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The Social and Political Thought of Paul Goodman
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1980 The aesthetic community : the social and political thought of Paul Goodman. Willard Francis Petry University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Petry, Willard Francis, "The aesthetic community : the social and political thought of Paul Goodman." (1980). Masters Theses 1911 - February 2014. 2525. https://doi.org/10.7275/9zjp-s422 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. DATE DUE UNIV. OF MASSACHUSETTS/AMHERST LIBRARY LD 3234 N268 1980 P4988 THE AESTHETIC COMMUNITY: THE SOCIAL AND POLITICAL THOUGHT OF PAUL GOODMAN A Thesis Presented By WILLARD FRANCIS PETRY Submitted to the Graduate School of the University of Massachusetts in partial fulfillment of the requirements for the degree of MASTER OF ARTS February 1980 Political Science THE AESTHETIC COMMUNITY: THE SOCIAL AND POLITICAL THOUGHT OF PAUL GOODMAN A Thesis Presented By WILLARD FRANCIS PETRY Approved as to style and content by: Dean Albertson, Member Glen Gordon, Department Head Political Science n Digitized by the Internet Archive in 2016 https://archive.Org/details/ag:ptheticcommuni00petr . The repressed unused natures then tend to return as Images of the Golden Age, or Paradise, or as theories of the Happy Primitive. We can see how great poets, like Homer and Shakespeare, devoted themselves to glorifying the virtues of the previous era, as if it were their chief function to keep people from forgetting what it used to be to be a man. -
Paul Goodman and the Origins of Gestalt Therapy
•I• •~ • A Gestalt Institute of Cleveland publication HERE NOW NEXT Here Now Next Paul Goodman and the Origins of Gestalt Therapy Taylor Stoehr Jossey,Bass Publishers • San Francisco Copyright© 1994 by Jossey-Bass Inc., Publishers, 350 Sansome Street, San Francisco, California 94104. Copyright under International, Pan American, and Universal Copyright Conventions. All rights reserved. No part of this book may be reproduced in any form---except for brief quotation (not to exceed 1,000 words) in a review or professional work-without permission in writing from the publishers. e A Gestalt Institute of Cleveland publication Substantial discounts on bulk quantities of Jossey-Bass books are available to corporations, professional associations, and other organizations. For details and discount information, contact the special sales department at Jossey Bass Inc., Publishers. (415) 433-1740; Fax (415) 433-0499. For international orders, please contact your local Paramount Publishing International office. Manufactured in the United States of America. Nearly all Jossey-Bass books and jackets are printed on recycled paper containing at least 10 percent postconsumer waste, and many are printed with either soy- or vegetable-based ink, which emits fewer volatile organic compounds during the printing pro cess than petroleum-based ink. Selected quotations from Gestalt Therapy by Frederick Perls, M.D., Ralph F. Hefferline, Ph.D., and Paul Goodman, Ph.D., copyright © 1951, 1979 by Frederick Perls, Ralph F. Hefferline, and Paul Goodman, are reprinted by permission from Crown Publishers, Inc. Library of Congress Cataloging-in-Publication Data Stoehr, Taylor, date. Here now next : Paul Goodman and the origins of Gestalt therapy / Taylor Stoehr. -
PAUL GOODMAN (1911-1972) Edgar Z
The following text was originally published in Prospects : the quarterly review of comparative education (Paris, UNESCO : International Bureau of Education), vol . XXIII, no . 3/4, June 1994, p. 575-95. ©UNESCO: International Bureau of Education, 1999 This document may be reproduced free of charge as long as acknowledgement is made of the source. PAUL GOODMAN (1911-1972) Edgar Z. Friedenberg1 Paul Goodman died of a heart attack on 2 August 1972, a month short of his 61st birthday. This was not wholly unwise. He would have loathed what his country made of the 1970s and 1980s, even more than he would have enjoyed denouncing its crassness and hypocrisy. The attrition of his influence and reputation during the ensuing years would have been difficult for a figure who had longed for the recognition that had eluded him for many years, despite an extensive and varied list of publications, until Growing up absurd was published in 1960, which finally yielded him a decade of deserved renown. It is unlikely that anything he might have published during the Reagan-Bush era could have saved him from obscurity, and from the distressing conviction that this obscurity would be permanent. Those years would not have been kind to Goodman, although he was not too kind himself. He might have been and often was forgiven for this; as well as for arrogance, rudeness and a persistent, assertive homosexuality—a matter which he discusses with some pride in his 1966 memoir, Five years, which occasionally got him fired from teaching jobs. However, there was one aspect of his writing that the past two decades could not have tolerated. -
Deschooling Society
The Education Debates Deschooling Society Lister Sinclair I’m Lister Sinclair. This is Ideas, with Part 7 of David Cayley’s series “The Education Debates.” Earlier programs in this series have dealt with the pros and cons of school reform; and, in these discussions, it’s simply been taken for granted that mass compulsory schooling is the proper way to educate. Tonight, we change tacks and put the institution itself into question. As American writer Paul Goodman once said, “It doesn’t necessarily make sense, just because we do it.” This new leg of our journey through education begins with a look back to the 1960s, a time when Goodman and others made radical criticisms of mass education and proposed alternatives. Along with Goodman, you’ll hear from Ivan Illich, the author of Deschooling Society, and from John Holt, whose book Teach Your Own became the manifesto of the home schooling movement. “The Education Debates,” Part 7, by David Cayley. David Cayley There’s a passage I’ve never forgotten in Paul Goodman’s Growing Up Absurd, a book he published in 1960. He’s writing about the use of the word “like” in the lingo of the beatniks. “Why,” he asks, “would someone say they were going to, like, Chicago?” Goodman’s answer is that it’s a way of hedging your bets in an increasingly artificial, increasingly manipulated world. Chicago might be only a false front, a movie set, a simulation. Better to play it safe and only admit that you’re going to something like Chicago. Paul Goodman lived from 1911 to 1972, mainly in his native New York. -
PAUL GOODMAN CHANGED MY LIFE a Film by Jonathan Lee
PAUL GOODMAN CHANGED MY LIFE a film by Jonathan Lee Booking Contact: Clemence Taillandier, Zeitgeist Films 201-736-0261 • [email protected] Marketing Contacts: Nancy Gerstman & Emily Russo, Zeitgeist Films 212-274-1989 • [email protected] • [email protected] A ZEITGEIST FILMS RELEASE PAUL GOODMAN CHANGED MY LIFE A Film by Jonathan Lee Paul Goodman was once so ubiquitous in the American zeitgeist that he merited a “cameo” in Woody Allenʼs Annie Hall. Author of legendary bestseller Growing Up Absurd (1960), Goodman was also a poet, 1940s out queer (and family man), pacifist, visionary, co-founder of Gestalt therapy—and a moral compass for many in the burgeoning counterculture of the ʼ60s. Paul Goodman Changed My Life immerses you in an era of high intellect (that heady, cocktail-glass juncture that Mad Men has so effectively exploited) when New York was peaking culturally and artistically; when ideas, and the people who propounded them, seemed to punch in at a higher weight class than they do now. Using a treasure trove of archival multimedia—selections from Goodmanʼs poetry (read by Garrison Keillor and Edmund White); quotes from Susan Sontag, Martin Luther King, Jr. and Noam Chomsky; plentiful footage of Goodman himself; plus interviews with his family, peers and activists—director/producer Jonathan Lee and producer/editor Kimberly Reed (Prodigal Sons) have woven together a rich portrait of an intellectual heavyweight whose ideas are long overdue for rediscovery. PAUL GOODMAN BIO Born in New York City in 1911, Paul Goodman labored in obscurity as a writer and freelance intellectual until 1960 when the publication of Growing Up Absurd made him famous and a significant moral force of the decade. -
CRAZY HOPE and FINITE EXPERIENCE Crazy Hope and Finite Experience
..• A Gestalt Institute of Cleveland publication CRAZY HOPE AND FINITE EXPERIENCE Crazy Hope and Finite Experience Final Essays of Paul Goodman Taylor Stoehr, editor Jossey,Bass Inc. • San Francisco Copyright© 1994 by jossey-Bass Inc., Publishers, 350 Sansome Street, San Francisco, California 94104. Copyright under International, Pan American, and Universal Copyright Conventions. All rights reserved. No part of this book may be reproduced in any form-except for brief quotation (not to exceed 1,000 words) in a review or professional work-without permission in writing from the publishers. e A Gestalt Institute of Cleveland publication Substantial discounts on bulk quantities ofjossey-Bass books are available to corporations, professional associations, and other organizations. For details and discount information, contact the special sales department at jossey·Bass Inc., Publishers. (415) 433-1740; Fax (415) 433-0499. For international orders, please contact your local Paramount Publishing International office. Manufactured in the United States of America. Nearly all jossey-Bass books and jackets are printed on recycled paper that contains at least 50 percent recycled waste, including 10 percent postconsumer waste. Many of our materials are also printed with either soy· or vegetable· based ink; during the printing process these inks emit fewer volatile organic compounds (VOCs) than petroleum-based inks. VOCs contrib· ute to the formation of smog. Library of Congress Cataloging-in-Publication Data Goodman, Paul, 1911-1972. Crazy hope and finite experience : final essays of Paul Goodman / [edited by) Taylor Stoehr.- 1st ed. p. em.- (Jossey-Bass social and behavioral science series) ISBN Q. 7879-0016-8 I. Stoehr, Taylor, date. -
Graffiti and the Imagination: Paul Goodman in His Short Stories
Graffiti and the imagination: Paul Goodman in his short stories The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Stoehr, Taylor. 1995. Graffiti and the imagination: Paul Goodman in his short stories. Harvard Library Bulletin 5 (3), Fall 1994: 20-37. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42664025 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA 20 Graffiti and the Imagination: Paul Goodman in His Short Stories TaylorStoehr he Houghton Library acquired the papers of the author and social philoso- T pher Paul Goodman from his widow, Sally Goodman, in 1989. These papers have now been cataloged, and are available to scholars. Goodman did not rou- tinely save his correspondence, but the collection does contain letters to him, be- ginning in the thirties, when he was a young man, from friends and family; and it also includes copies of his numerous open letters to newspapers and to public of- ficials during the decade of his fame as a social critic. Much more extensive mate- rials of a literary nature have been preserved, from every period and genre of his long and extremely varied career, though his working notes for only one of his thirty-odd books, Speakingand LAnguage,have survived. Typescripts exist for most TAYLOR STOEHR, professor of of his shorter published works, both fiction and essays, as well as for a good many English at the University of unpublished pieces. -
THE PAUL Goodman READER
THE paul GOODmAn READER Paul Goodman • Edited by Taylor Stoehr A one-man think-tank for the New Left, Paul Goodman wrote over 30 books, most of them before his decade of fame as a social critic in the Sixties. A Reader that does him justice must be a compendious volume, with excerpts not only from bestsellers like Growing Up Absurd, but also from his landmark books on education, community planning, anarchism, psychotherapy, language theory, and poetics. Samples as well from The Empire City, a comic novel reviewers compared to Don Quixote, prizewinning short stories, and scores of poems that led Americaʼs most respected poetry reviewer, Hayden Carruth, to exclaim, “Not one dull page. Itʼs almost unbelievable.” Goodman called himself as an old-fashioned man of letters, which meant that all these various disciplines and occasions added up to a single abiding concern for the human plight in perilous times, and for human promise and achieved grandeur, love and hope. ABOUT THE AUTHOR Paul Goodman, known in his day as “the philosopher of the New Left,” set the agenda for the youth movement of the Sixties with his bestselling Growing Up Absurd. He produced new books every year throughout that turbulent decade, while lecturing to hundreds of audiences on the nationʼs campuses, covering subjects that ranged from movement politics to education and SUBJECT CATEGORY community planning, from psychotherapy and religion to literature, language POLITICS/ theory and media. There was little that did not fall within his purview as an literature old-fashioned “man of letters.” During this same heady period of his fame he also published his public letters and his journals, the Living Theatre performed PRICE his plays, his poems were set to music, and his fiction was chosen for book $28.95 club distribution. -
Ariail, Dissertation
Kafka’s Copycats: Imitation, Fabulism, and Late Modernism by Gregory Ariail A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (English Language and Literature) in The University of Michigan 2018 Doctoral Committee: Associate Professor Julian Levinson, Chair Associate Professor Joshua Miller Assistant Professor Antoine Traisnel Professor John Whittier-Ferguson Gregory Ariail [email protected] ORCID iD: 0000-0001-6395-1151 © Gregory Ariail 2018 DEDICATION To my parents ii TABLE OF CONTENTS DEDICATION ii ABSTRACT iv CHAPTER I. Franz Kafka, Imitation, and Late Modernist Fabulism 1 II. Edwin and Willa Muir: Translation and Pastiche 20 III. The Zoological Marxisms of Caudwell and the Auden Group 57 IV. Anna Kavan and the British Surrealists 93 V. American Prose/Poetry: Schwartz, Berryman, Bishop, and Plath 128 VI. The Doggish Investigations of Goodman, Rosenfeld, and Bellow 164 VII. Conclusion 194 WORKS CITED 199 iii ABSTRACT It’s often noted that Franz Kafka’s influence on 20th-century world literature is immense and that his two most touted novels, The Trial and The Castle, helped late modernists and their postmodernist successors articulate theological and epistemological skepticism, anxieties about bureaucratic tyranny, and Jewish trauma in the wake of the Holocaust. Yet Kafka’s creative and critical reception in Anglo-American culture has been largely misunderstood, especially during the period of his initial impact, circa 1933-1955. This project focuses on the large-scale integration of Kafka’s fables—his short stories about animals, hybrids, and assemblages—into Anglophone writing during the late modernist period. The dominant narratives about his reception render invisible the powerful effect of these supposedly minor texts on British and American literature. -
Paul Goodman's Empire City: Genre and Epistemology
PAUL GOODMAN’S EMPIRE CITY: GENRE AND EPISTEMOLOGY Dissertation for the Degree of Ph. D. MICHIGAN STATE UNIVERSITY HUGH MORGAN STILLEY W 1974 \Imnnu4nzuwlwmluguWW w E Liam-2y W g Michig: .1111: UfliVL ty ‘ ABSTRACT PAUL GOODMAN'S EMPIRE CITY: GENRE AND EPISTEMOLOGY By Hugh Morgan Stilley IV Paul Goodman, one of our most acute and prolific social critics is generally valued for his essays and books on education. Yet Goodman himself often declared that his artistic and aesthetic efforts were his primary concern. By focusing on his fiction this dissertation aims to redress the imbalance of considering Goodman solely a social critic. Indeed, he wrote numerous volumes of poetry, plays, short stories, and five book-length works of fiction, four of which consti- tute The Empire City, a mammoth epic which received scant critical attention. Only a handful of critics have ventured beyond the common denominator of its being a ”bad novel" to argue that it might be a "good" representative of some other genre. This dissertation addresses that problem. Using Northrop Frye's taxonomy of fictional genre, we concede that it is a "bad novel" and examine its possible claims to being a romance, a confessional, or an anatomy. Although Goodman called it an "educational romance," and although it very obviously contains ,Q) Hugh Morgan Stilley IV Air. “ ( II " elements of the "confessional," The Empire City is, we believe, best £0 M understood as an exemplar of Frye's "anatomy" category. Or, rather, to understand it as an anatomy is to defend it in two meaningful -
The University of Chicago War, Cities, Trash
THE UNIVERSITY OF CHICAGO WAR, CITIES, TRASH: SOME MIDCENTURY PASTORALS A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE BY HANNAH BROOKS-MOTL CHICAGO, ILLINOIS AUGUST 2019 Copyright Hannah Brooks-Motl 2019 “All these possibilities are present in the Arcadia— romance and realism, poetry and psychology.” —Virginia Woolf, “The Countess of Pembroke’s Arcadia” Table of Contents List of Figures……………………………………………………………………………………..v Acknowledgments………………………………………………………………………………..vi War, Cities, Trash: Arcadia & Utopia at Midcentury ……………………………………………..1 World War Pastorals……………………………………………………………………………..29 Coda: Mood……………………………………………………………………………………...76 Cosmopolitan Pastorals…………………………………………………………………………..85 Coda: Method…………………………………………………………………………………...132 Trash Pastorals………………………………………………………………………………….139 Coda: Mosaic…………………………………………………………………………………...184 Bibliography……………………………………………………………………………………195 iv List of Figures Figure 1, from London Illustrated News………………………………………………………....52 Figure 2, from London Illustrated News…………………………………………………………52 Figure 3, from Gestalt Therapy………………………………………………………………...100 Figure 4, from The Exploding Metropolis……………………………………………………...103 Figure 5, from Communitas…………………………………………………………………….105 Figure 6, from Gestalt Therapy and Communitas………………………………………….......109 Figure 7, from Communitas…………………………………………………………………….117 Figure 8, from The Digger Papers……………………………………………………………...148 v Acknowledgments