SCENARIO 1994 Fall Season
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The Jackson County Chronicles
ISSN-1071-2348 January 2018 The Jackson County Chronicles Volume 30, Number 1 In this issue: Please renew your membership in the JCHA: Our renewals are • A Tribute to John Neely: A trickling in very slowly this year. If your mailing label identifies you as seminal figure in restoring the Please Renew (meaning you were active in 2017) or Expired Scottsboro freight depot is (meaning you’ve not been active since 2016), please renew for 2018 or remembered in this tribute by convert to a life membership. David Campbell. • Sand Mountain Pottery: Once Our January Meeting: This quarter’s JCHA meeting will feature considered purely utilitarian, two of our favorite folks: Joyce Money Kennamer and JCHA board pottery produced on Sand member Judge John Graham. Joyce will speak about “The Rise and Mountain is now being recognized Decline of Skyline Colony,” and John for its uniqueness and artistry. will talk about the time in 1998 when • A profile of Thomas Jefferson the bulldozers were ready to level Bouldin: Our centennial tribute to historic Skyline School. This our county’s WWI veterans continues. presentation was originally made to a • Clarence Bloomfield Moore : In group at the Skyline Heritage 1914 and 1915, Clarence Association dinner last April. The Bloomfield Moore, the son of a meeting will be held on Sunday, wealthy Philadelphia family, January 28, 2018 at 2:00 p.m. at piloted his boat The Gopher along the Scottsboro Depot Museum. the Tennessee River unearthing native American artifacts. Thanks to our guest contributors in this issue: Blake Wilhelm, • A rail trip through Jackson archivist at Northeast Alabama Community College (NACC); Dr. -
Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre MICHIGAN OPERA THEATRE Fall Season 1996
Copyright 2010, Michigan Opera Theatre Copyright 2010, Michigan Opera Theatre MICHIGAN OPERA THEATRE Fall Season 1996 CONTENTS A MESSAGE FROM THE GENERAL DIRECTOR . .... .... 2 COMING EVENTS . ..... .. .. .... .. .. 3 BUILDING ON A DREAM ...... .... .. ........... ..... .4 CAPITAL CAMPAIGN ...... ......... .. ... ". ... 6 CAPITAL CAMPAIGN CONTRIBUTORS ......... ...... ........7 BOARD OF DIRECTORS ........... .....................10 MICHIGAN OPERA THEATRE CONTRIBUTORS . .12 ADMINISTRATIVE STAFF .. ........... .... ....... 22 HOUSE POLICIES, GENERAL INFORMATION ...... ..........24 CARMEN ......................... ...... ...... 26 WEST SIDE STORY . ....... ...... .. ........ ... ..... 30 COMMUNITY PROGRAMS ..... .. .... ............. .. .40 ORCHESTRA/CHORUS ROSTER .......... ... .. .. ... .42 Copyright 2010, Michigan Opera Theatre Welcome to the Detroit Opera House. On behalf of Michigan Opera Theatre, welcome to your opera house. I am delighted that you could join us, and hope that this will be one of many visits to the Detroit Opera House - the latest addition to Detroit's celebrated Theatre District. Although the Detroit Opera House remams a masterpiece m progress, I invite you to experience the grandeur of this classic American theater in its nearlY'completed state. From the grand staircase, adorned by a stunning 3,000 piece crystal chandelier, to the hand-crafted proscenium arch, much of the original 1922 elaborate interior design has been lovingly and faithfully restored to its former splendor. The newly constructed 75,000 square foot stage (among the largest in North America), state-of-the-art orchestra pit (large enough to ~ccommodate nearly 100 musicians), and rich acoustical and visual properties make this grand old theater one of the most exciting and coveted in the world. The grand opening of the Detroit Opera House last April was the realization of a twenty-five year dream to provide our community with a world-class facility ideally suited for grand opera and ballet. -
Actor Training in Australia
fusion journal www.fusion-journal.com fusion journal is an international, online scholarly journal for the communication, creative industries and media arts disciplines. Co-founded by the Faculty of Arts and Education, Charles Sturt University (Australia) and the College of Arts, University of Lincoln (United Kingdom), fusion journal publishes refereed articles, creative works and other practice-led forms of output. Issue 15 AusAct: The Australian Actor Training Conference 2018 Editors Robert Lewis (Charles Sturt University, Australia) Zoë Hadler (Charles Sturt University, Australia) Jhi Rayner (Charles Sturt University, Australia) Contents Editorial: Actor training in Australia .................................................................................... 1 Robert Lewis, Zoë Hadler and Jhi Rayner Finding the light: Acting as an artistic and social project .................................................. 6 Terence Crawford Actor training in portfolio careers: Flourishing in a creative career beyond “luck” ........ 18 Elizabeth Blackwood, Lotte Latukefu and Mark Seton Brisbane Junior Theatre: A new theatre paradigm .......................................................... 27 Jack Bradford Vocal resonance: Optimising source-filter interactions in voice training ....................... 47 Zac Bradford Within and between: Integrative performer training and the sword ............................... 71 James Harrison Perform “the space”, not “in the space”: Incorporating place, environment and imagination in integrative practices ................................................................................. -
Australian Actor Training Conference 2019: ‘Being Relevant’
’Ivanov’, adapted by Eamon Flack, Directed by Dan Evans, photo by Fiona Cullen (QUT) Australian Actor Training 9 - 11 August Conference QUT Kelvin Grove Campus Queensland University of Technology Kelvin Grove, Brisbane, Australia 1 Contents Convenor’s Statement.... page 2 Schedule.... page 3 Keynote.... page 6 Abstracts and Bios.... page 7 Workshops.... page 25 Important Contacts.... page 31 Map.... page 32 Co-Convenor’s Statements 2 Dr. Andrea Moor, QUT, Conference Host AusAct: The Australian Actor Training Conference 2019: ‘Being Relevant’ It is such a pleasure to host this new and much needed conference. It is my frm belief that by sharing our challenges and innovatons we will be able to provide the catalyst for the kind of in- dustry we desire for ourselves and our graduates. An industry of inclusion, empathy, challenge and excellence. We now live in a very diferent world. There is no knowing which of our graduates will succeed and which won’t. Gone are the days of a select few insttutons being the main feeders into the industry. Now, leading actors are emerging from short courses, BFA courses, private training providers, drama courses and literally from thin air. Our job is to remain relevant in an ever chang- ing landscape and what beter way to do this than by drawing on the resources of our community. I was recently asked to speak at the American Natonal Alliance of Actng Teachers Congress in New York and I was overwhelmed by the collegiality and genuine support one for the other, amongst the partcipants. There was a sense that everyone knew that no mater how much experience someone had or how litle, no mater how seemingly prestgious the insttuton or how remote, that there was something to learn from every one present. -
NICE WORK IF YOU CAN GET IT Music and Lyrics by George and Ira Gershwin Book by Joe Dipietro Inspired by Material by Guy Bolton and P
To request an audition Email your name, mobile number and the role/s you wish to audition for to [email protected] THIS IS AN AMATEUR PRODUCTION PRODUCED BY Savoyards Musical Comedy Society Inc. (Brisbane) NICE WORK IF YOU CAN GET IT Music and Lyrics by George and Ira Gershwin Book by Joe DiPietro Inspired by Material by Guy Bolton and P. G. Wodehouse presented by arrangement with TAMS WITMARK MUSIC LIBRARY, INC. SAVOYARDS BRISBANE | NICE WORK IF YOU CAN GET IT | 2016 Production Team Director: Sherryl-Lee Secomb Sherryl-Lee has worked constantly in community theatre for over thirty years, creating roles in everything from farce, concert performances, plays and large scale musical theatre including some of her favourite roles – Fiddler on the Roof (Golde, Dir. Alec Raymond), West Side Story (Anita, Dir. Jack Bradford), Guys & Dolls (Miss Adelaide, Dir. Alec Raymond), Leonard Bernstein’s MASS - Australian Premiere (Stage Cast, Dir. Guiseppe Sorbello, QPAC), Anything Goes (Reno Sweeney, Dir. Alec Raymond) and Thoroughly Modern Millie (Mrs Meers, Dir. Johanna Toia). Directing credits include Carousel, Miss Saigon (Assistant Director), The Phantom of the Opera (Assistant Director), The Phantom of the Opera (a production which received the 2015 Australia Day Award for Ipswich City’s Best Event Citywide) and, most recently, Savoyards’ 2015 production of How to Succeed in Business Without Really Trying for which she also designed the set. This production received 4 Del Arte Charts recognitions including “Favourite Set”. Sherryl-Lee is the Creator and Editor of www.anidiotonstage.com.au. Musical Director: Geoffrey Secomb Geoff is a graduate of the Queensland Conservatorium of Music with nearly 40 years of experience in orchestral and theatre performance.