XU, Norwood Battle:· Students~ Tisfied

Total Page:16

File Type:pdf, Size:1020Kb

XU, Norwood Battle:· Students~ Tisfied Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2002-10-16 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2002). All Xavier Student Newspapers. 2919. https://www.exhibit.xavier.edu/student_newspaper/2919 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. THE XAVIER UNI.VERSITY Published since 1915 kY the studert.ts t?fXavier Universi~y 88thyear, issue 6 week of OCTOBER 16, 2002 www.xavier.edu/newswire/ XU, Norwood battle:·students ~tisfied COLIN A •. MCDERMOTT order non-residents to leave a dis- ning disorderly houses, alcohol con- their neighbors with their home running a disorderly house. Contributing Writer orderly house, and they do not, the sumption or possession of alcohol. number and cell phone numbers. Norwood prosecutor Victoria In recent weeks, higher numbers non-residents are guilty of a mis- On Sept. 26 alone, 15 X.:avier stu- . "We went out of our way to re- Garry is adamant about this. of Xavier University students have demeanor of the third degree. dents were tried in the Norwood spect our community and our "I think there's an element of been appearing in Norwood's Norwood is solely responsible Mayor's court for such offenses. neighbors," Kelly said. common sense. The. one way to Mayor's court to face charges for for the new ordinance and received . These students were not appear- . The party they held on Sept. 21 . have a party is to limit the num- disorderly·houses and intoxication, no.input from Xavier. Norwood no- ing from one large, busted party, but grew to have at least 100 guests. ber," Garry said. "I have respect for both public and m;1derage. tified Xavier administration once from a variety of parti~s~ SehiQ,fS S~9-!,:tly afte{ midnight,· an,.,un- ''\piy neighbors; why don't these stu- . The reason for this is a new it was passed because it affects stu- Cory Gade! and Brett.. ~oodi wllo<;"~·derc<}ver~.offic~r)ntered<tlf( Clepts have respect for their neigh- N orwood ordi- _______....,_. ____ dents. When a live on Wayland ;\.Ye~u · · · f~lJf'~tticfo ots•?," · nance, passed June '7 agree students Xavier student for operating a,,,dis " Xa\;i~,r President, Rev.. Michael . n of this year, that is charged or ar- Gade! and \\{godis aml'S.J., understands Garry's provides Norwood should adhere to the rested, XUPD nor charge in 1 e~ch . police a broader l · b h /d receives a re- plea,andmustp'a:ya ei. awarepartyingisanatu- definition of disor- aw, . Ut S OU n t port, and inter- perform three da~s o J', .· pafof college life, but acknowl- derly house, giving those in law also disciplinary ac- service. Magi~~~rat!W' :,,~ gei that large parties get out of them the opportu- ti on is taken Marinakis was on oench hand' nity to squelch the recognize that against the stu- a.nd explained th~ci~'. l .~regard to the la~s'. Graham · Xavier parties that dent.. · view.. J ~ ·~an~ studenl:s ·to recogmze these have antagonized Students are a In light of "You're guests,jn th~ c ""' s fu.e an established part of the ~o~:i,~~d residents community, too, and :~:~~s, ~:~~; ~~:~~~~::~~Jt; cM"\ :1!~;,~:~:~~}~ in our court; The ordinance have a rioht to enio 11 University held sponsibly. The ~ity urden of proof is on us," Gra- is an amendmentto 6' "J J a forum in nanimous in loWeri safd. "The ·students are wel- existing Ordinance their fives while they Kelley Audit()- · Marinakis said.. ~ . .. e, fhe behaviors aren't. So . 2 5 0 8 - 1 9 1 3 : • .. · . ·. · . ,; r_i.um this Mon- ·. Four Students\ePP ier.'istudents need to show the "Keeping, occupy-· are betnu educated? .day, Oct. 14, to on charges rangirtg f -~~t to live in the community." ing, frequenting. · 6 Holly Huffman inform students consumption to undera"' "· ~does not see two sides. She disorderly house; Senior of their rights. sion of alcohol. ~''t::;,i,z,;.;. eels the behavior of Xavier stu- dis turbing the The forum One male student pied g'Uiity"fo:N~9r,.Jc~gs 1d J?J.QYidingtalbo- dents she's come across is disgust- peace," passed in included Chief underage consumption, while a fe- hof'tc»i.mderage·'~fodents. ing, that if students want to drink, d<.,. 1il • 1913. Michael Couch, Chief of the male student pied no contest to un- All panel'members said the per- they should do it elsewhere. The new ordinance, Ordinance Xavi.er campus police; Sylvia deragepossession,waivingherright functory "Must be 21 to Drink" "MaybeiftheyreadoftheSpiri­ No. 52-2002, describes a disorderly Bessegato, Dean of Students; .to a lawyer and trial. Two male stu-' signs were not enough to avoid le- tual Exercises by St. Ignatius, they house in clearer detail as a resi­ Luther Smith, Assistant Vice Presi- dents also pied guilty to underage gal responsibility. Residents of the wouldn't be reading the works of dence "where the peace, comfort or dent for Student Development in possession of alcohol. house must ta!ce an active role to Jack Daniels," she said. character of the neighborhood is the office of Student Life; Angie Only two senior-occupied prevent underage drinking and de- Senior Holly Huffman, who lives disturbed by any of the following Kneflin, Brockman Hall Director houses, on Ivanhoe and Waverly Av- .terioration into disorderly house in off-campus housing in Norwood, conduct of behavior." and chair of the Judicial Review ·enues, pied not guilty to the charges status. is concerned about such an attitude The ordinance explains that a Board and Chief Michael Wheeler, and will appear If residents· behind authority. person is participating in an unlaw­ head of the Norwood police. in the Mayor's call the police "I agree students should adhere ful gathering if there is ."noise of The event was mod.erated by Court later this t'frstaridaskthem" to the Ia~, b~t sho~ldn;t.those i'n sufficient volume" or ifhe is in pos­ lawyer Chris Kneflin. month with their "Maybe ifthey read to come and es- law also recognize that students are session of an Responding to respective attor- 0 +the Spiritual cort underage a community; too, and have a right open con­ questions about the neys. · 'J drinkers out, the to enjoy their lives while they are tainer in vio­ "!have respect for origins of the new or- Two of the Exercises by St. residents have being educated?" Huffman .asked. lation of pre­ dinance, Wheeler ex- Waverly resi~ taken legal re- "Garry's flavor 'of self-righ- v i 0 u s my .neighbors, why plained it was created dents, seniors Ignatius, they sponsibility for teousness bothers me." Norwood or-· don't these students . to alleviate the con- Lisa Walroth and lr J , b · d. their party and The personal beliefs and opin- dinances for cerns Norwood resi- Erin Kelly,. ex- WOU ant e rea tng. can avoid ·being ions of both students and law per- public in- have respect for their dents have voiced in plained they the works o+ 'ack charged wi'th a sonnel aside, the o~dinance is in . toxication. A city meetings. took precautions. 'J J' disorderly house. effect and students .have been house is dis- · ·neighbors?" "It's the citizens of to avoid such a Daniels. " Ariother issue charged. ord~rly i.f it - Victoria Garry Norwood over the police bust from is how large a Xavier students, Norwood resi- has "the sale, Norwood Prosecutor years," Wheeler said. occurring. - Garry party should be. dents and Norwood police have use, or ·pos­ "The citizens are Some weeks Xavier is a reached a stalemate when it comes session of happy if they don't before the party, they called the small campus and word about par- to parties, with neither side want­ controlled substances." get disturbed." N orwood police department to ties spreads quickly. ing to give an inch. However, stu­ The ordinance includes urinat­ The Norwood citizens' con- verify what was legal and illegal for If a house throws a small party, dents seem to be fighting a losing ing in public, which means any uri­ . cerns have been heard. Shortly af­ parties. They went to their neigh- it could grow to over 100 guests, battle for their right.to party.· nation outdoors, and public inde­ ter the Xavier fall semester started, hors' residences to inform them a causing the neighbors to complain cency, .as defined by Norwood or­ a sufficient number of Xavier stu­ party was going to be held and speci- to police, and poss~bly ending with dinances. Furthermore, if the police dents were charged with either run- fied the night. They also provided the residents being charged with ©2002 THE XAVIER NEWSWIRE NEWS: OP-ED: SPORTS: DIVERSIONS: All rights reserved Newsroom · (513)745~3122 Jane Goodall Xavier v. Norwood: Women's soccer Movie Madness Advertising (513) 745-3561 monkeys around no holds barred on a roll circulation (513) 745~3130 Editor-in-Chief (513) 745-3607 · PAGE3 PAGE6 PAGE 10 PAGE 12 - 13 . 2 week of OCTOBER 16, 2002 CAMPUS NEWS THE XA viER NEWSWIRE BRIEFS Elizabeth Boneau, Edito.r Spring 2003 Priority Regi~tration .. .. .. News Room: 745-3122 ·· i~·'.·' [email protected] Tuesday, N.ovember i2 th.rough ··Tuesday, ·Noverht)ki- .
Recommended publications
  • University of Pardubice Faculty of Arts and Philosophy Monstrosity in The
    University of Pardubice Faculty of Arts and Philosophy Monstrosity in the Works of Thomas Harris Bachelor Thesis 2020 Tereza Houžvičková Univerzita Pardubice Fakulta filozofická Akademický rok: 2018/2019 ZADÁNÍ BAKALARSKEPRAČE (projektu, uměleckého díla, uměleckého výkonu) Jméno a příjmení: Tereza Houžvičková Osobní číslo: H17199 Studijní program: B7310 Filologie Studijní obor: Anglický jazyk pro odbornou praxi Téma práce: Monstróznost v díle Thomase Harrise Zadávající katedra: Katedra anglistiky a amerikanistiky Zásady pro vypracování Závěrečná bakalářská práce se bude věnovat populárnímu žánru detektivky, specificky jejímu poddruhu přesa­ hujícímu do hororu. V úvodu práce studentka stručně charakterizuje žánr detektivní prózy a zvoleného autora zařadí do tohoto literáního kontextu. Stručně uvede teoretický rámec (např. poetika místa, žánr detektivky), do něhož svou analýzu zasadí. Dále bude definovat důležité pojmy a koncepty, s nimiž bude pracovat - např. criminal psychology, monstrosity, apod. Jádrem práce bude analýza vybraných děl, v níž se studentka soustře­ dí především na způsoby zobrazení geniality, zla, monstróznosti. Zamyslí se rovněž nad literárními prostředky, které autor využívá, případně pojedná o filmových verzích děl. Své analýzy bude ilustrovat ukázkami z primár­ ních děl a opírat (či konfrontovat) s kritickými zdroji. Závěrem své analýzy přehledně shrne a vysloví obecnější závěr o obrazu zla a monstróznosti v Harrisově díle. Rozsah pracovní zprávy: Rozsah grafických prací: Forma zpracování bakalářské práce: tištěná/elektronická Jazyk zpracování: Angličtina Seznam doporučené literatury: Primární díla Zvolená díla Thomase Harrise Sekundární díla: Creed, Barbara. Freuďs Worst Nightmare: Dining with Dr. Hannibal Lecter. Cambridge Uni­ versity Press, print publication: 2004. online publication: 2009. Mittman, Asa Simon and Peter Dendle. The Ashgate Research Companion to Monsters and the Monstrous.
    [Show full text]
  • Red Dragon, the Cleft-Lip, and the Politics of Recognition
    The Monster Without: Red Dragon, the Cleft-Lip, and the Politics of Recognition Timothy D. Harfield Rarely represented in popular film, the cleft lip and palate is more often than not used as the locus of some kind of monstrosity. Of films featuring characters affected by cleft lip and palate, for example, at least five figure them as agents of violence or death. From the school bully,1 to a hired killer,2 to a serial killer,3 to a zombie,4 it is common to use the cleft lip as a cue for menace, or as a thing to be feared. On the other side of violence, the recent film Psycho Beach Party5 features a young girl with a cleft lip as the first to be killed by a serial killer targeting youth with disabilities. Even the Swedish film Den Enfoldige Mördaren,6 or "The Simple-minded Murderer," acclaimed for the sympathetic portrayal of its protagonist, features a killer with a cleft lip. Following in this tradition, the recent film Red Dragon7 features a serial killer whose cleft lip is the primary factor motivating his murderous behaviour. Although the film initially capitalizes upon the tradition of linking cleft lip and palate with homicidal psychopathy, however, it does so through a keen awareness of the politics of identity formation, and so has the effect of ultimately shifting the locus of monstrosity away from the cleft lip, and toward those social systems of 1 Frank Whaley, Joe the King (USA: Lions Gate, 1999), videorecording. 2 Frank Tuttle, This Gun for Hire (USA: Universal Studios, 1942), videorecording.
    [Show full text]
  • What Price Australian Naway and an R Ami I R Fugees, 'Illegals' AUSTRALIAN BOOK REVIEW
    The Vatic -Edmund Campion on the Australia What price Australian naway and An r ami I r fugees, 'illegals' AUSTRALIAN BOOK REVIEW SEPTEMBER: Humphrey McQueen on Chris wattace~-Gra th e Chinese connecti on Dorothy Porter, Michael Hofmann, Fay Zwicky, Anthony Lawrence, Rolling Column by Mark Davis Anita Heiss, Merlinda Bobis, Tien Hoang Nguyen, Deb Westbury, Kerryn Goldsworthy on Thea Astley' s MTC Cronin, Dry lands Geoff Goodfellow and many mo re Marilyn Lake on Beryl Beaurepajre I melbourne Mari on Halli gan on Andrew Riemer's new memoir festival of Subscribers $55 for ten issues plus a free book Ph (03) 9429 6700 or Fax (03) 9429 2288 poetry september Art Monthly 1999 AUSTRALIA IN THE SEPTEMBER ISSUE chapel off Peter Hill interYiews Liz Ann Macgregor, new Director of the Museum of chapel Contemporary Art • prahran Daniel Thomas talks about being a curator 9522 3382 ArtRage - Mat Gallois on r;"t.,~;:;:;::::;-;;;;;::rn!l:;n~..r.w,,.,;::;;=rr-""""IIPII Off Chapel being an emerging artist in Sydney inHiative supported by Arts The Immigration Museum and the Victoria Millionth Migrant exhibition Out now _ S-1.9.'i, .fimn good boohlwps and ncii'Sagcnls. Or plu111c ()] 62-19 3986 jin· your mbsaiption Volume 9 Number 7 September 1999 A magazine of public affairs, the arts and theology CoNTENTS 4 COMMENT With Mark McKenna and 32 Francis Sullivan. AFTER THE BIG WAVE Photographic essay by Peter Davis. 'He loved to 7 speculate, CAPITAL LETTER 34 INDONESIAN WITNESS sometimes almost 8 Peter Mares interviews Ibu Sulami, dangerously, LETTERS activist, feminist and political survivor.
    [Show full text]
  • Journalism As It Is Учебное Пособие
    ГОСУДАРСТВЕННОЕ ОБРАЗОВАТЕЛЬНОЕ УЧРЕЖДЕНИЕ ВЫСШЕГО ПРОФЕССИОНАЛЬНОГО ОБРАЗОВАНИЯ КЫРГЫЗСКО-РОССИЙСКИЙ СЛАВЯНСКИЙ УНИВЕРСИТЕТ Кафедра иностранных языков JOURNALISM AS IT IS Учебное пособие Бишкек 2018 УДК 070(=111)(075.8) ББК 76.12 J 91 Рецензенты: К.И. Мамбеталиев, д-р филол. наук, А.В. Волкотрубова, канд. пед. наук, доцент Составитель: М.Г. Юрченко, канд. пед. наук Рекомендовано к изданию кафедрой иностранных языков КРСУ J 91 JOURNALISM AS IT IS: учебное пособие / сост. М.Г. Юр- ченко. – Бишкек: КРСУ, 2018. – 144 с. ISBN 978-9967-19-536-3 Учебное пособие «Journalism as it is» предназначено для студентов неязыковых факультетов вузов, изучающих дисципли- ну «Иностранный язык для профессиональных целей». Целью пособия является развитие навыков чтения периодики и литературы по специальности, а также устной речи по различ- ным вопросам в сфере журналистики. Учебное пособие окажет существенную помощь студентам и преподавателям в подготовке и проведении уроков с текстами по специальности. J 4502020000-18 УДК 070(=111)(075.8) ББК 76.12 ISBN 978-9967-19-536-3 © ГОУВПО КРСУ, 2018 CONTENTS Part I Chapter I. JOURNALISM IN THE ERA OF THE WEB ............4 Chapter II. A SENSE OF THE NEWS ......................................31 Chapter III. ADVERTISING .....................................................48 Chapter IV. NEWS AND INFORMATION PROGRAM ..........71 Part II CROSSWORD ........................................................................102 Part III SUPPLEMENTARY READING .............................................107 KEYS .......................................................................................125
    [Show full text]
  • Illustrated Script
    Episode 101: “Aperitif” Written by Bryan Fuller Directed by PROPERTY OF: David Slade GAUMONT INTERNATIONAL TELEVISION LLC Based on the Characters ©2012 CHISWICK PRODUCTIONS, LLC. ALL RIGHTS RESERVED. NO PORTIONS OF THIS SCRIPT MAY BE Created by PERFORMED, OR REPRODUCED BY ANY MEANS, OR QUOTED, OR PUBLISHED IN ANY MEDIUM WITHOUT THE Thomas Harris PRIOR WRITTEN CONSENT OF GAUMONT INTERNATIONAL TELEVISION LLC. Photo by Robert Trachtenberg TEASER Will Graham sits serenely amongst the carnage on a yoga mat. A POLICE OFFICER and SUITED DETECTIVE herd the CLOSE ON - WILL GRAHAM Crime-Scene Photographer and the remaining team of Coroners out the door. A handsome, haunted man with a naive focus. REFLECTIVE LIGHT flashes across his face, lighting up his eyes. All Will Graham takes a breath, exhales, then closes his SOUND IS DULLED as if his ears were blocked, the AMBIENT eyes. NOISE of Will’s circulatory system provides an organic hum. He stares into middle-distance as CAMERA PULLS BACK TO A PENDULUM REVEAL we are -- It swings in the darkness of Will Graham’s mind, keeping INT. HOME - LIVING ROOM - NIGHT rhythm with his heart beat. FWUM. FWUM. FWUM. Arterial spray splashes a wall near a blood-soaked carpet. ON WILL GRAHAM Through the windows we see DOZENS OF OFFICERS and as many POLICE CARS. A CRIME-SCENE PHOTOGRAPHER takes pictures. A His eyes are closed. The PENDULUM is now outside his team of CORONERS remove TWO BODIES -- THERESA and THOMAS head. It swings behind Will, wiping away in its wake MARLOW, both 30s/40s. A tableau of horrible violence.
    [Show full text]
  • Framing the Body, Staging the Gaze” Representations of the Body in Forensic Crime Fiction and Film (Ph.D
    David Levente Palatinus “Framing the Body, Staging the Gaze” Representations of the Body in Forensic Crime Fiction and Film (Ph.D. Dissertation) Peter Pazmany Catholic University Faculty of Humanities Doctoral School of Literary Studies School Director: Prof. Éva Martonyi, CSc. university professor Theories of Literature and Culture Program Program Leader: Prof. Kornélia Horváth, Ph.D., lecturer, Institute of Literary Studies Dissertation Supervisor: Prof. Kornélia Horváth, Ph.D., lecturer, Institute of Literary Studies 2009 1 Palatinus Levente Dávid “A test bekeretezése, a tekintet színrevitele” A test reprezentációi a törvényszéki krimiben és filmben Doktori (Ph.D.) értekezés Pázmány Péter Katolikus Egyetem Bölcsészettudományi Kar Irodalomtudományi Doktori Iskola School Director: Prof. Éva Martonyi, CSc. egyetemi tanár Irodalom- és Kultúraelméleti M őhely Mőhelyvezet ı: Horváth Kronélia, Ph.D., docens, Irodalomtudományi Intézet Témavezet ı: Horváth Kornélia, Ph.D., docens, Irodalomtudományi Intézet 2009 2 Contents Acknowledgements ...................................................................................................................5 1. Corporeality, Vision, Popular Culture: .................................................................................7 A Skeptical Introduction ............................................................................................................7 2. (Re-)Framing the Image ...................................................................................................17 2.1 T(h)e(rr)orizing
    [Show full text]
  • THE PILLAR a MONTHLY JOURNAL of the Trio SSS COMMUNITY “Helping Students Realize Their Full Potential”
    THE PILLAR A MONTHLY JOURNAL OF THE TRiO SSS COMMUNITY “Helping Students Realize Their Full Potential” December 2020 Student Spotlight— Valerye Godoy ISSUE The TRIO Student Support Services program would like Page Guide to highlight Valerye Godoy. Valerye is a Biology major who will be graduating spring 2021. She was asked about Page 1 her experience in college and stated that her experience has been unique looking back. She noted, “It has gone by • Student Spotlight really fast. I always knew I wanted to be a veterinarian. In Page 2 high school, I became a veterinary assistant and started working at a veterinary clinic full-time. This clinic was my • Spotlight Continued dream job, when I began working there I made a promise to myself that I would work there full-time the entire time I Page 3 was in college until I was accepted to veterinary school (so far I have kept this promise 5 years later). I knew that • Relaxation Techniques I needed to earn an undergraduate degree if I wanted to • Kudos become a Veterinarian, so I began my journey at the Community College of Denver back in 2015 and was Page 4 accepted to CU Denver in 2016. Being a first-generation college student and not having any friends at school, it • Goal Setting—New Year was difficult to navigate student loans, class schedules, and extracurricular activities. For the first two • Movie Review years, I really did not know what I was doing but I somehow managed to slowly get by. I also did not know Page 5 how to apply for loans or grants, so I paid for school out of pocket for a while (that was stressful).
    [Show full text]
  • Searching for Homeric Fandom in Greektragedy
    Searching for Homeric Fandom in Greek Tragedy Lynn Kozak McGill University [email protected] Abstract This article proposes an application of fan studies, and particularly a refined model of Suzanne Scott’s “fanboy auteur,” to reconsider Homeric creative response, with a spe- cial focus on the parodos of Euripides’s Iphigenia in Aulis. Keywords fandom – reception – epic – tragedy – affect Fan studies, and particularly the model of the fanboy auteur, can offer a new framework for thinking about Classical receptions of the Homeric poems and for Classical receptions more generally.* Fan studies combines several distinct issues that we wrestle with in Classics and Classical reception, including audi- ence response, intertextuality, metapoetics, authorship, and affect. While the means of production and cultural contexts of contemporary fandoms around twentieth- and twenty-first-century transmedia texts vastly diverge from those of the Athenian tragedians,1 a fan studies approach can still illuminate modes of engagement between authors and audiences around established texts like the Homeric epics. The term “fans” assumes some sort of an affective community (cf. Wilson 2016: 1.2): fans as individuals are emotionally invested in those things (includ- ing, but not limited to, storyworlds, characters, actors, auteurs, and texts) that * Many thanks to Jonathan Ready and Christos Tsagalis, to my anonymous reviewers for their bibliographic and conceptual suggestions, and to audiences at Greek Drama V at UBC in July 2017, who gave valuable feedback, particularly George Kovacs, whose work on Aristophanes as a Euripides fan dovetails with this work. Thanks also to Alex Martalogu for his close eye and his help with formatting.
    [Show full text]
  • Vanessa Ramos Furtado Da Silva
    UNIVERSIDADE DO VALE DO RIO DOS SINOS - UNISINOS UNIDADE ACADÊMICA DE PESQUISA E PÓS-GRADUAÇÃO PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS DA COMUNICAÇÃO NÍVEL MESTRADO VANESSA RAMOS FURTADO DA SILVA BON APPÉTIT : CONSTRUÇÃO NARRATIVA E VISUAL DA SÉRIE HANNIBAL SÃO LEOPOLDO 2018 Vanessa Ramos Furtado da Silva BON APPÉTIT: CONSTRUÇÃO NARRATIVA E VISUAL DA SÉRIE HANNIBAL Dissertação apresentada como requisito parcial para obtenção do título de Mestre em Comunicação, pelo Programa de Pós- Graduação em Ciências da Comunicação da Universidade do Vale do Rio dos Sinos – UNISINOS. Orientador: Prof. Dr. João Damasceno Martins Ladeira São Leopoldo 2018 2 2 3 AGRADECIMENTOS Escrevo este agradecimento à meia noite do dia dezessete de fevereiro, enquanto a vida me faz terminar esta tarefa sob uma nova (e complicada) perspectiva, mudando itens de prioridade e aprendendo o valor das pessoas na marra, bem como essa instabilidade e impotência sobre as coisas da vida que nos assustam e tornam frágeis. Desde que entrei no Programa de Pós-Graduação, muita coisa mudou. Em mim, na minha vida e na forma com que me relaciono com o mundo. Agradeço, então, à Unisinos e ao grupo de pesquisa Audiovisualidades e Tecnocultura: Comunicação, Memória e Design (TCAv) por me fazerem criar novas cascas. Não posso deixar de agradecer, primeiramente, à Coordenação de Aperfeiçoamento de Pessoal de Nível Superior – CAPES, pois, sem a concessão desta bolsa, nada teria acontecido. Agradeço à minha família, que me criou para enfrentar grandes lutas, e assim seguimos sempre – juntos e vencendo batalhas, com muito amor. Ao meu parceiro de vida, que aguentou junto aos meus familiares, todos os meus surtos, e, pasmem, não arredou o pé do meu lado, sempre com muita paciência e carinho.
    [Show full text]
  • Searching for Homeric Fandom in Greektragedy
    Searching for Homeric Fandom in Greek Tragedy Lynn Kozak McGill University [email protected] Abstract This article proposes an application of fan studies, and particularly a refined model of Suzanne Scott’s “fanboy auteur,” to reconsider Homeric creative response, with a spe- cial focus on the parodos of Euripides’s Iphigenia in Aulis. Keywords fandom – reception – epic – tragedy – affect Fan studies, and particularly the model of the fanboy auteur, can offer a new framework for thinking about Classical receptions of the Homeric poems and for Classical receptions more generally.* Fan studies combines several distinct issues that we wrestle with in Classics and Classical reception, including audi- ence response, intertextuality, metapoetics, authorship, and affect. While the means of production and cultural contexts of contemporary fandoms around twentieth- and twenty-first-century transmedia texts vastly diverge from those of the Athenian tragedians,1 a fan studies approach can still illuminate modes of engagement between authors and audiences around established texts like the Homeric epics. The term “fans” assumes some sort of an affective community (cf. Wilson 2016: 1.2): fans as individuals are emotionally invested in those things (includ- ing, but not limited to, storyworlds, characters, actors, auteurs, and texts) that * Many thanks to Jonathan Ready and Christos Tsagalis, to my anonymous reviewers for their bibliographic and conceptual suggestions, and to audiences at Greek Drama V at UBC in July 2017, who gave valuable feedback, particularly George Kovacs, whose work on Aristophanes as a Euripides fan dovetails with this work. Thanks also to Alex Martalogu for his close eye and his help with formatting.
    [Show full text]
  • Race Politics of the ‘40S and ‘50S?
    City University of New York (CUNY) CUNY Academic Works Capstones Craig Newmark Graduate School of Journalism 12-31-2014 Dead Women and White Men: Why Are Today’s Hit Noir Shows Still Stuck in the Gender/ Race Politics of the ‘40s and ‘50s? Zainab Akande How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gj_etds/13 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Dead Women and White Men: Why Are Today’s Hit Noir Shows Still Stuck in the Gender/ Race Politics of the ‘40s and ‘50s? Rust Cohle and Marty Hart from HBO’s “True Detective” Courtesy of Screencapped.net Critically acclaimed TV noir programs such as “True Detective,” “House of Cards” and “Hannibal” provide complex narratives with compelling characters, but fail to take full advantage of gender & race diversity. By Zainab Akande On October 6, Showtime announced the return of David Lynch and Mark Frost’s psycho-surreal crime drama, “Twin Peaks,” in the form of a nine episode miniseries to take place 25 years after the 1991 series finale. Unusual during its two-season run on ABC, “Twin Peaks” was dark, absurd and rife with the seedy horrors of suburbia brought to light by the police investigation into the death of the town’s beloved homecoming queen, Laura Palmer. The timing for its revival couldn’t be more perfect—in an age where hit television dramas such as “True Detective” (creator Nic Pizzolatto is a fan of “Twin Peaks”), “Hannibal,” and “House of Cards” have dominated the must-watch conversation, it’s fair to say that TV noir is having a moment—both domestically and internationally.
    [Show full text]
  • Hannibal "Contorno" by Eli Edelson Spec Script Draft Date: 5/1/15
    Hannibal "Contorno" By Eli Edelson Spec Script Draft Date: 5/1/15 Eli Edelson 914-310-8844 [email protected] © Copyright. Eli Edelson 2015 PREVIOUSLY ON HANNIBAL: The end of the season nears as tensions rise between Will Graham, Alana Bloom, and Hannibal Lecter. Previously, Will allowed himself to be treated by Alana in an attempt to cure himself of his grisly work and be convinced to leave the profession. Instead, he ended up admitting his love for her and stated he wouldn’t see her again unless she razes the professional barrier between them. Uncomfortable with his aggression, she told him to leave and they haven’t talked since. After, Will dove back into his case work in full force and partnered closely again with Hannibal. As the capture of the previous episode’s killer drew close, Hannibal tried to destabilize Will with scare tactics in order to study him under pressure - as he’s hinted at doing throughout the season. Hannibal’s conclusion was that Will became better at his job (i.e. became like Hannibal), and enjoyed the adrenaline of it all. The episode ended with Will feeling desperate for another case to occur in order to distract him, though he ultimately became guilty about that. Hannibal clearly shared the same desire secretly, sans guilt. X X X X X X X X X X X X 2. OPEN TEASER: INT. AUCTION HOUSE - DAY CLOSE on a gavel slamming down. The war for ownership begins. We pull out to a dimly lit, wooden hall filled with WEALTHY PATRONS.
    [Show full text]