL. GEAR & GADGETS W5 W14 Reality Bikes STYLE |TRAVEL |FOOD |DRINK |DESIGN |GEAR|PROPERTY |CULTURE |SPORTS Friday - Sunday, July 17 - 19, 2015 WSJ.com/life Manywho undertakearduous amateur racesgiveupeverything to prepare. One man bucks the trend RF SECOND SIGHT BY JOHN W. MILLER Aspen in fall and summer MOMENT / CERTAIN AMATEUR BIKE RACES attractspecific GES types of riders. Take cyclosportives,competi- IMA tiverides over the same terrain as raceslikethe GETTY Tour de Francecourse.Maybe it’sthe expense / of traveling to Europe during the high season, V when the most popular cyclosportives areheld. SNO Maybe it’sthe notorious difficulty of the rides, PO which canspan 160 kilometers. Whatever the GES; reason, the typical rider is amoneyed weekend IMA warrior—someone with the time and financial GETTY means to invest in asophisticated training regi- / men, not to mention afive-figurebike. HOEN In other words, not me. SC KIPP , Iwas up forthe challenge,but I LEFT OM wasn’tgoing to blowupmy FR savings account or my social life Nevertheless, ayear ago, my former boss andcurrent cycling buddy,Peter Fritsch, pro- posedweride La Marmotte,one of the most famous and taxing cyclosportives.Itruns 174 kilometersthrough the rugged French Alps and culminates in aclimb to the legendaryAlpe d’Huez(elevation: 1,880 meters). ATour moun- tain stageusually calls forbetween 3,000 and 4,500metersoftotal climbing.LaMarmotte? Over 5,000.It’snot unusual forathirdofthe riderstogiveupbeforethe finish line. Iwas up forthe challenge, but on afew conditions: Iwasn’t going to blowupmysav- ingsaccount or my social life, hireacoach or calculatemyVO2 Max (oxygencapacity).
    [Show full text]
  • Richard Serra Born 1938 in San Francisco, California
    This document was updated March 4, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Richard Serra Born 1938 in San Francisco, California. Lives and works in New York and Nova Scotia, Canada. EDUCATION 1961 B.A., University of California, San Diego 1962 B.F.A., Yale University, New Haven 1964 M.F.A., Yale Univesity, New Haven SOLO EXHIBITIONS 2020 Richard Serra: Works on Paper, Berggruen Gallery, San Francisco (February 20-June 2020) 2019 Richard Serra | Finally Finished, David Klein Gallery, Birmingham, Michigan (November 2- December 21, 2019) Richard Serra: Composites, Gemini G.E.L. at Joni Moisant Weyl, New York (October 17, 2019- February 1, 2020) Richard Serra Drawings, Paul Coulon, London (September 26-November 15, 2019) Richard Serra: Forged Rounds, Gagosian Gallery (24th Street), New York (September 17- December 7, 2019) Richard Serra: Reverse Curve, Gagosian Gallery (21st Street), New York (September 17, 2019- February 1, 2020) Richard Serra: Triptychs and Diptychs, Gagosian Gallery (Madison Avenue), New York (September 16-November 2, 2019) Richard Serra: Equals, Hiram Butler Gallery, Houston (March 5-April 27, 2019) Richard Serra: 1985-1996, Krakow Witkin Gallery, Boston (January 5-February 9, 2019) 2018 Richard Serra: Equals, Gemini G.E.L. at Joni Moisant Weyl, New York (September 22- November 3, 2018) Richard Serra Drawings, David Zwirner, Hong Kong (May 23-June 30, 2018) Richard Serra: Rifts, Gagosian Gallery (Grosvenor Hill), London (April 6-May 25, 2018) Richard
    [Show full text]
  • The Art of the Real USA, 1948-1968 [By] E.C
    The art of the real USA, 1948-1968 [by] E.C. Goossen Author Goossen, E. C Date 1968 Publisher The Museum of Modern Art: Distributed by New York Graphic Society, Greenwich, Conn. Exhibition URL www.moma.org/calendar/exhibitions/1911 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art THE ART OF THE USA 1948-1968 THE ART OF THE REALUSA 1948-1968 E. C. GOOSSEN THE ART OF THE REALUSA 1948-1968 THE MUSEUM OF MODERN ART, NEW YORK DISTRIBUTED BY NEW YORK GRAPHIC SOCIETY LTD., GREENWICH, CONNECTICUT Trustees of The Museum of Modern Art Lenders to the Exhibition David Rockefeller, Chairman of the Board; Henry Allen Moe, William S. Lewis Cabot, Helen Webster Feeley, Hollis Frampton, Mr. and Mrs. Victor Paley, and John Hay Whitney, Vice Chairmen; Mrs. Bliss Parkinson, W. Ganz, Henry Geldzahler, Philip Johnson, Donald Judd, Ellsworth President; James Thrall Soby, Ralph F. Colin, and Gardner Cowles, Vice Kelly, Lyman Kipp, Alexander Liberman, Mrs. Barnett Newman, Kenneth Presidents; Willard C. Butcher, Treasurer; Walter Bareiss, Robert R. Noland, Georgia O'Keeffe, Raymond Parker, Betty Parsons, David M. Barker, Alfred H. Barr, Jr., Mrs. Robert Woods Bliss*, William A. M. Burden, Pincus, Steve Shapiro, Seth Siegelaub, Marie-Christophe Thurman, Sam Ivan Chermayeff, Mrs. W. Murray Crane*, John de Menil, Rene d'Harnon- uel J. Wagstaff, Jr., David Whitney, Donald Windham, Sanford Wurmfeld. court, Mrs. C. Douglas Dillon, Mrs.
    [Show full text]
  • RICHARD SERRA (B
    RICHARD SERRA (b. 1938) Richard Serra is an American sculptor best-known for his massive steel sculptures. He was born in San Francisco in 1938 and was largely influenced by his father’s work in shipyards and steel mills. Serra himself worked in steel mills after graduating from the University of California, Santa Barbara in 1961 with a B.A. in English Literature. He then studied painting at the Yale School of Art until 1964 before traveling to Paris and Florence. He now lives and works in New York. At the beginning of his career, Serra’s work consisted mainly of smaller sculptures made out of unconventional materials such as lead, neon, timber, rubber, and steel. His work was heavily process-based and the artist sometimes produced films, such as Hand Catching Lead (1968) of his creative process. Throughout the 1970s and 80s, Serra’s sculptures shifted towards large, self-supporting steel structures that tower over the viewer. His pieces often begin as smaller lead models, which are then actualized into forms of weathered steel. His constructions are minimalist in their yet material yet maximalist in their size, reaching heights of as much as 80 feet. Serra’s steel works are popular for site-specific commissions due to their ability to manipulate a large space and the public’s perception of it. He continues to produce these structures for locations all over the world. Serra has been featured in countless solo and group exhibitions both in the US and internationally, and his work is included in numerous collections of notable institutions such as the Solomon R.
    [Show full text]
  • Anglo-American Exchange in Postwar Sculpture, 1945–1975
    Anglo-American Exchange in Postwar Sculpture, 1945–1975 Rebecca Peabody, editor 1 Anglo-American Exchange in Postwar Sculpture, 1945–1975 Edited by Rebecca Peabody THE J. PAUL GETTY MUSEUM LOS ANGELES Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 2 © 2011 J. Paul Getty Trust Published by the J. Paul Getty Museum on www.gettypublications.org Getty Publications 1200 Getty Center Drive, Suite 500 Los Angeles, California 90049-1682 www.gettypublications.org Marina Belozerskaya, Editor Elizabeth Zozom, Production Coordinator Gary Hespenheide, Designer ISBN: 978-1-60606-069-8 Front cover: Barbara Hepworth, Figure for Landscape, 1960. Los Angeles, J. Paul Getty Museum. Gift of Fran and Ray Stark. © Bowness, Hepworth Estate Illustration credits Every effort has been made to contact the owners and photographers of objects reproduced here whose names do not appear in the captions or in the illustration credits. Anyone having further infor- mation concerning copyright holders is asked to contact Getty Publications so this information can be included in future printings. This publication may be downloaded and printed either in its entirety or as individual chapters. It may be reproduced, and copies distributed, for noncommercial, educational purposes only. Please properly attribute the material to its respective authors and artists. For any other uses, please refer to the J. Paul Getty Trust’s Terms of Use. Anglo-American Exchange in Postwar Sculpture, 1945–1975 (Getty, 2011) PROOF 1 2 3 4 5 6 3 Contents 4 Foreword Antonia Boström, Penelope Curtis, Andrew Perchuk, Jon Wood 6 Introduction: Trajectories in Sculpture Rebecca Peabody 9 Object Relations: Transatlantic Exchanges on Sculpture and Culture, 1945–1975 John C.
    [Show full text]
  • Lilit Marcus, “Escape to Storm King Art Center, Playground of Giants,” Architectural Digest, 21St September 2015
    Lilit Marcus, “Escape to Storm King Art Center, Playground of Giants,” Architectural Digest, 21st September 2015 Condé Nast Traveler heads to Storm King Art Center, just one hour north of New York City WHAT TO KNOW New York City has no shortage of art destinations, from behemoth institutions like the Metropolitan Museum of Art to smaller galleries in neighborhoods like the Lower East Side. But just an hour north of the city is Storm King Art Center, in the hamlet of New Windsor, New York. This 500-acre outdoor sculpture garden features enormous pieces from bold-faced names such as Alexander Calder, Maya Lin, Donald Judd, Richard Serra, and Louise Bourgeois. Against the stark, serene backdrop, you feel a bit like a Lilliputian walking among the relics of giants. Even if you're not an art lover, it's impossible not to be swept away by the beauty of it all—in the most surprising of places. Walk past a creek, for example, and you're suddenly face to face with a giant canoe painted by Roy Lichtenstein. WHY YOU SHOULD GO NOW Storm King's current exhibition—"Lynda Benglis: Water Sources" (through Nov. 8)—is a collection of dripping, oversized works by the Guggenheim Grant recipient. Born in Louisiana bayou country, Benglis grew up surrounded by lakes and marshes, and her artwork is drenched as a result; she creates many large-scale fountains, several of which are on display at Storm King. Benglis, an outspoken feminist, chose sculpture because it was a male-dominated field and experimented with materials such as latex and polyurethane foam before they were readily available.
    [Show full text]
  • Sol Lewitt Biography
    P A U L A C O O P E R G A L L E R Y SOL LEWITT Selected Biography Born: 1928, Hartford, CT Died: 2007, New York, NY Education: 1949, B.F.A., Syracuse University Selected One-Person Exhibitions: 2021 “Sol LeWitt: Eight Unit Cube (No. 7402),” Institute of Contemporary Art, Miami, FL (4/14/21— ongoing) 2020 “Sol LeWitt: Forms Derived from a Cube in Two and Three Dimension, and One Wall Work,” Krakow Witkin Gallery, Boston, MA (1/8 – 2/29/20) “Sol LeWitt,” Reykjavík Art Museum, Reykjavík, Iceland (2/15–5/24/20) 2019 “Sol LeWitt: Structures”, Massachusetts Museum of Contemporary Art, North Adams, MA (5/28/17 – 7/12/19) “Sol LeWitt: Lines, Forms, Volumes 1970s to Present,” Alfonso Artiaco, Napoli, Italy (9/10— 11/2/19) “Book as a System: The Artists’ Books of Sol LeWitt,” Printed Matter, New York, NY (6/28— 9/29/19) “One Wall, One Work,” Krakow Witkin Gallery, Boston, MA (3/30—5/4/19) “Sol LeWitt,” Perrotin, Shanghai, China (3/22—5/25/19) 2018 “Sol LeWitt: Large Gouaches,” Paula Cooper Gallery, New York, NY (11/3—12/15/18) “Sol LeWitt: Lines in All Directions,” Mignoni Gallery, New York, NY (11/1/18—2/9/19) “Black Cubes: Sol LeWitt,” The Modern Institute, Glaskow, Scotland (4/20—5/26/18) “By Hand: Sol LeWitt,” Mattatuck Museum, Waterbury, CT (4/8—6/10/18) “Sol LeWitt Wall Drawings: Expanding a Legacy," Yale University Art Gallery, New Haven, CT (3/2/18—1/27/19) “Sol LeWitt,” Honor Fraser Gallery, Los Angeles, CA (2/17—5/12/18) 2017 “Sol LeWitt Between the Lines,” Fondazione Carriero, Milan, Italy (11/17/17—6/23/18) “Sol LeWitt: Progression
    [Show full text]