Psychological Suspense

Total Page：16

File Type：pdf, Size：1020Kb

Psychological Suspense If you like books by Gillian Flynn and Tana French, try these: All the Missing Girls by Megan Miranda “A new spin on a classic "missing person" thriller..."― Bustle.com The American Girl by Kate Horsley “[A] gut-wrenching, sometimes gory psychological thriller...” ― Publishers Weekly Carousel Court by Joe McGinniss Jr. “This couple will stop at nothing to keep their house and marriage afloat."― Washington Post The Drowning Girls by Paula Treick DeBoard “Think Fatal Attraction meets Desperate Housewives...” — Booklist The Fall Guy by James Lasdun “This is exactly what a literary thriller should be: intelligent, careful, swift, unsettling.” — NYT Book Review The Darkest Secret by Alex Marwood “As much a black comedy of contemporary bad manners as psychological thriller”—Irish Times Little Pretty Things by Lori Rader-Day “Highly recommended for psychological thriller groupies…”— Booklist The Passenger by Lisa Lutz “The kind of suspenseful, character- driven mystery the term ‘page-turner’ was coined for”—Boston Globe The Poison Tree by Erin Kelly “British author Kelly deftly weaves past and present in her highly satisfying debut novel.”—Publishers Weekly Under the Harrow by Flynn Berry “[A] riveting, complex suspense novel thick with atmosphere and long-held secrets” — Library Journal The Widower’s Wife by Cate Holahan “One of those rare thrillers that really will keep you reading all night."— Kirkus The Winter Girl by Matt Marinovich “Recommended for readers of Gillian Flynn, Patricia Highsmith, and Tana French.” — Publishers Weekly The Woman in Cabin 10 by Ruth Ware “A fantasy trip aboard a luxury liner turns nightmarish for a young journalist ." — O Magazine Thayer Public Library ~ www.ThayerPublicLibrary.net 798 Washington St., Braintree, MA 02184 781-848-0405 ~ [email protected] .

Copy Link

Recommended publications

H K a N D C U L T F I L M N E W S
More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma..
[Show full text]
Download (937Kb)
Grand Guignol and new French extremity: horror, history and cultural context HICKS, Oliver Available from the Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/28912/ A Sheffield Hallam University thesis This thesis is protected by copyright which belongs to the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Please visit http://shura.shu.ac.uk/28912/ and http://shura.shu.ac.uk/information.html for further details about copyright and re-use permissions. Grand-Guignol and New French Extremity: Horror, History and Cultural Context Oliver Hicks A thesis submitted in partial fulfilment of the requirements of Sheffield Hallam University for the degree of MA English by Research December 2020 Candidate Declaration I hereby declare that: 1. I have not been enrolled for another award of the University, or other academic or professional organisation, whilst undertaking my research degree. 2. None of the material contained in the thesis has been used in any other submission for an academic award. 3. I am aware of and understand the University's policy on plagiarism and certify that this thesis is my own work. The use of all published or other sources of material consulted have been properly and fully acknowledged. 4. The work undertaken towards the thesis has been conducted in accordance with the SHU Principles of Integrity in Research and the SHU Research Ethics Policy.
[Show full text]
Phantom Limb : a Gripping Psychological Thriller Pdf Free Download
PHANTOM LIMB : A GRIPPING PSYCHOLOGICAL THRILLER PDF, EPUB, EBOOK Lucinda Berry | 260 pages | 15 Dec 2016 | Createspace Independent Publishing Platform | 9781541034952 | English | none Phantom Limb : A Gripping Psychological Thriller PDF Book If she's not chasing her eight-year-old son around, you can find her running the streets of Los Angeles prepping for her next marathon. Cady Maddix survived a brutal upbringing—emotionally scarred but hardened—with a will for self-preservation. Run-down sections of the city have been gentrified, with the higher real estate values and tony shops that accompany such startling changes. A great war, a great love, and the mythology that unites them; The Hawkman: A Fairy Tale of the Great War is a lyrical adaptation of a beloved classic. Jeffery Deaver J. Rate this:. See details. Please sign up to continue. As she delves deeper into the mystery surrounding Emily's death, she discovers shocking secrets and holes in her memory that force her to remember what she's worked so hard to forget-the beatings, the blood, the special friends. Newly married, newly pregnant, Lucy Robin is having trouble remembering the little things. Gor is keeping busy. But this is just the first act in this chilling, edge-of-your- seat thriller. Kelly recently posted… Phantom Limb by Lucinda Berry. Learn how to enable JavaScript on your browser. In a post-apocalyptic Africa, the world has changed in many ways; yet in one region genocide between tribes still bloodies the land. Enemy nations The author of the acclaimed mystery The Unquiet Dead delivers her first fantasy novel—the opening installment in a thrilling quartet—a tale of religion, oppression, and political intrigue that radiates with heroism, wonder, and hope.
[Show full text]
Cinema / Art / Café
0116 242 2800 BOX OFFICE PHOENIX.ORG.UK BOOK ONLINE WHAT’S ON BOX OFFICE PHOENIX.ORG.UK MAY 2018 0116 242 2800 BAR É Available as Midweek Matinees – see p15 CINEMA / ART / CAF CINEMA / ART BOX OFFICE 0116 242 2800 FILMS SHORT PHOENIX.ORG.UK P. 12 COURSES Made possible with the support of P. 10 STAGE ON SCREEN EDIE Fri 25 May – Thu 7 Jun P. 8 Phoenix is a registered charity, No 701078 It’s been a long haul this winter, Our Film School course – an 8-week ART & with early April seeming more practical guide to filmmaking – starts on DIGITAL like late November (was more 10 May, and we also dip into the life and fog really necessary?) but finally work of Pedro Almodovar (p10). Book CULTURE online or at Box Office. FAMILY P. 6 it might be possible for us to cast FUN off our thermals and dig out our Film-wise, highlights include the T-shirts. Hurrah. ludicrously watchable Love Simon P. 4 (p13), which is garnering rave reviews With a third of the year behind us, May worldwide; Ian McEwan adaptation COMING NEXT MONTH brings with it many delights – warbling On Chesil Beach (p16) starring Saoirse warblers, bumbling bees, half-term hols… Ronan; gripping psychological thriller and the Spark Festival, when we open our Beast (p14), which is causing a storm on digital playground filled with free creative the international festival circuit; and the technology treats for families (p4). sublime My Golden Days (p16) – a true SOLO: A STAR WARS STORY We’re exploring artificial intelligence at the Gallic gem.
[Show full text]
NVS 2-2-14 Announcements
Announcements: CFPs, conference notices, & current & forthcoming projects and publications of interest to neo-Victorian scholars (compiled by Marie-Luise Kohlke & Sneha Kar Chaudhuri ) ***** NOTE: Beginning with the fourth issue of Neo-Victorian Studies (to be published summer 2010), we are inviting brief 1-2 paragraph reports from organisers or participants of recent international symposia, conferences and/or conference sessions, which specifically addressed neo-Victorian issues. NVS is especially keen to publish reports on events outside Europe and North America, to facilitate a more comprehensive overview of neo- Victorian scholarship worldwide. CFPs: Journals, Special Issues & Collections Neo-Victorian Gothic: Horror, Violence, and Degeneration in the Re-Imagined Nineteenth Century (Edited Collection) Contributions are invited for the third volume in the forthcoming Neo- Victorian Studies series by Rodopi. This collection will explore the subversive potential, but also the ideologically conservative implications, of recycling the Gothic genre in contemporary historical fiction, film, and further aesthetic media that re-imagine the nineteenth century in Britain, its colonial territories, and other geographical settings. In her recent study of Gothic postmodernism, Maria Beville argues that it is terror which constitutes “the potent link between the gothic and the postmodern” (Gothic-postmodernism , 2009). Perhaps, then, neo-Victorianism might be said to revive the spirit of terror in order to link our postmodern “culture of death”, our obsession with terror and even with terrorism (Baudrillard, Symbolic Exchange and Death , 1993), back to the angst-ridden uncertainties occasioned by Victorian socio-political and cultural metamorphoses. What is the purpose of the contemporary revival of the nineteenth-century fascination with the irrational, the mysterious and the monstrous, and what questions does it raise for subjectivity and/or ontology? To what extent is Neo-Victorian Studies 2:2 (Winter 2009/2010) pp.
[Show full text]
2014-2015 General Catalog
UNIVERSITY OF THE PACIFIC General Catalog 2014-2015 Table of Contents University of the Pacific ............................................................................ 3 Visual Arts ..................................................................................... 181 General Catalog 2014-2015 ..................................................................... 4 Cross-Disciplinary Majors and Programs ....................................... 188 General Information .................................................................................. 6 Conservatory of Music ......................................................................... 192 Pacific Learning Objectives ............................................................... 6 Music Composition ........................................................................ 197 Academic Units .................................................................................. 7 Music Performance ........................................................................ 199 General Education ............................................................................. 7 Music Education ............................................................................ 204 Admission Requirements ................................................................... 8 Music History ................................................................................. 207 Tuition and Fees .............................................................................. 13 Music Management ......................................................................
[Show full text]
Screams on Screens: Paradigms of Horror
Screams on Screens: Paradigms of Horror Barry Keith Grant Brock University [email protected] Abstract This paper offers a broad historical overview of the ideology and cultural roots of horror films. The genre of horror has been an important part of film history from the beginning and has never fallen from public popularity. It has also been a staple category of multiple national cinemas, and benefits from a most extensive network of extra-cinematic institutions. Horror movies aim to rudely move us out of our complacency in the quotidian world, by way of negative emotions such as horror, fear, suspense, terror, and disgust. To do so, horror addresses fears that are both universally taboo and that also respond to historically and culturally specific anxieties. The ideology of horror has shifted historically according to contemporaneous cultural anxieties, including the fear of repressed animal desires, sexual difference, nuclear warfare and mass annihilation, lurking madness and violence hiding underneath the quotidian, and bodily decay. But whatever the particular fears exploited by particular horror films, they provide viewers with vicarious but controlled thrills, and thus offer a release, a catharsis, of our collective and individual fears. Author Keywords Genre; taboo; ideology; mythology. Introduction Insofar as both film and videogames are visual forms that unfold in time, there is no question that the latter take their primary inspiration from the former. In what follows, I will focus on horror films rather than games, with the aim of introducing video game scholars and gamers to the rich history of the genre in the cinema. I will touch on several issues central to horror and, I hope, will suggest some connections to videogames as well as hints for further reflection on some of their points of convergence.
[Show full text]
MARGINALIZATION in the WORKS of MARÍA LUISA BEMBERG, LUCRECIA MARTEL, and LUCÍA PUENZO By
Wayne State University Wayne State University Dissertations 1-1-2017 The aN rrative Of The Outsider: Marginalization In The orW ks Of María Luisa Bemberg, Lucrecia Martel, And Lucía Puenzo Natalie Nagl Wayne State University, Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Film and Media Studies Commons, and the Social Psychology Commons Recommended Citation Nagl, Natalie, "The aN rrative Of The Outsider: Marginalization In The orkW s Of María Luisa Bemberg, Lucrecia Martel, And Lucía Puenzo" (2017). Wayne State University Dissertations. 1851. https://digitalcommons.wayne.edu/oa_dissertations/1851 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. THE NARRATIVE OF THE OUTSIDER: MARGINALIZATION IN THE WORKS OF MARÍA LUISA BEMBERG, LUCRECIA MARTEL, AND LUCÍA PUENZO by NATALIE NAGL DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2017 MAJOR: SPANISH Approved By: __________________________________________ Advisor Date __________________________________________ __________________________________________ __________________________________________ __________________________________________ © COPYRIGHT BY NATALIE NAGL 2017 All Rights Reserved ACKNOWLEDGEMENTS I would like to acknowledge
[Show full text]
Film Genre and Its Vicissitudes: the Case of the Psychothriller 1
FILM GENRE AND ITS VICISSITUDES: THE CASE OF THE PSYCHOTHRILLER 1 Virginia Luzón Aguado Universidad de Zaragoza This paper is the result of an exploration into the contemporary psychothriller and its matrix genre, the thriller. It was inspired by the lack of critical attention devoted to this type of film, so popular with the audience yet apparently a thorn in the critics' side. The main aim of this paper is therefore to contribute a small piece of criticism to fill this noticeable gap in film genre theory. It begins with a brief overview of contemporary film genre theory, which provides the background for a vindication of the thriller as a genre and specifically of the psychothriller as a borderline sub-generic category borrowing features from both the thriller and the horror film. When I first started work on this paper I realised how difficult it was to find theoretical material on the thriller. Certain genre critics actually avoided the term thriller altogether and others mentioned it but often seemed to be either unsure about it or simultaneously, and rather imprecisely, referred to different types of films, such as detective films, police procedural films, political thrillers, courtroom thrillers, erotic thrillers and psychothrillers, to name but a few. But the truth of the matter is that "the thriller" as such has rarely been analysed in books or articles devoted to the study of genre and when it has, one can rarely find anything but a few short paragraphs dealing with it. Yet, critical work devoted to other acknowledged and well-documented genres such as melodrama, comedy, film noir, horror, the western, the musical or the war film is easily accessible.
[Show full text]
A Variety of Thrills
A Variety of Thrills Thrillers and different ways of approaching them K.A. Kamphuis, 3654621 Semester 2, 2012-2013 January 25 2013 J.S. Hurley Film Genres, Thrillers Abstract Thriller is a broad genre. This genre is constructed by the use of different people involved in the movie process; the producers and advertisers, critics and consumers. They all have different reasons to call a thriller a thriller. I did a discourse analysis on three movies to see whether the use of the term “thriller” is used by all this parties in the same way and how this will construct the genre. The three movies in that are analysed are The Girl with the Dragon Tattoo (2011), Black Swan (2010) and Hide and Seek (2005). Index Introduction ....................................................................................................................... 2 Discursive Approaches ....................................................................................................... 5 Producers ....................................................................................................................... 5 Advertisers ..................................................................................................................... 7 Critics ............................................................................................................................. 8 Consumers ................................................................................................................... 10 Conclusion .......................................................................................................................
[Show full text]
Letterhead Press Releases
May 21, 2013 .NEWS RELEASE. TIFF ANNOUNCES MASSIVE SUMMER PROGRAMMING LINEUP Season highlights include: A Century of Chinese Cinema, TOGA! film series, Jacques Demy retrospective, new releases from Richard Linklater and Jem Cohen, and in-person appearances by John Malkovich, Ivan Reitman, John Landis, Chen Kaige, Johnnie To and many more Toronto – TIFF Bell Lightbox revealed today a diverse programming lineup of film series, new releases and retrospectives, exhibitions, special guests and events for the upcoming summer season. From Chinese and French cinema, to classic comedy and romance, TIFF’s summer programme calendar offers something for everyone. As announced on May 6, TIFF proudly presents A Century of Chinese Cinema, the flagship summer programme and one of the most ambitious and large-scale retrospectives ever mounted at TIFF Bell Lightbox, featuring art installations, numerous special guests such as Jackie Chan and Chen Kaige, and over 80 films spanning multiple generations. This season’s film series at TIFF Bell Lightbox will have you wishing the summer never ends: TOGA! The Reinvention of American Comedy showcases 27 rude, crude and brilliant movies that revolutionized American comedy, along with a slate of very special guests; TIFF in the Park returns with the theme A Summer of Romance; and Endless Summer: The Birth of the Blockbuster, featuring 11 megahits of yesteryear that are sure to deliver a welcome blast from the blockbuster past. Also returning is the bi-monthly series Packaged Goods, TIFF Subscription Series, and Canadian Open Vault, which features the works of the late Winnipeg filmmaker Winston Washington Moxam and, as part of TOGA!, Ivan Reitman’s 1979 campy classic Meatballs.
[Show full text]
Black Lives Matter and Roma Solidarity Protest by Antoni K. I Wish
Black Lives Matter and Roma Solidarity Protest By Antoni K. I wish I could say that a few years ago, before coming to AAS, I would have still felt obliged to kneel for 8 minutes, 46 seconds in George Floyd tribute 12 days after his murder at the hands of a white police officer. But I can’t. As countries go, Poland is truly emblematic of homogenous societies. That’s not her sore spot though; that honor must be reserved to the xenophobia that when a time is right, morphs into racial hatred in a flash. How beautiful would it be if stereotypes like this were but a bad joke repeated out of love for the inconceivable? Hate is subtle though, and it assumes many forms; its most vicious, most ravenous guise is never a nasty slogan or an invidious word. It’s ignorance. Having attended an all-white school almost my entire life and lived in what’s virtually an all-white country, coming to AAS was a needle that shattered my bubble in an instant. Everything has already been said about what it means to immerse in a melting pot, to realize your culture is a mere drop. For me, it’s never been as palpable as today. I stood there amongst hundreds who at that moment believed in the same ideals and endured the same pain even if never to understand what it meant. But I wouldn’t have felt it two years before. I wouldn’t have even tried to recognize the possibility of sending my ignorance into eternal exile.
[Show full text]