Harry Potter and Queering the College Classroom

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Harry Potter and Queering the College Classroom The University of San Francisco USF Scholarship: a digital repository @ Gleeson Library | Geschke Center Doctoral Dissertations Theses, Dissertations, Capstones and Projects 12-2019 Harry Potter and Queering the College Classroom Hannah Yanow Follow this and additional works at: https://repository.usfca.edu/diss Part of the Higher Education Commons The University of San Francisco HARRY POTTER AND QUEERING THE COLLEGE CLASSROOM A Dissertation Presented to The Faculty of the School of Education Organization and Leadership Studies Department In Partial Fulfillment of the Requirements for the Degree Doctor of Education By Hannah Yanow San Francisco December 2019 THE UNIVERSITY OF SAN FRANCISCO Dissertation Abstract Harry Potter and Queering the College Classroom This dissertation reimagines the college classroom through a queer pedagogical practice that, I argue, results in a queer space. Through a mixed method study that utilized duoethnography and student survey, I find that queer pedagogy, or the resistance of heteronormativity, challenging binaries, welcoming the student’s lived experience as fodder for learning academic concepts, paired with a beloved fantasy text such as Harry Potter, can be a medium with which to deconstruct the traditional college classroom and reconstruct a queer space that encourages student self-authorship and questioning of the traditional hierarchy in higher education. The data suggests that queering the college classroom in these ways increases students’ feeling of belonging and ownership of their education, encourages sitting in discomfort and not-knowing, invites student-led discussion and revelation, increases learning and retention, and is pedagogically effective in addressing societal concepts around marginalization, biases, oppression, and socially constructed binaries. This dissertation is an invitation to students to own their learning process, and for faculty to re-evaluate their pedagogical practices and choice of text. ii This dissertation, written under the direction of the candidate’s dissertation committee and approved by the members of the committee, has been presented to and accepted by the Faculty of the School of Education in partial fulfillment of the requirements for the degree of Doctor of Education. The content and research methodologies presented in this work represent the work of the candidate alone. Hannah Yanow _ December 3, 2019 Candidate Date Dissertation Committee Danfeng Koon _ December 3, 2019 Chairperson Ursula Aldana _ December 3, 2019 Nicola McClung _ December 3, 2019 Alejandro Covarrubias _ December 3, 2019 iii DEDICATION An eternal thank you to the love of my life, Ricardo, for believing in me, loving me, and for listening to me talk about queerness and Harry Potter for the last two years. I am filled with gratitude for my parents, Anne and Danny. Thank you for making my life possible, supporting my education, and for being the best example of loving parents that I could imagine. And finally, this dissertation is dedicated to my child who is currently having a dance party in my belly. I love you. iv ACKNOWLEDGMENTS This dissertation would not have been possible without the encouragement and support of my dissertation chair, Dr. Danfeng Koon. Thank you for being my mentor throughout this degree and navigating the dissertation process. Thank you for being the first person to tell me that I was the perfect person to do this research, and that yes, it was a valid topic. Thank you to my dissertation committee, Dr. Nicola McClung, Dr. Ursula Aldana, and Dr. Alejandro Covarrubias, your feedback and excitement for my work carried me through this process. A huge thank you to Maeve Mulholland with whom I was lucky enough to be put in a pair in the dissertation proposal writing course and remained editing partners with for the following year. Your guidance, wisdom, and keen eye helped me exponentially on my intellectual and emotional journey. Thanks to Dr. Julye Bidmead who engaged in the vulnerable and ambiguous process of the duoethnography with me to make this research possible. Your passion and dedication to teaching is changing lives. And finally, thank you to the students who took our courses and participated in the student survey and shared your thoughts and experiences. You are changing the trajectory of what the college classroom can be. v TABLE OF CONTENTS DISSERTATION ABSTRACT ii SIGNATURE PAGE iii DEDICATION iv ACKNOWLEDGMENTS v LIST OF TABLES ix CHAPTER ONE: THE RESEARCH PROBLEM 1 Statement of the Research Problem 1 Background and Need 2 Purpose of the Study 6 Research Questions 7 Educational Significance 8 Summary of the Harry Potter Narrative 9 Definitions of Terminology 10 CHAPTER TWO: REVIEW OF THE LITERATURE 13 Overview 13 Critical Pedagogy 13 Queer Pedagogy & Queer Space 15 Harry Potter as Text 20 Queer Theory Within Higher Education 25 College Student Development 28 Summary 30 CHAPTER THREE: METHODOLOGY 32 Introduction 32 Duoethnography 33 Doing the Duoethnography 34 Student Survey 37 Participants & Data Collection 38 Participant Response Demographics 41 Ethical Considerations 44 vi Positionality 44 Data Analysis Procedure 46 CHAPTER FOUR: DUOETHNOGRAPHY RESULTS 48 Overview 48 Introduction 49 Starting the Duoethnography 53 Research Question One: Course Origin Stories and the Development of Curriculum 54 Research Question Two: Practicing Implementation and Exploring Pedagogy 60 Research Question Three: Change Over Time and Seeing Student Development in Response to the Incorporation of the Harry Potter text 69 Why Harry Potter? 72 Conclusion 80 CHAPTER FIVE: STUDENT SURVEY RESULTS 82 Overview 82 Introduction 82 First Impressions 84 Getting into Specifics 85 Blurring the Lines 85 The Gender Divide 85 Queer Recognition 86 Student Survey Findings 87 Emergent Themes 87 Research Question One: Student Experience of Curriculum 88 Critical Thinking and Reading 88 Research Question Two: Student Experience of Implemented Pedagogy 90 Establishment of Space 91 Feeling of Belonging 92 Open-Mindedness 95 Research Question Three: Student Perspective of the Influence of Harry Potter in the College Classroom 96 Feeling of Ownership and Student-led moments 97 vii Concepts from HP Informed Student Retention and Relatedness to Learnings 99 Conclusion 100 CHAPTER SIX: CONCLUSIONS, IMPLICATIONS, & RECOMMENDATIONS 103 Overview 103 Summary of the Study 103 Concepts of Queerness, Curriculum, and Harry Potter Text 104 Queer Pedagogy, Queer Space, and Harry Potter Text 108 The Influence of the Harry Potter Text on Student Identity and Learning 112 Limitations 114 Conclusions 116 Implications 117 Methodology as Praxis 117 Queer Pedagogy and the Harry Potter Text 118 Recommendations 120 Future research 120 Future practice 121 For Students 121 For Faculty 122 Closing Remarks 123 REFERENCES 125 APPENDICES 133 Appendix A - Character Index 133 Appendix B - Possible Topics for Duoethnography 137 Appendix C - Student Survey 139 Appendix D - Hogwarts Acceptance Letter 143 Appendix E - Prefect Tasks & Welcome Letter 144 Appendix F - Sorting Ceremony Script 150 Appendix G - REL 333 Syllabus 152 Appendix H - Chapman Student Presentation 158 viii Appendix I - NDNU Harry Potter Fair 174 Appendix J - NDNU Student Project 181 Appendix K - PSY 2886-01 Syllabus 184 Appendix L - Phoenix Projects Guidelines 191 Appendix M - Dear J.K. Rowling, Reflection #1 193 Appendix N - Dear Luna, Reflection #1 200 Appendix O - Dear Mr. Potter, Reflection #1 202 Appendix P - Respondent Number and Course Taken 206 LIST OF TABLES Table 1 - Age range 42 Table 2 - Gender Identity (self-identified) 42 Table 3 - Sexual Orientation (self-identified) 42 Table 4 - Ethnic Identification (self-identified) 42 Table 5 – Home state/Home Country (self-identified) 42 ix 1 CHAPTER ONE: THE RESEARCH PROBLEM Statement of the Research Problem In the Fall of 2017, I taught a self-created course called Psychology and Harry Potter at Notre Dame de Namur University (NDNU) during which the classroom was seemingly transformed. The classroom blossomed into a space which appeared to be, and succeeded by being, student-driven, resistant to the traditional college classroom hierarchy, critical in thought, vulnerable in emotionality, and engagement from, and amongst, all of the individuals (faculty and students alike) in the space. Students reported that they felt a sense of connection and community to their peers and the faculty that they had never felt in any other college classroom before. I set out to explore why. College can be a restrictive place for some; it can be exclusive and elitist. In other ways, it can allow us to soar above and beyond anything we thought possible. It can make space for thoughts to bounce off walls and minds to be expanded. As it stands now, however - I see more often than not - college space is one in which the student is silent, and the faculty is standing in front of the classroom imposing knowledge onto the minds in the room. This is not teaching, this is dumping, memorization, and regurgitation. Paolo Freire (1970) describes a similar idea of a ‘banking’ system in which the student is merely a receptacle of knowledge. In agreement with Freire, from the perspective of queer theory and pedagogy I propose a new type of college classroom: a queer space which aims to be student- centered, deconstructs and reconstructs societal norms, and models a space for students to think queerly about things which may be traditionally held as fact in normative society. I 2 explore and put forth a queer pedagogy, rooted in critical theory and pedagogy, and stemming from queer theory, in order to queer the college classroom space. This queer college classroom space is inclusive, exploratory in thought, against binary, noncategorical, and grounded in exploring the unknown (Kumashiro, 2012). To embark on this journey of discovery as to why the course Psychology and Harry Potter was successful in creating community and ownership for the students, as well as how the classroom was queered, I engaged in duoethnography (Norris & Sawyer, 2012) and survey methodologies. Duoethnography, being the dialogic process between two co-researchers to explore a shared phenomenon, places the researchers’ experiences at the forefront of the data.
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