DOCSLIB.ORG

S Sounds Disks

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
S Sounds Disks S Sounds Disks Compatibility list: S2 - S2 Turbo - S3 - S3 Turbo - S2R 950705 950720 950745 5 100 Performances Vol.1 20 Ethnic (Instruments Vol.1) 45 Orchestra (Gran Piano - Bos & 100 new performanc Bazoo Bazoo Str. Bazoo-K (patch) Orfer) Mandolin MandolPk Ukulele 950709 Bosendorfer Grand 9 Rock (Drum's own Vol.1) 950724 950749 Brass Shot Brush Roll Dr. "Q" 24 Rock (Electric Pianos Vol.1) 49 Sounds Disk (100 Performances Drum Kit 9 Electric Kick Electric Kit 1 MKS MKS HD MKS SF1 Vol.3) Electric Kit 2 Electric Kit 3 Electric Kit 4 Rhod "ES" Rhodes HD1 Rhodes SF1 Electric Kit 5 Electric Tom Flam 01 100 new performanc Custom E.piano 3 950725 Flam 02 Hip Hop Kit 1 House Kit 1 25 Orchestra (Strings Vol.2) Strong Switch Lead Synchoirs House Op HH House Rim Shot Kick 1 Wave "26" Cellos Section Violas Section Violins Section Kick 2 Kick 3 Kick 4 950750 Kick 5 Kick 6 Noisette 950729 50 Rock (Electric Guitars Vol.1) 29 Multimedia (Special FX Vol.1) Piranhas Polyfusion Rock Kit 1 5th Dist Gtr. DistStab1 DistStab2 Roll 02 Roll 04 Roll 05 Alarm Are you ready? BD "FX" GuitarEff1 (Patch) GuitarEff2 (Patch) Hard 5th Gtr. Roll 06 Roll 07 Roll 08 Computer ControlVox (patch) Cymbal Hard Octave Little Rock Oct. DistGt Snare Brush 2 Snare Brush 3 Snare Brush 4 FX Bell FX China FX Percussion 1 Overdrive P_Hard_5Th (patch) P_Little_R (Patch) Snare Drum "X" Snare Dry Snare Fx 1 FX Percussion 2 Hi Hat "FX" Cl. Hi Hat "FX" Op. Patch_5Th (Patch) Patch_Rock (Patch) RockGuitar Snare Fx 1st Snare Fx 2 Snare Gated High Voltage Implosion Machine (patch) SolidDistGt Stop_5thGt Stop_Hrd_5th Snare Hip Hop Snare Noise Snare Ouch Machine1 Machine2 Machine3 Stop_Little Stop_Little Stop_Rock Snare Power Snare Rock Snare Room Mega Frogs No! O.b.i.engine 1 950752 Snare Shot 1 Snare Shot 2 Snare Slash O.b.i.engine 2 Ooops Scrat 52 ORCHESTRA (Symphonic Brass) Snare Weckl Tr.Bd Long Zapp Space-Kit (Drum Kit Splash FX Star Loop F.Horn High F.Horn Low F.Horn Patch Zonk Starship A Starship B Tom FX Venus Loop Vox Aaah Yes! Trombone High Trombone Low Trombone Patch 950710 Trumpet High Trumpet Low Trumpet Patch 10 Rock (Disco Groove Vol.1) Zipper 950754 Groove 11 Groove 12 Groove 13 950730 54 ETHNIC ( Instruments Vol.3) Groove 14 Groove 15 Groove 16 30 Ethnic (Instruments Vol.2) Irish Harp Koto Salterio Groove 17 Groove 18 Groove 19 Kanoun Sitar Sitar (patch) Groove 20 House Kit 1 Sitarc Sym Sitar 950757 57 ROCK (808&909 El.Drums) 950711 950731 11 Orchestra (Strings Vol.1) 31 Rock (The Bass) 808 CABASA 808 CLAP 808 CLAVE 808 CLHH 808 COW 808 DIN Orchestral Strings 1 Orchestral Strings 2 Strings E1 filter AC-Bass1 AC-Bass2 Fender Bass 808 KIK 808 OPHH 808 SN1 Strings E1 pan Strings E2 filter Strings E2 pan Fretless Slap Bass Steimberger 808 SN2 808 TOM1 808 TOM2 Strings Ensemble 1 Strings Ensemble 1 Strings Ensemble 2 Steimberger Slap Techno Bass 1 Techno Bass 2 808 TOM3 909 CLAP1 909 CLAP2 Strings Ensemble 2 Thumb Bass Thund Bas 909 CLHH 909 CRASH 909 KIK1 950732 950713 32 100 Performances Vol.2 909 KIK2 909 KIK3 909 OPHH 13 Rock (The Voice Vol.1) 909 PDHH 909 RIDE 909 RITSH Scat "Ba" Scat "Du" Scat "Ha" 100 new performanc 909 SN1 909 SN3 909 Snare 2 Scat "Ho" Synth "Ba" Synth "Du" 950736 909 STOP 909 TABLA 909 TOM1 Synth "Ha" Synth "Ho" Vocal "Ba" 36 Rock (Organs Vol.1) 909 TOM2 909 TOM3 Vocal "Du" Vocal "Ha" Vocal "Ho" B3 1 B3 2 B3 3 950761 950716 Jazz Organ Jazz Orgax Percussion 1 61 ROCK (Modern Brass) 16 Rock (Drum's own Vol.2) Percussion 2 Rock Organ Brass Low Brass Section Brass Section Low BD 05 BD 06 BD Con.1 950737 Low Section Low Section 2 Low Section 3 BD Grb 4 BD Med. BD Rev. 37 Ethnic (Percussions Vol.2) Pad 1 Pad 2 Trumpet Ensemble BD Rev.2 Bird Bonga Low Aegyptian Bell African shaker 1 African shaker 2 Trumpet Section Bongo High Bongo Low Cabasa Balafon Cajon (patch) Cajon H med 950762 Castanets China Clap Cajon High Cajon Low Chereke 62 MULTIMEDIA (Special FX vol.2) Claves Conga Cli. Conga Hit Crasher Hi EthnicPerc (Kit) Gong Splash A-Gun 1 A-Gun 2 Air Crash Congas Cows Crash Kalimba Kalimba (patch) Kor Drum Brakes Bruce Lee Car Alarm CUP CUP "90" FLEX Log Drum Malimbul Malimbul (patch) Car Start C-Horn 1 C-Horn 2 Guiro Hi Hat 411 Hi Hat 411 "X" Palm Stones Rakataki Saroubi (patch) Cy-Ring Explosion Falcon Hi Hat Open 418 Hi Hat Open 418 "X" Hi Hat Ped. 411 Std "G" Steel Drum SteelDrum (patch) FirstAid Laser Gun M-Gun Hi Hat Ped. 411 "X" Maracas Rev. Med. Tom 1 Surdo Hi Surdo Low Tabla Closed Phones Punch Raid Rev. Med. Tom 2 Ride 162 Ride 471 Tabla Opened Snap Finger Train inside U.S.Siren 1 Rim Shot Rim Shot 2 Rototom Low 950738 U.S.Siren 2 Snare "1111" Snare "192" Snare 3 38 Multimedia (Soundtracks from Snare 6 Snare 71 Snare Fun 950763 Snare L Snare Reverb Splash Movies) 63 ROCK (Groove Vol.2: Guitar EFX) Timpano Tom High Tom Low Empire 1 Empire 2 Empire 3 7th Chord 7th Loop All Together ET 1 ET 2 Raiders End Chorused Strato Delayed GTR Double GTR 950719 19 Ethnic (Percussions Vol.1) Riders (patch) Riders 2 - a Riders 2 - b Flange Loop Funky 1 Funky 2 Riders 3 Riders1 Star Trek Funky 3 Funky 4 Funky 5 Batadrums (patch) Gong Timpano Itotele High Star Wars Superman 1 Superman 2 Gliss 1 Gliss 2 Play It Itotele Low Iya High Iya Low Pluck Noise Strato Clear Okonkol High Okonkol Low Sabar 950739 Sabar (patch) Sabar Palm Sabar Slap 39 Rock (El.Pianos Vol.2) Sabar Stk. Saroubi (patch) Saroubi Fin Digi Piano 1 Digi Piano 1 b Digi Piano 2 Saroubi Rim Saroubi Sl Saroubi Stk Digi Piano 3 Digi Piano 4 FM-Hard Temple (patch) Tibcrotal Tmp Blok FM-Piano (patch) FM-Soft OrganPiano Udu (patch) Udu Low Udu Pit Udu Roll 2 Udu Slap Udu Up 19/11/97 - Generalmusic Original Software S Sounds Disks - Page 1 of 3 Generalmusic S.p.A. - Sales Marketing: 47842 San Giovanni in Marignano (RN) Italy - Via delle Rose, 12 - Tel. +39-(0)541-959511 - Fax +39-(0)541-957404 - Internet: http://www.generalmusic.com S Sounds Disks Compatibility list: S2 - S2 Turbo - S3 - S3 Turbo - S2R 950773 950789 955809 73 Orchestra (Strings Vol.3: Strings 89 Orchestra (Saxophones) 109 Multimedia (RAVE LOOPS & Section) Alto 1 Alto 2 Alto Soft SYNTH BASSES Vol.2) All Sections Analog Analogic Baritono Lead Sancious Soprano 1 303 Bass Acid Bass Back 90 bpm groove Big Pad Contra Sweep Darkness Soprano 2 Soprano 3 Switch Sax 1 Bird 101 bpm groov Dirty 109 bpm groov Fast 150 bpm groov Fat Strings Fat Sweep High Sect. Switch Sax 2 Switch Sax 3 Switch Sax 4 Heavy Bass High P-Filter House 126 bpm/2 gr Lead '60 Low Sect. Mid High Switch Sax 5 Tenor Sax 1 Tenor Sax 2 House 160 bpm gro Magic 112 bpm groo Moog Bass Mid Low Slow St.A2 Slow St.B1 Tenor Sax 3 Tenor Sax 4 Tenor Sax 5 Reso Bass Reso Loop 2 Slow St.C#6 Slow St.C4 Slow St.D#5 Tenor Sax 6 Tenor Sax 7 955814 Slow St.D3 Slow St.E2 Slow St.F4 950790 114 Ethnic (ARABIC AREA) Slow St.G#5 Slow St.G3 Slowing 90 Rock (Atmospheres of the '80 Aoud Cawala Close Sagat Strings A2 Strings B1 Strings C#6 Vol.2) Closed Tora Doff Dom Doff Sak Strings C4 Strings D#5 Strings D3 Angels Plucked Arco Synth DX Strings Doff Tak Doholladom Dohollasak Strings E2 Strings F#6 Strings F4 DX Synth DX Voice Fantasy Pad Doholltak 1 Doholltak 2 Katem 1 Strings G#5 Strings G3 Synth Filter 1 FM Piano Kyoto Voice Space Vox 1 Katem 2 Katem 3 Katem 4 Synth Filter 2 Zawinul Space Vox 2 String Fantasy Synth Horns Lhyyyyy Mizmar Nakrazndom 950774 Nakraznsak Nakrazntak Nay 950794 74 Rock (Atmospheres of the '80 94 Orchestra (L'Accordéon) Ooffhh Open Sagat Open Tora Rash Req 1 Req 2 Vol.1) Accordéon 2 Accordéon 3 Accordéon 4 Req 3 Req 4 Req 5 "X" Fant Syn FairlChoir&FairlVoic Fantasy Bandoneon Demi-Musette Jazzy Fisa Req 6 Req Bell 1 Req Bell 2 Fantasy 1 Fantasy 2 Fantasy OK Musette GTR PAD Lyle Mays OBX DG Req Dom Req Sak Req Tak 1 950795 Req Tak 2 Req Tak 3 Saghat 1 OBX DG2 OBX DG3 OBX DG4 95 Ethnic (Japanese Area) OBX DG5 OBX DG6 OBX DG7 Saghat 2 Tabla Dom Tablah 1 Chappa Flutes Hiosigy Synth Str.3 Tablah 2 Tablah 3 Tablah 4 Hoto Hoto 1 Hoto 2 Tablah 5 Tablah 6 Tablah 7 950775 Hoto 3 Hoykoita Japa Perc. 75 Multimedia (Animals) Tablah 8 Tablasak Tablatak 1 Japanex Kakegoe Noh P1 Tablatak 2 Tablatak 3 Tablatak 4 Bird 1 Bird 2 Bird 3 Noh V1 Noh V2 Ookawa Yahh Zaghruda Cows Dog 1 Dog 2 Shino 01 Shino 02 Shino 03 955815 Duck Elephant Forest Shino N1 Shino N2 Shino N3 115 Rock (The Moog) Frog Horse Pigs Shino S1 Shino T1 Shino T2 Attack Moog Filter Moog Lead Prodigy 1 Rooster Ship Skull Shino V1 Shino V2 Snay Lead Prodigy 2 Live Moog Minimoog 1 Spring Tiger Wild Dog Tayko Zzzzzzz Minimoog 2 Minimoog 3 Minimoog 4 950796 Minimoog 5 Minimoog 6 Minimoog 7 950779 96 Orchestra (The Mallets) 79 Rock ("Pyro" Synth Bass) Mk Synth 1 Mk Synth 2 Moog Efx Bells FFF Bells PPP Dyn Bells New Syn Bass 1 New Syn Bass 2 Reso Moog Filter-Res 3 FM Classic Hardcore Dyn Kalimba Dyn Vibes Glock Efx Synth Wood Techno Prodigy Killer Live Snare Mute Glockenspiel 3 Kalimba FF Kalimba PP 955816 OberBass Open Bass Ouch Bass New Marimba Thump Vibes Vibraph-dyn 116 Rock (Atmospheres of the '80 Panning Prophet 5 S2 TO DX Vibraph-one Vibraph-two WindBells Super Kit Sweep Syn-Bass 20 Xyloph-one Vol.3) Syn-Bass 99 Athmosphere CM Dee-Fifty Dreamland 955802 Fantasia Future 1 Future 2 950780 102 Ethnic (Bamboo Sax) Jazz Gtr.
Load more

Recommended publications
  • Steve Smith Steve Smith
    • SPEED • POWER • CONTROL • ENDURANCE • SPECIAL TECHNIQUE ISSUE STEVESTEVE SMITHSMITH VVITALITAL TTECHECH TTALKALK BBUILDUILD SSUPERUPER CCHOPSHOPS!! BBOZZIOOZZIO,, PPHILLIPSHILLIPS,, BBISSONETTEISSONETTE,, BBELLSONELLSON,, WWECKLECKL,, AANDND MMOREORE TTHEHE TTECHNICALECHNICAL EEDGEDGE HHUNDREDSUNDREDS OOFF GGREATREAT EEXERCISESXERCISES FFOROR YYOUROUR HHANDSANDS AANDND FFEETEET WIN JJOHNOHN DDOLMAYANOLMAYAN Exciting Sights OOFFFF TTHEHE RRECORDECORD And Sounds From Sabian & Hudson Music TTHEHE MMANYANY KKITSITS OOFF BBILLILL BBRUFORDRUFORD $4.99US $6.99CAN 05 WIN A Drum Lesson With Tico Torres 0 74808 01203 9 Contents ContentsVolume 27, Number 5 Cover photo by Alex Solca STEVE SMITH You can’t expect to be a future drum star if you haven’t studied the past. As a self-proclaimed “US ethnic drummer,” Steve Smith has made it his life’s work to explore the uniquely American drumset— and the way it has shaped our music. by Bill Milkowski 38 Alex Solca BUILDING SUPER CHOPS 54 UPDATE 24 There’s more than one way to look at technique. Just ask Terry Bozzio, Thomas Lang, Kenny Aronoff, Bill Bruford, Dave Weckl, Paul Doucette Gregg Bissonette, Tommy Aldridge, Mike Mangini, Louie Bellson, of Matchbox Twenty Horacio Hernandez, Simon Phillips, David Garibaldi, Virgil Donati, and Carl Palmer. Gavin Harrison by Mike Haid of Porcupine Tree George Rebelo of Hot Water Music THE TECHNICAL EDGE 73 Duduka Da Fonseca An unprecedented gathering of serious chops-increasing exercises, samba sensation MD’s exclusive Technical Edge feature aims to do no less than make you a significantly better drummer. Work out your hands, feet, and around-the-drums chops like you’ve never worked ’em before. A DIFFERENT VIEW 126 TOM SCOTT You’d need a strongman just to lift his com- plete résumé—that’s how invaluable top musicians have found saxophonist Tom Scott’s playing over the past three decades.
    [Show full text]
  • From the Archives
    From the Archives As PAS celebrates its 50th anniversary, here’s a look back at some of the ads that appeared in Percussive Notes during the 1960s and ’70s. The Drums Unlimited Percussion Publications catalog was the definitive reference source for percussion solos, ensembles and method books in the 1970s and ’80s. See-through drumsets were big in the early to mid-1970s, but see-through marching drums never quite caught on. One of the first ads to ever appear in Percus- sive Notes in 1968 was a four-page spread introducing Rogers Accu-sonic timpani. The Winter 1976 issue of Frank’s Drum Shop and Carroll Sound were cussive Notes Per- two of the primary sources for percussion saw the introduc tion of wind chimes under the - instruments in the 1970s, and two of the trade name of the Hollywood earliest supporters of PAS through. their Percussive Notes Mark Tree. advertising in Combining a RotoTom with a marching snare must have seemed like a good idea at the time (1978). FEBRUARY 2011 10 PERCUSSION NEWS www.pas.org Fall 1973 saw the introduction of Remo’s Black Dot heads. Ludwig quickly followed with Silver Dots. Vic with his “friends” in 1980: his Rolls and his RotoToms. McCormick’s Bell-Tote, which allowed a bell lyre to be carried horizontally and played with two hands, was one of the first steps toward putting melodic percussion on the field in the early 1970s, long before anyone was using a pit. Percussive The same 1971 issue of Notes saw the introduction of the Shortly after Deagan ElectraVibe, which was an McCormick introduced early attempt to amplify a vibraphone, the Bell-Tote, Ludwig and Musser’s Kelon, the first synthetic introduced marching xylophone bars.
    [Show full text]
  • Rototom 1 Rototom
    Rototom 1 Rototom The drum kit 1 Ride cymbal | 2 Floor tom | 3 Toms 4 Bass drum | 5 Snare drum | 6 Hi-hat Other components Crash cymbal | China cymbal | Splash cymbal | Sizzle cymbal Swish cymbal | Cowbell | Wood block | Tambourine Rototom | Octoban | Hardware Rototoms are drums which have no shell. They consist of a single head in a die-cast zinc or aluminum frame. Unlike most other drums, they have a variable definite pitch. Composers are known to write for them as tuned instruments, demanding specific pitches. Rototoms are often used to extend the tom range of a standard drum kit. They were invented by the drumhead company Remo. They can be tuned quickly by rotating the head, which sits in a threaded metal ring. Rotation raises or lowers the tension hoop relative to the rim, which increases or decreases the pitch of the drum by increasing or decreasing the tension of the drum head. Master James Holland, former percussionist of the London Philharmonic Orchestra, highly recommends them in his book "Percussion",[1] which is part of the Yehudi Menuhin Music Guides series. Rototoms are often used as a training substitute for timpani students, as they have a very similar sound, are not as loud and expensive as timpani, and do not require as much room space. A few drumming greats who used rototoms were Bill Bruford and Terry Bozzio. Roger Taylor of Duran Duran used rototoms extensively on their self titled debut album Duran Duran of 1981. Roger Taylor of Queen has used rototoms since the early 1970s most recently in the cover of "Let There Be Drums" on the Return of the Champions DVD and album.
    [Show full text]
  • Firchie Snare Drum
    PRODUCT CLOSE-U P Firchie Snare Drum by Rick Van Horn Yeah, it looks a little weird. But this unusual drum also offers some genuine innova- tions and unique performance qualities. The Firchie snare drum is the brainchild of drummer/designer Ivan Firchie. It combines a free-floating, seamless alu- minum shell (which I'll touch on later) and a rotational tensioning system simi- For the time being, Firchie drums only killer rimshots—no matter what the lar to that of a RotoTom. The concept is come with a 4 1/2"-deep shell. (A piccolo head tension. that once the heads are lug-tuned evenly model is being experimented with.) The There are a wide range of finishes to a medium tension, the entire drum thin, one-piece aluminum shell features available on Firchie drums, from brass can then be rotated on its stand to pro- specially rounded bearing edges for the and chrome to a variety of colors. The portionally increase or decrease the ten- drumheads, and a unique contour. While drums I examined looked wonderful. A sion of both the top and bottom the shell sits squarely within the hoop of thicker aluminum shell will soon be heads—thus raising or lowering the the bottom head, it tapers so as to be available as an option, and wooden shells pitch of the drum. The sound of the over 1" smaller in diameter than the top are under development. drum can literally be changed from that head. That means that the top head One potential problem with this drum of a piccolo to that of a 10"-deep drum extends beyond the edge of the shell over is its size: The works of the rotational (or anywhere in between) in seconds.
    [Show full text]
  • A Comparison of Solenoid-Based Strategies for Robotic Drumming
    A COMPARISON OF SOLENOID-BASED STRATEGIES FOR ROBOTIC DRUMMING Ajay Kapur 1,2,3 Trimpin Eric Singer2 Afzal Suleman1 George Tzanetakis1 Music Intelligence and Sound Technology Interdisciplinary Centre (MISTIC) 1 University of Victoria, Victoria, British Columbia, Canada League of Electronic Urban Music Robots (LEMUR) 2 Brooklyn, New York, USA KarmetiK Technology (A Division of KarmetiK LLC) 3 Reno, Nevada, USA ABSTRACT drums gives the students a more realistic paradigm for concentrated rehearsal. Solenoids are important components of robotic A number of different drumming robots have been drumming systems and several designs have been designed in the academic and artistic communities. proposed. In this paper, we compare different designs Researchers at Harvard University struggled to create an in terms of speed and dynamic range and discuss the accurate robotic drum roll [1], while next door tradeoffs involved. The evaluation is performed in the researchers at MIT developed Cog to control the context of MahaDeviBot, a custom built 12-armed MIDI number of times a stick can bounce [2]. Gil Weinberg controlled mechanical device that performs a variety of developed Haile to explore human to robot interaction Indian folk instruments, including frame-drums, bells, [3]. Mitsuo Kawato continues to develop hydraulic and shakers. To measure speed and dynamic range a systems for humanoid drumming [4]. Many artists have haptic robotic feedback system using piezo sensors was presented a number of different pieces including built. The evaluation methods presented are modular Baginsky’s “Thelxiapeia” for modified rototom [5], and can be administered to any hyperinstrument, new MacMurtie’s life size sculptures [6], Gordon Monohans interface or robotic system to inform composers about “Machine Matrix” [7], and Miles van Dorssen’s “Cell the strengths and limitation of different designs to guide Project” including an 8 octave Xylophone, Bamboo composition and performance.
    [Show full text]
  • New Music Series Is Dedicated to Elliott Carter
    The 2012-2013 New Music Series is dedicated to Elliott Carter. Program March (1950-66) Elliott Carter From Eight Pieces for Four Timpani (one player) Peter Jarvis New Music Series Canaries (1950-66) Elliott Carter From Eight Pieces for Four Timpani (one player) Peter Jarvis, director John Ferrari Elephant Breath (1997) Evan Hause Presents For Four Percussionists Tim Malone, Steven Nowakowski, David Endem, John Henry Bishop Music Payton MacDonald - Coach with guests Tactic (2012) Gene Pritsker For One Piano (Eight Players) Nicholas Doktor, Amanda Zook, Anthony Fabrizio Travis Salim, Robert Morris - Composer Payton MacDonald, Peter Jarvis, John Ferrari, Gary Van Dyke Septet (1980) Daniel Levitan Taka Kigawa - Pianist For Percussion Ensemble and featuring the WPU Percussion Ensemble New Jersey Percussion Ensemble Patrick Lapinsky, Joseph Scala, Jasmine Henry, Kiana Salameh, with soloists Steve Sarkissian, Anthony Fabrizio and Nick Doktor John Ferrari, Payton MacDonald Peter Jarvis - Coach and Peter Jarvis Incises, (original versión) (1994) Pierre Boulez For Solo Piano Taka Kigawa Monday, November 26, 2012, 7:30 PM Shea Center for Performing Arts Etude, No. 2 "Cordes à vide" (1985) György Ligeti For Solo Piano Etude, No. 6 "Automne à Varsovie" (1985) György Ligeti For Solo Piano Taka Kigawa Concerto for Vibraphone and Percussion Sextet (2011-12) * Peter Jarvis Tactic: Gene Pritsker For Percussion Ensemble Tactic - A plan, procedure, or expedient for promoting a desired end or result, NJPE for this piece to create a large sonority utilizing the full piano and all the 12 tones of the Michael Aberback, Payton MacDonald, Nicholas Doktor, chromatic scale. Various rhythms change the mood and texture of the piece, the Gary Van Dyke, April McCkloskey Stehr, Jeffrey Rubin performers guide the journey by playing and not playing their assigned pitches.
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]
  • „Electronic Drums 1“ Die Kapro Exs123
    KApro proudly introduce their KORG KRONOS EXs123 Library KApro EXs123 „Electronic Drums 1“ Die KApro EXs123 „Electronic Drums 1“ Library bietet Ihnen ein Sound-Set aus 16 „Programs“, 16 „Drum Kits“, 16 „Drum Patterns“, und 1.093 Samples für den KORG KRONOS. Die KApro EXs123 „Electronic Drums 1“ Library präsentiert Klänge eines berühmten Drum Computers, der seit dem Jahr 1987 die Rock- und Popmusik eroberte und auf fast unzählbar vielen Alben weltbekannter Künstler zu hören ist. KApro wünscht Ihnen viel Spaß mit der EXs123 „Electronic Drums 1“ Library. Ein absolutes MUST HAVE für jeden KRONOS User! KApro proudly introduce their KORG KRONOS EXs123 Library KApro EXs123 „Electronic Drums 1“ The KApro EXs123 „Electronic Drums 1“ Library offers a sound set of 16 programs, 16 drum kits, 16 drum patterns and 1,093 samples for the KORG KRONOS. The KApro EXs123 "Electronic Drums 1" Library presents sounds of a famous drum machine, that conquered the rock and pop music in 1987 and can be heard on almost innumerable records of world-famous artists. KApro wishes you much fun with the EXs123 "Electronic Drums 1" library. An absolute MUST HAVE for every KRONOS user! EXs123 Electronic Drums 1 List of programs, drum patterns and drum kits Bank U‐G PROGRAMS Program Number Program Name Category Subcategory U‐G000 KApro Groove #01 Drums Dance Drums U‐G001 KApro Groove #02 Drums Dance Drums U‐G002 KApro Groove #03 Drums Dance Drums U‐G003 KApro Groove #04 Drums Dance Drums U‐G004 KApro Groove #05 Drums Dance Drums U‐G005 KApro Groove #06 Drums Dance Drums
    [Show full text]
  • Garritan Concert & Marching Band
    User’s Guide to GARRITAN CONCERT & MARCHING BAND Version 2 Including the ARIATM Player Copyright © 2009 by Garritan Corp. All rights reserved. This guide written by: Gary Garritan and Tom Hopkins Forward by: Key Poulan Produced by: Gary Garritan Director of Programming: Tom Hopkins ARIA Engine Development: Plogue Art et Technologie Inc Additional Programming: Eric Patenaude, Jeff Hurchalla Document Editing: The Extraordinary Team of Beta Testers MIDI Programming: Markleford Friedman Art Direction and Graphics: James Mireau Project Management: Max Deland Manual Layout: Adina Cucicov Cover Photography: Chris Gregerson Drumline Samples: Virtual Drumline 2 by Tapspace Garritan Concert & Marching Band™ is a trademark of Garritan Corp. Use of the Garritan Concert & Marching Band library and the contents herein are subject to the terms and conditions of the license agreement distributed with the library. You should carefully read the license agreement before using this product. The sounds presented in Garritan Concert & Marching Band are protected by copyright and cannot be distributed, whether modified or unmodified. ARIA™ is a trademark of Garritan and Plogue Art et Technologie Inc., FINALE is a trademark of MakeMusic, Sibelius is a trademark of Sibelius, LTD and Avid, Steinway™ is a trademark of Steinway & Sons, Virtual Drumline 2™ is a trademark of Tapspace, and any other trademarks of third-party programs are trademarks of their respective owners. No part of this publication may be copied, reproduced or otherwise transmitted or recorded, for any purpose, without prior written permission by Garritan Corporation. The information contained herein may change without notice and does not represent a commitment on the part of Garritan Corporation.
    [Show full text]
  • Drum Rental Rates
    Department: DRUMS October 2011 Rental Rates 1 1 1 Model Description Day Wk Mth Package *not all product available at every location-please check with (includes your location for availability* throne and std hardware) ---------------- ------------------------------------- --- --- ---------------- Group: CB PERCUSSION DRUMS CB-5NMWR CB 5PCE SET WINE RED W/6 PCE HARWARE SET 9 18 35 P+CB CYMB Group: CB DRUMS CB-5NBK CB 5PCE DRUM SET W/THR NO CYM BLK 9 18 35 P+CB CYMB Group: DRUM WORKSHOP DRUMS DRKT01FP DW FINISH PLY 22,10,12,14FT,16FT 68 135 270 P DRKT02FP DW FINISH PLY 22,10,12,16FT,SD 67 133 265 P DRKT03FPJAZZ DW FINISH PLY JAZZ SET 18,12,14,14SD 50 100 200 P Group: MAPEX DRUMS MPX-HX5295TNS MAPEX HORIZON PVC 22,10,12,16,SD,HW,THRN BS 10 19 37 P MPX-HX5295TQS MAPEX HORIZON PVC 22,10,12,16,SD,HW,THRN GS 10 19 37 P MPX-VR5254TZDK MAPEX VR5254BL SET W/CYMBALS+THRONE 9 18 35 P+MPX CYMB MPX-VR5254TZDR MAPEX VR5254BY SET W/CYMBALS+THRONE 9 18 35 P+MPX CYMB Group: GRETSCH DRUMS CC-J484-WP GRETSCH CATALINA CLUB 18BD,12,14,SN WHITE PRL 11 21 42 P Group: SNARE DRUMS CS-1450 PEARL 5" X 14" CHAD SMITH SNARE 5 10 20 FP5X14SN DW 5X14 SNARE COLLECTOR SERIES FINISH PLY 8 15 30 LM400 B-STOCK LUDWIG 5X14" SUPRAPHONIC SNARE B-STOCK 7 13 25 Group: PEARL DRUMS FZH725B31 PEARL FZH 22,12,13,16,SD,HW,CYM BLK W/BLK HW 12 24 47 P+PRL CYMB FZH725B33 PEARL FZH 22,12,13,16,SD,HW,CYM WHT W/BLK HW 12 24 47 P+PRL CYMB FZH725B91 PEARL FZH 22,12,13,16,SD,HW,CYM RED W/BLACK H 12 24 47 P+PRL CYMB Group: TAMA DRUMS IS52H6MC BK TAMA IMPERIALSTAR 22,16,13,12,SD,HW,CYM BLK 12
    [Show full text]
  • Daniel Levitan: an Examination of Select Unpitched Percussion Chamber Works
    Daniel Levitan: An Examination of Select Unpitched Percussion Chamber Works D.M.A. Document Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Juan Mendoza III, B.M., M.M. Graduate Program in Music The Ohio State University 2015 Document Committee: Dr. Susan Powell, Advisor Prof. Katherine Borst Jones Dr. Thomas Wells Copyright by Juan Mendoza III 2015 Abstract Daniel Levitan’s percussion works are performed by collegiate and professional percussion ensembles and soloists around the world. Several of his works have become standards of the repertoire for percussion chamber music, such as Conservatory Garden, Septet, and Marimba Quartet. Although Levitan’s percussion music is performed frequently, there is a lack of reference materials and information about his unpitched percussion chamber compositions. This document provides a brief discussion on six of Levitan’s most performed unpitched percussion chamber works: Trio, Variations on a Ghanaian Theme, Septet, Conservatory Garden, Canon at the Bar, and Eight Two-Part Inventions. General background information, a brief analysis of points of interest, and performance suggestions are provided for each of the composition. The purpose of this document is to serve as a reference for performers, educators, and composers seeking more information about Daniel Levitan and his unpitched percussion chamber works. ii Dedication To my nephews, D.J. and Damien iii Acknowledgments Sincere gratitude to Daniel Levitan for his time and patience as I completed this document. Your humility and love for music truly is inspiring. I wish to thank the members of my document committee, Dr.
    [Show full text]
  • (12) United States Patent (10) Patent No.: US 9,390,693 B2 Kasha (45) Date of Patent: Jul
    USOO939.0693B2 (12) United States Patent (10) Patent No.: US 9,390,693 B2 Kasha (45) Date of Patent: Jul. 12, 2016 (54) MUSICAL INSTRUMENT WITH OPPOSING (56) References Cited ADJUSTABLE PITCH DRUMS U.S. PATENT DOCUMENTS (71) Applicant: Robert James Kasha, Northridge, CA 4,048.895 A ck 9, 1977 May . G1OD 13,028 (US) 84/411 A 4.278,003 A * 7/1981 Hanson ................ G1OD 13,023 (72) Inventor: Robert James Kasha, Northridge, CA 84/411 A (US) 4,312,259 A * 1/1982 Henrit .................. G1OD 13,023 84/411 A 4,596,176 A * 6/1986 Gauger ................ G1OD 13,026 (*) Notice: Subject to any disclaimer, the term of this auger 84.421 patent is extended or adjusted under 35 4,909,125 A * 3/1990 Fece .................... G1OD 13,023 U.S.C. 154(b) by 0 days. 84/411 A 7,307,206 B2 * 12/2007 Payerl .................... F16M 13/02 84.421 (21) Appl. No.: 14/864,720 8,927,842 B1* 1/2015 Honjo .................. G1OD 13,026 84.411 R (22)22) FileFiled: Sep.ep. 24,44, 2015 * cited by examiner (65) Prior Publication Data Primary Examiner — Robert W Horn US 2016/0093.276 A1 Mar. 31, 2016 (74) Attorney, Agent, or Firm — Lewis Roca Rothgerber Christie LLP O O (57) ABSTRACT Related U.S. Application Data A musical instrument has at least a first rototomand a second (60) Provisional application No. 62/055.420, filed on Sep. rototom with their respective drum heads facing an opposite 25, 2014. direction from each other. The musical instrument has two rototoms with each rototom having a first hoop Supporting a (51) Int.
    [Show full text]