Commuter Groups' Appeal Heard, Hopes Seem Dim Doss Claims
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Reminder List of Productions Eligible for the 86Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 86TH ACADEMY AWARDS ABOUT TIME Notes Domhnall Gleeson. Rachel McAdams. Bill Nighy. Tom Hollander. Lindsay Duncan. Margot Robbie. Lydia Wilson. Richard Cordery. Joshua McGuire. Tom Hughes. Vanessa Kirby. Will Merrick. Lisa Eichhorn. Clemmie Dugdale. Harry Hadden-Paton. Mitchell Mullen. Jenny Rainsford. Natasha Powell. Mark Healy. Ben Benson. Philip Voss. Tom Godwin. Pal Aron. Catherine Steadman. Andrew Martin Yates. Charlie Barnes. Verity Fullerton. Veronica Owings. Olivia Konten. Sarah Heller. Jaiden Dervish. Jacob Francis. Jago Freud. Ollie Phillips. Sophie Pond. Sophie Brown. Molly Seymour. Matilda Sturridge. Tom Stourton. Rebecca Chew. Jon West. Graham Richard Howgego. Kerrie Liane Studholme. Ken Hazeldine. Barbar Gough. Jon Boden. Charlie Curtis. ADMISSION Tina Fey. Paul Rudd. Michael Sheen. Wallace Shawn. Nat Wolff. Lily Tomlin. Gloria Reuben. Olek Krupa. Sonya Walger. Christopher Evan Welch. Travaris Meeks-Spears. Ann Harada. Ben Levin. Daniel Joseph Levy. Maggie Keenan-Bolger. Elaine Kussack. Michael Genadry. Juliet Brett. John Brodsky. Camille Branton. Sarita Choudhury. Ken Barnett. Travis Bratten. Tanisha Long. Nadia Alexander. Karen Pham. Rob Campbell. Roby Sobieski. Lauren Anne Schaffel. Brian Charles Johnson. Lipica Shah. Jarod Einsohn. Caliaf St. Aubyn. Zita-Ann Geoffroy. Laura Jordan. Sarah Quinn. Jason Blaj. Zachary Unger. Lisa Emery. Mihran Shlougian. Lynne Taylor. Brian d'Arcy James. Leigha Handcock. David Simins. Brad Wilson. Ryan McCarty. Krishna Choudhary. Ricky Jones. Thomas Merckens. Alan Robert Southworth. ADORE Naomi Watts. Robin Wright. Xavier Samuel. James Frecheville. Sophie Lowe. Jessica Tovey. Ben Mendelsohn. Gary Sweet. Alyson Standen. Skye Sutherland. Sarah Henderson. Isaac Cocking. Brody Mathers. Alice Roberts. Charlee Thomas. Drew Fairley. Rowan Witt. Sally Cahill. -
2011-12 Rochester Americans Media Guide (.Pdf)
Rochester Americans Table of Contents Rochester Americans Personnel History Rochester Americans Staff Directory........................................................................................4 All-Time Records vs. Current AHL Clubs ..........................................................................203 Amerks 2011-12 Schedule ............................................................................................................5 All-Time Coaches .........................................................................................................................204 Amerks Executive Staff ....................................................................................................................6 Coaches Lifetime Records ......................................................................................................205 Amerks Hockey Department Staff ..........................................................................................10 Presidents & General Managers ...........................................................................................206 Amerks Front Office Personnel ................................................................................................ 17 All-Time Captains ..........................................................................................................................207 Affiliation Timeline ........................................................................................................................208 Players Amerks Firsts & Milestones -
1965-66 Toronto Maple Leafs 1965-66 Detroit Red Wings 1965
1965-66 Montreal Canadiens 1965-66 Chicago Blackhawks W L T W L T 41 21 8 OFF 3.41 37 25 8 OFF 3.43 DEF 2.47 DEF 2.67 PLAYER POS GP G A PTS PIM G A PIM PLAYER POS GP G A PTS PIM G A PIM Bobby Rousseau RW 70 30 48 78 20 13 12 2 C Bobby Hull LW 65 54 43 97 70 23 11 9 A Jean Beliveau C 67 29 48 77 50 25 24 8 B Stan Mikita F 68 30 48 78 58 35 23 16 B Henri Richard F 62 22 39 61 47 34 34 13 B Phil Esposito C 69 27 26 53 49 46 30 22 B Claude Provost RW 70 19 36 55 38 42 44 18 B Bill Hay C 68 20 31 51 20 55 38 24 C Gilles Tremblay LW 70 27 21 48 24 53 49 20 B Doug Mohns F 70 22 27 49 63 64 45 32 B Dick Duff LW 63 21 24 45 78 62 55 29 A Chico Maki RW 68 17 31 48 41 71 53 37 B Ralph Backstrom C 67 22 20 42 10 71 60 30 C Ken Wharram C 69 26 17 43 28 82 57 41 B J.C. Tremblay D 59 6 29 35 8 74 67 31 C Eric Nesterenko C 67 15 25 40 58 88 63 48 B Claude Larose RW 64 15 18 33 67 80 72 39 A Pierre Pilote D 51 2 34 36 60 89 72 55 B Jacques Laperriere D 57 6 25 31 85 82 78 49 A Pat Stapleton D 55 4 30 34 52 91 80 62 B Yvan Cournoyer F 65 18 11 29 8 90 81 49 C Ken Hodge RW 63 6 17 23 47 93 84 67 B John Ferguson RW 65 11 14 25 153 95 85 67 A Doug Jarrett D 66 4 12 16 71 95 87 76 A Jean-Guy Talbot D 59 1 14 15 50 - 88 73 B Matt Ravlich D 62 0 16 16 78 - 91 86 A Ted Harris D 53 0 13 13 87 - 92 82 A Lou Angotti (fr NYR) RW 30 4 10 14 12 97 94 87 C Terry Harper D 69 1 11 12 91 - 94 93 A Len Lunde LW 24 4 7 11 4 99 96 88 C Jim Roberts D 70 5 5 10 20 97 96 95 C Elmer Vasko D 56 1 7 8 44 - 97 93 B Dave Balon LW 45 3 7 10 24 98 97 98 B Dennis Hull LW 25 1 5 6 6 -
Civic Hall Roster
PERFORMERS, SPEAKERS & EVENTS AT CIVIC HALL 1956 – 2002 * List with sources of information * Queries over conflicting or uncertain dates 60/40 Dance, 1 June 2002: [Source: Typed playlist, Graeme Vendy] 60/40 Dances held over long period, featuring local and nationally significant performers ACDC - Giant Dose of Rock and Roll Tour Jan 14 1977 Larry Adler (harmonica), ABC Celebrity Concert Series, 1 November 1961 Laurie Allan - guitar accompanied World Champion boxer Lionel Rose, 1970 The Angels 1990 [Courier article July 3, 2010. Graeme Vendy] Archbishop of Canterbury. Concelebrated Mass, 1985. 1 May Winifred Atwell, (pianist) 29 April 1965; The Winifred Atwell Show – 16 March 1962; 1972 [Source: Mary Kelly programmes] Australian Crawl, 1982, December 18, 1983 [Source: Graeme Plenter photo] AZIO, 1 December, 2013 (outside steps) Ballarat College Centenary Celebrity Concert & Official Opening 3 July, 1964. [Programme, Collection BCC – Heather Jackson Archivist] Ballarat College Centenary Dinner 4 July, 1964. [Programme & photos, Collection BCC] Ballarat & Clarendon College, Speech Night, 1999: [Source: Program, Graeme Vendy] Ballarat Choral Society & Ballarat Symphony Orchestra, Handel’s Messiah, December 1961 – 1965. 18 Dec 1963, 16 Dec 1964, 15 Dec 1965 [Source: programs donated by Norm Newey] Ballarat City Choir 1965, Ballarat Civic Male Choir 1956, 1965, 1977 Ballarat Ladies’ Pipe Band & National Dancing Class Ballarat Light Opera Company, 1957, 1959, 1960 Ballarat Teachers’ College Annual Graduation Ceremony, 9 Dec 1960. Speaker Prof Z. Cowan, Barrister-at-Law [Source: Invitation to Mrs Hathaway. Coll. Merle Hathaway] Ballarat Symphony Orchestra, Premier Orchestral Concert, with Leslie Miers (pianist) 1965 Ballarat Symphony Orchestra “Music to Enjoy” concert, 13 Aug 1967, cond. -
The Impact of Funeral Insurance in Aboriginal and Torres Strait Islander Communities
By Mark Holden, Siobhan Doyle and Kaylee Anderson The impact of funeral insurance in Aboriginal and Torres Strait Islander communities Sorry Business has always been a time of togetherness. Families all come together to share the pain, grief and the hardship of losing a community member. We also make sure to give those who have passed a good send-off back to the Dreamtime. It’s the way we have always lived – sharing carries us through life and it’s a great thing. – June Atkinson-Murray OAM, Wiradjuri Elder eing prepared for your own or a loved one’s However, these products contain cumulative financial risks and funeral is for many people, and for many cultures, impacts, which can leave many people in financial hardship or essential. This is particularly the case for many without enough funds when the time comes. Aboriginal and Torres Strait Islander1 peoples and For consumer advocates, products marketed to assist communities because of the cultural importance people with their funeral costs and expenses have long Bof Sorry Business and the high costs involved. Sorry Business been a concern. With many disadvantaged consumers is a time of cultural practices including funerals and related deeply concerned about being a ‘burden’ on their family, the cultural activities following the death of a community member. funeral insurance sector has created a business model that It is a culturally important period for Aboriginal peoples and exploits people’s basic vulnerabilities and needs, crowding communities to be able to mourn the loss of a loved one. Sorry the marketplace with advertising, high-pressure sales and Business can be expensive. -
PERU Iiattrhphtpr Lumttig
FRIDAY, APRIL 2, 1971 PAGE TWENTY-EIGHT Average Daily Net Press Run The Weather { v n t i n g For The Week Ended Clear and cooler tonight; low M arch 20, 1071 near 30. Sunny and cool tomor row with highs 40 to 45. Zero molasses for a few days in the Rummage Sale iiattrhPHtpr lumttig chance of precipitation through About Town spring. HEADQUARTERS for 15,765 out. Don’t know If It did any good Slated May 13 hianchester— A City of Village Charm ~ The R ev. Robert W . IhloCf, (to pay for the punishment Of EASTER aRd PASSOVER WINES vicar of St. George’s Episcopal taking it), but it certainly got The Women’s Auxiliary of the (Claeaifled Adverttalng on Page 14) Church of Bolton, will conduct Into our systems because after Manchester Midget and Pony V O L . LXXXX, NO. 156 (SIXTEEN PAGES—T\’ SECTION) MANCHESTER, CONN., SATURDAY, APRIL 3, 1971 PRICE FIFTEEN CENTS a couple days of it we could a service Sunday at 8:1S a.m. Football Association will sponsor on radio station WINF. The pro shake our undershirts over the hot kitchen range and see the a rummage sale May 13 from gram is sponsored the Manches 1!. ter Council of Churches and the little blue fireworks on the 10 a.m. to 2 p.m. at Mott’s Clergy. Association of Manches covers and smell the sulphur. Community Hall to raise money Shakeup ter. On the west side of Hop for equipment for Midget BVx>t- British Raid ^ (3GD6nATIONS Brook a'lltUe below Olcott St. -
Why Guy's Our Idol
FREE Publication AdelaideanNEWS FROM THE UNIVERSITY OF ADELAIDE Volume 12 • Number 11 • December 2003 inside this issue PAGE 7 Why Guy’s our idol Olivia’s a model student with a taste for gastronomy PAGE 9 Chess masters make a move for championship PAGE 13 Wheat crop has added health benefits PAGE 19 Thirty years on, the mystery solved PAGE 2 It’s a summer of love… for study! PAGE 4 China’s chief scientist opens lab in Adelaide PAGE 10 Concern over killer lung disease levels among smokers Before becoming a national star, Guy Sebastian grabbed World-class drug and the attention of classmates alcohol research at the University of Adelaide centre opens Photo courtesy of BMG Music Australia PAGE 15 Hot flowers – sexy rewards Australian Idol Guy Sebastian gave the University PAGE 16 Love of sport vaults Jennifer to success of Adelaide a taste of his undoubted musical PAGE 20 Mitchell’s study going talents earlier this year – as a student. swimmingly While most students wait until lucrative recording contract, a high Technology. But events overtook they’ve finished their studies before profile and a ready-made fan base his studies, and he took time off to making a name for themselves, eager for more of his vocal talents. pursue his Australian Idol dream. Guy has gone from studying at the The 22-year-old music teacher and According to Elder School of Music university’s prestigious Elder School recording engineer had been studying lecturer Dr Mark Carroll, those of Music to becoming a national star as part of the Vocational Education in Guy’s class were unexpectedly —and all within a matter of months! and Training (VET) program at the treated to a marvellous showcase of The University of Adelaide Along the way he’s earned the praise Elder School of Music. -
Australian Broadcasting Tribunal Annual Report 1981-82 Annual Report Australian Broadcasting Tribunal 1981-82
AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1981-82 ANNUAL REPORT AUSTRALIAN BROADCASTING TRIBUNAL 1981-82 Australian Government Publishing Service Canberra 1982 © Commonwealth of Australia 1982 ISSN 0728-606X Printed by Canberra Publishing & Printing Co .. Fyshwick. A.C.T. 2609 The Honourable the Minister for Communications In conformity with the provisions of section 28 of the Broadcasting and Television Act 1942, as amended, I have pleasure in presenting the Annual Report of the Australian Broadcasting Tribunal for the period l July 1981 to 30 June 1982. David Jones Chairman iii CONTENTS PART/ INTRODUCTION Page Legislation 1 Functions of the Tribunal 1 Membership of the Tribunal 1 Meetings of the Tribunal 2 Addresses given by Tribunal Members and Staff 2 Organisation and Staff of the Tribunal 4 Location of the Tribunal's Offices 4 Overseas Visits 5 Financial Accounts of the Tribunal 5 PART II GENERAL Broadcasting and Television Services in operation since 1953 6 Financial results - commercial broadcasting and television stations 7 Fees for licences for commercial broadcasting and television stations 10 Broadcasting and Televising of political matter 13 Political advertising 15 Administration of Section 116(4) of the Act 16 Complaints about programs and advertising 18 Appeals or reviews of Tribunal Decisions and actions by Commonwealth 20 Ombudsman, AdministrativeReview Council and Administrative Appeals Tribunal Reference of questions of law to the Federal Court of Australia pursuant 21 to Section 22B of the Act PART III PUBLIC INQUIRIES -
Building the Authentic Celebrity: the “Idol” Phenomenon in the Attention Economy
Building the Authentic Celebrity: The “Idol” Phenomenon in the Attention Economy. by Charles Fairchild Abstract: The “Idol” phenomenon is a spectacle founded on the creation, perpetuation, and maintenance of specific kinds of carefully structured consumer relationships. Several of the more successful contestants are gradually formed into recognizable and familiar brands centered on varied and mostly familiar pop star personae intended to form the foundations of the relationships between the various contestants and their supporters. However “Idol” relationships are not limited to familiar musician-fan binaries, but grow and evolve into a series of intimate, active relationships that stretch well beyond the life of the show. By the end of each series the primary relationship is no longer confined to contestants and fans, but include a series of relationships between the program and its audience created through a wide range of channels. The main goal of “Idol’s” producers is to build affective investment in contestants and gradually shift that investment to the narrative and drama of the program itself. The Strategic Imperative The advent of the “Idol” phenomenon near the turn of millennium appeared to be overkill. At the time, we did not seem to be running short of pop stars nor were we light on manufactured pop confections. Of course, “Idol” is not a response to any perceived aesthetic crisis on the supply-side, but a reaction to a whole other set of concerns on the demand side. With the vertical integration of global cultural production, a sea change in the technology used to distribute, consume, and experience music, and a music industry now permanently embedded in the larger structures of the entertainment industry, music producers are faced with both grave crises and surprising opportunities. -
PLAYOFF HISTORY and RECORDS RANGERS PLAYOFF Results YEAR-BY-YEAR RANGERS PLAYOFF Results YEAR-BY-YEAR
PLAYOFF HISTORY AnD RECORDS RANGERS PLAYOFF RESuLTS YEAR-BY-YEAR RANGERS PLAYOFF RESuLTS YEAR-BY-YEAR SERIES RECORDS VERSUS OTHER CLUBS Year Series Opponent W-L-T GF/GA Year Series Opponent W-L-T GF/GA YEAR SERIES WINNER W L T GF GA YEAR SERIES WINNER W L T GF GA 1926-27 SF Boston 0-1-1 1/3 1974-75 PRE Islanders 1-2 13/10 1927-28 QF Pittsburgh 1-1-0 6/4 1977-78 PRE Buffalo 1-2 6/11 VS. ATLANTA THRASHERS VS. NEW YORK ISLANDERS 2007 Conf. Qtrfinals RANGERS 4 0 0 17 6 1975 Preliminaries Islanders 1 2 0 13 10 SF Boston 1-0-1 5/2 1978-79 PRE Los Angeles 2-0 9/2 Series Record: 1-0 Total 4 0 0 17 6 1979 Semifinals RANGERS 4 2 0 18 13 1981 Semifinals Islanders 0 4 0 8 22 F Maroons 3-2-0 5/6 QF Philadelphia 4-1 28/8 VS. Boston BRUINS 1982 Division Finals Islanders 2 4 0 20 27 1928-29 QF Americans 1-0-1 1/0 SF Islanders 4-2 18/13 1927 Semifinals Bruins 0 1 1 1 3 1983 Division Finals Islanders 2 4 0 15 28 SF Toronto 2-0-0 3/1 F Montreal 1-4 11/19 1928 Semifinals RANGERS 1 0 1 5 2 1984 Div. Semifinals Islanders 2 3 0 14 13 1929 Finals Bruins 0 2 0 1 4 1990 Div. Semifinals RANGERS 4 1 0 22 13 F Boston 0-2-0 1/4 1979-80 PRE Atlanta 3-1 14/8 1939 Semifinals Bruins 3 4 0 12 14 1994 Conf. -
Catch Great Music
That’s what the Blues is about Australian Blues musician. After more than 10 Jungal — Jungal are three powerful young women who create their own indie years Ray is still very young for his considerable talent was noticed in the early root-rock music. Their energetic live performance and powerful 60s-like rock feel part of this century performing a 3 month residency with the house band in comes to life through three harmonious voices creating the unique and powerful B.B King’s Club in Memphis and Buddy Guy’s Blues Club in Chicago as well as ‘Jungal sound’, setting these girls apart from other female acts of their kind. several Southern Blues Festivals in the US of A. While in the states Ray recorded with Mark Sallings and has also had the privilege of performing with American A winner of six Australian Recording Industry Association Wendy Matthews — greats such as Andy Just, Dave Bowen and Chris Cain. Ali Penney & The Money Makers — Rawness and emotion are what strike you (ARIA) Awards Wendy is an acclaimed Australian adult alternative singer with when you hear what Ali Penney and The Money Makers play for you. Penney’s “extraordinary, crystal-clear vocals. Originally from Canada she has been a Mighty Reapers — The Mighty Reapers were formed by Robert Susz in 1988 husky, soulful voice is matched perfectly by the smooth sounds of the Money member of Models and Absent Friends and is a solo artist. She released a after the split of the Dynamic Hepnotics, one of the most successful soul/blues/ Makers’ blues. -
D3C Notes For
COVER NOTES Indeed, the difficult third compilation. I mean, just selecting the tracks was a lot more stressful than you'd imagine. Does one simply choose the recordings that people remember and like, or do you treat the exercise like you would any other album and pick what you consider to be the best tracks from the material at hand? I still have no idea. These rambings - and their multimedia support - will be updated and embellished over time. Any contributions most welcome. RR 1 01 Queensland (Ryan) New recording 2008 Ok, track one: the first difficult decision. Something appealing, upbeat and not milking the early material too soon. Hmm .. not many contenders there ... I know ... how about recording a new track! Something fresh, toe tapping and slightly controversial and then, to maximise the impact, make it a single and, then give it away as a free download. Perfect! ‘Queensland’ is a song I’ve had knocking around for a few years and I’m pleased to have at last found it a home. Very much inspired by the writing style of Randy Newman, its intent is a soft centered comment on the north-south rivalry between the great state of Queensland and more or less everyone else. Should any of you have access to the Queensland Tourist Bureau, tell them I’m ready to talk. Produced by Ross Ryan & Ken Stephenson Engineered by Ken Stephenson Drums: Peter (Robbo) Robinson Bass: Roy Zedras Keyboard, E. Guitar& Banjo: Ken Stephenson Acoustic Guitar & Keyboard: RR Backing Vocals: Helen & Jo Kelly Stephenson 02 Blue Chevrolet Ballerina (Ryan) From the album ‘After The Applause’ 1975 So, after opening with a new and hence unfamiliar recording, it was imperative that track two should be known and preferably from the ‘70’s.