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An Interview with Sarojini Sahoo
International Journal of Advance Science and Technology Vol. 29, No. 10S, (2020), pp. 7791-7796 An Interview with Sarojini Sahoo Dr Shivani Vashist Professor, Department of English Manav Rachna International Institute of Research & Studies Abstract The interview of Sarojini Sahoo was taken as a part of doctoral research work which was undertaken under my supervision. The intention of taking the interview was to know Sarojini Sahoo’s views on Feminism as the research work was focused on short stories written by her from a feminist perspective. Though it was difficult meeting her physically, the interview was taken through electronic media. Her frank and direct answers throw light on her views and her approach towards her characters. 1. What made you choose the form of Short Story writing to express your views? Ans: “I write poems also but I don’t know why it seems that poetry is an incompetent media for me to express myself .I feel comfortable with fiction where I can open myself freely .I often use my poems within the fiction and critiques say my prose are more poetic. My first short story was published in the Sunday Supplement of an Odia newspaper when I was a high school student. My stories had been published in the Jhankar, a prestigious literary journal which only published the scholarly writings from reputed authors, when I was only an undergraduate student. In fact, even my teachers failed to publish there. In my teen age I met Jagadish Mohanty (my husband) as a pen friend. My interactions and study with Jagadish Mohanty, with whom I later fell in love and married, made me more serious about literature, especially fiction”. -
Odissi Dance
ORISSA REFERENCE ANNUAL - 2005 ODISSI DANCE Photo Courtesy : Introduction : KNM Foundation, BBSR Odissi dance got its recognition as a classical dance, after Bharat Natyam, Kathak & Kathakali in the year 1958, although it had a glorious past. The temple like Konark have kept alive this ancient forms of dance in the stone-carved damsels with their unique lusture, posture and gesture. In the temple of Lord Jagannath it is the devadasis, who were performing this dance regularly before Lord Jagannath, the Lord of the Universe. After the introduction of the Gita Govinda, the love theme of Lordess Radha and Lord Krishna, the devadasis performed abhinaya with different Bhavas & Rasas. The Gotipua system of dance was performed by young boys dressed as girls. During the period of Ray Ramananda, the Governor of Raj Mahendri the Gotipua style was kept alive and attained popularity. The different items of the Odissi dance style are Mangalacharan, Batu Nrutya or Sthayi Nrutya, Pallavi, Abhinaya & Mokhya. Starting from Mangalacharan, it ends in Mokhya. The songs are based upon the writings of poets who adored Lordess Radha and Krishna, as their ISTHADEVA & DEVIS, above all KRUSHNA LILA or ŎRASALILAŏ are Banamali, Upendra Bhanja, Kabi Surya Baladev Rath, Gopal Krishna, Jayadev & Vidagdha Kavi Abhimanyu Samant Singhar. ODISSI DANCE RECOGNISED AS ONE OF THE CLASSICAL DANCE FORM Press Comments :±08-04-58 STATESMAN őIt was fit occasion for Mrs. Indrani Rehman to dance on the very day on which the Sangeet Natak Akademy officially recognised Orissi dancing -
Causelistgenerate Report
WEEKLY DAILY THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR MONDAY THE 6TH SEPTEMBER 2021 CHIEF JUSTICE'S COURT (2ND FLOOR) AT 10:30 AM THE CHIEF JUSTICE AND MR. JUSTICE B. P. ROUTRAY This Bench will function through hybrid arrangement ( virtual/ physical mode). ( Learned counsel desirous to appearing through Virtual Mode shall intimate the name, item number, case details etc. to the Court Master through Mobile No.8763760499 between 8.00 P.M. to 10.00 P.M. on the previous date of the hearing of the case. ) Learned advocates are requested to submit the memos for urgent listing of matters first to the D.R.(Judicial), and only where the D.R.(Judicial) has communicated that the request has been declined or the date given is not convenient for some reasons, should the matters be mentioned orally before the bench of the Chief Justice or such bench assigned for the purpose. For the oral mentioning before the division bench in Chief Justice’s court through virtual mode and physical mode, learned advocates will first obtain from the court master between 9.30 a.m. and 10.15 a.m. on all working days, over phone no.8763760499, a Mentioning Matter (MM) number. In matters other than fresh admission matters, the learned advocates will furnish to the court master on e-mail id- [email protected] proof of intimation of the mentioning to learned counsel for the opposite parties. When the court of the Chief Justice assembles, the mentioning matters for virtual mentioning will be called out serial wise. -
Research Journal of English Language and Literature (RJELAL) WRITINGS of SAROJINI SAHOO: a REINFORCEMENT of FEMALE INDIVIDUALIS
Research Journal of English Language and Literature (RJELAL) A Peer Reviewed (Refereed) International Journal Vol.3.Issue.1.2015 http://www.rjelal.com RESEARCH ARTICLE WRITINGS OF SAROJINI SAHOO: A REINFORCEMENT OF FEMALE INDIVIDUALISM IN POST INDEPENDENCE ERA SWASTIKA MUDULI LECTURER, DEPARTMENT OF ENGLISH U.N.S MOHAVIDYALAYA, JAJPUR UTKAL UNIVERSITY ABSTRACT This present paper studies about the female individualism and its values rather than social values in the writings of Sarojini Sahoo. It focusses the priority given to individualism specifically to women in Odia literature. In Odia literature, a reader can see there is always a conflict between social values and individual values. This conflict can be seen from the first short story ‘Rebati’ by Fakir Mohan Senapati to till now. In nineteenth century, the social values are the domain factor in Odia fiction but in post-independence age, more individual value based fictions came to the light. Female individualism approached equality legally and the key concept of feminism with individualism--- such as equality, justice and class--- bear so little SWASTIKA MUDULI relation to the concepts as used by socialists.It is not merely a position on affirmative action or civil liberties. It is a comprehensive, integrated system of Article Info:03/02/2015 beliefs concerning women’s relationship to society. linda Gordon in woman’s body Revised on: 14/03/2015 and woman’s right wrote, the closer we look, the harder it is to distinguish social Accepted on: 17/03/2015 puritry group from frminist ones. In this context Sarojini says: as a feminist I think I am more a writer and as a writer I think Iam more a feminist. -
The Voice of Feminism in Odia Literature
International Journal of Humanities and Social Science Invention (IJHSSI) ISSN (Online): 2319 – 7722, ISSN (Print): 2319 – 7714 www.ijhssi.org ||Volume 9 Issue1 Ser. II || Jan, 2020 || PP 01-04 The Voice of Feminism in Odia Literature Dr. Ajay Kumar Panda Sr. Lecturer in Odia Upendranath College, Soro, Balasore, Odisha ABSTRACT : Feminism, in literature as well as otherwise, began as an expression of dissatisfaction regarding the attitude of the society towards the identity and rights of women. However, slowly, it evolved to empower women to make her financially, socially and psychologically independent. In the field of literature, it evolved to finally enable the female writers to be free from the influence of male writers as well as the social norms that suggested different standards for male and female KEYWORDS – Feminism, identity and rights of women, empower women, free from the influence of male writers ,Sita, Draupadi,Balaram Das, Vaishanbism, Panchasakha, Kuntala Kumari, Rama Devi, Sarala Devi, Nandini Satapathy, Prativa Ray,Pratiova Satapathy, Sarojini Sahu.Ysohodhara Mishra ------------------------------------------------------------------------------------------------------------------------ --------------- Date of Submission: 18-01-2020 Date of Acceptance: 06-02-2020 --------------------------------------------------------------------------------------------------------------------------------------- I. INTRODUCTION: Feminism in Indian literature, as can be most commonly conceived is a much sublime and over-the-top concept, -
A Confluence of Odissi and Martial Art - Kalarippayattu at 13Th Dhauli-Kalinga Mahotsav Inaugural Function
A CONFLUENCE OF ODISSI AND MARTIAL ART - KALARIPPAYATTU AT 13TH DHAULI-KALINGA MAHOTSAV INAUGURAL FUNCTION Dhauli – 06.02.2017 - The 13th Dhauli-Kalinga Mahotsav jointly organised by Department of Tourism, Government of Odisha and Orissa Dance Akademy got off to a colourful start at the foothills of ancient Dhauli Shanti Stupa with an invocation of peace befitting to the occasion commemorating what King Ashoka had professed in 3rd Century BC. The festival contains cultural multiplicity and a whole range of diverse stream of performing arts, be it classical, folk or martial. The festival is a unique confluence of more than 500 artistes belonging to various art forms of India and it celebrates Unity in Diversity. The structured programme started with Aikatana - a Confluence of Odissi Dance, Aikatana is a harmonious ensemble of expressional brilliances in Odissi. It's a celebration of diversities within the tradition of Odissi. 7 Groups, 7 Gurus and 7 Styles are coming together to celebrate the spirit of oneness in Odissi. In Aikatana Brahma as absolute void and he is the beginning of the beginning. From one Brahma and the union of Jiba and Parama, three representing Trishakti-Mahakali, Ugratara and Dhumabati, four signifies the four ages, five portrays the five senses, six represent the six enemies, seven goes for seven colour eight talks about Ashta Sambhu, nine contains Nava Rasa and ten represents Dasabatara. The artistes from Srjan, Art Vision, Nupur, Gunjan Dance Academy, Suravi, Utkal Sangita Mohavidayalaya and Orissa Dance Academy representing the Odissi Dance Confluence Aikatna. The dance was choreographed by Guru Aruna Mohanty and Guru Ratikanta Mohapatra and the script was prepared by Shri Kedar Mishra. -
Non Eligible Candidates for the Post of Electrician (Tr.) Cat III Application DOB Ground for Rejecting the Sl.No Name Category No
Non Eligible Candidates for the Post of Electrician (Tr.) Cat III Application DOB Ground for rejecting the Sl.No Name Category No. (MM/DD/YY) application NO LT Permit & TECHNICAL 1 3 sanjay kumar SC 09/28/94 DOCUMENT 2 42 Rohit Besan SC 05/02/94 No Training & LT Permit 3 48 Nilamani Tappo ST 02/02/86 No Training & LT Permit 4 50 Durgesh Kumar Sahu OBC-NCL 10/08/83 No LT Permit 5 51 Prakash Chandra Kandra SC 05/23/80 No Training 6 52 Goutam Turuk SC 05/12/87 No Training & LT Permit 7 76 Tajuddin Shaik Taj OBC-NCL 12/02/82 No Training 8 97 Dileep Kumar Vishwakarma OBC-NCL 05/08/91 No Training & LT Permit 9 108 Upendra Kumar GEN 07/12/87 No ITI 10 109 Purushottam Lal OBC-NCL 08/22/82 No Training 11 138 Ashish Kumar Dewangan OBC-NCL 07/17/86 No LT Permit 12 152 Vivek Kumar SC 12/15/88 No Training & LT Permit 13 163 Rajib Lochan Samal GEN 06/15/87 Permit Validity Lapsed 14 165 Mohan Lal Yadav OBC-NCL 01/04/88 No Training & LT Permit 15 180 Tushar Singh Chouhan GEN 11/10/89 No Training & LT Permit 16 181 Siba Majhi ST 03/02/92 No Training & LT Permit 17 204 Subrat Kumar Sen GEN 10/21/93 No Training & LT Permit No LT Permit & Application Not 18 230 Prashant Kumar ST 03/15/89 Signed 19 235 Mohit Kumar GEN 08/01/87 No Training 20 241 Sanjay Kumar Verma GEN 01/07/88 No Training & LT Permit 21 246 Mahendra Kumar Rathia ST 09/11/86 No Training & LT Permit 22 256 Kamlesh Kumar Saini OBC-NCL 08/10/90 No Training & LT Permit 23 259 Bapuji Sahoo GEN 06/26/91 No Training & LT Permit 24 260 Manoj Kumar Sethi SC 05/21/88 No Training 25 262 Sunil Das GEN -
Commerce 2020-21
COMMERCE GEN/SC/ST SLNO ROLLNO DISTRICT NAME STUDENT'S NAME FATHER'S NAME MOTHER'S NAME COLLEGE NAME TOTAL MARKS CATEGORY 1 208DA123 ANGUL ASHUTOSH SAHU JUGAL KISHOR SAHU MAMATA SAHU GOVERNMENT H S SCHOOL, ANGUL 518 GEN 2 208DA002 ANGUL RAGINI AJAY KUMAR SAXENA MEERA SAXENA GOVERNMENT H S SCHOOL, ANGUL 512 GEN 3 208DA109 ANGUL ASWAJIT MISHRA ANIL KUMAR MISHRA ALAKA MISHRA GOVERNMENT H S SCHOOL, ANGUL 497 GEN 4 208DA022 ANGUL SHIBANI BEHERA BASANT BEHERA SNEHALATA BEHERA GOVERNMENT H S SCHOOL, ANGUL 481 GEN 5 225DA028 ANGUL SIDDHANT SAHOO NIRANJAN SAHOO ARATI SAHOO TALCHER H S SCHOOL, TALCHER 479 GEN 6 208DA075 ANGUL MIR NISHARUDDIN MIR JAMALUDDIN SAMSAD BEGUM GOVERNMENT H S SCHOOL, ANGUL 474 GEN 7 208DA029 ANGUL BIKRAM MUDULI MANMATH MUDULI JEERA MUDULI GOVERNMENT H S SCHOOL, ANGUL 459 GEN 8 225DA003 ANGUL VIJENDRA KUMAR LATA RAJENDRA KUMAR LATA LAXMI DEVI TALCHER H S SCHOOL, TALCHER 456 GEN 9 208DA025 ANGUL ASUTOSH BHUTIA DEBARAJ BHUTIA MANORAMA BHUTIA GOVERNMENT H S SCHOOL, ANGUL 451 GEN 10 208DA006 ANGUL JYOTIRMAYEE SAHU ASHOK SAHU HARAMANI SAHU GOVERNMENT H S SCHOOL, ANGUL 448 GEN 11 225DA001 ANGUL GOPAL KRISHNA ROUT PRABODHA CHANDRA ROUT SOUDAMINI ROUT TALCHER H S SCHOOL, TALCHER 442 GEN 12 225DA026 ANGUL BISWARANJAN SAHOO BIGHNESH SAHOO MANORAMA SAHOO TALCHER H S SCHOOL, TALCHER 439 GEN 13 208DA069 ANGUL RITESH KUMAR DHIREN KUMAR ANITA DEVI GOVERNMENT H S SCHOOL, ANGUL 436 GEN 14 208DA023 ANGUL RAJESH DEO SARAT KUMAR DEO SANDHYARANI DEO GOVERNMENT H S SCHOOL, ANGUL 428 GEN 15 225DA017 ANGUL RISHOP MOHAPATRA RANJIT MOHAPATRA PRAMILA -
Trauma & Emergency Medical Care (T&EMC)
As of Dec'19 2 days training on "Trauma & Emergency Medical Care (T&EMC)" Sl.No. Distrct Name Designation Present Place of Posting Mobile No. E.Mail Date of training Venue 1 Dr. Basanta Kumar Rout Med. Spl. DHH, Angul 9437187208 [email protected] 16th & 17th Dec'15 SCB MCH Anaesthesia 2 Dr.Sobharani Parida DHH, Angul 9437106233 6.4.16 - 7.4.16 SCB MCH Specialist 3 Dr. Anjana Prusty SMO DHH, Angul 9861056766 6.4.16 - 7.4.16 SCB MCH Orthopaedic 4 Dr. Gyana Ranjan Biswal DHH, Angul 9861096975 6.4.16 - 7.4.16 SCB MCH Specialist 5 Kailash Chandra Sahu Staff Nurse (Male) DHH, Angul 9778539079 [email protected] 6.4.16 - 7.4.16 SCB MCH 6 Binod Kumar Sar Pharmacist DHH, Angul 9439994973 6.4.16 - 7.4.16 SCB MCH 7 Dr. Sridhar Pradhan Surgery Specialist DHH, Angul 9437382917 [email protected] 6.4.16 - 7.4.16 SCB MCH 8 Dr. Anila Kumar Mishra SDMO SDH, Talcher, Angul 9439981496 20th - 21st Jan'16 SCB MCH 9 9861339495 SCB MCH Dr. Hare Krishana Mahapatra Med. Spl. SDH, Talcher, Angul 20th - 21st Jan'16 10 Dr. Subas Chandra Patra Asst. Surgeon SDH, Talcher, Angul 9438384124 20th - 21st Jan'16 SCB MCH 11 Smt. Puspamani Bhakta SN SDH, Talcher, Angul 9438480950 20th - 21st Jan'16 SCB MCH 12 Mitali Pradhan Pharmacist SDH, Talcher, Angul 8895511572 20th - 21st Jan'16 SCB MCH 13 Dr. Tarun Kumar Sahu Surgery Specialist SDH, Talcher, Angul 9937556543 [email protected] 6.4.16 - 7.4.16 SCB MCH 14 Linasri Mohanta SN SDH, Pallahara, Angul 9437291877 [email protected] 27.1.16 - 28.1.16 SCB MCH 15 Pradyumna Kumar Sethi Pharmacist SDH, Pallahara, Angul 9438177864 27.1.16 - 28.1.16 SCB MCH 16 Dr. -
8. Commission Will Not Accept New Hard Copies of Entire
Staff Selection Commission (Karnataka – Kerala Region) First Floor, ‘E’ – Wing, KendriyaSadan, Koramangala,Bangalore – 560 034. Helplines: 080-25502520/0-9483862020 Website: http:\\ssckkr.kar.nic.in No.S.600001/15/2014-Sel. Dated, the.,25th September, 2017. Subject: Recruitment to the post ofJunior Engineer (Quality Assurance).in Controllarate of Quality Assurance (Electronics), In Dept. of Defence Production, M/o Defence- Cat. Code No.KK10217 of Advt. No. KKR-1/2017 - regarding. ……………………….. Staff Selection Commission (KKR), completedscrutiny for the above captioned post, after receipt of hard copies of application with supporting documents from candidates, in response to Advertisement No. KKR-01/2017. 2. Details of ineligible applicants applied online,including the details of those candidates from whom hard copy has not been received on or before 07.07.2017 in this Regional Office,is given below with reason mentioned against their names. Essential Qualifications for the post (i) Bachelor’s Degree in science with one of the subjects at Graduate Level viz., physics, Computer Science, Electronics from a recognised University OR Diploma in Engineering or Technology in one of the disciplines viz., Electronics, Electrical, Computers, Information Technology, Electronics & Telecommunication from a recognised University or State Board or Technical Education. (ii) One Year experience in Production or Development or Quality Assurance in the fields of Electrical or Electronics or Computer from a recognised Organisation or Undertaking. Note: As per clarification received from Dte. General of Quality Assurance, D/o Defence Production, M/o Defence vide letter No. A/92163/Rectt. Gr.(B)/SSC/DGQA/Veh/Adm-7B dated 23..02.2016, candidates who have obtained minimum one year’s experience certificate in the relevant field from an Organisation by the Government of India/concerned State Government or an Undertaking can be considered eligible. -
Department of Public Relations, Chandigarh Administration Press Note
Department of Public Relations, Chandigarh Administration www.chandigarh.gov.in Press Note Chandigarh February 24: Department of Cultural Affairs, UT, Chandigarh is going to organize Chandigarh Dance Festival from 25 to 28 February at Tagore Theater at 7 pm daily. The following groups will perform:- 25th February 2013 Performance by Ganesa Natyalaya of Guru Saroj Vaidyanathan from Delhi. SAROJ VAIDYANATHAN Shrimati Saroj Vaidyanathan took her initial training in Bharatanayan under Shrimati Lalitha at the Saraswati Gana Nilayam in Chennai. She was later a student of the well known guru Kattumannar Muthukumaran Pillai of Thanjavur. She also studied Camatic music under Professor P. Sambamoorthy at Madras University and obtained a D.Litt in dance from the Indira Kala Sangeet Viswavidyalaya, khairagarh. Shrimati Saroj Vaidyanathan is well established today among the leading Bharatanayam teachers of the country. She is the founder director of Ganesa Natyalaya, a dance institution in Delhi where she has trained a large number of young dancers. Some of her students are among the leading artists of the younger generation. She is the recipient of seven honours including the Padma Shri given by the government of India in 2002 and recently she has been conerred with Padam Bhushan Award by Government of India. 26th February 2013 Performance by Gunjan Dance Academy of Ms. Meera Dass from Cuttack MEERA DASS At a tender age of eight, Meera had started training with Bandha Nata, an extremely acrobatic dance form in Anandapur, Keonjhar, Orissa. Meera Das was mesmerized and her eyes filled a with new future, when she saw the Odissi dance performance of Smt. -
The High Court of Orissa,Cuttack List of Business for Tuesday the 8Th December 2020
SUPPLEMENTARY LIST THE HIGH COURT OF ORISSA,CUTTACK LIST OF BUSINESS FOR TUESDAY THE 8TH DECEMBER 2020 AT 11:00 AM THE HON'BLE THE CHIEF JUSTICE AND THE HON'BLE MR. JUSTICE BISWANATH RATH (CRIMINAL APPLICATINOS & MOTIONS.) (THIS BENCH WILL FUNCTION THROUGH VIDEO CONFERENCING. LEARNED COUNSEL ARE REQUESTED TO APPEAR ONLY FROM REMOTE LOCATIONS LIKE RESIDENCE/OFFICES ETC.) (LEARNED COUNSEL ARE REQUESTED TO FURNISH ENGLISH TRANSLATED COPIES OF THE DOCUMENTS FILED IN VERNACULAR LANGUAGES.) (LEARNED COUNSEL FOR THE PARTIES NEED NOT MAKE ORAL MENTION BY APPEARING THROUGH VC BEFORE THE COURT OF HON’BLE THE CHIEF JUSTICE FOR GETTING THEIR MATTERS LISTED ON THE GROUND OF URGENCY. THEY ARE REQUESTED TO UPLOAD THE MEMO OF URGENCY MENTIONING BRIEF REASONS IN THE CHAT BOX AVAILABLE IN THE Jitsi Video Conferencing Platform OF THE CONCERNED COURT AS PER ROSTER.) (ITEM NO.29 WILL BE TAKEN UP AT 02:00 P.M.) (THIS BENCH WILL NOT FUNCTION AFTER 4.00 P.M.) NUMBER OF SLOTS AND RESPECTIVE V.C. LINKS FOR THIS BENCH HAVE BEEN PROVIDED IN THE NOTICE. LEARNED COUNSEL ARE REQUESTED TO ASCERTAIN THEIR SLOTS FROM THE NOTICE AND APPEAR BEFORE THIS BENCH BY CLICKING THE LINK(S) PROVIDED FOR THEIR RESPECTIVE SLOTS. FOR JUDGEMENT 1. WP(C)/12084/2019 NILGIRI KHADAN O M/S.PRADIPTA KUMAR MOHANTY PATHARA SILPA P.MOHANTY, P.K.NAYAK, SANGATHAN P.K.PASAYAT,S.N.DASH,J.MOHANTY, V/S D.N.MOHAPATRA STATE OF ODISHA M/S.R.CH.JENA, M.R.PADHI FRESH ADMISSION 2. WP(C)/9037/2020 MANA BHANJA DAS K.C.DASH (with defect.) V/S UNION OF INDIA WITH WP(C)/33526/2020 SANTOSH MURTHY PABITRA KUMAR NAYAK V/S H.B.DASH, A.C.R.DAS, K.K.JENA UNION OF INDIA WITH WP(C)/33527/2020 SHIKHA JAISWAL PABITRA KUMAR NAYAK (with defect no.11) V/S H.B.DASH, A.C.R.DAS, K.K.JENA UNION OF INDIA 3.