CS 1St Year: M&A Types of Compression: the Two Types of Compression Are: Lossy Compression
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A Survey Paper on Different Speech Compression Techniques
Vol-2 Issue-5 2016 IJARIIE-ISSN (O)-2395-4396 A Survey Paper on Different Speech Compression Techniques Kanawade Pramila.R1, Prof. Gundal Shital.S2 1 M.E. Electronics, Department of Electronics Engineering, Amrutvahini College of Engineering, Sangamner, Maharashtra, India. 2 HOD in Electronics Department, Department of Electronics Engineering , Amrutvahini College of Engineering, Sangamner, Maharashtra, India. ABSTRACT This paper describes the different types of speech compression techniques. Speech compression can be divided into two main types such as lossless and lossy compression. This survey paper has been written with the help of different types of Waveform-based speech compression, Parametric-based speech compression, Hybrid based speech compression etc. Compression is nothing but reducing size of data with considering memory size. Speech compression means voiced signal compress for different application such as high quality database of speech signals, multimedia applications, music database and internet applications. Today speech compression is very useful in our life. The main purpose or aim of speech compression is to compress any type of audio that is transfer over the communication channel, because of the limited channel bandwidth and data storage capacity and low bit rate. The use of lossless and lossy techniques for speech compression means that reduced the numbers of bits in the original information. By the use of lossless data compression there is no loss in the original information but while using lossy data compression technique some numbers of bits are loss. Keyword: - Bit rate, Compression, Waveform-based speech compression, Parametric-based speech compression, Hybrid based speech compression. 1. INTRODUCTION -1 Speech compression is use in the encoding system. -
1. in the New Document Dialog Box, on the General Tab, for Type, Choose Flash Document, Then Click______
1. In the New Document dialog box, on the General tab, for type, choose Flash Document, then click____________. 1. Tab 2. Ok 3. Delete 4. Save 2. Specify the export ________ for classes in the movie. 1. Frame 2. Class 3. Loading 4. Main 3. To help manage the files in a large application, flash MX professional 2004 supports the concept of _________. 1. Files 2. Projects 3. Flash 4. Player 4. In the AppName directory, create a subdirectory named_______. 1. Source 2. Flash documents 3. Source code 4. Classes 5. In Flash, most applications are _________ and include __________ user interfaces. 1. Visual, Graphical 2. Visual, Flash 3. Graphical, Flash 4. Visual, AppName 6. Test locally by opening ________ in your web browser. 1. AppName.fla 2. AppName.html 3. AppName.swf 4. AppName 7. The AppName directory will contain everything in our project, including _________ and _____________ . 1. Source code, Final input 2. Input, Output 3. Source code, Final output 4. Source code, everything 8. In the AppName directory, create a subdirectory named_______. 1. Compiled application 2. Deploy 3. Final output 4. Source code 9. Every Flash application must include at least one ______________. 1. Flash document 2. AppName 3. Deploy 4. Source 10. In the AppName/Source directory, create a subdirectory named __________. 1. Source 2. Com 3. Some domain 4. AppName 11. In the AppName/Source/Com directory, create a sub directory named ______ 1. Some domain 2. Com 3. AppName 4. Source 12. A project is group of related _________ that can be managed via the project panel in the flash. -
Video Coding Standards
Video coding standards Video signals represent sequences of images or frames which can be transmitted with a rate from 15 to 60 frames per second (fps), that provides the illusion of motion in the displayed signal. Unlike images they contain the so-called temporal redundancy. Temporal redundancy arises from repeated objects in consecutive frames of the video sequence. Such objects can remain, they can move horizontally, vertically, or any combination of directions (translation movement), they can fade in and out, and they can disappear from the image as they move out of view. Temporal redundancy Motion compensation A motion compensation technique is used to compensate the temporal redundancy of video sequence. The main idea of the this method is to predict the displacement of group of pixels (usually block of pixels) from their position in the previous frame. Information about this displacement is represented by motion vectors which are transmitted together with the DCT coded difference between the predicted and the original images. Motion compensation Image VLC DCT Quantizer Buffer - Dequantizer Coded DCT coefficients. IDCT Motion compensated predictor Motion Motion vectors estimation Decoded VL image Buffer Dequantizer IDCT decoder Motion compensated predictor Motion vectors Motion compensation Previous frame Current frame Set of macroblocks of the previous frame used to predict the selected macroblock of the current frame Motion compensation Previous frame Current frame Macroblocks of previous frame used to predict current frame Motion compensation Each 16x16 pixel macroblock in the current frame is compared with a set of macroblocks in the previous frame to determine the one that best predicts the current macroblock. -
CHAPTER 10 Basic Video Compression Techniques Contents
Multimedia Network Lab. CHAPTER 10 Basic Video Compression Techniques Multimedia Network Lab. Prof. Sang-Jo Yoo http://multinet.inha.ac.kr The Graduate School of Information Technology and Telecommunications, INHA University http://multinet.inha.ac.kr Multimedia Network Lab. Contents 10.1 Introduction to Video Compression 10.2 Video Compression with Motion Compensation 10.3 Search for Motion Vectors 10.4 H.261 10.5 H.263 The Graduate School of Information Technology and Telecommunications, INHA University 2 http://multinet.inha.ac.kr Multimedia Network Lab. 10.1 Introduction to Video Compression A video consists of a time-ordered sequence of frames, i.e.,images. Why we need a video compression CIF (352x288) : 35 Mbps HDTV: 1Gbps An obvious solution to video compression would be predictive coding based on previous frames. Compression proceeds by subtracting images: subtract in time order and code the residual error. It can be done even better by searching for just the right parts of the image to subtract from the previous frame. Motion estimation: looking for the right part of motion Motion compensation: shifting pieces of the frame The Graduate School of Information Technology and Telecommunications, INHA University 3 http://multinet.inha.ac.kr Multimedia Network Lab. 10.2 Video Compression with Motion Compensation Consecutive frames in a video are similar – temporal redundancy Frame rate of the video is relatively high (30 frames/sec) Camera parameters (position, angle) usually do not change rapidly. Temporal redundancy is exploited so that not every frame of the video needs to be coded independently as a new image. The difference between the current frame and other frame(s) in the sequence will be coded – small values and low entropy, good for compression. -
Multiple Reference Motion Compensation: a Tutorial Introduction and Survey Contents
Foundations and TrendsR in Signal Processing Vol. 2, No. 4 (2008) 247–364 c 2009 A. Leontaris, P. C. Cosman and A. M. Tourapis DOI: 10.1561/2000000019 Multiple Reference Motion Compensation: A Tutorial Introduction and Survey By Athanasios Leontaris, Pamela C. Cosman and Alexis M. Tourapis Contents 1 Introduction 248 1.1 Motion-Compensated Prediction 249 1.2 Outline 254 2 Background, Mosaic, and Library Coding 256 2.1 Background Updating and Replenishment 257 2.2 Mosaics Generated Through Global Motion Models 261 2.3 Composite Memories 264 3 Multiple Reference Frame Motion Compensation 268 3.1 A Brief Historical Perspective 268 3.2 Advantages of Multiple Reference Frames 270 3.3 Multiple Reference Frame Prediction 271 3.4 Multiple Reference Frames in Standards 277 3.5 Interpolation for Motion Compensated Prediction 281 3.6 Weighted Prediction and Multiple References 284 3.7 Scalable and Multiple-View Coding 286 4 Multihypothesis Motion-Compensated Prediction 290 4.1 Bi-Directional Prediction and Generalized Bi-Prediction 291 4.2 Overlapped Block Motion Compensation 294 4.3 Hypothesis Selection Optimization 296 4.4 Multihypothesis Prediction in the Frequency Domain 298 4.5 Theoretical Insight 298 5 Fast Multiple-Frame Motion Estimation Algorithms 301 5.1 Multiresolution and Hierarchical Search 302 5.2 Fast Search using Mathematical Inequalities 303 5.3 Motion Information Re-Use and Motion Composition 304 5.4 Simplex and Constrained Minimization 306 5.5 Zonal and Center-biased Algorithms 307 5.6 Fractional-pixel Texture Shifts or Aliasing -
Overview: Motion-Compensated Coding
Overview: motion-compensated coding Motion-compensated prediction Motion-compensated hybrid coding Motion estimation by block-matching Motion estimation with sub-pixel accuracy Power spectral density of the motion-compensated prediction error Rate-distortion analysis Loop filter Motion compensated coding with sub-pixel accuracy Rate-constrained motion estimation Bernd Girod: EE398B Image Communication II Motion Compensated Coding no. 1 Motion-compensated prediction previous frame stationary Δt background current frame x time t y moving object ⎛ d x ⎞ „Displacement vector“ ⎜ d ⎟ shifted ⎝ y ⎠ object Prediction for the luminance signal S(x,y,t) within the moving object: ˆ S (x, y,t) = S(x − dx , y − dy ,t − Δt) Bernd Girod: EE398B Image Communication II Motion Compensated Coding no. 2 Combining transform coding and prediction Transform domain prediction Space domain prediction Q Q T - T - T T −1 T −1 T −1 PT T PTS T T −1 T−1 PT PS Bernd Girod: EE398B Image Communication II Motion Compensated Coding no. 3 Motion-compensated hybrid coder Coder Control Control Data Intra-frame DCT DCT Coder - Coefficients Decoder Intra-frame Decoder 0 Motion- Compensated Intra/Inter Predictor Motion Data Motion Estimator Bernd Girod: EE398B Image Communication II Motion Compensated Coding no. 4 Motion-compensated hybrid decoder Control Data DCT Coefficients Decoder Intra-frame Decoder 0 Motion- Compensated Intra/Inter Predictor Motion Data Bernd Girod: EE398B Image Communication II Motion Compensated Coding no. 5 Block-matching algorithm search range in Subdivide current reference frame frame into blocks. Sk −1 Find one displacement vector for each block. Within a search range, find a best „match“ that minimizes an error measure. -
Lossless Compression of Audio Data
CHAPTER 12 Lossless Compression of Audio Data ROBERT C. MAHER OVERVIEW Lossless data compression of digital audio signals is useful when it is necessary to minimize the storage space or transmission bandwidth of audio data while still maintaining archival quality. Available techniques for lossless audio compression, or lossless audio packing, generally employ an adaptive waveform predictor with a variable-rate entropy coding of the residual, such as Huffman or Golomb-Rice coding. The amount of data compression can vary considerably from one audio waveform to another, but ratios of less than 3 are typical. Several freeware, shareware, and proprietary commercial lossless audio packing programs are available. 12.1 INTRODUCTION The Internet is increasingly being used as a means to deliver audio content to end-users for en tertainment, education, and commerce. It is clearly advantageous to minimize the time required to download an audio data file and the storage capacity required to hold it. Moreover, the expec tations of end-users with regard to signal quality, number of audio channels, meta-data such as song lyrics, and similar additional features provide incentives to compress the audio data. 12.1.1 Background In the past decade there have been significant breakthroughs in audio data compression using lossy perceptual coding [1]. These techniques lower the bit rate required to represent the signal by establishing perceptual error criteria, meaning that a model of human hearing perception is Copyright 2003. Elsevier Science (USA). 255 AU rights reserved. 256 PART III / APPLICATIONS used to guide the elimination of excess bits that can be either reconstructed (redundancy in the signal) orignored (inaudible components in the signal). -
Efficient Video Coding with Motion-Compensated Orthogonal
Efficient Video Coding with Motion-Compensated Orthogonal Transforms DU LIU Master’s Degree Project Stockholm, Sweden 2011 XR-EE-SIP 2011:011 Efficient Video Coding with Motion-Compensated Orthogonal Transforms Du Liu July, 2011 Abstract Well-known standard hybrid coding techniques utilize the concept of motion- compensated predictive coding in a closed-loop. The resulting coding de- pendencies are a major challenge for packet-based networks like the Internet. On the other hand, subband coding techniques avoid the dependencies of predictive coding and are able to generate video streams that better match packet-based networks. An interesting class for subband coding is the so- called motion-compensated orthogonal transform. It generates orthogonal subband coefficients for arbitrary underlying motion fields. In this project, a theoretical lossless signal model based on Gaussian distribution is proposed. It is possible to obtain the optimal rate allocation from this model. Addition- ally, a rate-distortion efficient video coding scheme is developed that takes advantage of motion-compensated orthogonal transforms. The scheme com- bines multiple types of motion-compensated orthogonal transforms, variable block size, and half-pel accurate motion compensation. The experimental results show that this scheme outperforms individual motion-compensated orthogonal transforms. i Acknowledgements This thesis was carried out at Sound and Image Processing Lab, School of Electrical Engineering, KTH. I would like to express my appreciation to my supervisor Markus Flierl for the opportunity of doing this thesis. I am grateful for his patience and valuable suggestions and discussions. Many thanks to Haopeng Li, Mingyue Li, and Zhanyu Ma, who helped me a lot during my research. -
The H.264 Advanced Video Coding (AVC) Standard
Whitepaper: The H.264 Advanced Video Coding (AVC) Standard What It Means to Web Camera Performance Introduction A new generation of webcams is hitting the market that makes video conferencing a more lifelike experience for users, thanks to adoption of the breakthrough H.264 standard. This white paper explains some of the key benefits of H.264 encoding and why cameras with this technology should be on the shopping list of every business. The Need for Compression Today, Internet connection rates average in the range of a few megabits per second. While VGA video requires 147 megabits per second (Mbps) of data, full high definition (HD) 1080p video requires almost one gigabit per second of data, as illustrated in Table 1. Table 1. Display Resolution Format Comparison Format Horizontal Pixels Vertical Lines Pixels Megabits per second (Mbps) QVGA 320 240 76,800 37 VGA 640 480 307,200 147 720p 1280 720 921,600 442 1080p 1920 1080 2,073,600 995 Video Compression Techniques Digital video streams, especially at high definition (HD) resolution, represent huge amounts of data. In order to achieve real-time HD resolution over typical Internet connection bandwidths, video compression is required. The amount of compression required to transmit 1080p video over a three megabits per second link is 332:1! Video compression techniques use mathematical algorithms to reduce the amount of data needed to transmit or store video. Lossless Compression Lossless compression changes how data is stored without resulting in any loss of information. Zip files are losslessly compressed so that when they are unzipped, the original files are recovered. -
Respiratory Motion Compensation Using Diaphragm Tracking for Cone-Beam C-Arm CT: a Simulation and a Phantom Study
Hindawi Publishing Corporation International Journal of Biomedical Imaging Volume 2013, Article ID 520540, 10 pages http://dx.doi.org/10.1155/2013/520540 Research Article Respiratory Motion Compensation Using Diaphragm Tracking for Cone-Beam C-Arm CT: A Simulation and a Phantom Study Marco Bögel,1 Hannes G. Hofmann,1 Joachim Hornegger,1 Rebecca Fahrig,2 Stefan Britzen,3 and Andreas Maier3 1 Pattern Recognition Lab, Friedrich-Alexander-University Erlangen-Nuremberg, 91058 Erlangen, Germany 2 Department of Radiology, Lucas MRS Center, Stanford University, Palo Alto, CA 94304, USA 3 Siemens AG, Healthcare Sector, 91301 Forchheim, Germany Correspondence should be addressed to Andreas Maier; [email protected] Received 21 February 2013; Revised 13 May 2013; Accepted 15 May 2013 Academic Editor: Michael W. Vannier Copyright © 2013 Marco Bogel¨ et al. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. Long acquisition times lead to image artifacts in thoracic C-arm CT. Motion blur caused by respiratory motion leads to decreased image quality in many clinical applications. We introduce an image-based method to estimate and compensate respiratory motion in C-arm CT based on diaphragm motion. In order to estimate respiratory motion, we track the contour of the diaphragm in the projection image sequence. Using a motion corrected triangulation approach on the diaphragm vertex, we are able to estimate a motion signal. The estimated motion signal is used to compensate for respiratory motion in the target region, for example, heart or lungs. -
Understanding Compression of Geospatial Raster Imagery
Understanding Compression of Geospatial Raster Imagery Document Overview This document was created for the North Carolina Geographic Information and Coordinating Council (GICC), http://ncgicc.com, by the GIS Technical Advisory Committee (TAC). Its purpose is to serve as a best practice or guidance document for GIS professionals that are compressing raster images. This document only addresses compressing geospatial raster data and specifically aerial or orthorectified imagery. It does not address compressing LiDAR data. Compression Overview Compression is the process of making data more compact so it occupies less disk storage space. The primary benefit of compressing raster data is reduction in file size. An added benefit is greatly improved performance over a network, because the user is transferring less data from a server to an application; however, compressed data must be decompressed to display in GIS software. The result may be slower raster display in GIS software than data that is not compressed. Compressed data can also increase CPU requirements on the server or desktop. Glossary of Common Terms Raster is a spatial data model made of rows and columns of cells. Each cell contains an attribute value identifying its color and location coordinate. Geospatial raster data like satellite images and aerial photographs are typically larger on average than vector data (predominately points, lines, or polygons). Compression is the process of making a (raster) file smaller while preserving all or most of the data it contains. Imagery compression enables storage of more data (image files) on a disk than if they were uncompressed. Compression ratio is the amount or degree of reduction of an image's file size. -
Video Coding Standards
Module 8 Video Coding Standards Version 2 ECE IIT, Kharagpur Lesson 23 MPEG-1 standards Version 2 ECE IIT, Kharagpur Lesson objectives At the end of this lesson, the students should be able to : 1. Enlist the major video coding standards 2. State the basic objectives of MPEG-1 standard. 3. Enlist the set of constrained parameters in MPEG-1 4. Define the I- P- and B-pictures 5. Present the hierarchical data structure of MPEG-1 6. Define the macroblock modes supported by MPEG-1 23.0 Introduction In lesson 21 and lesson 22, we studied how to perform motion estimation and thereby temporally predict the video frames to exploit significant temporal redundancies present in the video sequence. The error in temporal prediction is encoded by standard transform domain techniques like the DCT, followed by quantization and entropy coding to exploit the spatial and statistical redundancies and achieve significant video compression. The video codecs therefore follow a hybrid coding structure in which DPCM is adopted in temporal domain and DCT or other transform domain techniques in spatial domain. Efforts to standardize video data exchange via storage media or via communication networks are actively in progress since early 1980s. A number of international video and audio standardization activities started within the International Telephone Consultative Committee (CCITT), followed by the International Radio Consultative Committee (CCIR), and the International Standards Organization / International Electrotechnical Commission (ISO/IEC). An experts group, known as the Motion Pictures Expects Group (MPEG) was established in 1988 in the framework of the Joint ISO/IEC Technical Committee with an objective to develop standards for coded representation of moving pictures, associated audio, and their combination for storage and retrieval of digital media.