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Managers of the Arts Managers Theal S
Managers of the Arts Managers theAl s Careers and opinions of senior administrators of U.S. art museums, symphony orchestras, resident theaters, and local arts agencies. Paul DiMaggio Research Division Report #20 ~ National Endowment for the Arts seven ~ocks press Publishers Washington, D.C./Cabin John, Md. Managers of the Arts is Report # 20 in a series on matters of interest to the arts community commissioned by the Research Division of the Na tional Endowment for the Arts. Library of Congress Cataloging-in-Publication Data DiMaggio, Paul. Managers of the arts. (Research Division report; no. 20) "Published for the National Endowment for the Arts." Includes index. 1. Arts administrators--United States. 2. Arts surveys--United States. I. National Endowment for the Arts. II. Title. III. Series: Research Division report (National Endowment for the Arts. Research Division); 20. NX765.D56 1987 700’ .92’2 87-9719 ISBN 0-932020-50-X (pbk.) Supported by the National Endowment for the Arts, Research Division, under Grant NEA-02-4050-001. Edited by Jane Gold Designed by Dan Thomas Printed by Thomson-Shore, Inc., Dexter, Michigan Manufactured in the United States of America First edition, September 1987 Seven Locks Press Publishers P.O. Box 27 Cabin John, Maryland 20818 301-320-2130 Books of Seven Locks Press are distributed to the trade by National Book Network Inc. 4720A Boston Way Lanham, MD 20706 Contents I ntrod uctio n vii Executive Summary 1 1. Backgrounds, Recruitment, and Careers 11 2. Rewards and Expectations 25 3. Training 41 4. Professional Participation and Attitudes Toward Professionalism 52 5. -
Varieties of American Popular Nationalism.” American Sociological Review 81(5):949-980
Bonikowski, Bart, and Paul DiMaggio. 2016. “Varieties of American Popular Nationalism.” American Sociological Review 81(5):949-980. Publisher’s version: http://asr.sagepub.com/content/81/5/949 Varieties of American Popular Nationalism Bart Bonikowski Harvard University Paul DiMaggio New York University Abstract Despite the relevance of nationalism for politics and intergroup relations, sociologists have devoted surprisingly little attention to the phenomenon in the United States, and historians and political psychologists who do study the United States have limited their focus to specific forms of nationalist sentiment: ethnocultural or civic nationalism, patriotism, or national pride. This article innovates, first, by examining an unusually broad set of measures (from the 2004 GSS) tapping national identification, ethnocultural and civic criteria for national membership, domain- specific national pride, and invidious comparisons to other nations, thus providing a fuller depiction of Americans’ national self-understanding. Second, we use latent class analysis to explore heterogeneity, partitioning the sample into classes characterized by distinctive patterns of attitudes. Conventional distinctions between ethnocultural and civic nationalism describe just about half of the U.S. population and do not account for the unexpectedly low levels of national pride found among respondents who hold restrictive definitions of American nationhood. A subset of primarily younger and well-educated Americans lacks any strong form of patriotic sentiment; a larger class, primarily older and less well educated, embraces every form of nationalist sentiment. Controlling for sociodemographic characteristics and partisan identification, these classes vary significantly in attitudes toward ethnic minorities, immigration, and national sovereignty. Finally, using comparable data from 1996 and 2012, we find structural continuity and distributional change in national sentiments over a period marked by terrorist attacks, war, economic crisis, and political contention. -
Center for Institutional Reform and the Informal Sector
CENTER FOR INSTITUTIONAL REFORM AND THE INFORMAL SECTOR University of Maryland at College Park Center Office: IRIS Center, 2105 Morrill Hall, College Park, MD 20742 Telephone (301) 405-3110 l Fax (301) 405-3020 RECOMBINANT PROPERTY IN IN EAST EUROPEAN CAPITALISM September, 1994 David Stark Working Paper No. 133 This publication was made possible through support provided by the U.S. Agency for International Development, under Cooperatlve Agreement No. DHR-0015-A-00-0031-00. The views and analyses in the paper do not necessarily reflect the official position of the IRIS Center or the U.S.A.I.D. Author: David Stark, Department of Sociology, Cornell University, Ithaca, New York. Recombinant Property in East European Capitalism David Stark Department of Sociology Cornell University Ithaca, NY 14853 tel: 607-255-1419 FAX: 607-255-8473 e-mail: [email protected] Research for this paper was supported by grants from IRIS (Institutional Reform and the Informal Sector) and from the Project on Corporate Governance of the World Bank/Central European University. My thanks to Ronald Breiger, Rogers Brubaker, I&z16 Bruszt, Christopher Clague, Ellen Comisso, Paul DiMaggio, Geoff Fougere, Istvan Gabor, Peter Gedeon, Gernot Grabher, Szabolcs Kern&y, Janos Kollo, Jrinos Koruai, JBnos LukBcs, L&z16 Neumann, Claus Offe, Eva Palocz, &OS Rona-Tas, Monique Djokic Stark, Marton Tardos, Eva Voszka, and Harrison White for their criticisms of an earlier draft. Recombinant Property in East European Capitalism David Stark Cornell University Executive Summary for IRIS The starting premise of this paper is that the greatest obstacle to understanding change in contemporary Eastern Europe is the concept of transition. -
Inventing Opera As “High Culture”
For many people opera represents (whether this is understood posi- tively or negatively) the very embodiment of “high culture.”Yet lately there have been signs that its status is changing, as opera becomes more and more a feature of everyday cultural life.1 What I want to explore in this chapter is whether these changes have now made it possible to describe opera as popular culture. Inventing Opera as “High Culture” In order to fully understand what has been happening to opera in recent years, I think it is first necessary to examine something of the history of opera. Traditionally, opera is said to have been invented in the late sixteenth century by a group of Florentine intellectuals known as the Camerata.2 However, according to musicologist Susan McClary, Despite the humanistic red herrings proffered by Peri, Caccini [members of the Camerata], and others to the effect that they were reviving Greek performance practices, these gentlemen knew very well that they were basing their new reciting style on the improvisatory practices of con- temporary popular music. Thus the eagerness with which the humanist myth was constructed and elaborated sought both to conceal the vulgar origins of its techniques and to flatter the erudition of its cultivated patrons. (McClary, 1985: 154–5) Although there may be some dispute over the intellectual origins of opera, there is general agreement about its commercial beginnings. “Expecting Rain”: Opera as Popular Culture? 33 Significantly, the opera house was the “first musical institution to open its doors to the general public” (Zelochow, 1993: 261). The first opera house opened in Venice in 1637: it presented “commercial opera run for profit . -
Second-Level Digital Divide: Mapping Differences in People's Online Skills*
Eszter Hargittai TPRC 2001 (Draft) Second-Level Digital Divide :: 1 Second-Level Digital Divide: Mapping Differences in People's Online Skills* Abstract Much of the existing approach to the digital divide suffers from an important limitation. It is based on a binary classification of Internet use by only considering whether someone is or is not an Internet user. To remedy this shortcoming, this project looks at the differences in people’s level of skill with respect to finding information online. Findings suggest that people search for content in a myriad of ways and there is a large variance in how long people take to find various types of information online. Data are collected to see how user demographics, users’ social support networks, people’s experience with the medium, and their autonomy of use influence their level of user sophistication. Introduction Most of the literature on the digital divide focuses on the differences between the haves and have nots of the digital age, that is, the differences among those who have access to the Internet and other communication and information technologies and those who do not, or the differences among those who use these media and those who do not. While most reports identify differences among various segments of the population, over time studies emphasize the increasing diffusion of the medium among the population at large (see Rickert and Sacharow 2000 and Pew 2000a for gender; Austen 2000 for age, NTIA 2000 for race). As more and more people start using the Web for communication and information retrieval, it becomes less and less useful to merely look at demographic differences in who is online when discussing questions of inequality in relation to the Internet. -
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ESZTER HARGITTAI Institute of Communication and Media Research (IKMZ), University of Zurich, Andreasstrasse 15, Zurich 8050, Switzerland; +41 044 365 2024 * [email protected] eszter.com * webuse.org * twitter.com/eszter * Google Scholar: bit.ly/ehscholar * Papers: bit.ly/wuppubs CURRENT APPOINTMENTS Professor and Chair of the Internet Use & Society division, Institute of Communication and Media Research, University of Zurich, 2016-present Member, National Research Council, Swiss National Science Foundation, 2018-present Adjunct Professor, Communication Studies Department, Northwestern University, 2016-present PAST APPOINTMENTS Northwestern University Delaney Family Professor, Communication Studies Department, 2012-2016 Professor, Department of Communication Studies, 2013-2016 Van Zelst Research Professor, Department of Communication Studies, 2008-09 Associate Professor, Department of Communication Studies, 2008- 13 Assistant Professor, Department of Communication Studies, 2003-08 Faculty Associate (Fellow 2004-06), Institute for Policy Research, 2003-04, 2006-2016 Faculty Associate, Science in Human Culture, 2012-2016 Faculty Affiliate, Sociology Department, 2003-2016 Faculty Affiliate, School of Education and Social Policy, 2014-2016 Fellow, Berkman Center for Internet & Society, Harvard University, 2008-2014 (in residence 2008-09); Faculty Advisory Board member, 2015-2020, Faculty Associate 2020-2021 Fellow, Center for Media, Data and Society, School of Public Policy, Central European University, 2015- 2017 Visiting Professor, -
Of /Sites/Default/Al Direct/2010/August
AL Direct, August 4, 2010 Contents American Libraries Online ALA News Booklist Online Division News Round Table News Awards Seen Online Tech Talk Publishing The e-newsletter of the American Library Association | August 4, 2010 Actions & Answers New This Week Calendar American Libraries Online SkyRiver files antitrust suit against OCLC SkyRiver Technology Solutions and Innovative Interfaces Inc. have filed suit (PDF file) in U.S. District Court in San Francisco against OCLC, alleging that the “purported nonprofit with a membership of 72,000 libraries worldwide, is unlawfully monopolizing the markets for cataloging services, interlibrary lending, and bibliographic data, and attempting to monopolize the market for integrated library systems, by anticompetitive and exclusionary practices.” SkyRiver issued a news release (PDF file) July 29 announcing the suit. Marshall Breeding is maintaining a running list of resources on the case. Karen Coyle offers an excellent analysis of the known facts, and Karen Schneider says the lawsuit “makes for lip-smacking reading.”... AL: Inside Scoop, July 30; Library Technology Guides; Coyle’s InFormation, July 30; Free Range Librarian, July 30 Facts, with a generous helping of heart Beverly Goldberg writes: “Two different library stories in Texas crossed my desk in the past week that gave me pause. The first was the discouraging news from far southeast Jefferson County that county commissioners seeking to close a several-million-dollar deficit have zeroed out the budget for the 80-year-old county library. The second story is about Weatherford Public Library, which kept running ALA Midwinter Meeting in the throes of an oppressive heat wave and boil-water order and in San Diego, California, passed out bottled water to all.”.. -
Public Attitudes Towards Cultural Authority and Cultural Diversity in Higher Education and the Arts
Public Attitudes towards Cultural Authority and Cultural Diversity in Higher Education and the Arts Paul DiMaggio and Bethany Bryson Princeton University University of Virginia January 2000. Prepared for The Arts of Democracy: The State, Civil Society and Culture, ed. Casey Blake, Woodrow Wilson Center Press. We are grateful to John Evans, Richard A. Peterson, Tom Smith, Lynn Smith-Lovin, and Blair Wheaton, and to members of the Princeton Sociology Department Summer Workshop on Empirical Research on Culture for comments and suggestions on earlier drafts. DiMaggio and Bryson: Cultural Diversity and Cultural Authority ---1--- For much of the past two decades, controversy has rocked America’s universities and cultural institutions. Within the arts, well-publicized battles over controversial photographs, installations and performance pieces --- from the Robert Mapplethorpe controversy to the Brooklyn Museum affair --- pitted defenders of modernism and artistic freedom against champions of traditional values and public decorum.1 Within higher education, universities were castigated as preserves of “political correctness,” dominated by “tenured radicals” who sought to replace traditional western culture with an ill-formed goulash reflecting the preferences and identities of a broad array of ethnic, racial, gender and lifestyle special-interest groups.2 Many have noted that the quality of this debate has not been outstanding.3 Some influential critics have relied less on reasoned argument than on passionate accounts (the specifics of which often turned out to be distorted) of lurid cases of artistic license or political excess. Defenders of cultural institutions have often responded piecemeal to the particulars of specific attacks, or else have dispensed abstract pieties about artistic or academic freedom that fail to come to grips with critics’ charges. -
Jessica Rose Kalbfeld
Jessica Rose Kalbfeld New York University | Department of Sociology 295 Lafayette Street, 4th Floor | New York, NY 10012 www.jessicakalbfeld.com | [email protected] Education: 2020 (exp) PhD, Sociology, New York University Dissertation: “Social Distance in Spatial Proximity: How Neighborhood Context and Change Impacts Social Control in Local Communities” Committee: Delia Baldassarri, Patrick Sharkey, Paul DiMaggio (chair) 2018 MPhil, Sociology, New York University 2017 MA, Sociology, New York University 2014 MA, Applied Quantitative Research, New York University Thesis: “Neighborhood Whitening and the Implementation of Stop, Question, and Frisk in New York City” Thesis Advisors: Patrick Sharkey and David Greenberg 2007 BA, Gallatin School at New York University, summa cum laude Peer Reviewed Articles (* indicates equal contribution): Kalbfeld, Jessica. “Dispersing the Critical Cloud: Critical Mass and Affirmative Action.” Conditional accept at Law and Society Review Jones, Taylor*, Jessica Kalbfeld*, Ryan Hancock, and Robin Clark. 2019. “Testifying while Black: An Experimental Study of Court Reporter Accuracy in Transcription of African American English.” Language. Vol 95. Iss. 2. • “Court Reporters May be Writing Down Black Peoples’ Testimony Wrong.” by Leila Ettachfini. Vice News Online. May 23, 2019. • “When Justice is Deaf to How Some People Talk.” by John Eligon. New York Times. Print Edition Sunday Times. Page A21, January 27, 2019. Published online as “Speaking Black Dialect in Courtrooms Can Have Striking Consequences.” January 25, 2019. https://www.nytimes.com/2019/01/25/us/black-dialect-courtrooms.html. • “Race, dialect, and the courtroom.” Radio Times with Marty Moss-Coane on WHYY Philly. February 1, 2019. https://whyy.org/episodes/race-dialect-and-the-courtroom/. -
Culture and Cognition Author(S): Paul Dimaggio Source: Annual Review of Sociology, Vol
Culture and Cognition Author(s): Paul DiMaggio Source: Annual Review of Sociology, Vol. 23 (1997), pp. 263-287 Published by: Annual Reviews Stable URL: http://www.jstor.org/stable/2952552 Accessed: 18/10/2010 10:56 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=annrevs. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Annual Reviews is collaborating with JSTOR to digitize, preserve and extend access to Annual Review of Sociology. http://www.jstor.org Annu.Rev. Sociol. 1997. 23:263-87 Copyright? 1997 byAnnual Reviews Inc. All rightsreserved CULTURE AND COGNITION Paul DiMaggio Departmentof Sociology,2-N-2 Green Hall, Princeton University, Princeton, New Jersey08544; e-mail:[email protected] KEY WORDS: sociologyof culture, social classification,social cognition,schemata ABSTRACT Recentwork in cognitivepsychology and social cognition bears heavily on con- cernsof sociologistsof culture. -
Digital Technology and Cultural Goods*
The Journal of Political Philosophy: Volume 10, Number 4, 2002, pp. 478–500 Survey Article: Digital Technology and Cultural Goods* KIERAN HEALY Sociology, University of Arizona HIS ARTICLE examines the implications of the Internet for the ownership, T distribution and consumption of cultural and expressive goods, broadly defined.1 By this I mean literature, music, visual and performance arts, libraries, archives, and the like. The growth of the Internet has affected many areas of life besides this one, of course. It has allowed the growth of new ways to associate with others, new ways to work and do business, new ways to be politically active, amongst many others.2 So why focus on cultural goods? It turns out that one of the main attractions of the Internet to ordinary users is its ability to deliver content over the network quickly and at zero cost. Literature, images of all kinds and archival materials are accessible to anyone with a network connection. Music is also easy to come by, and has been the most controversial (and popular) kind of cultural good exchanged so far. Video is available to those who—like many college students—have a lot of bandwidth and the knowledge to use it. In each case, however, the Internet’s technical capacity to move these goods around does not mesh easily with established legal practice, government policy or commercial interests. For many interested parties, the Internet’s most distinctive characteristic is a bug, not a feature. This makes cultural goods interesting and important. Being able to search for and freely download a novel, a few hours of music, or an entire film is both immediately appealing to many people and completely incompatible with how many corporations and artists now make their money. -
Digital Na(T)Ives? Variation in Internet Skills and Uses Among Members of the ‘‘Net Generation’’*
Digital Na(t)ives? Variation in Internet Skills and Uses among Members of the ‘‘Net Generation’’* Eszter Hargittai, Northwestern University People who have grown up with digital media are often assumed to be universally savvy with information and communication technologies. Such assumptions are rarely grounded in empirical evidence, however. This article draws on unique data with infor- mation about a diverse group of young adults’ Internet uses and skills to suggest that even when controlling for Internet access and experiences, people differ in their online abilities and activities. Additionally, findings suggest that Internet know-how is not ran- domly distributed among the population, rather, higher levels of parental education, being a male, and being white or Asian American are associated with higher levels of Web-use skill. These user characteristics are also related to the extent to which young adults engage in diverse types of online activities. Moreover, skill itself is positively associated with types of uses. Overall, these findings suggest that even when control- ling for basic Internet access, among a group of young adults, socioeconomic status is an important predictor of how people are incorporating the Web into their everyday lives with those from more privileged backgrounds using it in more informed ways for a larger number of activities. Introduction Soon after the Internet started spreading across the mass population, con- cerns about its unequal distribution were voiced both in academic as well as policy circles (see, e.g., Compaine 2001; Hoffman and Novak 1998; National Telecommunications and Information Administration 1995). The initial focus of investigation and discussion was the so-called ‘‘digital divide’’ or the differ- ences between the connected versus those not online at all.