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January 1946) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 1-1-1946 Volume 64, Number 01 (January 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Music Pedagogy Commons, and the Music Performance Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 01 (January 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/199 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. 7 A . " f ft.S. &. ft. P. deed not Ucende Some Recent Additions Select Your Choruses conceit cuid.iccitzt fotidt&{ to the Catalog of Oliver Ditson Co. NOW PIANO SOLOS—SHEET MUSIC The wide variety of selections listed below, and the complete AND PUBLISHERS in the THE AMERICAN SOCIETY OF COMPOSERS, AUTHORS BMI catalogue of choruses, are especially noted as compo- MYRA ADLER Grade Pr. MAUDE LAFFERTY sitions frequently used by so many nationally famous edu- payment of the performing fee. Christmas Candles .3-4 $0.40 The Ball in the Fountain 4 .40 correspondence below reaffirms its traditional stand regarding ?-3 Happy Summer Day .40 VERNON LANE cators in their Festival Events, Clinics and regular programs. BERENICE BENSON BENTLEY Mexican Poppies 3 .35 The Witching Hour .2-3 .30 CEDRIC W. -
Naxcat2005 ABRIDGED VERSION
CONTENTS Foreword by Klaus Heymann . 4 Alphabetical List of Works by Composer . 6 Collections . 88 Alphorn 88 Easy Listening 102 Operetta 114 American Classics 88 Flute 106 Orchestral 114 American Jewish Music 88 Funeral Music 106 Organ 117 Ballet 88 Glass Harmonica 106 Piano 118 Baroque 88 Guitar 106 Russian 120 Bassoon 90 Gypsy 109 Samplers 120 Best Of series 90 Harp 109 Saxophone 121 British Music 92 Harpsichord 109 Trombone 121 Cello 92 Horn 109 Tr umpet 121 Chamber Music 93 Light Classics 109 Viennese 122 Chill With 93 Lute 110 Violin 122 Christmas 94 Music for Meditation 110 Vocal and Choral 123 Cinema Classics 96 Oboe 111 Wedding 125 Clarinet 99 Ondes Martenot 111 White Box 125 Early Music 100 Operatic 111 Wind 126 Naxos Jazz . 126 Naxos World . 127 Naxos Educational . 127 Naxos Super Audio CD . 128 Naxos DVD Audio . 129 Naxos DVD . 129 List of Naxos Distributors . 130 Naxos Website: www.naxos.com NaxCat2005 ABRIDGED VERSION2 23/12/2004, 11:54am Symbols used in this catalogue # New release not listed in 2004 Catalogue $ Recording scheduled to be released before 31 March, 2005 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. Our recordings receive favourable reviews in many other publications which, however, do not use a simple, easy to understand rating system. -
Naxos Catalog (May
CONTENTS Foreword by Klaus Heymann . 3 Alphabetical List of Works by Composer . 5 Collections . 95 Alphorn 96 Easy Listening 113 Operetta 125 American Classics 96 Flute 116 Orchestral 125 American Jewish Music 96 Funeral Music 117 Organ 128 Ballet 96 Glass Harmonica 117 Piano 129 Baroque 97 Guitar 117 Russian 131 Bassoon 98 Gypsy 119 Samplers 131 Best Of series 98 Harp 119 Saxophone 132 British Music 101 Harpsichord 120 Timpani 132 Cello 101 Horn 120 Trombone 132 Chamber Music 102 Light Classics 120 Tuba 133 Chill With 102 Lute 121 Trumpet 133 Christmas 103 Music for Meditation 121 Viennese 133 Cinema Classics 105 Oboe 121 Violin 133 Clarinet 109 Ondes Martenot 122 Vocal and Choral 134 Early Music 109 Operatic 122 Wedding Music 137 Wind 137 Naxos Historical . 138 Naxos Nostalgia . 152 Naxos Jazz Legends . 154 Naxos Musicals . 156 Naxos Blues Legends . 156 Naxos Folk Legends . 156 Naxos Gospel Legends . 156 Naxos Jazz . 157 Naxos World . 158 Naxos Educational . 158 Naxos Super Audio CD . 159 Naxos DVD Audio . 160 Naxos DVD . 160 List of Naxos Distributors . 161 Naxos Website: www.naxos.com Symbols used in this catalogue # New release not listed in 2005 Catalogue $ Recording scheduled to be released before 31 March, 2006 † Please note that not all titles are available in all territories. Check with your local distributor for availability. 2 Also available on Mini-Disc (MD)(7.XXXXXX) Reviews and Ratings Over the years, Naxos recordings have received outstanding critical acclaim in virtually every specialized and general-interest publication around the world. In this catalogue we are only listing ratings which summarize a more detailed review in a single number or a single rating. -
Oregon Ballet
FRIDAY MARCH 8 2019 OREGON BALLET THEATRE 10 AM RHAPSODY IN BLUE 2018 > 2019 FIELD TRIP SERIES BROADEN THE HORIZONS LEARNING LINKS OF YOUR CLASSROOM. EXPERIENCE THE VIBRANT WORLD OF THE ARTS AT THE McCALLUM! McCALLUM THEATRE EDUCATION PRESENTS OREGON BALLET THEATRE RHAPSODY “It will be a new creative experience.” IN BLUE > NICOLO FONTE, CHOREOGRAPHER FRIDAY MARCH 8 2019 10 AM Connecting to Curriculum and Students’ Lives! HISTORY & GEOGRAPHY > New York, 1930s ARTS > Music, dance EXPANDING THE CONCEPT OF LITERACY What is a “text”? We invite you to consider the performances on McCallum’s Field Trip Series as non-print texts available for study and investigation by your students. Anyone who has shown a filmed version of a play in their classroom, used a website as companion to a textbook, or asked students to do online research already knows that “texts” don’t begin and end with textbooks, novels, and reading packets. They extend to videos, websites, games, plays, concerts, dances, radio programs, and a number of other non-print texts that students and teachers engage with on a regular basis. We know that when we expand our definition of texts to the variety of media that we use in our everyday lives, we broaden the materials and concepts we have at our disposal in the classroom, increase student engagement, and enrich learning experiences. Please consider how utilizing your McCallum performance as a text might align to standards established for reading, writing, speaking, listening, and language. How do we help students to use these texts as a way of shaping ideas and understanding the world? Please use this material to help you on this journey. -
RENTAL CATALOG C - E.B
About Us Keiser Music Publishing - Lauren Lauren Keiser Music Publishing © LKMP 2012 Veteran music publisher Lauren Keiser started Lauren Keiser Music Publishing (ASCAP) and Keiser Classical (BMI) from the purchase of MMB Music's assets of St. Louis in 2008, strengthening it with new deals free downloads and editions. His almost forty years of being involved with Alfred, Cherry Lane, and Carl Fischer, the latter two where he served as CEO/ Download scores and audio President, provided a foundation for a new music publishing company samples selected from our based on his experience. In 2012, he acquired the 75 year old music catalog. As we continue to add publisher Southern Music, adding this established firm to the new more works, we strive to create company. In addition to his publishing industry experience, he is a an increasingly valuable resource successful composer whose works have been performed at home and for your programming needs. abroad. The firm publishes and administers performance and music Whether you’re looking for copyrights of gifted composers, in addition to producing publications of chamber, orchestra, wind talented musicians, writers and artists. ensemble, or opera music, we invite you to visit frequently and Southern Music Company offer feedback on your experience. Keiser Classical - Southern Musi Since its founding in 1937 in San Antonio, Texas, Southern Music has served students, private teachers, musicians, music educators and music keisersouthernmusic.com stores around the globe with music of all types. The publications catalog includes over 5,000 titles for band, choir, orchestra and for all individual instruments for use by students from beginning to advanced levels. -
George Gershwin (1898-1937)
Rhapsody in Blue (arranged & orchestrated by Ferde Grofé) George Gershwin (1898-1937) Several composers have attempted to cross the barrier between so-called serious music and jazz. European composers including Stravinsky, Milhaud and Ravel had succumbed to the influence of what was for them an exotic, intoxicating musical style. Few of their works have been as successful or as lasting, however, as one of the earliest: George Gershwin’s Rhapsody in Blue. The composer would no doubt have been skeptical had someone suggested to him in early 1924 that his next composition was destined to become widely admired as a prime instance of “symphonic jazz.” He would, in fact, have been incredulous, because—up until five weeks before its premiere—he was not even sure he would compose the piece. Even once he finally agreed to write a concert piece for piano and jazz band, he was unsure of his abilities to compose symphonic music. He continually sought advice from his harmony teacher. One evening in January Gershwin was playing pool. His brother Ira sat nearby, reading a newspaper. Ira found a small item that caught his attention: “Whiteman Judges Named; Committee Will Decide ‘What Is American Music.’” The article described a concert scheduled five weeks later, on Lincoln’s Birthday, in which bandleader Paul Whiteman would present several jazz compositions to demonstrate the vitality of that indigenous American musical genre. The “committee” that was supposed to pass judgement on this new American music consisted of distinguished foreign musicians (unlikely to have much jazz expertise): composer-pianist Sergei Rachmaninoff, violinists Jascha Heifetz and Efrem Zimbalist and soprano Alma Gluck. -
Season 2015-2016
27 Season 2015-2016 Thursday, October 29, at 8:00 The Philadelphia Orchestra Friday, October 30, at 2:00 Saturday, October 31, at 8:00 Marin Alsop Conductor Jon Kimura Parker Piano Debussy/orch. Sachs Prelude to the Afternoon of a Faun (orchestrated for the Society for Private Musical Performances in Vienna under the auspices of Arnold Schoenberg) Gershwin/orch. Grofé Rhapsody in Blue (original jazz band version) Intermission Shostakovich Symphony No. 5 in D minor, Op. 47 I. Moderato—Allegro non troppo II. Allegretto III. Largo IV. Allegro non troppo This program runs approximately 1 hour, 50 minutes. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 228 Story Title The Philadelphia Orchestra Jessica Griffin The Philadelphia Orchestra Orchestra also reaches Carnegie Hall and the is one of the preeminent thousands of listeners on the Kennedy Center while also orchestras in the world, radio with weekly Sunday enjoying summer residencies renowned for its distinctive afternoon broadcasts on in Saratoga Springs, New sound, desired for its WRTI-FM. York, and Vail, Colorado. keen ability to capture the Philadelphia is home and The Philadelphia Orchestra hearts and imaginations the Orchestra nurtures an of audiences, and admired serves as a catalyst for important relationship with for a legacy of imagination cultural activity across patrons who support the and innovation on and off Philadelphia’s many main season at the Kimmel the concert stage. The communities, as it builds an Orchestra is transforming its Center, and also with those offstage presence as strong rich tradition of achievement, who enjoy the Orchestra’s as its onstage one. -
WORLD PREMIERES All Performances from 1891 to 1904 Were Given at the Auditorium Theatre and Thereafter at Orchestra Hall, Unless Otherwise Noted
WORLD PREMIERES All performances from 1891 to 1904 were given at the Auditorium Theatre and thereafter at Orchestra Hall, unless otherwise noted. Soloists, when known, also are indicated. 1891-99 │ 1900-09 │ 1910-19 │ 1920-29 │ 1930-39 │ 1940-49 │ 1950-59 1960-69 │ 1970-79 │ 1980-89 │ 1990-99 │ 2000-09 │ 2010-19 Date Composer Composition Conductor 1891-99 Columbus Ode, Ode for the Opening of the Chicago World’s Fair (World’s Columbian 21-Oct-1892 George Chadwick Theodore Thomas Exposition, Manufacturers and Liberal Arts Building) Columbus March and Hymn (World’s Columbian 21-Oct-1892 John Knowles Paine Exposition, Manufacturers and Liberal Arts Theodore Thomas Building) Festival Jubilate, Op. 17 (World’s Columbian 1-May-1893 Amy Beach Theodore Thomas Exposition, Women’s Building) Triumphal March (World’s Columbian Exposition, Woizech Iwanowich 7-Jun-1893 Alexander Glazunov Music Hall) Hlavac Overture, Witichis (World’s Columbian 29-Jul-1893 Margaret Lang Theodore Thomas Exposition, Festival Hall) Cello Concerto in G Minor, Op. 33 (Bruno 30-Nov-1894 Arthur Foote Theodore Thomas Steindel) Concerto No. 2 for Piano in D Minor (W. C. E. 25-Jan-1895 W. C. E. Seeboeck Theodore Thomas Seeboeck) 17-Apr-1896 Frederic Grant Gleason Symphonic Poem, Edris Theodore Thomas 22-Oct-1897 Hugo Kaun Festival March and Hymn to Liberty Theodore Thomas 3-Feb-1899 Hugo Kaun Overture, Der Maler von Antwerpen Theodore Thomas 29-Dec-1899 Henry Schoenefeld Impromptus for String Orchestra Henry Schoenefeld 1900-09 5-Jan-1900 Adolf Weidig Capriccio, Op. 13 Theodore -
Compact Disc Catalogue
COMPACT DISC CATALOGUE (Revised 5-15-17) TITLE Artist and/or Composer CD# 7th Son, The Vai, Steve 512 60 Minutes With the King of Zydeco: Clifton Chenier Chenier, Clifton 613 98 Degrees 98 Degrees 482 98 Degrees and Rising 98 Degrees 483 101 Flute Tips: Stuff All the Pros Know and Use Schmidt, Elaine 746 1997 Grammy Nominees Various 357 Acoustics Wolfe, Daniel James 14 v.22 Action Packed Thompson, Richard 533 Active Imagination Isadar 36 Adagio Karajan 2 Various 177 2 TITLE Artist and/or Composer CD# Africa: Piano Music of William Grant Still Still, William Grant 728 After the Ball Morris, Joan/William Boicom 730 After the Storm Various 662 Alberto Ginastera: Orba Integral Para Piano/ Volume 1 Various 208 Alberto Ginastera: Obra Integral Para Piano/ Volume 2 Various 209 Alex North's 2001 Godlsmith, Jerry 353 Alle Frauen Wollen Nur Das Eine March, Peggy 246 All-4-One Christmas, An All-4-One 507 Along These Lines: Fifty-Five Years of Hudson Review Poetry Various 651 3 TITLE Artist and/or Composer CD# American Anthem Graves, Denise 450 American Masters: Otto Luening Luening, Otto 376 American Musical Theatre Various 381-384 American Patriot Greenwood, Lee 488 American Premieres United States Air Force Band 428 American Rhapsody Delius, Frederick 707 American Roots Music: Country Various 547 Anatomy of Peace Hamlisch, Marvin 6 Apotheosis Pere, Matthew R. 663 Art of the Gremlin, The Washington, Sarah 14 v.17 Ash Wednesday Blues Osborne, Anders 744 4 TITLE Artist and/or Composer CD# Atlantic Records: 50 Years Various 475 At Last Knight, Gladys -
Toolkit for Interdisciplinary Learning
Toolkit for Interdisciplinary Learning Marian Anderson Charles Ives Thelonious Monk Dave Brubeck George Gershwin Aaron Copland A Partnership Project An arts-integration partnership project between the New Haven Symphony Orchestra and the Waterbury Symphony Orchestra that integrates: HEROES OF AMERICAN MUSIC & AMERICAN HISTORY Supported by Alexion Pharmaceuticals ©2016 New Haven Symphony Orchestra TABLE OF CONTENTS Teacher Introduction....................................................................3 Toolkit Playlist..............................................................................6 Musical Elements Worksheet........................................................7 MARIAN ANDERSON.....................................................................8 AARON COPLAND.......................................................................13 CHARLES IVES............................................................................19 THELONIOUS MONK...................................................................25 DAVE BRUBECK..........................................................................31 GEORGE GERSHWIN...................................................................37 New Haven Symphony Orchestra: History...................................44 Waterbury Symphony Orchestra: History....................................45 Acknowledgments.................................................................46 Pre/Post Test................................................................................47 Evaluation Forms.........................................................................48 -
Sources of Inspiration in Selected Piano Works By
SOURCES OF INSPIRATION IN SELECTED PIANO WORKS BY SERGEI SLONIMSKY D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts in the Graduate School of The Ohio State University By Yulia Kozlova, B.M., M.A. ****** The Ohio State University 2005 Document Committee: Approved by: Professor Steven M. Glaser, Adviser Dr. Kenneth T. Williams _________________________ Dr. R. J. David Frego Adviser Graduate Program in Music ABSTRACT Sergei Slonimsky is an important composer, without whom Russian music would be incomplete and less controversial. It is not easy to find composers who, with the same success, utilize virtually every existing classical and modern music genre in their compositions. His output covers opera, symphony, ballet, oratorio, and sonata. He is the author of numerous chamber compositions, music for folk instruments, and teaching pieces for children. His vividly imaginative compositions show a brilliant composer’s mastery. Slonimsky draws on many historical eras and cultural epochs: Antiquity, Middle Ages and Renaissance, Baroque, Classicism, and Romanticism. His music consists of a variety of images that contain an abundance of artistic information. However, most of Sergei Slonimsky’s works are unpublished and rarely performed in the United States. Included in the document is a biographical background of the composer as well as a description of his compositional style and accomplishments. The document will focus on the composer’s piano works and the extra-musical stimuli that inspired these compositions. The main emphasis of investigation will be related to the works inspired by music’s sister arts – painting and sculpture (the suite Three Graces and Passing-by Beauty). -
Rhapsody in Blue: an Icon of Jazz and American Culture Abigail Emmert
Eastern Illinois University The Keep 2019 Awards for Excellence in Student Research 2019 Awards for Excellence in Student Research and Creative Activity – Documents and Creative Activity 2019 Rhapsody in Blue: An Icon of Jazz and American Culture Abigail Emmert Follow this and additional works at: https://thekeep.eiu.edu/lib_awards_2019_docs Part of the Music Commons Recommended Citation Emmert, Abigail, "Rhapsody in Blue: An Icon of Jazz and American Culture" (2019). 2019 Awards for Excellence in Student Research and Creative Activity – Documents. 3. https://thekeep.eiu.edu/lib_awards_2019_docs/3 This Book is brought to you for free and open access by the 2019 Awards for Excellence in Student Research and Creative Activity at The Keep. It has been accepted for inclusion in 2019 Awards for Excellence in Student Research and Creative Activity – Documents by an authorized administrator of The Keep. For more information, please contact [email protected]. RHAPSODY IN BLUE: AN ICON OF JAZZ AND AMERICAN CULTURE Abigail Emmert MUS 3593G: Survey of Musical Masterworks April 27, 2018 1 “Jazz, they said, has to be in strict time….I resolved, if possible, to kill that misconception with one sturdy blow.”1 Since its premiere, George Gershwin’s Rhapsody in Blue has remained a unique icon of jazz and American culture. His childhood and experience with piano and Tin Pan Alley in New York City led him to writing Rhapsody in Blue, which resulted in the emergence of a new composition style. His determination to create a new American sound out of his experiences and to create a new approach to jazz music brought much attention and even criticism to Rhapsody.