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Learning from Science Fiction
HARD READING Liverpool Science Fiction Texts and Studies, 53 Liverpool Science Fiction Texts and Studies Editor David Seed, University of Liverpool Editorial Board Mark Bould, University of the West of England Veronica Hollinger, Trent University Rob Latham, University of California Roger Luckhurst, Birkbeck College, University of London Patrick Parrinder, University of Reading Andy Sawyer, University of Liverpool Recent titles in the series 30. Mike Ashley Transformations: The Story of the Science-Fiction Magazine from 1950–1970 31. Joanna Russ The Country You Have Never Seen: Essays and Reviews 32. Robert Philmus Visions and Revisions: (Re)constructing Science Fiction 33. Gene Wolfe (edited and introduced by Peter Wright) Shadows of the New Sun: Wolfe on Writing/Writers on Wolfe 34. Mike Ashley Gateways to Forever: The Story of the Science-Fiction Magazine from 1970–1980 35. Patricia Kerslake Science Fiction and Empire 36. Keith Williams H. G. Wells, Modernity and the Movies 37. Wendy Gay Pearson, Veronica Hollinger and Joan Gordon (eds.) Queer Universes: Sexualities and Science Fiction 38. John Wyndham (eds. David Ketterer and Andy Sawyer) Plan for Chaos 39. Sherryl Vint Animal Alterity: Science Fiction and the Question of the Animal 40. Paul Williams Race, Ethnicity and Nuclear War: Representations of Nuclear Weapons and Post-Apocalyptic Worlds 41. Sara Wasson and Emily Alder, Gothic Science Fiction 1980–2010 42. David Seed (ed.), Future Wars: The Anticipations and the Fears 43. Andrew M. Butler, Solar Flares: Science Fiction in the 1970s 44. Andrew Milner, Locating Science Fiction 45. Joshua Raulerson, Singularities 46. Stanislaw Lem: Selected Letters to Michael Kandel (edited, translated and with an introduction by Peter Swirski) 47. -
Fantasy Faire 1980
FANTASY FAIRE 1980 Ll SCIENCE FICTION CHRONICLE Do you want to know what Robert Sheckley plans to buy as Omni’s new fiction editor? What’s happened to Heritage Press? How robots are selling Coca-Cola? What publisher signed Carl Lundgren to work for them only? Information about the new Covenant trilogy? Where SF artists are showing their work? The effects of Ballantine and Warner merging their sales forces? Why F&SF is raising their price—and when? Details and covers for upcoming books from Arkham House, DAW, Doubleday, Pocket Books, Del Rey, Dell, etc? Isaac Asimov’s publishing problems? Who sold what to whom? The latest SF film and TV deals? What publishers are buying SF stories and novels, and what they pay—plus details of exactly what editors are looking for? Who’s autographing at your favorite SF store? What the critics say about that book before you buy it? You’ll find all this-and much more—in just one issue of Science Fiction Chronicle. SFC is a monthly newsmagazine covering the entire spectrum of science fiction. Because it’s published in New York, it can keep on top of the field a lot better than any other newspaper on SF. And it’s published by Andrew Porter, whose Starship: The Magazine About SF (formerly Algol} has been around since 1963. Every issue of Science Fiction Chronicle features market reports, bookseller news, letters, reviews, convention listings, classifieds, editorials, NASA news, media columns, SFWA reports by Jack Williamson and others, new toy, model and game news, and still more. -
Robert Silverberg Market Paperback Companies, and I’Ve Known and Dealt with Virtually Every Editor Who Other Spaces, Other Times Played a Role in That Evolution
$29.95 “IN THE COURSE of my six decades of writing, I’ve witnessed the transition of science- other times other spaces, fiction publishing from being a pulp-magazine-centered field to one dominated by mass- Robert Silverberg market paperback companies, and I’ve known and dealt with virtually every editor who other spaces, other times played a role in that evolution. For much of that time I was close to the center of the field as writer and sometimes as editor, not only deeply involved in its commercial mutations but also privy to all the personal and professional gossip that it generated.All that special knowledge has left me with a sense of my responsibility to the field’s historians. I was there, I did this and did that, I worked with this great editor and that one, I knew all but a handful of the major writers on a first-name basis, and all of that will be lost if I don’t make some sort of record of it.Therefore it behooves me to set down an account of those experiences for those who will find them of value.” — From Silverberg’s introduction ROBERT SILVERBERG is one of the most important American science fiction writers of the 20th century. He rose to prominence during the 1950s at the end the pulp era and the dawning of a more sophisticated kind of science fiction. One of the most prolif- ic of writers, early on he would routinely crank out a story a day. By the late 1960s he was one of the small group of writers using science fiction as an art form and turning out award-winning stories and novels. -
Sci-Fi and Fantasy Library Catalogue
Sci-fi and Fantasy Library Catalogue Welcome to the Sci-fi and Fantasy Society Library! With over 1,300 books, including more than 150 from various TV and film universes, and some 1,600 2000AD comics, there is almost certainly something for everyone. For all comic lovers, our Prog collection is fairly complete from issue 422 onwards, but we also have some earlier Progs, Judge Dredd Magazines, Monthly Specials and various other 2000AD publications. There’s currently no open space to browse the physical books but we’re working on it and by Christmas, will also have extended the library to audiobooks and radio dramas! In the meantime, here is a list of our books. For everything else, I’m happy to talk you through what we have. For borrowing, recommendations (either for yourself or us), donations (always welcome) or a chat about sci-fi and fantasy, feel free to email me [email protected]. If you notice any glaringly obvious mistakes (I’ve tried being careful but there are a lot of books), please let me know so I can fix them. Enjoy! General Fiction Abbott, Edwin A Flatland Adams, Douglas Dirk Gently's Holistic Detective Agency Dirk Gently: 1/3 Adams, Douglas The Long Dark Tea-Time of the Soul Dirk Gently: 2/3 Adams, Douglas So Long and Thanks for all the Fish Hitchiker's Guide: 2/6 Adams, Douglas Mostly Harmless Hitchiker's Guide: 5/6 Akers, Alan Burt Transit to Scorpio Dray Prescot: 01/52 Akers, Alan Burt The Suns of Scorpio Dray Prescot: 02/52 Akers, Alan Burt Warrior of Scorpio Dray Prescot: 03/52 Akers, Alan Burt Swordships of -
Philcon 87 the 51St Philadelphia Science Fiction Conference
Philcon 87 The 51st Philadelphia Science Fiction Conference Presented by The Philadelphia Science Fiction Society November 13th, 14th, and 15th, 1987 Principal Speaker Robert Silverberg Guest Artist Tim Hildebrandt Special Guest Timothy Zahn The 1987 Philcon Committee Table of Chairman Programming (cont.) Todd Dashoff Contents Green Room A Message from the Vice-Chairman Sara Paul Chair..................... 3 Ira Kaplowitz Masquerade Philcon Highlights 4 Administration George Paczolt Principal Speaker, Secretary Science Programming Robert Silverberg... 6 Laura Paskman-Syms Hank Smith About Treasurer Writer’s Workshop Robert Silverberg... 7 Joyce L. Carroll Darrell Schweitzer Robert Silverberg: A Bibliography...... 10 Hotel Liaison John Betancourt Gary Feldbaum Exhibitions Pulp Magazines and Science Fiction 12 Operations ArtShow Guest Artist, Laura Paskman-Syms Yoel Attiya Tim Hildebrandt 16 Lew Wolkoff Joni Brill-Dashoff Rob Himmelsbach About Yale Edeiken Dealer’s Room Tim Hildebrandt 19 John Syms Special Guest PSFS Sales Donna Smith Timothy Zahn...... 22 Ira Kaplowitz Fixed Function? About Publications Timothy Zahn...... 24 Mark Trebing Babysitting Guests of Philcon 27 Margaret Phillips Christine Nealon Joyce Carr oil Eva Whitley Art Show Rules... 28 Joann Lawler Committee Nurse Registration Barbara Higgins Art Credit? Joann Lawler Con Suite Tim Hildebrandt: Dave Kowalczyk Rich Kabakjian Front cover, back cover, 4,7,17,18 Signs Janis Hoffing Wayne Zimmerman Den Charles Dougherty: 11,13 Programming Carol Kabakjian Becky Kaplowitz Wayne Zimmerman: Main Program 12 Barbara Higgins Information Sara Paul Crystal Hagel “About Tim Michael Cohen Logistics Hildebrandt” copyright Hank Smith Michele Weinstein © 1987 by Thranx Inc. Artist’s Workshop Morale Officer Copyright © 1987 by Michele Lundgren Margaret Phillips The Philadelphia Filking Personnel Science Fiction Society. -
Distant Worlds Fourth in Cory&Collins Sf Series Due out March
DISTANT WORLDS FOURTH IN CORY&COLLINS SF SERIES DUE OUT MARCH PAUL COLLINS took his first modest step into the science fiction publishing world with VOID magazine. He eventually found that publishing in book format was a more economical venture, and ENVISAGED WORLDS was published. Subscribers to VOID have been able to obtain the books published under the VOID imprint and now under the new name of CORY § COLLINS. OTHER WORLDS and ALIEN WORLDS followed and Paul Collins had proved that science fiction could be published in Australia and sold. The next step was a series of novels in cloth and paperback format: LOOKING FOR BLUCHER by Jack Wodhams, BREATHING SPACE ONLY and has had articles and guest editorials by Wynne Whiteford and THE FOURTH in various other magazines. HEMISPHERE by David Lake. Three more ROWENA CORY'S talent lies more into the The stellar books in this VOID series have been artistic, graphic mode—her cover for announced and the first is due out DISTANT WORLDS indicates her expertise Essay® on Science Fiction W«tsr« in March , DISTANT WORLDS. The cloth in this area. She presently has a child- EtSded by Micttsel J To»y 4 Kirfsn! Singh I edition is available from bookshops rens' novel with HODDER and STOUGHTON. or CORY 6 COLLINS direct, and the (We are uncertain as to how her holding paperback is being distributed on a a black belt in Tae Kwon Do helps their wholesale basis by Angus 5 Robertson agency, but Collins assures us it will only. Subscribers can still apply come in A Keflwwon handy one day. -
In the Beginning Tales from the Pulp Era
In the Beginning Tales from the Pulp Era Robert Silverberg Subterranean Press ISBN: 9781596060432 Introduction I have to confess, right up front here, that you will not find a great deal in the way of poetic vision in these stories, or singing prose, or deep insight into character. Nor are these stories that will tell you much that is new to you about the human condition. These are stories in what is now pretty much a lost tradition in science fiction, the simple and unselfconsciously fast-paced adventure story of the pulp-magazine era. They are stories from the dawn of my career, which began in the closing years of that era, and are straightforward tales of action, in the main, that were written partly for fun and partly for money. The money part first: I needed the income that these stories brought in, because I wrote the first of them in 1954, when I was nineteen years old and still in college, and the rest followed over the next four years, when I was newly married and just starting out in the world. Writing was my job. By choice, I had no other. Nor was I being supported by my indulgent parents or by a trust fund that some thoughtful ancestor had established for me. My wife had a decently paying job, yes, so I can't say I was completely on my own, but we could hardly have lived on her earnings alone. Rent had to be paid; furniture for our new apartment had to be bought; the pantry had to be stocked with food; whatever medical expenses we might have came out of our own checkbooks, not out of any medical insurance plan, since such things were rarities then, especially for self-employed writers.