CYCLADIC ART Athens – Andros
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Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014
Updated Tuesday, December 31, 2013 | 1:38:43 PM Last updated Tuesday, December 31, 2013 Updated Tuesday, December 31, 2013 | 1:38:43 PM National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 Heaven and Earth: Art of Byzantium from Greek Collections October 6, 2013 - March 2, 2014 To order publicity images: Publicity images are available only for those objects accompanied by a thumbnail image below. Please email [email protected] or fax (202) 789-3044 and designate your desired images, using the “File Name” on this list. Please include your name and contact information, press affiliation, deadline for receiving images, the date of publication, and a brief description of the kind of press coverage planned. Links to download the digital image files will be sent via e-mail. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. Important: The images displayed on this page are for reference only and are not to be reproduced in any media. Cat. No. 1A / File Name: 3514-117.jpg Statuette of Europa, 1st or early 2nd century marble height: 34.5 cm (13 9/16 in.) Archaeological Museum of Ancient Corinth Cat. No. 1B / File Name: 3514-118.jpg Head of Pan, 2nd century (?) marble height: 14.4 cm (5 11/16 in.) Archaeological Museum of Ancient Corinth Cat. -
Cyclades - Greece 7 Days Charter Itinerary Cyclades - Greece 2
Cyclades - Greece 7 days Charter Itinerary Cyclades - Greece 2 Tessaly Evia GREECE TURKEY North Aegean Attica Andros Piraeus Aegina Kea Tinos Poros Mykonos Kythnos Syros Delos Peloponnese Hydra Spetses Seriphos Aegean Sea Paros Naxos Sifnos Milos Schinoussa Kos Ios Santorini Cyclades - Greece 3 Ports and distances Day Ports Distance in n.m. 1 Athens-Kea 49 2 Kea-Tinos-Mykonos 63 3 Mykonos-Delos-Paros 32 4 Paros-Ios-Santorini 73 5 Santorini-Milos 51 6 Milos-Sifnos 29 7 Sifnos-Seriphos-Kythnos 45 8 Kythnos-Piraeus 53 Total distance - 395 n.m. Cyclades - Greece 4 Athens Te Capital of Greece. Within the sprawling city of Athens it is easy to imagine the golden age of Greece when Pericles had the Parthenon (the most eminent monument of the ancient Greek architecture) built. Athens is built around the Acropolis and the pinnacled crag of Mt. Lycabettus, which the goddess Athena was said to have dropped from the heavens as a bulwark to defend the city. Te suburbs have covered the barren plain in all directions and the city is packed with lively taverns and bustling shops. Cyclades - Greece 5 Kea An exceptionally picturesque island. On the south side of Nikolaos Bay - which was a pirate stronghold in the 13th c. - is the little port of Korissia, built on the side of ancient Korissia. Tere are remains of the ancient town walls and a Sanctuary of Apollo. Te famous lion - carved from the native rock in the 6th c. BCE - can be seen just north-east of Kea town. Another highlight is the beautiful anchorage of Poleis. -
Ebook Download Greek Art 1St Edition
GREEK ART 1ST EDITION PDF, EPUB, EBOOK Nigel Spivey | 9780714833682 | | | | | Greek Art 1st edition PDF Book No Date pp. Fresco of an ancient Macedonian soldier thorakitai wearing chainmail armor and bearing a thureos shield, 3rd century BC. This work is a splendid survey of all the significant artistic monuments of the Greek world that have come down to us. They sometimes had a second story, but very rarely basements. Inscription to ffep, else clean and bright, inside and out. The Erechtheum , next to the Parthenon, however, is Ionic. Well into the 19th century, the classical tradition derived from Greece dominated the art of the western world. The Moschophoros or calf-bearer, c. Red-figure vases slowly replaced the black-figure style. Some of the best surviving Hellenistic buildings, such as the Library of Celsus , can be seen in Turkey , at cities such as Ephesus and Pergamum. The Distaff Side: Representing…. Chryselephantine Statuary in the Ancient Mediterranean World. The Greeks were quick to challenge Publishers, New York He and other potters around his time began to introduce very stylised silhouette figures of humans and animals, especially horses. Add to Basket Used Hardcover Condition: g to vg. The paint was frequently limited to parts depicting clothing, hair, and so on, with the skin left in the natural color of the stone or bronze, but it could also cover sculptures in their totality; female skin in marble tended to be uncoloured, while male skin might be a light brown. After about BC, figures, such as these, both male and female, wore the so-called archaic smile. -
Annahiking How to Reach Andros and Tinos for an Annahiking Tour
AnnaHiking Active holidays in Greece How to reach Andros and Tinos for an AnnaHiking tour ©Annelies Pelt, AnnaHiking, Griekenland bijgewerkt 27-12-2020 How to reach Andros and Tinos for an AnnaHiking tour We do not accept responsability for errors in this document, changes or delays! OPTIONS TO REACH ANDROS AND TINOS ................................................................................ 3 FLIGHT ON ATHENS (ATH) ............................................................................................................. 3 ATHENS AIRPORT – RAFINA HARBOUR ................................................................................................. 3 Taxi airport → Rafina v.v................................................................................................................. 3 Public bus airport → Rafina v.v. ...................................................................................................... 3 Shuttlebus airport → hotel Avra Rafina v.v. ................................................................................... 3 ATHENS CENTRE → RAFINA HARBOUR ................................................................................................ 4 Public bus Athens Centre → Rafina v.v. .......................................................................................... 4 RAFINA – RAILWAY STATION SKA (TRAIN TO METEORA) V.V. ........................................................... 4 ATHENS AIRPORT – PIRAEUS HARBOUR .............................................................................................. -
Unspoilt Cyclades Andros-Tinos-Syros Table Of
Unspoilt Cyclades Andros-Tinos-Syros Table of Contents Trip Highlights, Map, Tour Details, Itinerary, What’s included, Itinerary Changes, Terrain, Condition Grading, Starting point and getting there, Food, Weather, Gear checklist, Currency & Banking, Passports, Visas Greece has always been among the most popular holiday destinations worldwide, especially due to its countless amazing islands. Each of them has something special to offer, and apart from the most popular such as Santorini, Mykonos and Crete there are a number of other islands which are less touristy, yet extremely beautiful and worth visiting. This trip takes you to islands ideal for those who don’t like tourist-packed places and who are feeling adventurous and want to discover destinations off the beaten path. It starts in Athens, and after visiting the Acropolis and the new Acropolis museum, we will hop on our ferry to Andros. It is the second-largest island of the Cyclades, with a long and proud seafaring tradition and a walker’s paradise. Its wild mountains are traversed by fertile valleys with bubbling streams and ancient stone mills. After spending three nights in Andros take the ferry to Tinos, a wonderland of natural beauty, dotted with more than forty marble-ornamented villages found in hidden bays, on terraced hillsides and atop misty mountains. For the last part of the trip spend a day in Syros, exploring Ermoupolis, the leading commercial and industrial center of Cyclades, as well as its main port, since it was founded in the 1820s. Trip Highlights - Experience -
From Boston to Rome: Reflections on Returning Antiquities David Gill* and Christopher Chippindale**
International Journal of Cultural Property (2006) 13:311–331. Printed in the USA. Copyright © 2006 International Cultural Property Society DOI: 10.1017/S0940739106060206 From Boston to Rome: Reflections on Returning Antiquities David Gill* and Christopher Chippindale** Abstract: The return of 13 classical antiquities from Boston’s Museum of Fine Arts (MFA) to Italy provides a glimpse into a major museum’s acquisition patterns from 1971 to 1999. Evidence emerging during the trial of Marion True and Robert E. Hecht Jr. in Rome is allowing the Italian authorities to identify antiquities that have been removed from their archaeological contexts by illicit digging. Key dealers and galleries are identified, and with them other objects that have followed the same route. The fabrication of old collections to hide the recent surfacing of antiquities is also explored. In October 2006 the MFA agreed to return to Italy a series of 13 antiquities (Ap- pendix). These included Attic, Apulian, and Lucanian pottery as well as a Roman portrait of Sabina and a Roman relief fragment.1 This return is forming a pattern as other museums in North America are invited to deaccession antiquities that are claimed to have been illegally removed from Italy. The evidence that the pieces were acquired in a less than transparent way is beginning to emerge. For example, a Polaroid photograph of the portrait of Sabina (Appendix no. 1) was seized in the raid on the warehousing facility of Giacomo Medici in the Geneva Freeport.2 Polaroids of two Apulian pots, an amphora (no. 9) and a loutrophoros (no. 11), were also seized.3 As other photographic and documentary evidence emerges dur- ing the ongoing legal case against Marion True and Robert E. -
Rituals of Death and Dying in Modern and Ancient Greece
Rituals of Death and Dying in Modern and Ancient Greece Rituals of Death and Dying in Modern and Ancient Greece: Writing History from a Female Perspective By Evy Johanne Håland Rituals of Death and Dying in Modern and Ancient Greece: Writing History from a Female Perspective, by Evy Johanne Håland This book first published 2014 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2014 by Evy Johanne Håland All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-6127-8, ISBN (13): 978-1-4438-6127-4 TABLE OF CONTENTS List of Figures........................................................................................... viii A Note on Transliteration ......................................................................... xiii Acknowledgements ................................................................................... xv Introduction ................................................................................................. 1 Chapter One ................................................................................................. 6 Death Rituals and the Cult of the Dead in Greece From death in general to Greek women and death in particular -
Tinos Wine Renaissance
Back to all articles Written by Julia Harding MW 21 Aug 2019 The Tinos renaissance INSIDE INFORMATION GREECE TINOS Vineyards among the boulders on this windswept Cycladic island are starting to get into their stride and seem likely to encourage more new investment. See Tinos – the tasting notes for more on specic producers and their wines. What a contrast. Arriving by ferry from Santorini to Tinos, we left behind an island that was dramatically landscaped, volcanic, stunningly beautiful in parts and ravaged by tourism in others, with the battle between vineyards and tourist development raging. Tinos, on the other hand, 170 km (105 m) further north in the Aegean, is hilly but decidedly rural and peaceful, or so it seemed in early May when the wild owers were at their most extravagant. Tinos is the third largest of the Cyclades islands, between Andros, the largest, and Mykonos, one of the most tourist- and bling-laden. 194 sq km are shared by about 10,000 people, 45+ well-kept villages, their blue-shuttered white houses clustered against the pastoral green in late spring, 1,065 churches – many family-owned and maintained, and used just once a year. The 700 or so two-storey, ornate, geometrically decorated dovecotes like the one shown below look a bit like small fortications. Their ubiquity is explained by the Venetians’ love of pigeons, both for their meat and for the fertilising power of their droppings. The island is certainly more fertile than Santorini. Tinos is about two hours by fast ferry from the port of Rana on the east coast of the mainland, due east of Athens, and the island is becoming increasingly popular with well-heeled Athenians for their second homes. -
Vasemania: Neoclassical Form and Ornament
VOLUME: 4 WINTER, 2004 Vasemania: Neoclassical Form and Ornament: Selections from The Metropolitan Museum of Art at the Bard Graduate Center for Studies in the Decorative Arts, Design, and Culture Review by Nancy H. Ramage 1) is a copy of a vase that belonged to Ithaca College Hamilton, painted in Wedgwood’s “encaustic” technique that imitated red-figure with red, An unusual and worthwhile exhibit on the orange, and white painted on top of the “black passion for vases in the 18th century has been basalt” body, as he called it. But here, assembled at the Bard Graduate Center in Wedgwood’s artist has taken all the figures New York City. The show, entitled that encircle the entire vessel on the original, Vasemania: Neoclassical Form and and put them on the front of the pot, just as Ornament: Selections from The Metropolitan they appear in a plate in Hamilton’s first vol- Museum of Art, was curated by a group of ume in the publication of his first collection, graduate students, together with Stefanie sold to the British Museum in 1772. On the Walker at Bard and William Rieder at the Met. original Greek pot, the last two figures on the It aims to set out the different kinds of taste — left and right goût grec, goût étrusque, goût empire — that sides were Fig. 1 Wedgwood Hydria, developed over a period of decades across painted on the Etruria Works, Staffordshire, Britain, France, Italy, Spain, and Germany. back of the ves- ca. 1780. Black basalt with “encaustic” painting. The at the Bard Graduate Center. -
Itinerary Cyclades Islands
Itinerary Cyclades islands 1st day Athens-Kythnos approx 38nm 2nd day Kythnos – Tinos approx 20nm 3rd day Tinos-Siros approx 19nm 4th day Siros-Kythnos approx 30nm 5th day Kythnos-Spetses approx 60nm 6th day Spetses-Hydra approx 15nm 7th day Hydra– Poros approx 13nm 8th day Poros – Athens approx 30nm Total 246nm approx 11 hrs cruising This itinerary can be changed according to your clients requirements and always weather permitting. KEA Kea is part of the Cyclades group of Greek Islands. It is also known by the name Tzia and lies to the south of Lavrion town, Attican near Athens. It counts on important archaeological sites, locations of unique natural beauty, wonderful beaches and picturesque villages surely worth visiting. Starting with the capital village of Ioulida or Chora with the medieval castle and the famous Stone Lion, to the heart of nightlife in Vourkari and the beautiful port of Korissia, and from the ancient site of Piiessa in Pisses to the beautiful walking trails of Otzias village... Kea offers a wide variety of beaches where you can spend a lovely time. The capital Ioulida and the other villages - especially Otzias and Koundouros- have nice cafes, tavernas and restaurants TINOS This is the holy island of Our Lady, which in August is swamped by pilgrims who have come to pray in her church or in fulfillment of a vow. A line of mountains, whose highest peak is Mt Tsiknias (in the myth the home of the wind-god Aeolus), runs the length of the island. On its lower slopes, walls like the fortifications of old castles divide the terraced fields. -
Leon & Melite's House
The book Leon and Melite: Daily life in ancient Athens is associated with the permanent exhibition Daily life in Antiquity , presented on the 4th floor of the Museum of Cycladic Art. The design of the exhibition and the production of the audiovisual material were carried out by the Spanish company GPD Exposiciones y Museos. The academic documentation and the curating of the exhibition were by the Director of the museum, Professor Nikos Stampolidis, and the museum curator Yorgos Tasoulas to whom we would like to express our warm thanks for his invaluable help and support in the creation of the educational programme. Leon and Melite, brother and sister, grow up in a wealthy Athenian family in the 5th century BC. Young Leon gives us a guided tour of his city. He tells us about his parents’ wedding, as they had described it to him. Then he talks about the daily work of women, tells us about his friends and his sister’s friends and their favourite games, about school, athletics and military training. He describes dinner parties, the symposia , and how men take part in public affairs and, finally, says a few things about burial practices, concentrating on how people honoured their loved ones who had departed this life. The illustrations include reconstruction drawings and objects on display on the 4th floor of the Museum, most of which date from the Classical and Hellenistic periods (5th-1st century BC). Leon & Melite Daily life in ancient Athens Leon & Melite’s house My name is Leon. I was born and brought up in Athens, the most famous city in ancient Greece. -
Naxos, Cyclades, Greece
Retrogression of a high-temperature metamorphic core complex Low-grade retrogression of a high-temperature metamorphic core complex: Naxos, Cyclades, Greece Shuyun Cao1,2,†, Franz Neubauer1, Manfred Bernroider1, Johann Genser1, Junlai Liu3, and Gertrude Friedl1 1Department of Geography and Geology, University of Salzburg, Hellbrunnerstrasse 34, A-5020 Salzburg, Austria 2State Key Laboratory of Geological Processes and Mineral Resources, School of Earth Sciences, China University of Geosciences, Wuhan 430074, China 3State Key Laboratory of Geological Processes and Mineral Resources, China University of Geosciences, Beijing 100083, China ABSTRACT metapelites (at temperatures of ~350–130 °C) sion of metamorphic complexes along the in the metamorphic core complex core re- upper margins, particularly close to the brittle- Retrogressive deformation and metamor- sulted mainly from late-stage E-W shorten- ductile boundary (e.g., Siebenaller et al., 2013; phism are often reported from the main ing and folding. Late-stage flow of hydrous Whitney et al., 2013; Gébelin et al., 2014; low-angle shear zones and detachments of fluids resulted in resetting of fabrics and Methner et al., 2015, and references therein). metamorphic core complexes, but their im- enhancement of ductile deformation. The Low-temperature retrogressive deformation portance is not sufficiently emphasized for middle–late Miocene retrogression events and metamorphism of high-grade metamorphic the footwall interior. In order to contribute are also reflected by a similarly aged tectonic fabrics are often reported from detachments of to a better understanding of exhumation- collapse basin in the hanging-wall unit above metamorphic core complexes (e.g., Mehl et al., related retrogression processes within and at the detachment.