BWC DVD Catalogue - May 2021
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Summer Classic Film Series, Now in Its 43Rd Year
Austin has changed a lot over the past decade, but one tradition you can always count on is the Paramount Summer Classic Film Series, now in its 43rd year. We are presenting more than 110 films this summer, so look forward to more well-preserved film prints and dazzling digital restorations, romance and laughs and thrills and more. Escape the unbearable heat (another Austin tradition that isn’t going anywhere) and join us for a three-month-long celebration of the movies! Films screening at SUMMER CLASSIC FILM SERIES the Paramount will be marked with a , while films screening at Stateside will be marked with an . Presented by: A Weekend to Remember – Thurs, May 24 – Sun, May 27 We’re DEFINITELY Not in Kansas Anymore – Sun, June 3 We get the summer started with a weekend of characters and performers you’ll never forget These characters are stepping very far outside their comfort zones OPENING NIGHT FILM! Peter Sellers turns in not one but three incomparably Back to the Future 50TH ANNIVERSARY! hilarious performances, and director Stanley Kubrick Casablanca delivers pitch-dark comedy in this riotous satire of (1985, 116min/color, 35mm) Michael J. Fox, Planet of the Apes (1942, 102min/b&w, 35mm) Humphrey Bogart, Cold War paranoia that suggests we shouldn’t be as Christopher Lloyd, Lea Thompson, and Crispin (1968, 112min/color, 35mm) Charlton Heston, Ingrid Bergman, Paul Henreid, Claude Rains, Conrad worried about the bomb as we are about the inept Glover . Directed by Robert Zemeckis . Time travel- Roddy McDowell, and Kim Hunter. Directed by Veidt, Sydney Greenstreet, and Peter Lorre. -
South Africa's Official Selection for the Foreign Film Oscars 2006
Production Notes The UK Film & TV Production Company plc The Industrial Development Corporation of South Africa The National Film & Video Foundation of South Africa in association with Moviworld present A UK/South African Co-production TSOTSI Starring Presley Chweneyagae, Terry Pheto, Kenneth Nkosi, Mothusi Magano, Zenzo Ngqobe and ZOLA Written and Directed by Gavin Hood Based on the novel by Athol Fugard Co-produced by Paul Raleigh Produced by Peter Fudakowski WINNER – EDINBURGH FILM FESTIVAL 2005 THE STANDARD LIFE AUDIENCE AWARD THE MICHAEL POWELL AWARD FOR BEST BRITISH FILM South Africa’s official selection for the Foreign Film Oscars 2006 For all press inquiries please contact: Donna Daniels Public Relations 1375 Broadway, Suite 403, New York, NY 10018 Ph: 212-869-7233 Email: [email protected] and [email protected] IN TORONTO: contact Melissa or Donna c/o The Sutton Place Hotel, Hospitality Suite 606, 955 Bay Street, Toronto, on M5S 2A2 main #: 416.924.9221 fax: 416.324.5617 FOR ALL PRESS MATERIALS/INFO : www.tsotsi.com A message from the playwright and author of the novel TSOTSI ATHOL FUGARD 2 CONTENTS: LETTER FROM AUTHOR OF 'TSOTSI' THE NOVEL 2 UK AND TRADE PRESS QUOTE BANK 4 SHORT SYNOPSIS 6 LONGER SYNOPSIS 6 MAKING “TSOTSI” - BACKGROUND NOTES and QUOTES 8 THE TERM “TSOTSI” - ORIGINS AND MEANINGS 13 KWAITO MUSIC - ORIGINS 15 BIOGRAPHIES: ATHOL FUGARD - AUTHOR OF THE NOVEL “TSOTSI” 17 GAVIN HOOD - SCREENWRITER / DIRECTOR 18 PETER FUDAKOWSKI - PRODUCER 19 PAUL RALEIGH - CO-PRODUCER 20 PRESLEY CHWENEYAGAE - TSOTSI 21 ZOLA – FELA 21 TERRY PHETO - MIRIAM 21 KENNETH NKOSI - AAP 21 MOTHUSI MAGANO - BOSTON 22 ZENZO NGQOBE - BUTCHER 22 CAST, CREW AND MUSIC CREDITS 23-31 CONTACT INFO 32 3 TSOTSI “Tsotsi” literally means “thug” or “gangster” in the street language of South Africa’s townships and ghettos. -
Comprehensive Anti-Racism Resources
COMPREHENSIVE ANTI-RACISM RESOURCES Compiled by UNY Conference Commission on Religion and Race Members and the General Commission on Religion & Race Online Resources Study Links – GCORR Lenten Study Series: Roll Down Justice: Six-session study guides and videos www.gcorr.org/series/lenten-series-roll-down-justice/ Racial Justice Conversation Guide www.gcorr.org/racial-justice-conversation-guide/ Is Reverse Racism Really a Thing? Study guide & video www.gcorr.org/is-reverse-racism-really-a-thing/ Wait…That’s Privilege? Article with Privilege Quiz www.gcorr.org/wait-thats-privilege/ Study Links – Other Sources United Methodist Women’s Lenten Study on Racial Justice www.unitedmethodistwomen.org/lent www.youtube.com/watch?v=XITxqC0Sze4 Eye on the Prize – a PSB documentary series (14 episodes) www.youtube.com/watch?v=NpY2NVcO17U UMW Tools for Leaders: Resources for Racial Justice https://s3.amazonaws.com/umw/pdfs/racialjustice2012.pdf 2 Websites National Association for the Advancement of Colored People (NAACP): https://www.naacp.org Southern Poverty Law Center: https://www.splcenter.org General Commission on Religion and Race (GCORR): http://www.gcorr.org/ Black Lives Matter: https://blacklivesmatter.com Local groups involved in anti-racism action in your area Podcasts www.insocialwork.org/list_categories.asp Videos Getting Called Out – How to Apologize: www.youtube.com/watch?v=C8xJXLYL.8pU&feature=youtube).UnderstandingMy Privilege The Danger of a Single Story www.ted.com/talks/chimamanda_adichie_the_danger_of_a_single_story/transcr ipt?languafe=en PBS, "Race: The Power of an Illusion." Three one-hour videos with discussion questions, 2003. https://www.pbs.org/race/000_General/000_00-Home.htm Crossing the Color Line | Brennon Thompson | TEDxSUNYGeneseo https://www.youtube.com/watch?v=3UQUT4LMhAw "Free Indeed," a video drama about racism and white privilege, available at UNY Resource Center. -
Past Meets Present: Monsoon Wedding Redux
Postcolonial Text, Vol 13, No 4 (2018) Past Meets Present: Monsoon Wedding Redux Aparajita De University of the District of Columbia Cosmopolitanism, as a conceptual ideal, can refer to educated, well traveled, minority elites from postcolonial nations who may, apparently, be associated with liberal and plural moorings. Presumably, this kind of an understanding does not repudiate either rootedness or openness regarding cultural and local differences. On the one hand, it holds the promise of promoting a sense of universal consciousness expanding spheres of belonging. On the other, it can extol the travels of migrants conflating both contexts of their travels along with communities who travel. In the latter situation of the cosmopolitan ideal, this utopic sense of belonging can espouse an uncritical classlessness. Could those elitist and apparently inclusive enclaves of belonging mean a borderless, or, at least a receptive belonging within a wider community? Mira Nair's Monsoon Wedding, recast by Berkeley Repertory Theatre (2017) as a musical, provoke ruminations on the film released in 2001. Marriages are never out of season, and both the film and its musical remake employ this universalizing trope. It is, however, the interactive space or the lack thereof between prominent central characters and non- specific, marginal characters that occasions revisiting the film. While the wedding trope is literally symptomatic of the week-long celebrations associated with South Asian cultures, metaphorically, it symbolizes the wedding of two different spaces that may be envisioned, but can never occur. It is this impossible yet teasing possibility of the metaphorical marriage that I am more interested in exploring. -
PICNIC PLAYBOOK on the Flip Side of This Letter
PLAYBOOK / MEMORABLE PICNICS ON FILM Dear Picnic in the Park supporters Gosford Park (2001) Call Me By Your Name (2017) and friends of The Picture House, Any fan of Downton Abbey will love this upstairs/ Nominated for Academy Awards for both Best Pic- downstairs whodunnit that was also an Academy ture and Best Actor and the winner of Best Adapted As summer fades into fall and the anticipation of Award nominee for Best Picture. At a lavish picnic lunch Screenplay, this love story takes place in rural Italy in the back-to-school season sets in, we at the Picture following a fox hunt, the mystery takes quite a turn. A the summer of 1983. The breathtaking Italian backdrop House are usually busy planning one of our favorite terrific film for the amateur detective in your home. is used throughout the film for multiple al fresco dining events of the year - Picnic in the Park. Coming scenes. Just keep a box of tissues handy for the end. together with old friends and new to celebrate film The Stepford Wives (1975) and community is something we look forward to all Life in the suburbs sometimes maybe feel too perfect? To Catch a Thief (1955) year. In Stepford, it just might be. Based on the novel by Ira Can a notorious cat burglar change his stripes? Escape Levin, The Stepford Wives is a perfect blend of sci-fi, to the French Riviera in this Hitchcock classic to see But if there’s one thing we know for sure, this year has satire, and dark comedy that brought a whole new Gary Grant attempt to woo Grace Kelly with a scenic been NO picnic. -
Gosford Park, the ”Altmanesque” and Narrative Democracy’ James Dalrymple
’Gosford Park, the ”Altmanesque” and Narrative Democracy’ James Dalrymple To cite this version: James Dalrymple. ’Gosford Park, the ”Altmanesque” and Narrative Democracy’. ”Narrative Democ- racy in 20th- and 21st-Century British Literature and Visual Arts”, SEAC 2018 conference, Nov 2018, Université Toulouse Jean Jaurès, France. hal-01911889 HAL Id: hal-01911889 https://hal.archives-ouvertes.fr/hal-01911889 Submitted on 25 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. James Dalrymple (ILCEA4) – Gosford Park, the ‘Altmanesque’ and democracy Gosford Park, the ‘Altmanesque’ and democracy James Dalrymple, Institut des langues et cultures d'europe, amérique, afrique, asie et australie (ILCEA4), Université Grenoble-Alpes, France. Often working with large casts of actors—and many featuring on screen simultaneously, with dialogues frequently overlapping one another and given little hierarchy in the sound design—US director Robert Altman (1925–2006) came to be associated with a signature style despite working in a range of genres, mostly in order to subvert their conventions. The adjective ‘Altmanesque’ has come to apply to this aesthetic, one in which much is also left to chance, with actors given space to improvise and create their own characters within a larger tableau or ‘mural’ (del Mar Azcona 142). -
Centrespread Centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016
14 centrespread centrespread 15 OCTOBER 23-29, 2016 OCTOBER 23-29, 2016 As the maximum city’s cinephiles flock to the 18th edition of the Mumbai Film Festival (October 20-27), organised by the Mumbai Academy of Moving Image, ET Magazine looks at some of its most famous counterparts across the world and also in India Other Festivals in IndiaInddia :: G Seetharaman International Film Festivalstival of Kerala Begun in 1996, the festivalstival is believed to be betterter curated than its counterparts in thee Cannes Film Festival (Cannes, France) Venice Film Festival (Italy) country. It is organisedanised by the state governmenternment STARTED IN: 1946 STARTED IN: 1932 TOP AWARD: Palme d’Or (Golden Palm) TOP AWARD: Golden Lion and held annually in Thiruvananthapuram NOTABLE WINNERS OF TOP AWARD: Blow-Up, Taxi Driver, Apocalypse Now, Pulp Fiction, Fahrenheit 9/11 NOTABLE WINNERS OF TOP AWARD: Rashomon, Belle de jour, Au revoir les enfants, Vera Drake, Brokeback Mountain ABOUT: Undoubtedly the most prestigious of all film festivals, Cannes' top awards are second only to the Oscars in their Internationalnal FilmF Festival of India cachet. Filmmakers like Woody Allen, Wes Anderson and Pedro Almodovar have premiered their films at Cannes, which is ABOUT: Given Italy’s great filmmaking tradition — think Vittorio de Sica, as much about the business of films as their aesthetics; the distribution rights for the best of world cinema are acquired by Federico Fellini and Michelangelo Antonioni — it is no surprise that the Run jointly by the information and giants like the Weinstein Company and Sony Pictures Classics, giving them a real shot at country hosts one of the finest film festivals in the world. -
On This Date Daily Trivia Happy Birthday! Quote Of
THE SUNDAY, AUGUST 1, 2021 On This Date 1834 – The Emancipation Act was Quote of the Day enacted throughout the British “Study as if you were going to Dominions. Most enslaved people were live forever; live as if you re-designated as “apprentices,” and were going to die tomorrow.” their enslavement was ended in stages over the following six years. ~ Maria Mitchell 1941 – The first Jeep, the army’s little truck that could do anything, was produced. The American Bantam Happy Birthday! Car Company developed the working Maria Mitchell (1818–1889) was the prototype in just 49 days. General first professional female astronomer Dwight D. Eisenhower said that the in the United States. Born in Allies could not have won World Nantucket, Massachusetts, Mitchell War II without it. Because Bantam pursued her interest in astronomy couldn’t meet the army’s production with encouragement from her demands, other companies, including parents and the use of her father’s Ford, also started producing Jeeps. telescope. In October 1847, Mitchell discovered a comet, a feat that brought her international acclaim. The comet became known as “Miss Mitchell’s Comet.” The next year, the pioneering stargazer became the first woman admitted to the Daily Trivia American Academy of Arts and Sciences. The Jeep was probably named after Mitchell went on to Eugene the Jeep, a Popeye comic become a professor strip character known for its of astronomy at magical abilities. Vassar College. ©ActivityConnection.com – The Daily Chronicles (CAN) UNDAY UGUST S , A 1, 2021 Today is Mahjong Day. While some folks think that this Chinese matching game was invented by Confucius, most historians believe that it was not created until the late 19th century, when a popular card game was converted to tiles. -
Printable Oscar Ballot
77th Annual ACADEMY AWARDS www.washingtonpost.com/oscars 2005 NOMINEES CEREMONY: Airs Sunday, February 27, 2005, 8p.m. EST / ABC BEST PICTURE ACTOR ACTRESS “The Aviator” Don Cheadle ("Hotel Rwanda") Annette Bening ("Being Julia") Johnny Depp ("Finding Neverland") Catalina Sandino Moreno ("Maria “Finding Neverland” Full of Grace") “Million Dollar Baby” Leonardo DiCaprio ("The Aviator") Imelda Staunton ("Vera Drake") Clint Eastwood ("Million Dollar Hilary Swank ("Million Dollar “Ray” Baby") Baby") Kate Winslet ("Eternal Sunshine of “Sideways” Jamie Foxx ("Ray") the Spotless Mind") ★ ★ 2004 WINNER: "The Lord of the ★ 2004 WINNER: Sean Penn, "Mystic 2004 WINNER: Charlize Theron, Rings: The Return of the King" River" "Monster" DIRECTOR SUPPORTING ACTOR SUPPORTING ACTRESS Martin Scorsese (”The Aviator”) Alan Alda (”The Aviator”) Cate Blanchett (”The Aviator”) Thomas Haden Church Clint Eastwood (”Million Dollar Laura Linney (”Kinsey”) Baby”) (”Sideways”) Jamie Foxx (”Collateral”) Taylor Hackford (”Ray”) Virginia Madsen (”Sideways”) Morgan Freeman (”Million Dollar Sophie Okonedo (”Hotel Rwanda”) Alexander Payne (”Sideways”) Baby”) Mike Leigh (”Vera Drake”) Clive Owen “Closer”) Natalie Portman (”Closer”) ★ 2004 WINNER: Peter Jackson, "The ★ 2004 WINNER: Tim Robbins, "Mystic ★ 2004 WINNER: Renee Zellweger, Lord of the Rings: The Return of the King" River" "Cold Mountain" ANIMATED FEATURE ORIGINAL SCREENPLAY ADAPTED SCREENPLAY “The Incredibles” “ The Aviator” “Before Sunset” “Shark Tale” “Eternal Sunshine of the Spotless “Finding Neverland” Mind” “Shrek 2” “Hotel Rwanda” “Million Dollar Baby” “The Incredibles” “The Motorcycle Diaries” “Vera Drake” “Sideways” ★ 2004 WINNER: "Finding Nemo" ★ 2004 WINNER: "Lost in Translation" ★ 2004 WINNER: "The Lord of the Rings: The Return of the King" 1 77th Annual ACADEMY AWARDS www.washingtonpost.com/oscars 2005 NOMINEES CEREMONY: Airs Sunday, February 27, 2005, 8p.m. -
Wedding Customs in Monsoon Wedding Judson Michael Edwards
Wedding Customs in Monsoon Wedding Judson Michael Edwards Course: English 230 Instructor: Ms. Andree Cosby Essay Type: Literary Analysis Monsoon Wedding is a movie by Mira Nair “set in modern-day Delhi,” and falls under the interesting category of “Punjabi comedy” (Howe WE37). Nair herself is from Delhi, which has been a Punjabi stronghold since 1947, when Muslims left the city for the newly formed country of Pakistan (WE37). The storyline is based on an arranged marriage between the characters of Aditi and Hemant: two upper middle class Punjabis. Punjabi weddings include a great deal of ancient traditions, many of which are apparent in Monsoon Wedding. This analysis will cover the Punjabi marriage traditions that are most apparent in Monsoon Wedding. Their families prearrange Aditi and Hemant’s marriage. Although they have never met, they are not being forced into marrying each other. At the chunni chandana ceremony, Aditi’s aunt even says, “Give them some privacy. I met C.L. only once, we got married right away!” It is their choice, and they seem to be completely comfortable with it. They trust their families to make a good match for them because “family [is] an important factor in the selection of a spouse” (Kapadia 136). Throughout the movie, it is apparent that there is a conflict between traditional Punjabi customs and more modern western ones. In one scene, Aditi’s father, Lalit, and the wedding planner P.K. Dubey, get into a bit of an argument over the color of the wedding tent. Lalit wanted a traditional colorful Punjabi tent, but Dubey has already put up a western-style white tent. -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
FS345 REPRESENTATIONS of IDENTITY, NATION and VALUES in BRITISH CINEMA IES Abroad London
FS345 REPRESENTATIONS OF IDENTITY, NATION AND VALUES IN BRITISH CINEMA IES Abroad London DESCRIPTION: This course examines the role of British cinema in providing a window into the changing nature of British identity and society since World War Two. Through the study of key films across the past sixty years it charts the progress of political, social, and cultural change in Britain as represented in British film. Students examine the changing economic fortunes of British cinema and its effect on the development of British film style during each period. A strong emphasis is placed on studying the contexts in which the films were originally circulated and read. The course provides opportunities to engage with film events in London, e.g., London Film Festival in the Fall Semester, and the BAFTA Film Awards in the Spring. Additionally, the course provides opportunities to know of the work of the British Film Institute archive and the course provides opportunities to utilize the resources of the British Film Institute archive and library, as well as steering students towards researching the locations, the stars, and directors of the London- based film. CREDITS: 3 credits CONTACT HOURS: 45 hours LANGUAGE OF INSTRUCTION: English PREREQUISITES: None ADDITIONAL COSTS: None METHOD OF PRESENTATION: • Lectures • Presentations of readings • Selected excerpts of film clips REQUIRED WORK AND FORM OF ASSESSMENT: • Participation in course discussion and presentation on a single film - 20% • Mid-term essay paper (approximately 1,500 words) - 30% • Group research project - 15% • End of semester essay paper (approximately 2,000 words) - 35% LEARNING OUTCOMES: By the end of the course students will be able to: • Analyze film in detail using a formal method • Understand the material, historical, ideological and economic elements of British life interface with the way that British film represents British identity • Learn about the influence of Hollywood on production, distribution and reception of feature film in the UK ATTENDANCE POLICY: Regular class attendance is mandatory.