Spaces & Flows: Sixth International Conference on Urban And
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SIA Newsletter (SIAN)
Volume 34 Fall 2005 Number 4 NATIONAL HERITAGE AREAS Current Trends Shaping the Future of America’s Industrial Sites ver the past 20 years the national heritage area eral conservation; it was not established as a National Park movement has gained momentum and unit, but as a heritage area—a large living landscape—where embraced industrial history. National heritage the federal government offered assistance to local organizers. O areas receive federal funding and technical This idea opened the door to the conservation of other large- support from the U. S. National Park Service scale waterways, canal systems, and associated industrial sites (NPS) but emphasize a partnership of local private and that previously were seen as just too big to handle as tradi- public institutions that share common themes and actually tional parks. Since then, 27 national heritage areas have been own or manage most of the properties within the heritage established and 36 bills are currently pending in Congress to area. For example, Detroit’s Motorcities National Heritage establish new heritage areas. The majority of existing nation- Area brings together local organizations around the theme al heritage areas are organized around the themes of industri- of automobile history, Dayton’s National Aviation Heritage al and transportation history, but in recent years themes of Area around aviation history, and Pittsburgh’s Rivers of maritime, Civil War battlefield, and agricultural history have Steel Heritage Area around steel heritage. Many heritage been used. areas are located along former canals or waterways and Today, the increasing interest in establishing new heritage include the Augusta Canal (GA), Cane River (LA), areas has challenged both Congress and the NPS to develop Delaware & Lehigh Canal (PA), Illinois & Michigan Canal a legislative framework to set standards for evaluation and (IL), Ohio & Erie Canal (IN), and Schuylkill River (PA). -
Rui(N)Ation: Narratives of Art and Urban Revitalization in Detroit
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-19-2019 10:45 AM Rui(N)ation: Narratives of Art and Urban Revitalization in Detroit Jessica KS Cappuccitti The University of Western Ontario Supervisor Bassnett, Sarah The University of Western Ontario Graduate Program in Art and Visual Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Jessica KS Cappuccitti 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the African American Studies Commons, American Art and Architecture Commons, Art Practice Commons, Contemporary Art Commons, Interactive Arts Commons, Interdisciplinary Arts and Media Commons, Modern Art and Architecture Commons, Museum Studies Commons, Other American Studies Commons, and the Photography Commons Recommended Citation Cappuccitti, Jessica KS, "Rui(N)ation: Narratives of Art and Urban Revitalization in Detroit" (2019). Electronic Thesis and Dissertation Repository. 6511. https://ir.lib.uwo.ca/etd/6511 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This dissertation considers the City of Detroit as a case study for analyzing the complex role that artists and art institutions are playing in the potential re-growth and revitalization of the city. I specifically look at artists and arts organizations who are working against the popular narrative of Detroit as “ruin city.” Their efforts create counter narratives that emphasize stories of survival and showcase vibrant communities. -
Re-Constructing the Rust Belt: an Exploration of Industrial Ruin in Blogs, Fiction, and Poetry
Re-Constructing the Rust Belt: An Exploration of Industrial Ruin in Blogs, Fiction, and Poetry by Asynith Helen Palmer A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in the University of Michigan 2014 Doctoral Committee: Professor Sara B. Blair, Co-Chair Professor Patricia S. Yaeger, Co-Chair (Deceased) Professor Laurence A. Goldstein Assistant Professor Tung-Hui Hu Associate Professor Claire A. Zimmerman Acknowledgements I want to thank my committee for supporting this project over the past four years. Like so many others, I am indebted to Sara Blair for her sharp mind and tremendous energy. With care, encouragement, and uncommon insights, she energized my thinking when I needed it most. Tung- Hui Hu is a dynamite interlocutor. His willingness to discuss my ideas-in-formation and paragraphs- in-process was truly a gift. The savvy Claire Zimmerman led me to unexpected, influential texts. Her macro- and micro-views of my project help me understand ideas I could not yet articulate. Larry Goldstein generously joined my committee at a late stage. He was the first professor I spoke with as a prospective student, and our conversations have wonderfully book-ended my time at U of M. Patsy Yaeger guided this project from its earliest stages – through phone calls, email exchanges, and over dark chocolate. Her fearless creativity and far-ranging passion continue to inspire me. She called my prose muscular and told me I was the jazziest woman she knows. Such confidence fueled my work, which I dedicate to her. -
Cultural and Environmental Change in Detroit, 1879 - 2010
Gardens in the Machine: Cultural and Environmental Change in Detroit, 1879 - 2010 by Joseph Stanhope Cialdella A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (American Culture) in the University of Michigan 2015 Doctoral Committee: Associate Professor Kristin A. Hass, Chair Professor Philip J. Deloria Associate Professor Matthew D. Lassiter Associate Curator David C. Michener Wealth of a city lies, Not in its factories, Its marts and towers crowding to the sky, But in its people who Possess grace to imbue Their lives with beauty, wisdom, charity. -Dudley Randall, “Detroit Renaissance” (1980) Belle Isle Aquarium employee cleaning a lake sturgeon with a cloth, c. 1910 © Joseph Stanhope Cialdella 2015 For Mom and Dad; and Detroit. ii Acknowledgements This dissertation has benefited from the expertise, insights, and guidance of colleagues, friends and former teachers who have helped shaped my thinking and taught me to follow my interests. I would like to start with a huge thank you to all of my friends and colleagues in Ann Arbor and beyond. I'm so grateful for your support and friendship. This project has been a long time in coming, and in your own ways you have helped me keep things in perspective. There are also many individual thanks due. Foremost, I would like to thank my advisor, Kristin Hass, who has guided me through graduate school since my first semester. She has been generous with her time and sage advice and a role model for the type of publicly minded scholar I hope to be. I would especially like to thank her for her support and encouragement to explore avenues for my scholarship and interests outside of academia proper, taking the time to answer countless questions, for correcting my mistakes, and for pushing me to develop and expand my ideas and writing in new ways. -
Thomas Cole on Architecture
THOMAS COLE ON ARCHITECTURE: PICTURING THE GOTHIC by Rebecca Ayres Schwartz A dissertation submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Art History Spring 2016 © 2016 Rebecca Ayres Schwartz All Rights Reserved THOMAS COLE ON ARCHITECTURE: PICTURING THE GOTHIC by Rebecca Ayres Schwartz Approved: ______________________________________________________________ Lawrence Nees, Ph.D. Chair of the Department of Art History Approved: ______________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: ______________________________________________________________ Ann L. Ardis, Ph.D. Senior Vice Provost for Graduate and Professional Education I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: _________________________________________________________________ Bernard L. Herman, Ph.D. Professor in charge of dissertation I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ________________________________________________________________ Wendy Bellion, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ________________________________________________________________ J. Ritchie Garrison, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. -
The Decline and Fall of Detroit's Automotive Manufacturing Landscape
Article Journal of Planning History 12(2) 95-132 ª 2012 The Author(s) Autopia’s End: The Decline Reprints and permission: sagepub.com/journalsPermissions.nav and Fall of Detroit’s DOI: 10.1177/1538513212471166 jph.sagepub.com Automotive Manufacturing Landscape Brent D. Ryan1 and Daniel Campo2 Abstract Since the 1980s, Detroit’s historic building stock of automotive manufacturing facilities has mostly disappeared. Demolition, redevelopment, and abandonment have left little to mark the city’s twentieth- century history as the world capital of the automobile industry. Planning and policy making have been complicit by publicly subsidizing destructive redevelopment and by failing to advocate for retention or preservation of significant structures and complexes. Even today, Detroit’s leadership calls for the demolition of one of the city’s last remaining historic auto factories. This article surveys the disappear- ance of Detroit’s auto factories and documents the histories of three of the largest complexes: the Chrysler-Chalmers Plant, cleared for a redeveloped factory; the Cadillac Plant, cleared for a failed economic development project; and the Packard Plant, slowly abandoned over sixty years. The article calls for a revised theory and practice of preservation that accommodates the weak markets, imperfect conditions, and informal uses that characterize abandoned industrial buildings in shrinking cities. Keywords automobile manufacturing, demolition, historic preservation, industrial architecture, shrinking cities, urban decline, Detroit Introduction: An Industry and City in Crisis The post-2007 distress of the American automobile industry resulted in dozens of factory closings across the nation. Many of these losses occurred in the Detroit area, the historic locus of automobile manufacturing in the United States. -
Selected Video Essays, 2004-16
Selected Video Essays, 2004-16 Paul Edwards Liminalities: A Journal of Performance Studies 13.1 (2017) ISSN: 1557-2935 Paul Edwards Selected Video Essays, 2004-16 CONTENTS ii 1. INTRODUCTION 1 Whether or not to bother reading this 3 Works Cited and Consulted 6 2. THE VIDEO ESSAY: PERFORMING BEYOND LIVENESS (49 minutes) 7 Commonplace Book 7 Section 1, “Hello”: Boasting versus Clowning 9 The boast 9 (Un)willingly to school 14 Shakespeare’s Henriad as early-modern boasting 18 Intermission 21 Boasting versus clowning, round one 22 Metalinguistics 25 Boasting versus clowning, round two 31 The boast at the dividing line of history 37 My second career 41 “You’re not actually going to show that, are you?” 45 Notes 47 Works Cited and Consulted 50 Section 2, “Performing beyond Liveness”: Rethinking Interpretation 54 Works Cited and Consulted 57 Section 3, “Legal: A Counterhistory of Turning Twenty-One”: Reflections upon Turf Wars 58 Works Cited and Consulted 66 Section 4, “Report of the Task Force on Heritage”: The Place of Digital Video in the History and Study of Live Performance 68 Oppositional performance: the example of The Living Theatre 68 A necessarily incomplete review 88 Staking the body 98 Works Cited and Consulted 105 Section 5, “Coda”: The Velocity of Change 108 Works Cited and Consulted 111 3. THE WINTER BARREL (17 minutes) 112 Works Cited and Consulted 124 4. WORD AND TONE (30 minutes) 125 Opera, not opus 125 Mystory 132 ii Paul Edwards Selected Video Essays, 2004-16 Et alii 138 Envoi 139 Works Cited and Consulted 140 5. -
A Ghost with a Camera Alix Beeston 10.13.20
Post45: Contemporaries Severance A Ghost with a Camera Alix Beeston 10.13.20 andace Chen recognizes the photograph immediately. It's one of the best-known por- traits from Nan Goldin's The Ballad of Sexual Dependency (1980-1986), and its two g- Cures are drenched in a yellow-orange that seems to throb, to radiate about the room, bouncing off the rails of the headboard, slicking in waves against the exposed brick (Fig. 1). Smudged in light, a dirty watercolor. Fig. 1 Nan Goldin, Greer and Robert in Bed, NYC, 1982. © Nan Goldin. Courtesy of the artist and Marian Goodman Gallery The woman, Greer, is curled up on the bed in her wrinkled clothes, slips of satiny material in bruised half-colors — pinkish, sageish — that fade into, are enervated by, the brilliant cast of the room — a color that corresponds to the rusty tumble of her hair. The man, Robert, appears relatively solid and separate from the scene. He's sitting up, looking away, pulling his hand through his hair in a preoccupied gesture; and the dense black of his shirt becomes the dark mass at the image's edge, as if he's being pulled out of the frame. "They were bathed in the warm, yellow light of the room," Candace, the narrator of Ling Ma's Severance, tells us. "She was in love with him; he didn't seem to care." 1 Finding the photograph laid out on a colleague's desk at the publishing company where she works, Can- dace interprets it in the light of her failing relationship with her boyfriend, Jonathan.