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0195/14 2 Advertiser Cancer Council NSW 3 Product Community Awareness 4 Type of Advertisement / Media TV 5 Date of Determination 11/06/2014 6 DETERMINATION Dismissed
Case Report 1 Case Number 0195/14 2 Advertiser Cancer Council NSW 3 Product Community Awareness 4 Type of Advertisement / media TV 5 Date of Determination 11/06/2014 6 DETERMINATION Dismissed ISSUES RAISED 2.4 - Sex/sexuality/nudity S/S/N - general DESCRIPTION OF THE ADVERTISEMENT The ‘I Touch Myself’ project features 10 iconic Australian female artists, together singing Chrissy Amphlett’s well-known song from the 1990s, ‘I Touch Myself’. The aim of the campaign is to honour Chrissy Amphlett’s memory following her tragic death from breast cancer in 2013, and to transform the song into an anthem for breast cancer awareness. THE COMPLAINT A sample of comments which the complainant/s made regarding this advertisement included the following: I find it offensive. THE ADVERTISER’S RESPONSE Comments which the advertiser made in response to the complainant/s regarding this advertisement include the following: We acknowledge receipt of your letter enclosing a copy of the complaint received by the Advertising Standards Bureau in relation to the #itouchmyself breast cancer awareness campaign (complaint reference number 0195/14). We are deeply disappointed that this campaign has caused offence to a member of the community. In our view, however, the content of the campaign is clearly in line with prevailing community standards, and moreover, it carries an important public health awareness message that may ultimately save lives. It is in this context that we provide the following responses to the ASB’s queries. Comprehensive comments in relation to the complaint (taking into account the need to address all aspects of the advertising codes) Background As noted above, the #itouchmyself campaign carries a serious and important public health message about breast cancer awareness. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
Notice Paper
8321 LEGISLATIVE COUNCIL NOTICE PAPER No. 138 WEDNESDAY 1 MAY 2013 The House meets this day at 11.00 am Contents Business of the House—Notice of Motion ........................................................................................................ 8322 Government Business—Notice of Motion ........................................................................................................ 8322 Government Business—Orders of the Day ....................................................................................................... 8322 Private Members’ Business ............................................................................................................................... 8323 Items in the Order of Precedence ........................................................................................................... 8323 Items outside the Order of Precedence ................................................................................................... 8324 Committee Reports—Orders of the Day ........................................................................................................... 8399 Budget Estimates—Take Note Debate .............................................................................................................. 8400 Business for Future Consideration..................................................................................................................... 8400 Bills referred to Select or Standing Committees .............................................................................................. -
Legislative Assembly
New South Wales Legislative Assembly PARLIAMENTARY DEBATES (HANSARD) Fifty-Sixth Parliament First Session Wednesday, 14 March 2018 Authorised by the Parliament of New South Wales TABLE OF CONTENTS Visitors ....................................................................................................................................................... 1 Visitors ................................................................................................................................................... 1 Bills ............................................................................................................................................................ 1 Liquor and Gaming Legislation Amendment Bill 2018 ........................................................................ 1 Casino Control Amendment Bill 2018 .................................................................................................. 1 Gaming Machines Amendment (Leasing and Assessment) Bill 2018 .................................................. 1 Registered Clubs Amendment (Accountability and Amalgamations) Bill 2018 ................................... 1 Second Reading Debate ..................................................................................................................... 1 Consideration in Detail .................................................................................................................... 12 Third Reading ................................................................................................................................. -
Un-Australian Fictions: Nation, Multiculture(Alism) and Globalisation 1988-2008
Un-Australian Fictions: Nation, Multiculture(alism) and Globalisation 1988-2008 by Eleni Pavlides B.A. (Hons) Submitted in fulfilment of the requirements for the degree of Doctor of Philosophy University of Western Australia School of Social and Cultural Studies 2011 THE UNIVERSITY OF WESTERN AUSTRALIA DECLARATION FOR THESES CONTAINING PUBLISHED WORK AND/OR WORK PREPARED FOR PUBLICATION The examination of the thesis is an examination of the work of the student. The work must have been substantially conducted by the student during enrolment in the degree. Where the thesis includes work to which others have contributed, the thesis must include a statement that makes the student's contribution clear to the examiners. This may be in the form of a description of the precise contribution of the student to the work presented for examination and/or a statement of the percentage of the work that was done by the student In addition, in the case of co-authored publications included in the thesis, each author must give their signed permission for the work to be included. If signatures from all the authors cannot be obtained, the statement detailing the student's contribution to the work must be signed by the coordinating supervisor. Please sign one of the statements below 1. This thesis does not contain work that I have published, nor work under review for publication. Student Signature .............................................................................................................................................. 2. This thesis contains only sole-authored work, some of which has been published and/or prepared for publication under sole authorship. The bibliographical details of the work and where it appears in the thesis are outlined below. -
Made in Melbourne! Enjoyed Nationally!
DECEMBER 2009 Made in Melbourne! Enjoyed Nationally! DECEMBER 2009 q comment: PMV 2010 Issue 64 With 2009 coming to a rapid close and MIDSUMMA approaching at lightning speed, now is the time to Publisher & Editor Brett Hayhoe think about Pride March Victoria 2010. Under the +61 (0) 422 632 690 International Theme of One Heart One World One Pride [email protected] participants are encouraged to dress their entry to this theme to add colour and fun to the March. Scheduled Editorial for Sunday the 7th of February, this premier “all of [email protected] community” event on the GLBTi annual calendar is Sales and Marketing also undergoing some significant changes. [email protected] In response to community feeback, Assembly (on the Design corner of Lakeside Drive and Fitzroy Street) will be from Uncle Brett Designs & Graphics midday with the March commencing at 2pm sharp - Contributing Writers travelling down Fitzroy Street to Catani Gardens. All Addam Stobbs, Brett Hayhoe, Evan Davis, relevant forms - including the March registration form Ben Angel, Alan Mayberry, Tasman Anderson, - are available now at www.pridemarch.com.au Chris Gregoriou, Paul Panayi, Marc J Porter, Wally Cowin, Nathan Miller, Melissa Williams The celebrations in Catani Gardens are also Cover picture & Feature Pictures undergoing a re-vamp with entertainment the focus. Tracy Bartram - Anthony Leong, Modform With the Skinovate Karaoke Stage (hosted by Matt Photographers and Damian), the Gaydar.com.au Main Stage (featuring some amazing entertainment and hosted Photographic Contributions Ben Ashe (Peel), Alan Mayberry by the wonderful Linzi) and the new Gasworks (Greyhound), Shane Marquis (Cube) Community Village and Entertainment Stage (featuring Wally Cowin (Sovereign), Leigh a range of acts from children’s through to inovative Klooger (PZR, Lipstix), adult entertainment) there is more for you to see and enjoy than ever before. -
Entertainment Posters, Part 1 Rock Concerts, Film, Theatre & Performance
Entertainment Posters, Part 1 Rock concerts, film, theatre & performance Collectors’ List No. 190, 2017 Online catalogue Josef Lebovic Gallery 103a Anzac Parade (cnr Duke St) Kensington (Sydney) NSW p: (02) 9663 4848 e: [email protected] w: joseflebovicgallery.com 1.| |For The Term Of His Natural Life,| JOSEF LEBOVIC GALLERY 1927.| Colour linocut with letter press, 101.7 x Celebrating 40 Years • Established 1977 76.5cm. Repaired minor creases and stains Member: AA&ADA • A&NZAAB • IVPDA (USA) • AIPAD (USA) • IFPDA (USA) to margins, old folds. Linen-backed.| $1,650| Text includes “All the wealth of a nation! It cost Address: 103a Anzac Parade, Kensington (Sydney), NSW over £60,000 to produce in Australia for the world! Postal: PO Box 93, Kensington NSW 2033, Australia Australia’s peerless scenery was combed to show Phone: +61 2 9663 4848 • Mobile: 0411 755 887 • ABN 15 800 737 094 the world the nation’s natural beauty spots, the company travelling more than 2,000 miles to various Email: [email protected] • Website: joseflebovicgallery.com locations, including picturesque Tasmania. Produced Open: Monday to Saturday from 1 to 6pm by chance or by appointment by the famous international director, Norman Dawn, for Australasian Films Ltd, it is adapted from Marcus Clarke’s world-famous book, of which millions of copies have been sold. “It is the first gigantic effort to place Australia on COLLECTORS’ LIST No. 190, 2017 the movie map. Rich in earnest human appeal this Union-Master-World-Production presents something spectacular, dramatic and historical that will live for all time. Marcus Clarke’s immortal story, produced by Norman Dawn for Australasian Films Ltd. -
The Music Never Stopped Based Upon “The Last Hippie” by Oliver Sacks, M.D
The Music Never Stopped Based upon “The Last Hippie” by Oliver Sacks, M.D. Official website: http://themusicneverstopped-movie.com Publicity Materials: www.roadsideattractionspublicity.com Production Notes Directed by Jim Kohlberg Screenplay by Gwyn Lurie & Gary Marks Produced by Julie W. Noll, Jim Kohlberg, Peter Newman, Greg Johnson Starring: J.K. Simmons Lou Taylor Pucci Cara Seymour Julia Ormond Running Time: 105 minutes Press Contacts: New York Marian Koltai-Levine – [email protected] – 212.373.6130 Nina Baron – [email protected] – 212.373.6150 George Nicholis – [email protected] – 212.373.6113 Lee Meltzer – [email protected] – 212-373-6142 Los Angeles Rachel Aberly – [email protected] - 310.795-0143 Denisse Montfort – [email protected] – 310.854.7242 "THE MUSIC NEVER STOPPED" Essential Pictures presents THE MUSIC NEVER STOPPED Based on a true story Directed by JIM KOHLBERG Screenplay by GWYN LURIE & GARY MARKS Based upon the essay 'The Last Hippie' by OLIVER SACKS Produced by JULIE W. NOLL JIM KOHLBERG PETER NEWMAN GREG JOHNSON Co-Producer GEORGE PAASWELL Executive Producer NEAL MORITZ Executive Producer BRAD LUFF Music Producer SUSAN JACOBS Director of Photography STEPHEN KAZMIERSKI Editor KEITH REAMER Production Designer JENNIFER DEHGHAN Costume Designer JACKI ROACH Original Music by PAUL CANTELON Casting by ANTONIA DAUPHIN, CSA J.K. SIMMONS LOU TAYLOR PUCCI CARA SEYMOUR with JULIA ORMOND TAMMY BLANCHARD MIA MAESTRO SCOTT ADSIT JAMES URBANIAK PEGGY GORMLEY MAX ANTISELL An Essential Pictures Production in association with Peter Newman/InterAL Productions A film by Jim Kohlberg SYNOPSIS “The Music Never Stopped,” based on the case study “The Last Hippie” by Dr. -
Aesthetic Cosmopolitan, National and Local Popular Music Heritage in Melbourne's Music Laneways
International Journal of Heritage Studies ISSN: 1352-7258 (Print) 1470-3610 (Online) Journal homepage: http://www.tandfonline.com/loi/rjhs20 Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways Catherine Strong, Fabian Cannizzo & Ian Rogers To cite this article: Catherine Strong, Fabian Cannizzo & Ian Rogers (2016): Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways, International Journal of Heritage Studies, DOI: 10.1080/13527258.2016.1246466 To link to this article: http://dx.doi.org/10.1080/13527258.2016.1246466 Published online: 24 Oct 2016. Submit your article to this journal Article views: 10 View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rjhs20 Download by: [RMIT University Library] Date: 27 October 2016, At: 17:14 INTERNATIONAL JOURNAL OF HERITAGE STUDIES, 2016 http://dx.doi.org/10.1080/13527258.2016.1246466 Aesthetic cosmopolitan, national and local popular music heritage in Melbourne’s music laneways Catherine Stronga, Fabian Cannizzob and Ian Rogersa aSchool of Media and Communication, Royal Melbourne Institute of Technology, Melbourne, Australia; bSchool of Social Sciences, Monash University, Clayton, Australia ABSTRACT ARTICLE HISTORY There are currently few examples of popular music being officially celebrated Received 1 July 2016 as heritage in Australia. Interest in this area is growing, however, and Accepted 24 September 2016 this paper examines how Melbourne, the capital of the state of Victoria, KEYWORDS has recently named three laneways after rock artists, namely, AC/DC Popular music; national Lane, Amphlett Lane and Rowland S. -
Of Witches and Monsters, the Filth and the Fury: Two Australian Women's
1 Of Witches and Monsters, the Filth and the Fury: Two Australian Women’s Post-Punk Autobiographies MARGARET HENDERSON University of Queensland The last few years have seen an upsurge in punk and post-punk memoirs and autobiographies by musicians, in Australia and internationally, both women and men (Mark E. Smith, Morrissey, Viv Albertine, Tex Perkins, Kim Gordon, Steve Kilbey, to name just a few). Memoir and autobiography are thus contributing to the heightened visibility of the 1970s cultural movement of punk and its immediate aftermath, which has been a particular focus of academic study and of the broader processes of social memory, as in film, popular histories, documentaries, and oral histories. Such a retrospective turn is somewhat ironic considering punk’s resolute anti-nostalgia and creed of no future, but also testament to punk’s enduring influence as a repository of cultural and political hope, and the aging of a cohort. We are, then, in a time where the historical record of punk and post-punk is taking shape. Most academic studies to date of punk and post-punk have been sociological (Hebdige), aesthetic (Ensminger), ethnographic (Hannerz), musicological (Dale), historical (Savage), or cultural studies-oriented accounts (Marcus), and importantly, there have been interventions made by feminist scholars that examine women’s and girls’ participation (Reddington, Leblanc, and Leonard, most notably). Being a music-centred culture, punk and post-punk’s literary dimension is, understandably, a minor but productive focus,1 and these studies capture the visual, the aural, the abrasive anti-establishment ethos of punk. Yet, with the recent emergence of memoir and autobiography, the culture is retrospectively gaining a literary identity, one that, by virtue of the significant (though small) presence of women authors, is also a gendered identity. -
The Ukrainian Weekly 1981
A^. , QYjtf ) і w^ XJ 1 СВ ОБОДА JLSvOBODA І УКРАЇНСЬКИМ щадінник ^ЯШУ ишвлініАнолич ШPUBLlSHEirainiay BY JHE UKRA1N1AN NATlONAL ASSOClATlOnN 1NC . A WeeFRATERNAL NON-PROF!T ASSOClATlOkN vol. LXXXVIII No. 20 THE UKRAINIAN WEEKLY SUNDAY, MAY 17, i98i 25 ceBls Pennsylvania congressman meets with WCFU president visits Nadia Svitlychna, Nina Strokata Ukrainians in Australia TORONTO - Mykola Plawiuk, president of the World Congress of Free Ukrainians, visited the Ukrainians of Australia in April on the invitation of the Association of Ukrainian Organiza– tions of Australia. Among the Ukrainian communities Mr. Plawiuk visited were those in Sydney, Cabramatta, Adelaide, Mel- bourne, Norman Park, Geelong and Canberra. Scheduled visits to Perth and Brisbane had to be cancelled due to an airline strike. During his trip, Mr. Plawiuk met with: the executive board of the AUOA; Bishop Prasko, exarch for Ukrainian Catholics in Australia; the Rev. Proto– Rep. Don Ritter (R-Pa.) is seen above during a meeting with Nadia Svitlychna (left) presbyter Alexander Pihulcwsky, head and Nina Strokata-Karavansky (right) and members of UNWLA Branch 91 of the Consistory of the Ukrainian of Bethlehem, Pa., Marta Fedoriw, Bohdanna Mycbajiiw and Nadia CeKebkyv Autocepnalous Orthodox Church in Australia; Australian political leaders; WASHINGTON - Rep. Don Ritter spoke to the two women, whose words representatives of various Ukrainian (R-Pa.) met with former dissidents were translated for listeners and organizations; representatives of the Nadia Svitlychna and Nina Strokata- reporters by Marta Fedoriw, a member Polish, Rumanian and Baltic communi– Mykola Plawiuk Karavansky here on April 8, and, the of the UNWLA who worked for the ties; editors of the Ukrainian press; work undertaken by the WCFU in the following day, spoke about the meeting freshman congressman during his members of the board of Ukrainian educational sphere. -
NEWS RELEASE NATIONAL FESTIVAL of UKRAINIAN AUSTRALIANS to BE HELD in SYDNEY – EXTENDING HAND of MULTICULTURAL MATESHIP On
NEWS RELEASE NATIONAL FESTIVAL OF UKRAINIAN AUSTRALIANS TO BE HELD IN SYDNEY – EXTENDING HAND OF MULTICULTURAL MATESHIP On the occasion of Multicultural March in NSW, Ukrainian Australians are extending the hand of mateship to their Aussie friends, neighbours and workmates of all backgrounds to join them in Sydney on the June long weekend as Ukrainians commemorate 65 years of positive contribution to Australia. The National Festival of Ukrainian Australians will be a two-day showcase of cultural performances, food and drink, sporting competition, culinary events, historical exhibitions, community workshops, and social gatherings between old and new friends. “At our National Festival in Sydney in June, Ukrainian Australians will both celebrate our rich heritage and show our gratitude for the many opportunities that Australia has given Ukrainians since we arrived in substantial numbers in 1948,” stated Mr Stefan Romaniw, President of the Australian Federation of Ukrainian Organisations (AFUO) and former Victorian Multicultural Commissioner. “That’s why we are inviting our Australian friends of all cultural, language and faith backgrounds to join us. It’s the sharing of our respective cultures that makes us all stronger and unified as Australians,” Mr Romaniw said. “The National Festival is a chance to experience everything from our unique Ukrainian food, such as ‘varenyky’ dumplings, to our world-famous Kozak dancing, as well some fair dinkum Ukrainian hospitality. “Ukrainians were formally among the first post-war migrants who with patience and perseverance helped build our successful, culturally diverse society at the end of the White Australia Policy. The Festival is also a chance for our community to mark the courage and commitment of our ‘founding fathers and mothers’ who left tyranny in Europe to build vibrant, self-sufficient lives from humble beginnings here, including via migrant reception centres and hostels,” Mr Romaniw said.