Laurence Juber – Little Wing (Version 2)

Total Page:16

File Type:pdf, Size:1020Kb

Laurence Juber – Little Wing (Version 2) LITTLE WING As recorded by Laurence Juber (From the 2000 Album THE COLLECTION) Transcribed by Laurence Juber Words and Music by Jimi Hendrix (and JazzInc) Arranged by Laurence Juber C Em Am Bm7 Am7 Em VII D G Am open x 5 fr. 7 fr. 5 fr. 7 fr. xx x Csus2 Bm Am V (type 2) Gsus2 Fsus2 G5 GIII GVIII x 3 fr. 7 fr. 5 fr. xx xx xx 3 fr. x 8 fr. A Intro Standard tuning = 64 EmP G } V 3 1 } V j g 4 j } V V V V I 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr I x 12 T x 12 0 0 0 0 0 1 0 0 1 0 0 1 0 x 12 0 0 2 0 0 0 A 0 2 2 0 2 0 0 0 0 0 2 0 0 2 0 0 2 0 0 B 3 sl. H H P H P H P H P H P Am Em R t 3 j P V V R V R j t g P V P V V R R VV R I P V V V V V V P V V V P V V W j U V V let ring let ring N.H. 5 7 5 [12] 0 T 5 8 5 [12] 0 5 7 5 [12] 0 2 0 0 A 5 7 5 5 7 2 0 2 0 B 5 7 2 0 5 0 H P H P H P H P H H H P H P Bm7 Am7 5 V g k V V V V V V fV V V I V V lV ggV V V V V V V V V V V V V V W V l eV k V V V V V V V V V V V let ringlet ring let ring let ring let ring 7 5 T 7 7 7 6 5 5 0 1 0 0 1 0 0 1 0 7 7 9 7 7 6 5 5 0 0 A 7 9 7 6 5 5 0 2 0 0 2 0 0 2 0 0 B 7 7 6 5 H P H P H P H P sl. 2004 Experience Hendrix LLC Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org LITTLE WING - Laurence Juber Page 2 of 8 G F C R 7 j P V V V g P V V V V V V 2 V V V V V I V V P V V V fV V VV 4 V V V V V 5 7 5 5 3 3 3 0 T 3 5 3 3 1 1 G1 1 1 1 3 0 K0 0 0 A 5 5 7 5 5 3 3 K3 2 2 B K 3 3 3 K sl. sl. sl. H B Verse D 3 9 V g 4 V V V V V V V R V V V I 4 WV V V V V P V V V V V V let ring let ring T 7 8 7 3 2 7 7 7 9 7 4 A 0 7 7 9 7 7 7 7 7 B 10 7 9 9 9 9 10 10 10 10 10 sl. H P sl. H sl. sl. sl. Em G 3 11 g V V W V V V V V V V V V R I V V V V V V P V V V V V V V V V T 5 5 3 3 3 0 1 0 0 0 2 0 0 0 0 0 A 0 2 0 0 0 0 2 B 0 0 0 0 3 3 sl. Am Em 3 t t 3 t 13 t t k t t g V R t I V V V V V P V V V V V V V eV f V e V V V V fV W N.H. N.H. [12] [12] T 0 [12] [12] 2 2 2 [12] 0 0 2 0 [12] A 2 2 0 2 [12] B 0 0 1 2 1 0 0 2 3 0 H P P H P P H Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org LITTLE WING - Laurence Juber Page 3 of 8 Bm7 Am C c l l 15 g R V V V d R V V V V V I P W V V V V V lV P V V V VV VV VV VV VV V W V V V V P Vj V V W V let ring let ring let ring u let ring 3 3 3 3 T 0 0 1 0 3 3 3 3 0 7 9 7 7 7 7 9 9 0 5 5 5 5 0 A 7 9 0 2 0 0 5 5 5 5 0 B 9 9 9 9 3 7 7 7 7 H P G F C 17 g R V V fV V P V V V V V V 2 V V V V V I P Vj V V V fW V 4 WV V 3 3 1 1 0 0 T 0 1 0 3 1 1 1 1 1 3 0 0 0 0 2 0 0 A 0 2 0 5 3 2 2 B 3 H P H H 1. D 3 19 g V V V V I 4 V V V V V V V V V R V V V V V V W P V V V V V V u T 7 8 7 3 2 7 7 7 9 7 4 A 0 7 7 9 7 7 7 7 7 B 10 7 9 9 9 9 10 10 10 10 10 sl. H P H sl. sl. C Verse 2. D Em R 21 V V W V V V P V g V V V V V I kV V V V V V V V V V V V u u u u u u u UFull Full M M T 12 15 15 15 12 12 15 2 7 9 11 12 14 O A 0 0 0 0 (0) 0 0 0 0 B 0 sl. sl. H Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org LITTLE WING - Laurence Juber Page 4 of 8 G Am R P V V V R l R 24 g V P V V V V P V V V V V V V V V P V V V V V V I V V V W V V V V V V V V V V V V let ring let ring let ring let ring let ring 10 12 10 10 5 5 5 5 7 5 5 T 12 10 12 10 10 12 10 12 10 8 5 8 5 8 8 0 0 0 12 5 5 A 0 5 5 7 B 5 sl. sl. H H H H Em 26 g V V V eV I V V V V V W V eV V V V V V fV V V V T 9 7 A 9 7 8 7 5 B 7 5 0 2 0 5 6 5 3 0 3 3 2 0 sl. sl. H P P P P P Bm V 27 g k V V V V V V fV I V V V V V ggV W V fV V V V gV V V V V V eV let ringlet ring let ring 7 10 7 T 7 10 7 6 7 9 7 6 A 7 9 7 6 B 9 8 7 7 9 7 7 7 10 10 10 7 6 H P H P H P H P P P H P P Am 28 l V V V g V V V V V I V V V V V V V V V Vj V V V W 5 7 8 7 5 T 5 5 5 5 5 7 A 5 7 9 5 7 7 7 9 9 7 B 5 H sl. sl. P H sl. sl. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org LITTLE WING - Laurence Juber Page 5 of 8 G F C 29 k V V V l g V V V V V V V 2 V V V V V I W V VV VV fVV VV VV VV 4 W V V 5 5 5 3 3 3 0 T 3 3 3 1 1 1 1 3 3 1 0 0 0 0 0 0 0 0 A 5 5 5 3 3 3 B 3 D Chorus D V V 31 j V V V V V V g 4 V } } R V V V V V V V V I 4 V V V P V V 3 3 V W V V V 3 let ring 2 12 10 7 7 5 T G3 x x 12 10 7 7 5 7 8 7 K2 7 7 9 7 7 A 0 K 7 7 9 7 7 B K 7 9 7 9 10 H P H sl.
Recommended publications
  • Jimihendrixexperience-SP Original
    DECLARACION DE CONFORMIDAD Precaución: Instrucciones de seguridad Felicidades y gracias de parte de D i g i Te c h ® por elegir el Pedal de la ® Nombre del fabricante: DigiTech Para su seguridad, lea lo siguiente: ™ Dirección del fabricante: 8760 S. Sandy Parkway serie A r tist Jimi Hendrix Experience . Sandy, Utah 84070, U.S.A. 1. Lea estas instrucciones. declara que el producto: 2. Cumpla con lo indicado en estas instrucciones. 3. Siga todas las advertencias. Nombre del producto: Jimi Hendrix ExperienceTM 4. No utilice este aparato cerca del agua. La filosofía de DigiTech en lo referente al diseño de aparato comienza con la 5. Limpie esta unidad solo con un trapo seco. idea de dotar a cada guitarrista de las herramientas más innovadoras y con 6. No bloquee ninguna de las ranuras de ve n t i l a c i ó n . Instale el Opciones del producto: todas (requiere adaptador de aparato de acuerdo a las instrucciones del fabricante. corriente de clase II que cumpla mejor sonido posibles. En este sentido, nuestra revolucionaria tecnología con los requisitos de EN60065, 7. No instale este aparato cerca de fuentes de calor como EN60742, o equivalente). radiadores, calentadores u otro aparato (incluyendo Production Modeling™ fue creada para ayudar a reproducir los sonidos amplificadores) que produzcan calor. cumple con las siguientes especificaciones de producto: 8. Evite que el cable de corriente pueda quedar aplastado o de estudio y directo y los efectos de músicos concretos, tal como se retorcido, especialmente en los conectores, receptáculos o en escuchan en sus discos. Esto incluye el modelado de recintos acústicos de Seguridad: IEC 60065 (1998) el punto de salida del aparato.
    [Show full text]
  • Five Kingdoms
    University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2008 Five Kingdoms Kelle Groom University of Central Florida Part of the Creative Writing Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Groom, Kelle, "Five Kingdoms" (2008). Electronic Theses and Dissertations, 2004-2019. 3519. https://stars.library.ucf.edu/etd/3519 FIVE KINGDOMS by KELLE GROOM M.A. University of Central Florida, 1995 B.A. University of Central Florida, 1989 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing/Poetry in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Fall Term 2008 Major Professor: Don Stap © 2008 Kelle Groom ii ABSTRACT GROOM, KELLE . Five Kingdoms. (Under the direction of Don Stap.) Five Kingdoms is a collection of 55 poems in three sections. The title refers to the five kingdoms of life, encompassing every living thing. Section I explores political themes and addresses subjects that reach across a broad expanse of time—from the oldest bones of a child and the oldest map of the world to the bombing of Fallujah in the current Iraq war. Connections between physical and metaphysical worlds are examined.
    [Show full text]
  • Joey Leone Songlist
    Joey Leone’s Chop Shop Playlist (see note at bottom of playlist *) Classic Country Ring of Fire Folsom Prison Blues Walk the Line Working Man Blues Truck Driving man Six Days on the Road Guitars, Cadillacs, Lonesome me Eastbound and Down Poke Salad Annie Summertime Blues These Boots are Made for Walking Act Naturally Sit Here and Drink Boy Named Sue Rocky Top Sugarfoot Rag Hey Good Looking Cocaine Blues Gentle on My Mind Wichita Lineman Cheating Heart Southern Rock Sweet Home Alabama Simple Man Free Bird The Breeze One Way Out Midnight Rider Statesboro Blues Cripple Creek Take it Easy Peaceful Easy Feeling Classic Rock Sultans of Swing Money For Nothing La Grange Just Got Paid I’m Your Captain Born on The Bayou Proud Mary Bad Moon Rising Lodi Running Down A Dream LocoMotive Breath Roadhouse Blues LA Woman Love Me Two Times Back Door Man Old Man Rocking in the Free World Down By the River Jeepster Bang a Gong I Shot The Sheriff Secret Agent Man Stuck in the Middle Go Your Own Way Listen to the Music Behind Blue Eyes Pinball Wizard Mississippi Queen Jenny 8675309 Hard Rock Blitzkreig Bop I Wanna Be Sedated Breaking the Law You Got Another Thing Coming Anarchy in the UK War Pigs Paranoid Planet Caravan Fly Away Ace of Spades Day of The Eagle Smells Like Teen Spirit Come As You Are Fight For Your Right to Party ROLLING STONES jumping jack flash gimme shelter cant always get what u want let it bleed sympathy for the devil dead flowers wild horses angie 2000 light years from home no expectations love in vein satisfaction live with me honky tonk
    [Show full text]
  • In the Middle of 1970, Curtis Mayfield Quit the Impressions and Began One of the Most Groundbreaking and Successful Solo Careers in History
    In the middle of 1970, Curtis Mayfield quit the Impressions and began one of the most groundbreaking and successful solo careers in history. Nothing happened to force his hand—no dramatic falling out or heated argument. In his customary seat-of-the-pants way, he simply picked up the phone one evening, called fellow Impression Fred Cash, and said, “Fred, I’m going to try to go on my own and see what I can do. You and Sam [Gooden] can do the same thing. Y’all go on your own and see what you can do.” Fred called Sam and told him the news, and that was it. My father left the group. Fred, Sam, and the Impressions, three of the most important forces in my father’s life for more than a decade, no longer occupied his mind. The boyhood dreams, the endless miles traveled on tour, the lonely nights trying to steal sleep in motel beds, the harmonizing and fraternizing all came to an end. Dad struggled with the decision. For years, the three Impressions were so close that if you saw one of them, you usually saw the other two. They spent more time with each other than they did with their own wives. Yet, my father had the ability to turn off his emotions and make cold, calculated business decisions when he felt it necessary. Recalling this side of him, my brother Tracy says, “You saw a good and evil. The evil part came out when it was about business. I always separated the parent from the businessperson.
    [Show full text]
  • Power of Rock ‘N Roll
    LEARNING THROUGH THE POWER OF ROCK ‘N ROLL AT SCHOOL OF ROCK, CLASSIC ROCK WORK HARD, ROCK OUT IS THE FOUNDATION OF INSTRUCTION Learning music in a lesson room is just the beginning, School of Rock offers a variety of dynamic music instruction and artist development programs to engage students of all skill because we get kids playing on stage as quickly as levels, from beginner to intermediate/advanced and also adults. possible. This real-life experience pushes them to do Little Wing Rookies Rock 101 Performance their best, helping them master skills more quickly Seasonal Camps AllStars Guest Professor Series and thoroughly than stuffy old music lessons. As both rockers and educators, School of Rock’s experienced The ALLSTARS PROGRAM is the highest level of achievement for a instructors are passionate about creating a legacy of School of Rock student. Achieved through an annual audition music for the future by helping your kids succeed in process, the top 2.5% of students nationwide get the opportunity music and beyond. to take their skills on the road for a summer tour, headlining iconic venues and festivals across the U.S. Teaching More Than Music The GUEST PROFESSOR SERIES lets students interact and learn from School of Rock teaches guitar, bass, vocals, professional artists through intimate and interactive concerts, workshops, and master classes. keyboards, drums, and combines weekly private NOTABLE GUEST PROFESSORS music lessons with group band rehearsals to prepare Josh Homme (Queens of the Stone Age) Joey Santiago (Pixies) students
    [Show full text]
  • Jimi Hendrix Moonbeams & Fairytales Disc 19-22 Jimi Hendrix
    Naughty Dog Jimi Hendrix Moonbeams & Fairytales Disc 19-22 T rade Freely. Not ForSale. rade Freely. Jimi Hendrix Moonbeams & Fairytales Disc 19-22 Disc Fairytales & Moonbeams Hendrix Jimi Naughty Dog Naughty Jimi Hendrix Moonbeams & Fairytales Disc 19-22 Jimi Hendrix Moonbeams And Fairytales Jimi Hendrix Moonbeams & Fairytales Disc 19-22 Naughty Dog Disc 19-22 Naughty Dog DISC 19 DISC TIME 71:31 DISC 20 DISC TIME 69:02 1967 1. 25 Oct [S026] (3) Little Wing (official, mono) 3:03 “Musicorama”, L’Olympia, Paris 2. 25 Oct [S026] (1) Little Wing (official stereo) 3:01 1. 09 Oct [L1582] (19) Hey Joe (inc. intro) 4:07 3. 25 Oct Little Wing (fake mix of (1) - Living Reels B528) 3:26 2. 09 Oct [L1542](14) Experiencing The Blues (Catfish Blues) 5:26 4. 25 Oct [S026] (2) Little Wing (“Backtrack” mix) 1:48 3. 09 Oct [L1583](95) Fire *†† 3:29 5. 25 Oct [S1540] (16) Little Wing (alternate instrumental take) 1:48 4. 09 Oct [L1581] (33) Stone Free *†† 3:41 5. 09 Oct [L521] (12) Foxy Lady 5:47 Olympic Sound Studios, 117 Church Road, Barnes, London SW13 6. 09 Oct [L522] (10) The Wind Cries Mary 4:14 6. 26 Oct [S024] (3) Wait until Tomorrow (official, mono) 1:48 7. 09 Oct [L523] (5) Rock Me Baby 4:54 7. 26 Oct [S024] (1) Wait until Tomorrow (official) 1:52 8. 09 Oct [L524] (9) Red House 7:30 8. 26 Oct [S1105] (2) Wait until Tomorrow (alt. mix, longer) 1:47 9. 09 Oct [L525] (20) Purple Haze 8:26 9.
    [Show full text]
  • Jimihendrixexperience Original.Pdf
    JHE Manual v4.1 9/19/05 3:12 PM Page 1 JHE Manual v4.1 9/19/05 3:12 PM Page 2 DECLARATION OF CONFORMITY Warning Manufacturer’s Name: DigiTech® Manufacturer’s Address: 8760 S. Sandy Parkway Sandy, Utah 84070, U.S.A. For your protection, please read the following: declares that the product: Important Safety Instructions ™ Product name: Jimi Hendrix Experience 1. Read these instructions. Product option: all (requires Class II power 2. Keep these instructions. adapter that conforms to the 3. Heed all warnings. requirements of EN60065, EN60742, or equivalent.) 4. Do not use this apparatus near water. 5. Clean only with dry cloth. conforms to the following Product Specifications: 6. Do not block any ventilation openings. Install in Safety: IEC 60065 (1998) accordance with the manufacturer’s instructions. 7. Do not install near any heat sources such as radiators, EMC: EN 55013 (1990) heat registers, stoves, or other apparatus (including EN 55020 (1991) amplifiers) that produce heat. Supplementary Information: 8. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, The product herewith complies with the requirements of the Low and the point where they exit from the apparatus. Voltage Directive 73/23/EEC and the EMC Directive 89/336/EEC 9. Unplug this apparatus during lightning storms or when as amended by Directive 93/68/EEC. unused for long periods of time. Vice-President of Engineering - MI 10. No user serviceable parts inside. Refer all servicing to 8760 S. Sandy Parkway qualified service personnel. Servicing is required when Sandy, Utah 84070, U.S.A.
    [Show full text]
  • Jimmy Doolittle E Commander Behind the Legend
    THE 17 DREW PER PA S Jimmy Doolittle e Commander behind the Legend Benjamin W. Bishop Lieutenant Colonel, USAF Air University Steven L. Kwast, Lieutenant General, Commander and President School of Advanced Air and Space Studies Thomas D. McCarthy, Colonel, Commandant and Dean AIR UNIVERSITY SCHOOL OF ADVANCED AIR AND SPACE STUDIES Jimmy Doolittle The Commander behind the Legend Benjamin W. Bishop Lieutenant Colonel, USAF Drew Paper No. 17 Air University Press Air Force Research Institute Maxwell Air Force Base, Alabama Project Editor Library of Congress Cataloging-in-Publication Data Jerry Gantt Bishop, Benjamin W., 1975– Copy Editor Jimmy Doolittle, the commander behind the legend / Tammi K. Dacus Benjamin W. Bishop, Lieutenant Colonel, USAF. pages cm. — (Drew paper, ISSN 1941-3785 ; no. 17) Cover Art, Book Design, and Illustrations Includes bibliographical references. Daniel Armstrong ISBN 978-1-58566-245-6 Composition and Prepress Production 1. Doolittle, James Harold, 1896-1993—Military leadership. Michele D. Harrell 2. Generals—United States—Biography. 3. Command of Print Preparation and Distribution troops—Case studies. 4. United States. Army Air Forces. Air Diane Clark Force, 8th. 5. World War, 1939-1945—Aerial operations, Amer- ican. I. Title. UG626.2.D66B57 2014 940.54’4973092—dc23 2014035210 AIR FORCE RESEARCH INSTITUTE AIR UNIVERSITY PRESS Published by Air University Press in February 2015 ISBN: 978-1-58566-245-6 Director and Publisher ISSN: 1941-3785 Allen G. Peck Editor in Chief Oreste M. Johnson Managing Editor Demorah Hayes
    [Show full text]
  • Lake View Nature Center Join Us for This Basic Workshop and Start an Herb Garden from 17 W
    Village of Hinsdale | Parks & Recreation • YOUTH PROGRAMS My First Garden Lake View Nature Center Join us for this basic workshop and start an herb garden from 17 W. 063 Hodges Road, Oakbrook Terrace seeds to take care of at home. Get tips on how to engage your child in the cultivation of their first plants to start a love of Nature Tots gardening for life. Toddlers with an adult will explore the wonders of nature through Code Day Time Date Register By “loose parts” play. In this way, your little one can learn the joys of 103105-A SA 9:30-10:30am 6/13 6/6 a natural play-scape that they create themselves, while learning teamwork and sharing skills. We provide materials, your child Ages: 2-5 years with adult provides imagination! We will play outside in this class, so please Fee: $15R/NR dress for the weather. Location: Lake View Nature Center Code Day Time Date Register By Max: 5 103101-A F 9:30-10:30am 6/12 6/5 103101-B F 9:30-10:30am 8/14 8/7 NEW • Paper Making Workshop 103101-C F 9:30-10:30am 8/28 8/21 Making paper by hand is a fun process and a kind thing to do for the environment. Let us show you how to use scrap papers, junk Ages: 18 months-3 years with adult mail, paper shreds, and water to create a thing of handmade Fee: $10R/NR beauty. All participants must register. Children under age 8 must Location: Lake View Nature Center be accompanied by a registered adult.
    [Show full text]
  • 32.-Brown-2013-Little-Wing.Pdf
    Understanding Rock This page intentionally left blank Understanding Rock ESSAYS IN MUSICAL ANALYSIS Edited by JOHN COVACH & GRAEME M. BOONE New York Oxford Oxford University Press 1997 Oxford University Press Oxford New York Athens Auckland Bangkok Bogota Bombay Buenos Aires Calcutta Cape Town Dares Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madras Madrid Melbourne Mexico City Nairobi Paris Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Copyright © 1997 by Oxford University Press, Inc. Published by Oxford University Press, Inc., 198 Madison Avenue, New York, New York 10016 Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Understanding rock : essays in musical analysis / edited by John Covach and Graeme M. Boone. p. cm. Includes index. Contents: Progressive rock, "Close to the edge," and the boundaries of style / John Covach — After sundown : the Beach Boys' experimental music / Daniel Harrison — Blues transformations in the music of Cream / Dave Headlam — "Joanie" get angry: k. d. lang's feminist revision / Lori Burns — Swallowed by a song: Paul Simon's crisis of chromaticism / Walter Everett — Little wing: a study in musical cognition / Matthew Brown — Tonal and expressive ambiguity in "Dark star" / Graeme M. Boone. ISBN 0-19-510004-2; ISBN 0-19-510005-0 (pbk.) 1. Rock music—History and criticism. 2. Rock music—Analysis, appreciation.
    [Show full text]
  • Little Wing – Jimi Hendrix Tempo: 70 Bpm Tuning: Standard Chords Used
    Little Wing – Jimi Hendrix Tempo: 70 bpm Tuning: Standard Chords Used: see “all chords” file *Sorry about the vocals in this song. I was JUST getting over the flu, which later turned into pneumonia, and I was just barely able to get by. The song is still there though – just don’t listen to my singing! ☺ Strumming Pattern: DDD, DU Note: You’ll see a * (asterisk) on the Am chord. When you take a look at the PTB score of this song, you’ll notice that he actually throws in an inverted C chord, which is also displayed in the lead intro below. This is what makes the Am NOT sound so much like an Am before the transition to the next chord. It’s not a huge deal, but I did this to show you – and give you a pointer on ALL of the Am chords in this collection of Hendrix songs. He does it VERY frequently, so you can easily interchange this when you feel like it. Other than that, I only included the asterisk on this song to keep you from getting too confused. Intro Lead: Intro: (riff above, then) G – Am* (C) - Em | Bm – Bb – Am* (C) – G – F – C5 – D5 (same as verse) Verse: Em G Am* (C) Em Well, she's walking through the clouds, with a circus mind that's running wild… Bm Bb Am* (C) G Butterflies and zebras, and moonbeams and fairy tales…. F C5 that's all she ever thinks about… (C5) D5 Riding with the wind. Verse: Em G Am* (C) Em When I'm sad, she comes to me, with a thousand smiles she gives to me free.
    [Show full text]
  • Imagery and Figurative Language in Jimi Hendrix's
    IMAGERY AND FIGURATIVE LANGUAGE IN JIMI HENDRIX’S SONG LYRIC ENTITLED LITTLE WING Akmil Asril Jurusan Sastra Inggris Fakultas Sastra Unud Abstrak Jurnal ini berjudul “Imagery and Figurative Language in Jimi Hendrix’s Song Lyric entitled Little Wing”. Topik ini saya pilih karena menarik minat saya dan lagu-lagu dari sumber data masih sangat menarik untuk didengar di jaman sekarang, walaupun lagu-lagu tersebut ditulis sudah berpuluh tahun yang lalu. Tujuan dari penelitian ini adalah untuk menemukan jenis-jenis citraan and bahasa kias yang ada di lirik lagu Jimi Hendrix dan menjelaskan fungsi dan makna dari bahasa kias dan citraan tersebut. Data utama diambil dari lirik lagu Jimi Hendrix sebagai sumber data. Data di kumpulkan melalui metode dokumentasi dengan memakai teknik mencatat. Teori utama yang digunakan berdasarkan pada teori citraan dan bahasa kiasan oleh Knickerbocker dan Reninger di buku mereka yang berjudul Interpreting Literature (Holt, Rinehart and Winston, 1969). Teori pendukung lainnya juga digunakan untuk melengkapi pemahaman tentang topik yang dibahas. Berdasarkan hasil analisis dari lagu Jimi Hendrix yang berjudul Little Wing, citraan yang terkandung sebagian besar adalah citraan penglihatan, tetapi juga terdapat beberapa jenis citraan yang lain yaitu citraan gerak, citraan pendengaran, dan citraan perabaan. Bahasa kiasan yang ditemukan adalah hiperbola. Kata Kunci: Bahasa Kias, Citraan, Majas 1. Background of the Study A language has an important role in daily life. It is used for communication or expressing people’s feeling and thought. In establishing the social relationship with the other people; language is used as a connector in communication. One of main function of language is to communicate meaning (Spolsky, 1998:3).
    [Show full text]