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PRESS CONTACT National Press
HONORARY CHAIRPERSONS Mrs. Laura Bush Mrs. Hillary Rodham Clinton Mrs. George Bush (1925-2018) Mrs. Nancy Reagan (1921-2016) Mrs. Rosalynn Carter Mrs. Be y Ford (1918–2011) BOARD OF DIRECTORS Curt C. Myers, Chairman Jodee Nimerichter, President PRESS CONTACT Russell Savre, Treasurer Nancy Carver McKaig, Secretary National Press Representative: Lisa Labrado Charles L. Reinhart, Director Emeritus [email protected] Bernard E. Bell Susan M. Carson Direct: 646-214-5812/Mobile: 917-399-5120 Nancy P. Carstens Natalie W. Dunn Rebecca B. Elvin North Carolina Press Representative: Sarah Tondu Richard E. Feldman, Esq. [email protected] James Frazier, Ed.D. omas R. Galloway Office: 919-684-6402/Mobile: 919-270-9100 Susan T. Hall, Ph.D. Carlton Midye e Adam Reinhart, Ph.D. FOR IMMEDIATE RELEASE Arthur H. Rogers III Judith Sagan THE AMERICAN DANCE FESTIVAL’S 85TH SEASON CONTINUES INTO WEEK #2 Week #2 Features the Return of Paul Taylor Dance Company and Ronald K. Brown/EVIDENCE, the Debut of Anne Plamondon, the Presentation of the 2018 Samuel H. Scripps/ADF Award to Ronald K. Brown, and a Special Children’s Matinee Performance Durham, NC, June 12, 2018—The American Dance Festival (ADF) kicks off week #2 with stunning, ADVISORY COMMITTEE classic works by Paul Taylor Dance Company on June 26 and June 27 at Durham Performing Arts Robby Barne Center. Ronald K. Brown/EVIDENCE returns with an evening of soul stirring dances June 28-30 at Brenda Brodie Ronald K. Brown Reynolds Industries Theater. Ronald K. Brown will receive the Samuel H. Scripps/ADF Award prior Martha Clarke to the performance on June 28. -
Welcome Letter 2013 Samuel H. Scripps American Dance Festival
Welcome Letter 2013 Samuel H. Scripps American Dance Festival Award Lin Hwai-min The ADF wishes to thank the late Samuel H. Scripps, whose generosity made possible the annual $50,000 Samuel H. Scripps American Dance Festival Award. The Award was established in 1981 as the first of its kind and honors chorographers who have dedicated their lives and talent to the creation of modern dance. The continuation of the award is made possible through the SHS Foundation and its President, Richard E. Feldman. Celebrated choreographer, director, and educator Lin Hwai-min will be presented with the 2013 Award by Joseph V. Melillo in a special ceremony on Saturday, July 27th at 8:00 pm, prior to the Forces of Dance performance at the Durham Performing Arts Center. The program will also include a performance of the solo from Lin Hwai-min’s 1998 work Moon Water, performed by Cloud Gate Dance Theatre dancer Chou Chang-ning. Mr. Lin’s fearless zeal for the art form has established him as one of the most dynamic and innovative choreographers today. His illustrious career as a choreographer has spanned over four decades and has earned him international praise for his impact on Chinese modern dance. He is the founder, choreographer, and artistic director of both Cloud Gate Dance Theatre of Taiwan (founded in 1973) and Cloud Gate 2 (founded in 1992), and his choreography continues to be presented throughout the United States, Europe, and Asia. While his works often draw inspiration from traditional elements of Asian culture and aesthetics, his choreographic brilliance continues to push boundaries and redefine the art form. -
Paul Taylor Dance Company’S Engagement at Jacob’S Pillow Is Supported, in Part, by a Leadership Contribution from Carole and Dan Burack
PILLOWNOTES JACOB’S PILLOW EXTENDS SPECIAL THANKS by Suzanne Carbonneau TO OUR VISIONARY LEADERS The PillowNotes comprises essays commissioned from our Scholars-in-Residence to provide audiences with a broader context for viewing dance. VISIONARY LEADERS form an important foundation of support and demonstrate their passion for and commitment to Jacob’s Pillow through It is said that the body doesn’t lie, but this is wishful thinking. All earthly creatures do it, only some more artfully than others. annual gifts of $10,000 and above. —Paul Taylor, Private Domain Their deep affiliation ensures the success and longevity of the It was Martha Graham, materfamilias of American modern dance, who coined that aphorism about the inevitability of truth Pillow’s annual offerings, including educational initiatives, free public emerging from movement. Considered oracular since its first utterance, over time the idea has only gained in currency as one of programs, The School, the Archives, and more. those things that must be accurate because it sounds so true. But in gently, decisively pronouncing Graham’s idea hokum, choreographer Paul Taylor drew on first-hand experience— $25,000+ observations about the world he had been making since early childhood. To wit: Everyone lies. And, characteristically, in his 1987 autobiography Private Domain, Taylor took delight in the whole business: “I eventually appreciated the artistry of a movement Carole* & Dan Burack Christopher Jones* & Deb McAlister PRESENTS lie,” he wrote, “the guilty tail wagging, the overly steady gaze, the phony humility of drooping shoulders and caved-in chest, the PAUL TAYLOR The Barrington Foundation Wendy McCain decorative-looking little shuffles of pretended pain, the heavy, monumental dances of mock happiness.” Frank & Monique Cordasco Fred Moses* DANCE COMPANY Hon. -
Harriet Berg Dance Collection
Harriet Berg Dance Collection Papers, 1948-2002 (Predominately 1960-1980) 30 linear feet Accession #1608 Provenance The Harriet Berg Dance Collection was first given to Wayne State University in 1984 by Harriet Berg, and has been added to over the years since that time (up to 2002). Bio/Historical Info For over 40 years Mrs. Berg has been a choreographer, teacher, performer, and arts avocate. She received her B.A. in Art Education and her M.A. in Humanities from Wayne State University. She has taught at Wayne State, the Jewish Community Center (and Camp Tamarack), Burton School, and Bloomfield Hills Academy locally and the Connecticut College Summer School of Dance and the Perry-Mansfield Dance-Drama School nationally. She was the director of the Festival Dancers and Young Dancers Guild at the Jewish Community Center and directed the Renaissance Dance Company and the Madame Cadillac Dancers, both companies specializing in historical dance. In addition to her professional work Mrs. Berg has served as member and Dance committee chairman for the Michigan Council of the Arts, the Detroit Council for the Arts, the Detroit Adventure Planning Project, Michigan Foundation for the Arts and the Detroit Metropolitan Dance Project. Mrs. Berg’s collection reflect her interest in all aspects of dance, and other performing and fine arts. Some of the papers also reflect some aspects of her personal life as well as that of her family members. Subjects American Dance Festival Harriet Berg Choreographers Choreography Connecticut College Dance Books Dance Companies Dance Education Dance in Detroit Detroit Metropolitan Dance Project Historical Dance Isadora Duncan Jewish Community Center Madame Cadillac Dance Theater Michigan Dance Association Modern Dance Renaissance Dance Company Resources for Dance Wayne State University Correspondents Kay Bardsley Harriet Berg Irving Berg Leslie Berg Martin Berg Merce Cunningham Raymond Duncan Louis Falco Martha Graham Lucas Hoving Jose Limon Paul Taylor J.J. -
The Chronicle
The Chronicle 76th Year, No. 46 Duke University, Durham, North Carolina Friday, October 31, 1980 GSBA receives major gift Largest funding since endowment By Scott McCartney including who the donor is and construction, but rather to University President Terry how much the donation is for, endow the operating costs ofthe Sanford will announce a major will be announced today. school. He said the money could gift to the Graduate School of The Graduate School of be used, among other things, to Business Administration today Business Administration is a add professorships and — a gift which may amount to relatively young school that fellowships to the faculty ofthe the largest donation to the received accreditation about a school. University since James year and a half ago. The During his sabbatical last Buchanan Duke's original donation will establish an year, Sanford said he endowment. endowment for the 10-year-old "attempted to identify people The donation, Sanford said school. who could do substantial things yesterday, is of a "substantial Currently the school is for Duke." amount. This is one ofthe most raising funds for the construction Sanford said the donor is a significant endowment gifts in of a new building on Science "vast friend of Duke," and he the history of the University." Drive. doubted that the University Sanford would not comment Sanford said he hopes the gift competed with other schools for further on the donation. Details, would not go to finance the the gift. Sanford holds class in Page By Kelly Walker Duke must recommit itself to getting involved, pointed out University President Terry academic excellence: "This that Ernestine Freidl, dean of Sanford supported Chancellor excellence depends on the arts and sciences, is currently in A. -
Odc Theater Presents Sara Shelton Mann in the World Premiere of Echo / Riding the Rapids
FOR IMMEDIATE RELEASE Media Contact: John Hill [email protected] 510.435.7128 ODC THEATER PRESENTS SARA SHELTON MANN IN THE WORLD PREMIERE OF ECHO / RIDING THE RAPIDS October 11 - 13, 2018 Jesse Zaritt photographed by Robbie Sweeny. www.odc.dance SAN FRANCISCO, CA, August 27, 2018 – ODC Theater is proud to present Sara Shelton Mann in the world premiere of ECHO / RIDING THE RAPIDS, an evening-length investigation into the world of sound, October 11 – 13. A towering figure on the Bay Area’s interdisciplinary performance scene since the 1980s, Mann developed ECHO in collaboration with Anya Cloud, Jesse Zaritt and composer Pamela Z, with additional performances by Abby Crain and Jesse Hewit. ECHO runs Thursday to Saturday at 8 p.m. Tickets are $30, and may be purchased online at odc.dance/tickets or by phone at 415-863-9834. A protégé of Alwin Nikolais and Murray Louis in New York City, Mann began work as a choreographer, performer and teacher in 1967. She moved to San Francisco in 1979, and within a few years launched Contraband, a performance group that became legendary for its groundbreaking work combining principles of contact improvisation, systems of the body and spiritual practice into a unified system of research. Since then she’s earned a raft of awards and honors including a Guggenheim Fellowship, seven Izzie Dance Awards and a Foundation for Contemporary Arts Award, among many others. Mann’s work on ECHO began in early 2018 as a conversation with Jesse Zaritt, a Brooklyn-based dance artist who has performed with Shen Wei Dance Arts Company, Inbal Pinto Dance Company, as well as Netta Yerushalmy and Faye Driscoll. -
Dream'd in a Dream
#BAMNextWave #DMUSA Brooklyn Academy of Music Alan H. Fishman, Chairman of the Board William I. Campbell, Vice Chairman of the Board Adam E. Max, Vice Chairman of the Board Katy Clark, President Joseph V. Melillo, Dream’d in Executive Producer a Dream BAM Harvey Theater Oct 7—10 at 7:30pm Running time: 70 minutes, no intermission Seán Curran Company and Ustatshakirt Plus Choreographed and directed by Seán Curran Lighting design by Robert Wierzel Costume design by Amanda Shafran Visual design by Mark Randall Season Sponsor: Support for Muslim Stories: Global to Local provided by the Building Bridges Program of the Doris Duke Foundation for Islamic Art. Leadership support for dance at BAM provided by Doris Duke Charitable Foundation and The Harkness Foundation for Dance. Major support for dance at BAM provided by The SHS Foundation. Dream’d in a Dream PERFORMED BY SEÁN CURRAN COMPANY Rebecca Arends, Dwayne Brown, Elizabeth Coker, Benjamin Freedman, David Gonsier, Michael Richman, Christina Robson, Shane Dennis Rutkowski, Jin Ju Song-Begin, Aaron R. White MUSIC PERFORMED BY USTATSHAKIRT PLUS ENSEMBLE Nurlanbek Nyshanov, Bek Alagushov, Aizada Kasabolotova, Makhabat Kobogonova, Adinai Kudabaeva and Tolgonai Osmonova ADDITIONAL PRODUCTION CREDITS Creative associate Richard Gammon Production manager/Lighting supervisor Joe Doran Producer Julia Glawe SEÁN CURRAN COMPANY Seán Curran Rebecca Arends Dwayne Brown Elizabeth Coker Benjamin Freedman David Gonsier Michael Richman Christina Robson Shane Dennis Jin Ju Aaron R. White Rutkowski Song-Begin Dream’d in a Dream I Dream’d in a Dream I dream’d in a dream I saw a city invincible to the attacks of the whole of the rest of the earth, I dream’d that was the new city of Friends, Nothing was greater there than the quality of robust love, it led the rest, It was seen every hour in the actions of the men of that city, And in all their looks and words. -
Downloaded PDF File of the Original First-Edi- Pete Extracted More Music from the Song Form of the Chart That Adds Refreshing Contrast
DECEMBER 2016 VOLUME 83 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Managing Editor Brian Zimmerman Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Markus Stuckey Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Editorial Intern Izzy Yellen ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D. Jackson, Jimmy Katz, Jim Macnie, Ken Micallef, Dan Ouellette, Ted Panken, Richard Seidel, Tom Staudter, Jack Vartoogian, Michael Weintrob; North Carolina: Robin -
Pearl Primus: Cross-Cultural Pioneer of American Dance
INFORMATION TO USERS The most advanced technology has been used to photo graph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bieedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re produced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. These are also available as one exposure on a standard 35mm slide or as a 17" x 23" black and white photographic print for an additional charge. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Beli & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. -
FW May-June 03.Qxd
IRISH COMICS • KLEZMER • NEW CHILDREN’S COLUMN FREE Volume 3 Number 5 September-October 2003 THE BI-MONTHLY NEWSPAPER ABOUT THE HAPPENINGS IN & AROUND THE GREATER LOS ANGELES FOLK COMMUNITY Tradition“Don’t you know that Folk Music is Disguisedillegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE FOLK ART OF MASKS BY BROOKE ALBERTS hy do people all over the world end of the mourning period pro- make masks? Poke two eye-holes vided a cut-off for excessive sor- in a piece of paper, hold it up to row and allowed for the resump- your face, and let your voice tion of daily life. growl, “Who wants to know?” The small mask near the cen- The mask is already working its ter at the top of the wall is appar- W transformation, taking you out of ently a rendition of a Javanese yourself, whether assisting you in channeling this Wayang Topeng theater mask. It “other voice,” granting you a new persona to dram- portrays Panji, one of the most atize, or merely disguising you. In any case, the act famous characters in the dance of masking brings the participants and the audience theater of Java. The Panji story is told in a five Alban in Oaxaca. It represents Murcielago, a god (who are indeed the other participants) into an arena part dance cycle that takes Prince Panji through of night and death, also known as the bat god. where all concerned are willing to join in the mys- innocence and adolescence up through old age. -
Alwin Nikolais and Murray Louis Papers Mss 181 Series: 4
Collection: Alwin Nikolais and Murray Louis Papers Mss 181 Series: 4. Moving Image Series Sub series: 4.3 Streamed Media Summary: Streamed media files were created and mounted on the Nikolais/Louis Dance Collection website in May, 2005. File format includes .mov and imovie. These files contain 7 choreographic works by Alwin Nikolais and 9 choreographic works by Murray Louis. Title: Video Game Date: 3/27/84 Duration: 7 minutes Venue: Nikolais/Louis Foundation for Dance studio, 33 East 18th Street, New York, NY Choreography, Costume and Lighting Design and Direction by: Alwin Nikolais Performed by: Gerald Otte, Jung Auyang, Timothy Harling, Susie Goldman, Joy Hintz, Susan Kline, Christine Lamb, Lynn Lesniak, James Murphy, Rau; Trujillo Music by: David Gregory Premiere: Olympics Arts Festival in Pasadena, California on July 16, 1984. The work was commissioned by the Olympics Arts Festival. Title: Crucible Date: 5/17/85 Duration: 16 minutes Venue: Nikolais/Louis Foundation for Dance studio, 33 East 18th Street, New York, NY Choreography, Costume and Lighting Design and Direction by: Alwin Nikolais Performed by: Alberto Del Saz, Susie Goldman, Timothy Harling, William Harren, Joy Hintz, Susan Kline, Christine Lamb, Lynn Lesniak, James Murphy, Raul Trujillo. Music by: Alwin Nikolais Premiere: The American Dance Festival, Page Auditorium, Duke University, Chapel Hill, North Carolina on June 13, 1985. The work was commissioned by the American Dance Festival. Title: Contact Date: 3/12/86 Duration: 5 minutes Venue: Nikolais/Louis Foundation for Dance studio, 33 East 18th Street, New York, NY Choreography, Costume and Lighting Design and Direction by: Alwin Nikolais Performed by: Paula Aarons, Alberto Del Saz, Susie Goldman, Timothy Harling, Susan Kline, Christine Lamb, Lynn Lesniak, Paul Maley, James Murphy, Paul Trujillo Music by: Alwin Nikolais Premiere: The Pavillion Vendome, Aix en Provence, France on July 8, 1985. -
Dance Alloy’S Artistic Director, Shares Her Vision of Building a Modern Repertory Touring Company That Showcases Great Choreographers
Beth Corning, Dance Alloy’s Artistic Director, shares her vision of building a modern repertory touring company that showcases great choreographers. hunk of cheese that is her makeshift lunch. “With BY GINA MAZZA HILLIER live performances, nothing can be done the same “This job is huge for me, didn’t come to hear the Dance Alloy’s new artistic way twice. TV, on the other hand, is redone until it’s perfect. There’s no humanity at that sub-level. and I still can’t believe director wax rhapsodic about the ethereal nature I of dance. (I’ll leave that to the dance critics.) My Our job as dancers is to give the audience a visceral sometimes that quest was for a vividly sketched reality check about experience rather than a spoon-fed experience.” the rigors of working as a professional dancer, espe- I wake up every day cially in a pop culture prone to TV, videogames and Getting The Company Back On Its Feet and get paid to do computer screens. As an internationally acclaimed choreographer and Beth Corning didn’t disappoint. On this teacher, Corning has what it takes to be the alche- what I absolutely brisk winter day, the refreshingly irrever- mist in charge of transforming Dance Alloy’s ele- love to do.” ent red-head is fighting the flu, but you’d mental mix of talent into a stronger, more lustrous never guess by the exuberance pouring amalgam of well-rounded performers. Upon arriving - Stephanie Thiel, from her as she wittingly philosophizes in Pittsburgh from Minnesota in 2003 to steer “a Alloy Dancer about contemporary dance and ship that was rudderless,” she lunged into tightening conveys her vision for rejuvenating the organization financially and artistically.