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One Direction Infection: Media Representations of Boy Bands and Their Fans
One Direction Infection: Media Representations of Boy Bands and their Fans Annie Lyons TC 660H Plan II Honors Program The University of Texas at Austin December 2020 __________________________________________ Renita Coleman Department of Journalism Supervising Professor __________________________________________ Hannah Lewis Department of Musicology Second Reader 2 ABSTRACT Author: Annie Lyons Title: One Direction Infection: Media Representations of Boy Bands and their Fans Supervising Professors: Renita Coleman, Ph.D. Hannah Lewis, Ph.D. Boy bands have long been disparaged in music journalism settings, largely in part to their close association with hordes of screaming teenage and prepubescent girls. As rock journalism evolved in the 1960s and 1970s, so did two dismissive and misogynistic stereotypes about female fans: groupies and teenyboppers (Coates, 2003). While groupies were scorned in rock circles for their perceived hypersexuality, teenyboppers, who we can consider an umbrella term including boy band fanbases, were defined by a lack of sexuality and viewed as shallow, immature and prone to hysteria, and ridiculed as hall markers of bad taste, despite being driving forces in commercial markets (Ewens, 2020; Sherman, 2020). Similarly, boy bands have been disdained for their perceived femininity and viewed as inauthentic compared to “real” artists— namely, hypermasculine male rock artists. While the boy band genre has evolved and experienced different eras, depictions of both the bands and their fans have stagnated in media, relying on these old stereotypes (Duffett, 2012). This paper aimed to investigate to what extent modern boy bands are portrayed differently from non-boy bands in music journalism through a quantitative content analysis coding articles for certain tropes and themes. -
Londres Cosmopolite
Londres cosmopolite Invitation au voyage dans le Londres cosmopolite Les médiathèques d’Antony vous propose une ballade littéraire, cinématographique et musicale dans le Grand Londres multiculturel. Accords et désaccords : une histoire d’amour ou d’amour et de haine lie la plupart des créateurs à la Capitale, qu’ils soient romanciers, cinéastes, musiciens, architectes ou plasticiens. Nous vous proposons de vous faire découvrir ou redécouvrir quelques créateurs phares, en commençant par 4 figures incontournables : Kazuo Ishiguro, V.S. Naipaul, Hanif Kureishi et le cinéaste anglais Ken Loach qui porte un regard engagé sur le Londres métisse. Partez ensuite à la découverte des différentes communautés de Londres : Inde, Pakistan, Bangladesh, Jamaïque, Liban, Australie… un véritable tour du monde ! ●●● Petite histoire du Londres Cosmopolite Un périmètre de plus de 200 kilomètres contre 55 pour Paris. La capitale est la première place financière au monde avec la City et détient la plus grande diversité ethnique des villes des pays développés. Elle est aussi la ville la plus active sur le plan linguistique avec plus de 300 langues différentes parlées. La vie des londoniens s’organise autour des quartiers qui n’ont (en dehors de la City) aucune existence officielle mais demeurent l’héritage de la tradition. Du célèbre Whitechapel, en passant par Bloomsbury, West End, Hampstead et l’East End, ces quartiers offrent chacun des facettes culturelles différentes. En parcourant ces quartiers, on retrouve rapidement les parfums, les couleurs et la culture des anciennes colonies britanniques. L’empire s’est reformé dans les banlieues de la capitale anglaise : indiens, pakistanais, bengladeshi, jamaïcains, Africains, chinois, japonais redessinent le visage de la ville, en harmonie mais aussi en conflits avec la population non-issue de l’immigration. -
Fiestas Del Pilar 2007 Sean Las Mejores
Saludo alcalde SALUDO Juan Alberto Belloch Julbe. Alcalde de Zaragoza “Prepárate” porque son las úlƟmas Fiestas del Pilar antes de la Expo, porque sólo faltan ocho meses justos para la inauguración de la muestra internacional. Por eso, el lema de las fiestas este año año es “Prepárate” para el Pilar 2007 y también para la “gran fiesta del agua en el mundo” que converƟrá a la ciudad en 2008 en el gran foco de atracción de millones de personas que, a la vez que conocen de cerca detalles sobre el agua y el desarrollo sostenible, conocen la nueva Zaragoza. Este año las fi estas cuentan con una gran novedad: el recinto ferial de Valdespartera. Allí comparƟ rán es pacio las ferias, el circo, la feria de la cerveza y el pabellón municipal. Es, por lo tanto, el nuevo foco fesƟ vo, concebido para que ofrezca los mejores servicios a los zaragozanos y visitantes que se acerquen a esa gran ciudad del ocio. Valdespartera cuenta con 3.500 plazas de aparcamiento, con buses lanzaderas, con bares y restaurantes, con puntos de atención primaria... Respecto a la programación, en el pabellón municipal, se sucederán conciertos mulƟtudinarios como el FIZ, Pet Shop Boys, Richie HawƟn o Serrat y Sabina, unas actuaciones que servirán para abrir boca del año de grandes acontecimientos culturales y lúdicos que le restan por vivir a Zaragoza hasta la celebración de la Expo. Precisamente la música es una de las grandes bazas del Pilar. En esta edición, los dos conciertos de Héroes del Silencio, los días 10 y 12 de octubre, son uno de los principales atracƟvos del programa, que este año cuenta también con el orgullo de presentar a estrellas como Rod Stewart. -
Can Music Make You Sick?: Measuring the Price of Musical
“Musicians often pay a high price for sharing their art with us. Underneath the glow of success can often lie loneliness and exhaustion, not to mention the basic struggles of paying the rent or buying CAN food. Sally Anne Gross and George Musgrave raise important questions – and we need to listen to what the musicians have to tell us about their working conditions and their mental health.” Emma Warren (Music Journalist and Author) MUSIC “Singing is crying for grown-ups. To create great songs or play them with meaning its creators reach far into emotion and fragility seeking the communion we demand of music. The world loves music for bridging those lines. However, music’s toll on musicians can leave deep scars. In this important book, Sally Anne Gross and George Musgrave investigate the relationship between the wellbeing music brings to society and the wellbeing of those who create. It’s a much SICK? YOU MAKE needed reality check, deglamourising the romantic image of the tortured artist.” Crispin Hunt (Multi-Platinum Songwriter/Record Producer, Chair of the Ivors Academy) It is often assumed that creative people are prone to psychological instability, and that this explains apparent associations between cultural production and mental health problems. In their detailed study of recording and performing artists in the British music industry, Sally Anne Gross and George Musgrave turn this view on its head. By listening to how musicians understand and experience their working lives, this book proposes that whilst making music is therapeutic, making a career from music can be traumatic. The authors show how careers based on an all-consuming passion have become more insecure and devalued. -
1-4 Września 2016 INNY WYMIAR MUZYKI Koncert
Wschód Kultury/Inny Wymiar – 1-4 września 2016 INNY WYMIAR MUZYKI Koncert: ASIAN DUB FOUNDATION, Neozbiljni Pesimisti org. Białostocki Ośrodek Kultury – 2 września, godz. 20.00 – Rynek Kościuszki w Białymstoku, wstęp wolny Asian Dub Foundation Brytyjska grupa muzyczna, która łączy w swojej twórczości elementy stylów: drum & bass, reggae, jungle i dub z tradycyjnymi hinduskimi brzmieniami. W swoich tekstach podejmuje przede wszystkim tematy społeczno-polityczne, związane z rasizmem, emigracją, kryzysem gospodarczym, uzależnieniem od mediów i internetu, czy konfliktami na tle religijnym. Zespół powstał w 1993 roku w Londynie, ma na koncie dziewięć płyt: „Facts and Fictions” (1995), „R.A.F.I.” (1997), „Rafi`s Revenge” (1998), „Community Music” (2000), „Enemy Of The Enemy” (2003), „Tank” (2005), „Punkara” (2008), „A History Of Now” (2011), „More Signal More Noise” (2015). Neozbiljni pesimisti Niepoważni Pesymiści (czyli de facto Optymiści) powstali w 2001 roku, grają energetyczny anti global etno punk! W 2011 zespół odbył swoją pierwszą trasę koncertową poza krajami byłej Jugosławii, zagrał udaną serię koncertów we Francji i Szwajcarii. Rok później po raz pierwszy wystąpił w Polsce, na Łemkowskiej Watrze na Obczyźnie w Michałowie (k. Lubina). Następnie była świetnie przyjęta trasa koncertowa we Wrocławiu, Poznaniu, Gdyni, Warszawie i Krakowie. W 2013 r. Neozbiljni Pesimisti ponownie odwiedzili Polskę. Zagrali koncerty klubowe w Krakowie i Warszawie, a we Wrocławiu na Festiwalu Panorama Kultur. Zagrali też swój największy w Polsce koncert – na Przystanku Woodstock w Kostrzynie wystąpili jako jedna z gwiazd. Koncert: Dagadana i Przyjaciele org. Białostocki Ośrodek Kultury – 4 września, godz. 20.00 – Kino Forum, ul. Legionowa 5 (bezpłatne wejściówki) Dagadana i zaproszeni muzycy z Chin, Ukrainy i Polski wystąpią we wspólnym projekcie premierowym „Miejsce Spotkania Meridan 68” przygotowanym specjalnie na festiwal. -
Fiestas Del Pilar 2007 Sean Las Mejores
Saludo alcalde SALUDO Juan Alberto Belloch Julbe. Alcalde de Zaragoza “Prepárate” porque son las úlƟmas Fiestas del Pilar antes de la Expo, porque sólo faltan ocho meses justos para la inauguración de la muestra internacional. Por eso, el lema de las fiestas este año año es “Prepárate” para el Pilar 2007 y también para la “gran fiesta del agua en el mundo” que converƟrá a la ciudad en 2008 en el gran foco de atracción de millones de personas que, a la vez que conocen de cerca detalles sobre el agua y el desarrollo sostenible, conocen la nueva Zaragoza. Este año las fi estas cuentan con una gran novedad: el recinto ferial de Valdespartera. Allí comparƟ rán es pacio las ferias, el circo, la feria de la cerveza y el pabellón municipal. Es, por lo tanto, el nuevo foco fesƟ vo, concebido para que ofrezca los mejores servicios a los zaragozanos y visitantes que se acerquen a esa gran ciudad del ocio. Valdespartera cuenta con 3.500 plazas de aparcamiento, con buses lanzaderas, con bares y restaurantes, con puntos de atención primaria... Respecto a la programación, en el pabellón municipal, se sucederán conciertos mulƟtudinarios como el FIZ, Pet Shop Boys, Richie HawƟn o Serrat y Sabina, unas actuaciones que servirán para abrir boca del año de grandes acontecimientos culturales y lúdicos que le restan por vivir a Zaragoza hasta la celebración de la Expo. Precisamente la música es una de las grandes bazas del Pilar. En esta edición, los dos conciertos de Héroes del Silencio, los días 10 y 12 de octubre, son uno de los principales atracƟvos del programa, que este año cuenta también con el orgullo de presentar a estrellas como Rod Stewart. -
Chants Sacrés
Chants sacrés : Voix de femmes 000 A CHA Chants sacrés : Voix d'hommes 000 A CHA Chants juifs 000 A CHA Raman, Susheela Divas du monde 000 A DIV Drop the debt 000 A DRO Brassens, Echos D'aujourd'hui 000 A ECH Dournon, Geneviève Instruments de musique du monde 000 A INS Je n'aime pas la world, mais ça j'aime bien ! 000 A JEN Konono n°1 Planet Rock 000 A PLA Tziganes 000 A TZI World Music 000 A WOR Bratsch L'Epopée tzigane 000 A.EPO Gotan Project Les Musiques qui ont inspiré leur album 000 A.GOT Waro, Danyel Island blues 000 A.ISL Mondomix Experience 000 A.MON Music from the Wine Lands 000 A.MUS Afonso, José Out of this world 000 A.OUT Sélection musiques du monde 000 A.SEL Son du monde 000 A.SON Voyage en Tziganie 000 A.VOY Bratsch Notes de voyage 000 BRA Bratsch Ca s' fête ! 000 BRA Bratsch Plein du monde 000 BRA Bratsch Urban Bratsch 000 BRA Chemirani, Keyvan Le Rythme de la parole 000 CHE Frères Nardàn (Les) Nardanie Autonome 000 FRE Gurrumul Yunupingu, Geoffrey Rrakala 000 GUR Haïdouti Orkestar Balkan heroes 000 HAI Levy, Hezy Singing like the Jordan river 000 LEV Nu Juwish Music 01 000 NUJ Robin, Thierry Gitans 000 ROB Robin, Thierry Rakhi 000 ROB Robin, Thierry Alezane 000 ROB Robin, Thierry Ces vagues que l'amour soulève 000 ROB Robin, Thierry Anita ! 000 ROB Robin, Thierry Kali Sultana 000 ROB Robin, Thierry Les Rives 000 ROB Robin, Thierry Jaadu 000 ROB Romanès, Délia J'aimerai perdre la tête 000 ROM Socalled Ghetto blaster 000 SOC Taraf de haïdouks Maskarada 000 TAR Tchanelas Les Fils du vent 000 TCH Urs Karpatz Autour de Sarah -
Century Music School Design
Summit 2016 21st Century Music School Design CMS Summit: 21st Century Music School Design June 3-5, 2016 A Note from the President Welcome to the 2016 CMS Summit on 21st Century Music School Design. We anticipate rich dialogue and meaningful engagement as we embark on conversations in response to questions that examine why, what, and how. As educators we understand the responsibility of testing and questioning our values, pedagogy and content with which we engage students. To examine and ask questions does not imply change is needed but rather reflects a process experienced in any discipline, institution, or organization dedicated to growth. It is through this process that we determine whether or not change is needed; it is then that we can identity the why, what and how. Commitment to growth reflects the ethos of the College Music Society; we reflect that ethos through hosting summits such as this one. Ideas can be the genesis of something significant, however they are inert unless you have people dedicated and committed to making them happen. The idea for this summit occurred over a breakfast, and the response to carrying it forward has been exciting. Join me in thanking David Cutler for his vision and consistent persistence to carry the idea forward. Thank you to the team here at the University of South Carolina, particularly within the School of Music under the leadership of Tayloe Harding, Dean and Associate Provost for Community Engagement. To the keynote speaker, Aaron Dworkin, to Elizabeth Hinckley who, with David Cutler, will guide the conversation; and to the other key speakers who are significant leaders and change agents within the field, thank you for taking time to work with us as we examine our own contexts, opportunities and challenges. -
Gypsy Punk: Towards a New Immigrant Music
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Gypsy Punk: Towards a New Immigrant Music https://eprints.bbk.ac.uk/id/eprint/40029/ Version: Public Version Citation: Ashton-Smith, Alan (2013) Gypsy Punk: Towards a New Immi- grant Music. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Gypsy Punk: Towards a New Immigrant Music ALAN ASHTON-SMITH THE LONDON CONSORTIUM BIRKBECK, UNIVERSITY OF LONDON Thesis submitted for the degree of Doctor of Philosophy July 2012 1 Declaration I certify that this thesis is the result of my own investigations and, except for quotations, all of which have been clearly identified, was written entirely by me. Alan Ashton-Smith July 2012 Acknowledgements It is unlikely that I could have written this thesis anywhere except in the unique environment of the London Consortium, and I am grateful for the opportunity to be part of its PhD programme, and for the unwavering and wide-ranging interest and advice of its staff and students. I have had excellent supervision throughout the research and writing process. Many thanks are due to Steven Connor for his enthusiasm for the project and his polymathic advice, and to Ioana Szeman for her valuable expertise and ability to tease out threads of argument from tangled text. I am fortunate that the primary subjects of my research – the members of Gogol Bordello – allow themselves to be so accessible, and thank them for being happy to talk about their work, for sharing their riders, and for throwing magnificent afterparties. -
Getting Away from the Noise
CORE Metadata, citation and similar papers at core.ac.uk Provided by Apollo Getting away from the noise Jewish-Muslim interactions and narratives in E1/Barbès Jewish-Muslim interactions and narratives in E1/Barbès Ben Gidley and Sami Everett Birkbeck, University of London; University of Cambridge This article offers a comparative lens on intercultural and interreligious encounter in urban contexts in France and the UK, focusing on the common- alities and specificities of different national and municipal contexts. It offers an account of three forms of encounter, based on extensive fieldwork in two neighbourhoods of Paris and London: commercial interdependencies embedded in early phases of immigration; voluntaristic ‘interfaith-from-above’ policies shaped by state agendas developed since the beginning of the twenty- first century; and still emerging ‘interculturalism-from-below’ generated by second- and third-generation children of immigrants, which is marked by nostalgia and selective reading of local heritage. In doing so, it bypasses the sharp disciplinary and methodological divides that separate research on Jewish histories and cultures, Muslim communities, immigrant quarters, and postco- lonial/minority ethnic contexts. It aims instead to show how intercultural and interfaith encounters often occur in mundane spaces, and operate through and despite forms of ambivalence, and in this respect offer a context in which to displace the terms of spectacular accounts of racial and civilizational conflict. Keywords: interculturality, interreligious -
Pantomime Terror:Layout 1 10/28/2013 3:00 PM Page I
978 1 78279 209 3 Pantomime Terror:Layout 1 10/28/2013 3:00 PM Page i WHAT PEOPLE ARE SAYING ABOUT PANTOMIME TERROR This book starts with the countless provocations that surround us in the ambient war on terror. However, rather than retreating into either loathsome self-pity or indignant self-righteousness, Hutnyk responds with the thumping provocation to think and get real! Nikos Papastergiadis, University of Melbourne For two decades, Hutnyk’s research on diasporic music and politics has been at the political and scholarly cutting edge. Moving from ADF and Fun-Da-Mental, to MIA and Wagner, his work is always contextualised with relevance and an unstinting anti-racist, anti-imperialist commitment. Here in the not-so-great British tradition of pantomime parody with its Molotov cocktail caricatures of hero(in)es, villains and sidekicks, Hutnyk urges us to look at how horror is accompanied by the ludic, and how the culture industry is reined into the post 9/11 war on terror: ‘the pantomime of politics, the theatre of power, the double-plays of deception’. War peculates through every cell and membrane in our numbed bodies, only to be resigned to the waste basket of disposable culture. With its cogent attack on what have become cultural icons, Pantomime Terror updates Adorno for this terror- saturated age – masterful in its sweep, engaging in its style and thought-provoking in its analysis. Raminder Kaur, University of Sussex 978 1 78279 209 3 Pantomime Terror:Layout 1 10/28/2013 3:00 PM Page ii 978 1 78279 209 3 Pantomime Terror:Layout 1 -
Mongrel Nation: Diasporic Culture and the Making of Postcolonial Britain
0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE MONGREL NATION Ashley Dawson MONGREL NATION Diasporic Culture and the Making of Postcolonial Britain THE UNIVERSITY OF MICHIGAN PRESS Ann Arbor Copyright © by the University of Michigan 2007 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2010 2009 2008 2007 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Dawson, Ashley, 1965– Mongrel nation : diasporic culture and the making of postcolonial Britain / Ashley Dawson. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-472-09991-7 (cloth : acid-free paper) ISBN-10: 0-472-09991-4 (cloth : acid-free paper) ISBN-13: 978-0-472-06991-0 (pbk. : acid-free paper) ISBN-10: 0-472-06991-8 (pbk. : acid-free paper) 1. English literature—Minority authors—History and criticism. 2. English literature—20th century—History and criticism. 3. Commonwealth literature (English)—History and criticism. 4. Postcolonialism in literature. 5. Immigrants in literature. 6. Minorities in literature. 7. Literature and society—Great Britain—History—20th century. 8. Postcolonialism—Great Britain. 9. Pluralism (Social sciences)—Great Britain. 10. Ethnic groups— Great Britain—History—20th century.