JONATHAN LEE-REY Actor / Writer / Filmmaker EMC (646) 932-0005 Height: 5’7’’ Weight: 145 Lbs

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JONATHAN LEE-REY actor / writer / filmmaker EMC (646) 932-0005 Height: 5’7’’ Weight: 145 lbs. [email protected] Hair: Black Eyes: Brown Chicago, IL COMEDY & IMPROV Into the Warren-verse Ensemble Annoyance (dir. Molly Todd Madison) Harold Team – Velvet Improviser iO House Team (c. Shawn Bush) Stir Friday Night Ensemble iO Dynasty Sit-In Improviser iO (prod. Avery Lee) Studio Eleven Sit-In Sketch Performer iO Kaleidoscope Host, Producer The Playground (prod. Jonathan Lee-Rey) Video Party Host, Producer The Music Box (co prod. Trumane Alston & Nick Di Maso) The Pool Improviser iO (dir. Mike Johnson) The News with Maggie Smith Writer Second City Network (dir. Danny Bischoff & Kyle Mantegna) Breakfast of Champions Improviser iO (prod. Nick McDowell) Generation LatinX Ensemble iO (dir. Mishell Livio) Annoyance Radio 111.1 Improviser The Annoyance Theatre NY (dir. Jed Resnick) THEATRE Playmakers Lab Artistic Associate Neo Futurists Theater (AD. Brandon Cloyd) Filet of Solo Festival Stir Friday Night Ensemble Lifeline Theater Dirty Little Sex Monster Ted, Max, Chad Jackalope Theater (dir. Dani Wieder) Body Pillows Bamboo Wife NY Madness (dir. Yvonne Hartung) The Troll King Blake, Wombraider Pipeline Theatre Company Bonfire Reading (dir. Emily Moler) On Pace Jorge Alvarez Midtown Int’l Theatre Festival (dir. Blayze Teicher) Love’s Labours Lost Boyet Saratoga Shakespeare Company (dir. Lary Optiz) Comedy of Errors Officer Saratoga Shakespeare Company (dir. Holly L. Derr) Robin Hood Second Forester Williamstown Theatre Festival (dir. Stella Powell Jones) WEB & FILM We Still Teach (Sketch) Featured Comic (Lead) Chicago Teachers Union (p. Fox 32/My50) Free Kieko (Sketch) Bowen (Lead) Video People (d. Keiter Liriano) Saltines (Music Video Sketch) Nice Guy (Supporting) A Natalie Reff Production (d. Vivi Varon) Patty Poop (Sketch) Jonathan (Supporting) A Melissa McGlensey Production (d. Bethany Berg) Beta (Web Series) Developer (Supporting) A Pat Wimp Production (d. Calli Ryals) Make it Up Media Various Make it Up Media Film Studio Free Trial Run (Sketch Team) Various iO Network Digital Team (c. Andrew Roddewig) The Cookout (Short) Emilio (Lead) Amigo Porqueria Productions (d. Frank Spiro) Life of Harold (Webseries) Jake (Supporting) Life of Harold Prods (dir. Jeff Paschal & Mathias Blake) TRAINING iO Theater: Improv Graduate Harold Ramis Film School: Certificate in Comedic Storytelling Upright Citizens Brigade: Improv Graduate Second City Comedy Studies: Off Campus Study Magnet Theater: Level 1 for Advanced Improvisers Second City Conservatory: Graduate Skidmore College: BS in Theater/Psychology Shakespeare & Company Summer Training Institute Side Street Kids: Salsa, Cha-Cha, and Mambo SPECIAL SKILLS • Stage Combat • Aikido • Clown • SCUBA Diver • US Passport • NY Driver License .

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Morgan Lord 601 S
MORGAN LORD 601 S. Morgan St., 1130 UH [email protected] Linked In Portfolio R E S E A R C H I NTERESTS Improvisation, play, vulnerability, life stories P ROFESSIONAL S UMMARY I’m currently a fulltime Professional Development Program lecturer, as part of the Institute for Leadership Excellence & Development (iLEAD) at University of Illinois Chicago (UIC), incorporating improvisation and communication, leadership, public speaking, business writing, vulnerability and teamwork. In 2006, I started my own freelance magazine writing company and have written for dozens of publications, including Women’s Health, Prevention and Chicago Health magazine. I have taught journalism, gerontology, business courses and improvisation at a college level, and have 13 years of experience in comedy writing and improvisation. I am interesting in people’s life stories and developing the vulnerability to share those experiences. E DUCATION NORTHWESTERN UNIVERSITY, MEDILL SCHOOL OF JOURNALISM, Evanston, Illinois, M.S., Journalism, 2005 UNIVERSITY OF FLORIDA, Gainesville, Florida, B.S., Magazine Journalism, 2004 (minor in Gerontology) T EACHING EXPERIENCE Professional Development Program Lecturer, University of Illinois Chicago August 2019-present Full-time lecturer at the College of Business Administration at the University of Illinois Chicago Improvisation for Business: applying improvisational and communication skills to various oral communication situations. COURSES TAUGHT: BA420: PROFESSIONAL PRESENCE BA220: PROFESSIONAL DEVELOPMENT II BA 100: INTRODUCTION TO UIC AND PROFESSIONAL DEVELOPMENT Assistant Professor of Journalism, Concordia University 2009-2011 Taught undergraduates and graduates. Identified and structured required courses and developed curriculum for the new journalism major and minor. Planned lectures, labs, workshops, and administered examinations. Advised The Concordia Spectator, the on-campus newspaper, and contributed articles to Concordia’s Forester magazine.
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This Is Chicago
“You have the right to A global city. do things in Chicago. A world-class university. If you want to start The University of Chicago and its a business, a theater, namesake city are intrinsically linked. In the 1890s, the world’s fair brought millions a newspaper, you can of international visitors to the doorstep of find the space, the our brand new university. The landmark event celebrated diverse perspectives, backing, the audience.” curiosity, and innovation—values advanced Bernie Sahlins, AB’43, by UChicago ever since. co-founder of Today Chicago is a center of global The Second City cultures, worldwide organizations, international commerce, and fine arts. Like UChicago, it’s an intellectual destination, drawing top scholars, companies, entrepre- neurs, and artists who enhance the academic experience of our students. Chicago is our classroom, our gallery, and our home. Welcome to Chicago. Chicago is the sum of its many great parts: 77 community areas and more than 100 neighborhoods. Each block is made up CHicaGO of distinct personalities, local flavors, and vibrant cultures. Woven together by an MOSAIC OF extensive public transportation system, all of Chicago’s wonders are easily accessible PROMONTORY POINT NEIGHBORHOODS to UChicago students. LAKEFRONT HYDE PARK E JACKSON PARK MUSEUM CAMPUS N S BRONZEVILLE OAK STREET BEACH W WASHINGTON PARK WOODLAWN THEATRE DISTRICT MAGNIFICENT MILE CHINATOWN BRIDGEPORT LAKEVIEW LINCOLN PARK HISTORIC STOCKYARDS GREEK TOWN PILSEN WRIGLEYVILLE UKRAINIAN VILLAGE LOGAN SQUARE LITTLE VILLAGE MIDWAY AIRPORT O’HARE AIRPORT OAK PARK PICTURED Seven miles UChicago’s home on the South Where to Go UChicago Connections south of downtown Chicago, Side combines the best aspects n Bookstores: 57th Street, Powell’s, n Nearly 60 percent of Hyde Park features renowned architecture of a world-class city and a Seminary Co-op UChicago faculty and graduate alongside expansive vibrant college town.
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Shine a Light 2010 Annual Report Our Mission
Shine a Light 2010 Annual Report our mission The Night Ministry was created out of diverse religious traditions to build relationships with vulnerable youth and adults on the nighttime streets. Today, we build relationships in a variety of settings. Through these relationships and the provision of housing, health, spiritual, and social services, we seek to empower people of all ages to meet their own needs. Recognizing the uniqueness, dignity, and value of each person, we accept individuals as they are, in an affirming and compassionate manner. We call the larger community to the same mission. Dear Friends, Throughout Fiscal Year because there are many Often in life, we do not 2010, with the help of more lives to be touched. know how we impact others. supporters like you at our To ensure that The Night Rest assured, however, that side, The Night Ministry Ministry can continue through The Night Ministry, continued our mission of touching lives, this year you do make a difference in building relationships with we completed a strategic the lives of those whom society vulnerable adults and youth planning process, the results has often forgotten or ignored. on the streets and in our of which provide us with a This report highlights some shelters. roadmap to guide our work examples, and we hope you “This plan The involvement of our in the next three years. We will enjoy reading it. friends, in all of the ways they are establishing systems Our work still isn’t done. reaffirms Paul W. Hamann partner with us, truly has an for analyzing our program As long as there are people President what makes impact on those whom we results, and we are planning who need us, we will serve.
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Communication and the Art of Improvisation by Jeffrey D
Communication and the Art of Improvisation BY Jeffrey D. Arterburn Submitted to the graduate degree program in Communication Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Arts. ________________________________ Chairperson Dr. Donn Parson ________________________________ Dr. Nancy Baym ________________________________ Dr. Dave Tell Date Defended: June 19, 2012 ii The Thesis Committee for Jeffrey D. Arterburn certifies that this is the approved version of the following thesis: Communication and the Art of Improvisation ________________________________ Chairperson Dr. Donn Parson Date Approved: June 20, 2012 iii ABSTRACT Over the last 15 years, improvisational theater has been increasingly applied in organizational contexts to improve the communicative environment of that organization. It is widely held that improv benefits the communicative environment, but the reasons for its effectiveness are illusive in the literature. This study seeks to better understand the reasons for its effectiveness in application in extra-theatrical application. It does this through analyzing significant improv texts and interviews conducted by the author with several highly experienced improvisers in Chicago, the birthplace of modern improv. Through thematic analysis, nine significant topoi were established that provide understanding for what is happening when people engage in improv. Ultimately it was found that when all the topoi are combined in practice improv serves as a communicative method designed for spontaneously solving problems as they arise. iv ACKNOWLEDGMENTS I would like to thank the following individuals for their counsel, advice, encouragement and support throughout the process of the creation of this project: First, I’d like to thank Dr.
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Mapping the Urban Activity Patterns: Using Social Media Data As a Tool for Data Collection and Design Development
Mapping the urban activity patterns: using social media data as a tool for data collection and design development Yang Song, North Dakota State University; [email protected] Jessica Fernandez, Clemson University, [email protected] Introduction In the last few decades, the size of data has been exponentially growing. Social media, smart phones, sensors, and the internet create, copy and transform data with unprecedented speed and scale (The Economist, 2010). ‘Big data’ has never been more accessible or more powerful. A variety of industries including finance, marketing, energy, telecommunications, agricul- ture, and real estate have been adopted big data technologies to make more informed decisions and to be able to predict trends. Many social media platforms such as Yelp, TripAdvisor, and Facebook provide a large scale of information regarding behavior and perceptions associated with places and communities all over the world. Analysis of societal needs and public opinions becomes key to building a more equitable urban environment that is beneficial to a broad spectrum of people (Dobbins, 2009). However, few studies have been published in the fields of urban design and the built environment to examine the application of ‘big data’. This paper presents a case study using the so- cial media website TripAdvisor to inform the concept development of an urban design project in Chicago, Illinois. A database of all the attributes on the attractions of the TripAdvisor “things to do” category was developed. By extracting, processing, and analyzing large amounts of geocoded information in TripAdvisor, the study identified the patterns of urban activities that were pre- viously inaccessible to designers using a parametric indexing method.
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2019 Annual Report
FY 2019 ANNUAL REPORT www.thenightministry.org Phone: 773-784-9000 Fax: 773-784-5865 The Night Ministry is a Chicago-based organization that works to provide housing, health care, and human connection to members of our community struggling with poverty or homelessness. Every day, we offer a lifeline to forgotten members of our community. We serve everyone without concern for race, ethnicity, sexual orientation, gender identity, or religion. DEAR FRIENDS, On behalf of the Board of Directors donned the gap and gown to be mission, something that is not as and Staff of The Night Ministry, awarded their diplomas. Meanwhile, easy to measure. That is, the human we are proud to share The Night we welcomed a diverse group of new connection that underpins all of what Ministry’s Fiscal Year 2019 Annual members onto our Board of Directors, we do—the practices of acceptance, Report with you. We gratefully and our Associate Board redefined its compassion, and empathy; of acknowledge your support as a role as ambassadors for our mission listening and offering help without valued partner in our mission. across the city. conditions; of being a steady, reliable presence in the lives of all of those FY 2019 was a year of milestones at With you by our side, over the course whom we serve, individuals often The Night Ministry. We identified a of the year, The Night Ministry served cast aside and forgotten by our facility that, when ready for occupation more than 6,000 young people society. In doing so, we are grateful in spring of 2020, will help us achieve and adults.
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New City Stage Players 2015-The
Theater, Dance, Comedy and Performance in Chicago JAN 22 Players 2015: The Fifty People Who Really Perform for Chicago The steady expansion of the performing arts in Chicago continues its marvelous pace, with more and better theater, dance, comedy and opera gracing more and better stages each passing year. The upward progression is so steady that epic undertakings—a new campus at Steppenwolf, a bigger chunk of Navy Pier for Chicago Shakes—seem almost business as usual these days. And that is a marvelous thing. This year we again celebrat the lesser‐sung heroes offstage who deal with the less glamorous things like building those new stages, and paying those expanding payrolls withou which the stars would have nowhere to shine. Tragedy has been central to theater since the ancient Greeks first staged it, but the last year has brought a disproportionate volume of real‐ life tragedy to our community. No doubt, the expanding and maturing performing arts universe means that more members of its community will pass o each year, but the number of those struck down long before their expected hour was overwhelming these last twelve months and struck every corner of performing arts, from theater, to dance, to comedy, to opera. Molly Glynn, Jason Chin, Eric Eatherly, Bernie Yvon, Johan Engels, Julia Neary—and others we’ve unintentionally overlooked—we dim our collective marquee for you. (Brian Hieggelke) Players was written by Zach Freeman and Sharon Hoyer With additional contributions by Brian Hieggelke, Alex Huntsberger, Aaron Hunt, Hugh Iglarsh and Loy Webb All photos by Joe Mazza/Brave‐Lux, taken on location at Steppenwolf Theatre, Goodman Theatre, Lyric Opera of Chicago and Brave‐Lux Stud 1 Andrew Alexander CEO, co‐owner, Second City A few years ago, we lauded Andrew Alexander’s addition of the UP Comedy Club to the Second City realm on Wells Street.
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Annu Al Report
ANNUAL REPORT 2017 2018 Cover: Zachary Stevenson in Buddy - The Buddy Holly Story. Photo by Michael Brosilow; Above: Ensemble member Michael Mahler in Ripped: The Living Newspaper Festival. Photo by Maia Rosenfeld. ARTISTIC DIRECTOR LETTER We experienced the biggest year of growth in our 32-year history! Thanks to our artists, donors, patrons, employees, and other supporters who made this season a record-shattering year. We produced our full season at three venues (Stage 773, The Edge, AMERICAN BLUES THEATERAMERICAN and American Blues Theater’s administrative office), utilizing a variety of seating capacities to fit our programming needs. We produced five mainstage productions across 29 weeks from July 1, 2017 - June 30, 2018. There were 143 performances seen by 13,881 patrons. This was a 17% increase in audience capacity from the previous year. (Psst...we’re not even counting the additional 10 weeks of the Buddy - The Buddy Holly Story “Encore run” because those shows took place in a different fiscal year.) Our mainstage programming received multiple awards and nominations from the Joseph Jefferson Awards, Black Theater Alliance Awards, African American Arts Alliance of Chicago, and The Alta Awards. We increased our arts education initiatives in two impactful ways. First, we served 3,000 Chicago Public School students with our free, in-classroom, integrated arts program - The Lincoln Project. This increased our reach by 50% from the prior school year! Secondly, we launched our free matinees to CPS students, including complimentary transportation, lunches, and engagement materials. Our community service expanded through our accessibility offerings, special on-site visits by artists, and resource drives.
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JP Thomas AEA 612-968-5157 [email protected]
JP Thomas AEA 612-968-5157 [email protected] Height: 6’4” Weight: 200 Eyes: Blue Hair: Brown Suit: 42L Theatre Million Dollar Quartet Sam Phillips Fireside Theatre d. Ed Flesch On Golden Pond Bill u/s Theatre at the Center d. Bill Pullinsi Fiddler on the Roof Mordcha Harper Ensemble Theatre d. Kevin Long Parts of Speech Ralph Ungar Artemesia Theatre d. Carrie Lee Patterson A Perfect Ganesh Man Act One Productions d. Steve Merle Angina Pectoris/Place in the Heart Gal ShPIel Theatre d. David Chack Lively Stones Winthrop 20% Theatre Company d. Alyssa Vera Ramos The Naked People Play Jon 20% Theatre Company d. Alyssa Vera Ramos 14th Season Ensemble Improv Acadia d. Jen Sheppard Good Morning Gitmo Stu Annoyance Theatre d. Kyle Dolan House Teams (Scorch, Atomic) Ensemble Comedy Sportz Chicago d. Yvette Jaskiewicz Kangaroo Dudes Ensemble iO Theater d. Dina Facklis Film, Television & New Media (select works) On the Fly! Guest Co-Host MyNet/FOX Desperate Alien Lead The Onion News Network En Passant Lead POV Einstein Productions My Village Bells Lead d. Max Raimi Alt-Facts 101 Lead d. Danny Farber Plus One Supporting d. Catharine Savage Unsolicited Lead d. Steven Awalt Who I Am Lead d. James Austen Chapman Bros Lead d. Kokoro Lee Education / Training Northwestern University, B.A. in Economics (Voice: Todd Wedge, Improvisation: The Titanic Players) Gately/Poole Conservatory: Kathryn Gately - Meisner, Character, Contemporary & Period Style, Research, Text Analysis, Scene Study Stella Adler Studio NY – Enhanced Curriculum Summer Intensive Scene
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Casting Announced for Lyric Opera and the Second City's Production
Longer! Louder! Wagner! | View in browser FROM: Lisa Middleton Director of Marketing MEDIA INQUIRIES: Holly H. Gilson [email protected] 3128275939 Magda Krance [email protected] 3128275924 Casting Announced for Kamaria Morris Lyric Opera and The Second City’s production of [email protected] 3128275928 Longer! Louder! Wagner! The Second City Wagner Companion The original musical comedy production inspired by RING THE SECOND CITY composer Richard Wagner runs October 27 – October 30 Jana Liles [email protected] 3126644032 CHICAGO (9/14/16) – Lyric Opera and The Second City announced casting today #LyricSecondCity for the actors and singers who will headline Longer! Louder! Wagner! The Second City Wagner Companion, the original musical comedy inspired by the life of Richard Wagner, creator of the epic fourpart Ring cycle. Longer! Louder! Wagner! will feature The Second City company members Jesse Case in the role of Richard Wagner and Tim Ryder as his descendant, Fred Wagner, along with actors Randall Harr, Sayjal Joshi, Alice Stanley Jr., and Travis Turner. Soprano Tracy Cantin (an alumna of Lyric’s Ryan Opera Center) and bassbaritone Jonah D. Winston round out the cast. Longer! Louder! Wagner! is Lyric’s second collaboration with The Second City, the first being The Second City’s Guide to Opera, which went on to have a month long run in the summer of 2013 and won two Joseph Jefferson Awards. Longer! Louder! Wagner! is written by Timothy Sniffen and directed by Anneliese Toft. Jesse Case, the music director for The Second City Guide to the Opera, returns as composer, sound director, and musical director.
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JENNIFER MILLS E [email protected] ! EDUCATION 2011 SCHOOL of the ART INSTITUTE of CHICAGO Chicago, Illinois — MFA
JENNIFER MILLS E [email protected] ! EDUCATION 2011 SCHOOL OF THE ART INSTITUTE OF CHICAGO Chicago, Illinois — MFA 2009 NEW YORK CENTER FOR ART AND MEDIA STUDIES !New York, New York — Post Baccalaureate Certiﬁcate 2007 CONCORDIA COLLEGE Moorhead, Minnesota — Bachelor of Arts, Studio Art and French ! ! COMEDIC TRAINING/ ENSEMBLE 2013-PRESENT ENSEMBLE: HAROLD TEAM, Chicago, IL Member of House ensemble at iO Theater ENSEMBLE: DELTONES, Chicago, IL Member of musical improvisation ensemble at iO Theater ENSEMBLE: CAVES, Chicago, IL Member of Independent comedy troop 2010-2012 IMPROV OLYMPIC TRAINING CENTER, CHICAGO, IL ! Improvisation conservatory, Musical Improvisation classes ENSEMBLE: LEOTARD FOUNDATION, Chicago, IL Member of improvised Sondheim musical ensemble 2010 SECOND CITY TRAINING CENTER, CHICAGO, IL Musical Improvisation conservatory graduate ENSEMBLE: INFINITE SUNDAES, Chicago, IL !Member of musical improvisation ensemble at Second City’s Donny’s Skybox 2009 UPRIGHT CITIZEN’S BRIGADE TRAINING CENTER, NEW YORK, NY Improvisation conservatory ENSEMBLE: DRAW-A-THING THEATER, New York, NY Member of bi-monthly collaborative performance art group ! ! TEACHING 2011-PRESENT INSTRUCTOR OF RECORD School of the Art Institute of Chicago Contemporary Practices Department: Research Studio I, Core Studio I, Core Studio II, Performance Department: Sophomore Seminar Early College Program: ! Inside Innovative Minds 2008-2011 TEACHING ASSISTANT School of the Art Institute of Chicago Contemporary Practices Department: Core Studio, Research Studio Performance
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