Working with Radio 1 & 1Xtra
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The BBC's Use of Spectrum
The BBC’s Efficient and Effective use of Spectrum Review by Deloitte & Touche LLP commissioned by the BBC Trust’s Finance and Strategy Committee BBC’s Trust Response to the Deloitte & Touche LLPValue for Money study It is the responsibility of the BBC Trust,under the As the report acknowledges the BBC’s focus since Royal Charter,to ensure that Value for Money is the launch of Freeview on maximising the reach achieved by the BBC through its spending of the of the service, the robustness of the signal and licence fee. the picture quality has supported the development In order to fulfil this responsibility,the Trust and success of the digital terrestrial television commissions and publishes a series of independent (DTT) platform. Freeview is now established as the Value for Money reviews each year after discussing most popular digital TV platform. its programme with the Comptroller and Auditor This has led to increased demand for capacity General – the head of the National Audit Office as the BBC and other broadcasters develop (NAO).The reviews are undertaken by the NAO aspirations for new services such as high definition or other external agencies. television. Since capacity on the platform is finite, This study,commissioned by the Trust’s Finance the opportunity costs of spectrum use are high. and Strategy Committee on behalf of the Trust and The BBC must now change its focus from building undertaken by Deloitte & Touche LLP (“Deloitte”), the DTT platform to ensuring that it uses its looks at how efficiently and effectively the BBC spectrum capacity as efficiently as possible and uses the spectrum available to it, and provides provides maximum Value for Money to licence insight into the future challenges and opportunities payers.The BBC Executive affirms this position facing the BBC in the use of the spectrum. -
Owner's Guide
English Deutsch Owner’s Guide v1.0 Français Italiano TECHNICAL SUPPORT WARRANTY Should you encounter problems using this product, please refer to the Revo Technologies Ltd warrants to the end user that this product will troubleshooting section on page 38 of this owner’s guide. be free from defects in materials and workmanship in the course of Alternatively, call Revo technical support on : normal use for a period of one year from the date of purchase. This guarantee covers breakdowns due to manufacturing faults and UK 01555 666161 does not apply in cases such as accidental damage, general wear From outside the UK + 44 1555 666161 and tear, user negligence, modifi cation or repair not authorised by Revo Technologies Ltd. Alternatively, e-mail [email protected] or visit the troubleshooting To register your purchase please visit www.revo.co.uk/register section of our website at: www.revo.co.uk/support ENVIRONMENTAL INFO COPYRIGHTS AND ACKNOWLEDGEMENTS PRODUCT DISPOSAL INSTRUCTIONS (WEEE DIRECTIVE) Copyright 2013 Revo Technologies Ltd. All rights reserved. The symbol shown here and on the product means that it is classed as Electrical or Electronic Equipment and should not be disposed with No part of this publication may be copied, distributed, transmitted or other household or commercial waste at the end of its working life. transcribed without the permission of Revo Technologies Limited. The Waste of Electrical and Electronic Equipment (WEEE) Directive REVO and SUPERCONNECT and are trademarks or registered (2002/96/EC) has been put in place to recycle products using best trademarks of Revo Technologies Ltd. -
Capital Birmingham Should Not Be Allowed to Make the Changes to The
Spence, Mr Consultation question: Should regional radio station Capital FM (Birmingham) be permitted to make the changes to its Character of Service as proposed with particular regard to the statutory criteria as set out in the summary? (The Broadcasting Act 1990 Section 106 (1A) (b) and (d) relating to Format changes). Capital Birmingham should not be allowed to make the changes to the Character of Service as this would essentially change the station from am urban/black music station to a hit music station format which can potentially stop playing urban music if they wanted to if in the future it becomes less mainstream. The format change represents a real danger to the radio landscape in Birmingham as it can so significantly reduce the choice of music available in the area over time. It will make the station sound too similar to it's main competitors in the area on FM. I am not happy with the decision in particular to remove the commitment to listeners of African or Afro-Caribbean origin in terms of content and music. I do not believe the music output of Capital Birmingham should be allowed to be aligned to that of Yorkshire or London without a readvertisement of the license as the change requested is far too significant. I believe that the format must retain the words 'URBAN CONTEMPORARY BLACK MUSIC' and 'REGGAE, RnB AND HIP HOP' in order to be an acceptable request. The new requested format is already provided in much better quality by BBC Radio 1. I am not happy with the way the station has been allowed to gradually change from Choice FM in the mid 90s to the present day Capital FM with such a dramatic change in music output despite only slight changes to the official OFCOM agreed station format, while Choice London and Capital FM co-exist in London providing 2 very different sounding services. -
BMJ in the News 29 March
BMJ in the News is a weekly digest of journal stories, plus any other news about the company that has appeared in the national and a selection of English-speaking international media. A total of 27 journals were picked up in the media last week (29 March-4 April) - our highlights include: ● Research published in The BMJ finding that levels of adherence to the UK’s test, trace, and isolate system are low made national headlines, including BBC News, The Guardian, and The Daily Telegraph. ● A BJSM study suggesting that physical inactivity is responsible for up to 8% of non-communicable diseases and deaths worldwide was picked up by CNN, ITV News, and Gulf Today. ● A study in The BMJ revealing that people discharged from hospital after covid-19 appear to have increased rates of organ damage compared with similar individuals in the general population made headlines in the Times of India, Huffington Post, and Asian Image. BMJ PRESS RELEASES The BMJ | British Journal of Ophthalmology British Journal of Sports Medicine | Thorax EXTERNAL PRESS RELEASES BMJ Nutrition, Prevention & Health | BMJ Open Gut | Journal for Immunotherapy of Cancer Stroke & Vascular Neurology OTHER COVERAGE The BMJ | Annals of the Rheumatic Diseases BMJ Case Reports | BMJ Global Health BMJ Open Gastroenterology | BMJ Open Ophthalmology BMJ Open Science | BMJ Open Sport & Exercise Medicine BMJ Supportive & Palliative Care| Heart Journal of Epidemiology & Community Health | Journal of Medical Ethics Journal of Medical Genetics | Journal of NeuroInterventional Surgery Journal -
The Radio 1 Breakfast Show with Nick Grimshaw Industries
AS and A LEVEL MEDIA STUDIES Factsheet Industries and audiences factsheet: The Radio 1 Breakfast Show with Nick Grimshaw Industries Production and distribution • The Radio 1 Breakfast Show with Nick Grimshaw is broadcast weekdays from 06.30-10.00 am. • The Breakfast Show has been running since 1967, but Nick Grimshaw took over as the 15th presenter in 2012. • BBC Radio 1 is broadcast on FM, DAB, Freeview, Freesat, Virgin, Sky, or online via BBC Radio Player (including via the phone or tablet app) where it can be heard live or streamed for 30 days. • It is produced by the BBC from its own studios at Broadcasting House in London. • There’s a useful BBC Academy podcast (with transcript) about how the programme is produced http://www.bbc. co.uk/academy/articles/art20170619095219011 • You can also hear what one of the producers (Fiona Hanlon) thinks when she talks about what it’s like to work on the programme: https://www.shu.ac.uk/learn-more/radio-1- breakfast-show • The music is largely playlisted – what is going to be played on daytime Radio 1 is decided by a committee; they choose around 40 records each week for repeated daytime play (A-list records get 25 plays a week, B-list 15, and C-list eight to 10). It’s explained here: http://www.bbc.co.uk/ programmes/articles/SYYQz3WNpBJFs6MrRcs0B5/how-do-i- get-my-music-played-on-radio-1 . Choices are partly guided by what’s already popular with young people online; many older artists are not included as the network is trying to keep an under-30 audience. -
Ofcom Audio Survey 2021: Questionnaire
Survey name: Ofcom Audio Survey 2021 Timings: 3-7 March 2021 Methodology: Online survey We are conducting research on behalf of the UK's communications regulator Ofcom, who are looking to understand use of and attitudes towards different types of radio and audio services. ASK ALL 1. How often, if at all, do you do any of the following? GRID ROWS – RANDOMISE ORDER 1. A. Listen to radio (at the time of broadcast: not catch-up/podcast) 2. B. Listen to catch-up radio 3. C. Listen to music online 4. D. Listen to music stored or downloaded on a device 5. E. Listen to personal music collection (e.g. CDs, vinyls) 6. F. Listen to podcasts 7. G. Listen to audiobooks (digital/online and physical) 8. H. Use music videos as background listening (i.e. music video channels or sites such as YouTube or MTV) 9. GRID COLUMNS – SINGLE CODE 1. Several times a day 2. About once a day 3. Several times a week 4. About once a week 5. Several times a month 6. About once a month 7. Less often 8. Never ASK ALL (BACK FILTER ANYONE WHO LISTS A STATION HERE BUT DID NOT CODE ‘A RADIO STATION’ IN Q1) 2. Which, if any, of these radio stations have you listened to in the last 7 days? MULTICODE BBC Radio 1 BBC Radio 2 BBC Radio 3 BBC Radio 4 BBC Radio 5 live BBC 6 Music BBC Asian Network BBC Radio 1Xtra BBC Radio 4 Extra BBC Radio 5 live sports extra BBC World Service BBC radio for your nation / region (e.g. -
TV & Radio Channels Astra 2 UK Spot Beam
UK SALES Tel: 0345 2600 621 SatFi Email: [email protected] Web: www.satfi.co.uk satellite fidelity Freesat FTA (Free-to-Air) TV & Radio Channels Astra 2 UK Spot Beam 4Music BBC Radio Foyle Film 4 UK +1 ITV Westcountry West 4Seven BBC Radio London Food Network UK ITV Westcountry West +1 5 Star BBC Radio Nan Gàidheal Food Network UK +1 ITV Westcountry West HD 5 Star +1 BBC Radio Scotland France 24 English ITV Yorkshire East 5 USA BBC Radio Ulster FreeSports ITV Yorkshire East +1 5 USA +1 BBC Radio Wales Gems TV ITV Yorkshire West ARY World +1 BBC Red Button 1 High Street TV 2 ITV Yorkshire West HD Babestation BBC Two England Home Kerrang! Babestation Blue BBC Two HD Horror Channel UK Kiss TV (UK) Babestation Daytime Xtra BBC Two Northern Ireland Horror Channel UK +1 Magic TV (UK) BBC 1Xtra BBC Two Scotland ITV 2 More 4 UK BBC 6 Music BBC Two Wales ITV 2 +1 More 4 UK +1 BBC Alba BBC World Service UK ITV 3 My 5 BBC Asian Network Box Hits ITV 3 +1 PBS America BBC Four (19-04) Box Upfront ITV 4 Pop BBC Four (19-04) HD CBBC (07-21) ITV 4 +1 Pop +1 BBC News CBBC (07-21) HD ITV Anglia East Pop Max BBC News HD CBeebies UK (06-19) ITV Anglia East +1 Pop Max +1 BBC One Cambridge CBeebies UK (06-19) HD ITV Anglia East HD Psychic Today BBC One Channel Islands CBS Action UK ITV Anglia West Quest BBC One East East CBS Drama UK ITV Be Quest Red BBC One East Midlands CBS Reality UK ITV Be +1 Really Ireland BBC One East Yorkshire & Lincolnshire CBS Reality UK +1 ITV Border England Really UK BBC One HD Channel 4 London ITV Border England HD S4C BBC One London -
Radio 1 Live Lounge
GCSE MEDIA STUDIES Factsheet Radio: Industry and Audience – Radio 1 Live Lounge DISCLAIMER This resource was designed using the most up to date information from the specification at the time it was published. Specifications are updated over time, which means there may be contradictions between the resource and the specification, therefore please use the information on the latest specification at all times. If you do notice a discrepancy please contact us on the following email address: [email protected] www.ocr.org.uk/mediastudies Industry: Production and distribution The Radio One Live Lounge is a live music series that is hosted on BBC Radio 1 and BBC Radio 1Xtra (known as 1XTra) by Clara Amfo (since May 2015). It was initially hosted by Jo Whiley on her mid- morning radio show until 2009, when Fearne Cotton took over. 2009 also saw Trevor Nelson hosting Live Lounges on his Radio 1Xtra Show, but he has since been replaced by DJ Ace (2017). 1Xtra is a digital radio channel, whereas Radio 1 is available both via analogue and digitally. Clara Amfo has a background as a presenter for Nickelodeon and CBBC. She interned in marketing at KISS FM and was nominated in 2012 for a Sony Radio Award as a ‘Rising Star’. She joined BBC Radio 1Xtra as a host of the weekend breakfast show and joined the MTV chart shows. In 2015 she became the host of The Official Chart on BBC Radio 1 - crossing over from 1Xtra - and later went on to host the Live Lounge (hosted on both Radio 1 and 1Xtra). -
Statement: Definition of New Music on Radio 1 and Radio 2
Definition of New Music on Radio 1 and Radio 2 Variation to Ofcom’s Operating Licence for the BBC’s UK Public Services STATEMENT Publication Date: 27 March 2018 About this document Ofcom’s responsibilities include holding the BBC to account for delivering its mission and promoting its public purposes. One of the ways we do so is by setting an operating licence for the BBC containing a set of regulatory conditions with which the BBC must comply. In the operating licence issued in October 2017, we placed requirements on the BBC to ensure a significant proportion of Radio 1 and Radio 2’s music output was New Music. However, we also noted that whether songs qualified as ‘new’ had for many years been determined by a physical release date. As physical sales have increasingly given way to downloads and streaming services, we said we would look to amend the definition of New Music to reflect how music is now released to the public. We issued a consultation on an updated definition in January 2018. At the same time, we also proposed adjusting the proportion of New Music which the BBC is required to play on Radio 1. This statement summarises the comments we received to our proposals, our responses to those comments, and sets out our final decisions. The New Music conditions for Radio 1 and Radio 2 will come into force, using the new definition, on 1 April 2018. Contents Section 1. Summary 1 2. Analysis of responses to the New Music Consultation 4 Annex A1. Impact assessment and equality impact assessment 13 A2. -
Response to Bbc Trust Service Review of Bbc News and Current Affairs
RADIOCENTRE RESPONSE TO BBC TRUST SERVICE REVIEW OF BBC NEWS AND CURRENT AFFAIRS Overview 1. BBC News and journalism arguably has a greater impact on its audiences than any other part of its output. It is estimated that the BBC is the source of around 70% of all news consumption via broadcast in the UK1, and continues in a digital age to be recognised as a high quality news provider to millions around the world. 2. Whilst the majority of BBC News output is exemplary, and at its best emblematic of public service broadcasting, the BBC must ensure that its services continue to be distinctive during a period of increased competition in journalism from a plethora of media providers, including commercial radio. 3. 35% of the population use radio as a source of news, and 15% of these people use both commercial and BBC stations2. RadioCentre believes that radio news in its entirety can be strengthened and become even more relevant to UK audiences in future, but to do that the BBC must offer a complementary service of quality and distinctiveness. 4. This response will therefore examine three areas of relevance to radio news, consistent with the broad responsibilities of each BBC station; value for money, content, and market impact. We use these broad themes to draw conclusions as to the appropriate strategic direction of BBC News on radio services as a whole, in order for them to continue to prioritise the highest quality news output in the future. 5. The key points in the response are: Overall BBC news and current affairs output is of a high standard and provides valuable content for listeners. -
Holding the BBC to Account for the Delivery of Its Mission and Public Purposes Consultation
psb Holding the BBC to account for the delivery of its mission and public purposes Consultation Consultation Publication date: 29 March 2017 Closing date for responses: 17 July 2017 Holding the BBC to account for the delivery of its mission and public purposes – Consultation About this document Under the new Royal Charter and Agreement, regulation of the BBC passes from the BBC Trust to Ofcom on 3 April 2017. One of Ofcom’s central responsibilities is to hold the BBC to account for fulfilling its mission and promoting its public purposes. As part of our new responsibilities, we are required to publish an operating framework containing provisions to secure effective regulation of the BBC. In relation to the BBC’s performance, we must set an operating licence for the BBC, and we may set measures to assess the BBC’s performance. The licence must set out the enforceable regulatory conditions that we consider appropriate to ensure the BBC fulfils its duties. This consultation seeks views on our proposals for: a) the BBC operating licence, and the process for amending this in future; and b) Ofcom’s performance measures, and the process for amending these in future. Alongside responses to this consultation, we will also consider the BBC’s interim annual plan, which it is required to publish by 3 July 2017. We intend to publish a statement setting out our decisions, including the final operating licence, by the end of September 2017. Holding the BBC to account for the delivery of its mission and public purposes – Consultation Contents Section -
BBC Radio 1 & 2 Audience Research
BBC Radio 1 & 2 Audience Research October 2014 Graham Williams Research Director Tel: 0044 20 7400 0376 [email protected] 1 Contents Page No. 1. Summary........................................................................................................................ 4 1.1 What do Radio 1 and Radio 2 listeners think? ........................................................ 4 2. Background .................................................................................................................... 5 3. Research Objectives ....................................................................................................... 6 4. Methodology ................................................................................................................... 7 4.1 Survey Method...................................................................................................... 7 5. What is BBC Radio v Commercial Radio ......................................................................... 8 5.1 Radio 1 listeners attitudes to BBC Radio ............................................................... 8 5.2 Radio attitude to commercial radio ....................................................................... 11 5.3 Radio 2 listeners attitudes to BBC Radio ............................................................. 12 5.4 Radio 2 listeners attitude to commercial radio ...................................................... 15 6. Content .......................................................................................................................