Faster Than a Cheetah, Higher and Stronger

Total Page:16

File Type:pdf, Size:1020Kb

Faster Than a Cheetah, Higher and Stronger life CHINA DAILY CHINADAILY.COM.CN/LIFE WEDNESDAY, AUGUST 8, 2012 | PAGE 18 Faster than a cheetah, higher and stronger eah! She won,” was our headline for the fi rst great ‘Ygold medal of the London Games. It was about the record-breaking 400m individual med- ley swim of Ye Shiwen and was drowned out somewhat by all that followed aft er a US coach suggested it was “unbe- lievable” — a well JULES QUARTLY under- stood WEB CRAWLER euphe- mism for drug cheating. Th e suggestion was that a maturing teen with freakishly big hands and feet couldn’t swim as fast she did unless her performance had been enhanced by drugs, or even augmented body parts. Well, my point would be that you’re innocent before guilty and there has been no taint whatsoever despite stringent test- ing of Ye. But actually … do I care? Her double kick in the last 50 meters, which appeared to be the key to her astounding speed, was thrilling to watch. I wonder Liu Yue performs in the popular TV talent show, Voice of China, on Zhejiang Satellite TV. PROVIDED TO CHINA DAILY when the days of the Augmented Games isn’t far off . I belatedly saw Th e Hunger Games this week, and I guess it would be a bit like that, in terms of TV technology, politics and the limits of humanity. It would also have a science fi ction-laboratory atmosphere and to begin with seem a little freaky. But like Formula 1 racing, A talent for scouting technological improvements would even- tually fi lter down to the masses, making life better for those in need of help or With so many talent shows on television, how does Voice improvement. Th e athletes would be star performers and Arnold Schwarzenegger is our model of China diff erentiate itself? Han Bingbin fi nds out. Augmented Games gold medal winner. He’s good looking and went far beyond the limits of human endurance by pump- aving suff ered failure in several a public announcement that it has signed ing himself full of anabolic steroids to win widely-watched national TV integrity pacts with contestants — those who seven Mr Olympia contests. And we all H talent shows, Liu Yue thought lie will be fi red. know how successful he has been since she would be able to stay cool no In the midst of the dispute, the program is then. Diego Maradona would be a popu- matter the outcome of her next contest. one of the few to win approval from the State lar choice and there would be a place on Th e rock fan participated in Voice of China, Administration of Radio, Film and Television. the podium for Canadian sprinter Ben an authorized reproduction of the Nether- In 2011, it launched a policy restricting the Johnson, a lot of Tour de France cyclists, lands-originated TV singing contest. And number of entertainment programs, includ- and naturally, Michael Phelps, though I when all four celebrity judges gave her the ing talent shows, to prevent TV screens from am not suggesting marijuana is a perfor- thumbs up while she was performing, cool being vulgarized. mance-enhancing drug. Oscar Pistorius is the last word to describe the 30-year-old Speaking at a forum hosted by Zhejiang is another of the ultimate poster boys chubby rocker. Liu cried and had to end her Satellite TV, Gao Changli, an offi cial from the for the coming revolution in sports, and powerful performance prematurely. administration, endorsed the show as a role there are so many more … Her adoring fans posted and reposted her model for incorporating the stories of com- A few weeks back I wrote about the tearful image and sobs on micro blogs, more mon people. case of cyborg pioneer Steve Mann, who than 10,000 times. Many of them described But stories are only a tool to attract viewers. accuses McDonald’s of discriminating Liu’s voice as so captivating that it brought back Culture critic Tan Fei says ultimately, talent against him for wearing augmented spec- memories of their dream-pursuing years. shows’ main aim should be to help the aspi- tacles in a restaurant (probably useful in Th e show, now into its fourth episode, has rants develop a singing career. Rifl e Events). Well, since so many of us become Zhejiang Satellite TV’s most watched In recent years, there have been a growing are held together by metal pins and pace- entertainment program so far. With a rating number of talent competitions in China, aft er makers it won’t be long before we all have of 3.3 percent (the latest episode) and some 30 the Super Girls produced a few star singers. equal rights. Especially those Pioneers of million clicks on China’s leading video web- PROVIDED TO CHINA DAILY But none of the other shows has attained equal the Future who really will go far faster, site Youku, it has dwarfed all the other — at The show’s four celebrity judges (from left): Taiwan pop singer Harlem Yu, mainland singer success. When the bustle is over, many young higher and be stronger. least fi ve — talent shows currently available on Liu Huan, pop diva Na Ying and singer Yang Kun. dreamers are again left in the cold. Currently, it appears we are near the China’s satellite TV channels. “But aft er all, TV stations are not part of the end of our natural human limits. Usain Th e last time Liu attained such attention short-listed to appear on television. music industry. Th ey are incapable of taking Bolt was .12 seconds faster than Yohan was in 2006 during Hunan Satellite TV’s It’s defi nitely a luxury Th e arduous selection process results in a follow-up action such as packaging and pro- Blake in the 100m fi nal. Th is tiny margin Super Girls. But back then, her chubbiness to have your own high level of professionalism on the show, says motion,” Tan says. of error or genius among broadly equal and rock style met with mostly negative Lu Wei, publicity director of Voice of China. But Lu Wei says this year, they plan to follow individuals is the distance between win- responses online. Th e harshest of them, she album. But I’ve learned Voice alone, however, doesn’t qualify. For in the footsteps of their foreign counterparts ning and losing. still remembers, was from a netizen who to be practical. As long a score of fi ve, Lu says, two goes to a singer’s where contestants’ live songs are recorded But this will all change with the Aug- asked her to shut up by posting the picture as more people hear personal story. He adds that to maintain high into albums and sold via app stores. Lu says mented Games, which paints an altogeth- of a pig frothing at the mouth. With too few my voice, that’s good ratings, singers with sensational backgrounds they will produce their young hopefuls’ live er more ambitious vision of the future of audience votes, she was soon eliminated are given priority and encouraged to share performances into paid ringtone music via athletics. “Faster than a cheetah, higher from the competition. ‘‘ enough. their stories onstage. China Mobile. than the stars, stronger than a machine.” She persevered because of her passion for LIU YUE A total of 26 cameras, a high number for a Some songs are expected to be downloaded Th ere will be new world records every singing. In 2011, she participated in a Taiwan VOICE OF CHINA CONTESTANT live TV program, are on standby to capture millions of times. Th ose proven to be popular year. We have already accommodated talent show where she made it to the top 10. But the singers’ facial and emotional expressions on the mobile platform, Lu says, will receive the World Cyber Games and Western critical netizens gave her the nickname “twice- as well as those of their families and the judg- help to produce their own original music Canadian Robot Games on our sporting cooked pork”, referring to her chubbiness and blind choice, where judges sit with their es, as they share their life stories. albums. “Hopefully, some super stars will calendar, but the Cyborg Athlete Games, her repeated failures. Th ose hard-hitting com- backs to the performers, ensures that the Millions are probably attracted to the show emerge from our show,” he says. Cosmetically Enhanced and Transformer ments made Liu, a graduate from Nanjing contestants are judged based on their voices by heart-wrenching profi les such as a blind Th at same ideal used to comfort Liu Yue Games will surely have their fans. University, decide to end her “rebellious life alone. street artist who touches them with her rendi- every time her confi dence was shattered by Naturally, only willing adults will be as a singer”. Winners will have a chance to hold their tion of Teresa Teng’s songs or, a cute little girl failure. But her passion is running thin. More- allowed to participate. Yes, there is risk. But when a director of Voice of China called own concerts or be invited as guest perform- who sings in remembrance of her deceased over, as a concert planner for years, she has Th e fi eld of human endeavor is littered this year, she couldn’t resist accepting the invi- ers at the judges’ concerts. But the contestants father. seen people coming in and out of the revolv- with its fallen.
Recommended publications
  • PH - Songs on Streaming Server 1 TITLE NO ARTIST
    TITLE NO ARTIST 22 5050 TAYLOR SWIFT 214 4261 RIVER MAYA ( I LOVE YOU) FOR SENTIMENTALS REASONS SAM COOKEÿ (SITTIN’ ON) THE DOCK OF THE BAY OTIS REDDINGÿ (YOU DRIVE ME) CRAZY 4284 BRITNEY SPEARS (YOU’VE GOT) THE MAGIC TOUCH THE PLATTERSÿ 19-2000 GORILLAZ 4 SEASONS OF LONELINESS BOYZ II MEN 9-1-1 EMERGENCY SONG 1 A BIG HUNK O’ LOVE 2 ELVIS PRESLEY A BOY AND A GIRL IN A LITTLE CANOE 3 A CERTAIN SMILE INTROVOYS A LITTLE BIT 4461 M.Y.M.P. A LOVE SONG FOR NO ONE 4262 JOHN MAYER A LOVE TO LAST A LIFETIME 4 JOSE MARI CHAN A MEDIA LUZ 5 A MILLION THANKS TO YOU PILITA CORRALESÿ A MOTHER’S SONG 6 A SHOOTING STAR (YELLOW) F4ÿ A SONG FOR MAMA BOYZ II MEN A SONG FOR MAMA 4861 BOYZ II MEN A SUMMER PLACE 7 LETTERMAN A SUNDAY KIND OF LOVE ETTA JAMESÿ A TEAR FELL VICTOR WOOD A TEAR FELL 4862 VICTOR WOOD A THOUSAND YEARS 4462 CHRISTINA PERRI A TO Z, COME SING WITH ME 8 A WOMAN’S NEED ARIEL RIVERA A-GOONG WENT THE LITTLE GREEN FROG 13 A-TISKET, A-TASKET 53 ACERCATE MAS 9 OSVALDO FARRES ADAPTATION MAE RIVERA ADIOS MARIQUITA LINDA 10 MARCO A. JIMENEZ AFRAID FOR LOVE TO FADE 11 JOSE MARI CHAN AFTERTHOUGHTS ON A TV SHOW 12 JOSE MARI CHAN AH TELL ME WHY 14 P.D. AIN’T NO MOUNTAIN HIGH ENOUGH 4463 DIANA ROSS AIN’T NO SUNSHINE BILL WITHERSÿ AKING MINAHAL ROCKSTAR 2 AKO ANG NAGTANIM FOLK (MABUHAY SINGERS)ÿ AKO AY IKAW RIN NONOY ZU¥IGAÿ AKO AY MAGHIHINTAY CENON LAGMANÿ AKO AY MAYROONG PUSA AWIT PAMBATAÿ PH - Songs on Streaming Server 1 TITLE NO ARTIST AKO NA LANG ANG LALAYO FREDRICK HERRERA AKO SI SUPERMAN 15 REY VALERA AKO’ Y NAPAPA-UUHH GLADY’S & THE BOXERS AKO’Y ISANG PINOY 16 FLORANTE AKO’Y IYUNG-IYO OGIE ALCASIDÿ AKO’Y NANDIYAN PARA SA’YO 17 MICHAEL V.
    [Show full text]
  • Gratifications About Reality Television “The Voice of China” Among Chinese Audience
    GRATIFICATIONS ABOUT REALITY TELEVISION “THE VOICE OF CHINA” AMONG CHINESE AUDIENCE GRATIFICATIONS ABOUT REALITY TELEVISION “THE VOICE OF CHINA” AMONG CHINESE AUDIENCE Xin Zhao This Independent Study Manuscript Presented to The Graduate School of Bangkok University in Partial Fulfillment of the Requirements for the Degree Master of Communication Arts 2014 ©2014 Xin Zhao AllRight Reserved Xin Zhao, Master of Communication, July 2014, Graduate School, Bangkok University. Gratifications about Reality Television “The Voice of China” among Chinese Audience (66 pp.) Advisor : Assoc. Prof. Boonlert Supadhiloke, Ph. D. ABSTRACT The main objective of this study is to apply the uses and gratifications approach to investigate “The Voice of China”, the most successful talent show in china for past two years. The research examines the motives for watching and satisfaction of audience through comparing the gratifications sought and gratifications obtained. A quantitative survey is be used to collect data. The samples are selected by convenience sampling method and all of the samples are 231. The mean and standard deviation are tabulated and analyzed by using paired sample t-test. The finding suggests that the primary motives for watching “The Voice of China” among Chinese audiences are social interaction, entertainment and relaxing, but not vicarious participation or perceived reality. And the gratifications are well obtained indicates high audience satisfaction for the program content. v ACKNOWLEDGMENT My experience as a graduate student has been an exciting and challenging journey. I would like to acknowledge all of my committee members for their helpful suggestions and comments. First, I would like to thank Dr. Boonlert Supadhiloke, for his direction on this IS paper.
    [Show full text]
  • Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society
    Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society by Wei Huang B. A., Huaqiao University, 2013 Extended Essays Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the School of Communication (Dual Degree in Global Communication) Faculty of Communication, Art & Technology © Wei Huang 2015 SIMON FRASER UNIVERSITY Summer 2015 Approval Name: Wei Huang Degree: Master of Arts (Communication) Title: Music-Based TV Talent Shows in China: Celebrity and Meritocracy in the Post-Reform Society Examining Committee: Program Director: Yuezhi Zhao Professor Frederik Lesage Senior Supervisor Assistant Professor School of Communication Simon Fraser University Baohua Wang Supervisor Professor School of Communication Communication University of China Date Defended/Approved: August 31, 2015 ii Abstract Meritocracy refers to the idea that whatever our social position at birth, society should offer the means for those with the right “talent” to “rise to top.” In context of celebrity culture, it could refer to the idea that society should allow all of us to have an equal chance to become celebrities. This article argues that as a result of globalization and consumerism in the post-reform market economy, the genre of music-based TV talent shows has become one of the most popular TV genres in China and has at the same time become a vehicle of a neoliberal meritocratic ideology. The rise of the ideology of meritocracy accompanied the pace of market reform in post-1980s China and is influenced by the loss of social safety nets during China’s transition from a socialist to a market economy.
    [Show full text]
  • China Pop Love, Patriotism and the State in China’S Music Sphere
    115 CHINA POP LOVE, PATRIOTISM AND THE STATE IN CHINA’S MUSIC SPHERE ANDREAS STEEN Popular culture in China is highly dynamic, involving individuals and private companies, both local and international, as well as state-governed institutions. The mass media and new communication technologies naturally play an impor- tant role in production, selection and dissemination, while also increasing in- teraction with international trends and standards. Sheldon H. Lu underscores popular culture’s importance in today’s China by emphasizing that it is “a dein- ing characteristic of Chinese postmodernity”.1 To him, three factors are crucial, namely it’s potential to undermine the censorship and “hard-line” cultural he- gemony of the Chinese Communist Party (CCP), its rise as a “major player in the commodiication process,” and “its sugar-coated apoliticism, [which] paciies the masses and represses the memory of China’s political reality” (ibid.). Popular cul- ture, therefore, is the battleground of various ideologies, forces and interests. Its ambivalent and complex entanglement with politics, society and the musical in- dustry is also addressed in the work of other scholars, such as Kevin Latham, who expresses that “understanding Chinese popular culture very often requires care- ful attention to how precisely the state is involved in and related to forms of social and cultural activity and practices. Popular culture does not exist outside of or in contrast to the state but very often in a constant and evolving dialogue with it.”2 This article looks at both conlicts and dialogue in the realm of popular music and attempts to lay out the main contours of China’s current popular music scene.
    [Show full text]
  • Fuji Rock Artists Sound out Taiwan
    A R O U N D T O W N 發光的城市 15 TAIPEI TIMES • FRIDAY, JULY 23, 2010 BY DAVid FraZier MUSIC PERFORMANCE noTES Fuji Rock artists sound out Taiwan WHAT: Fuji Rock Festival WHERE: Naeba, Japan long with baking heat, air-conditioner and pop will sweep through East Asia, and reggae band, Matzka, will play the Jisan Valley “the live performance is king.” WHEN: July 30 to Aug. 1 drip and typhoon alerts, late though we will get to see many of them in Taipei Rockfestival, also in South Korea. “I personally go to other festivals, like SXSW, ADMISSION: Three-day passes are 9,800 July signals the coming of — Massive Attack, Broken Social Scene, Atari Fuji Rock, in its 14th year and located in a ski the Great Escape and ADA to check for new yen (NT$14,800) Athe summer music festival Teenage Riot and Steve Aoki to name a few resort 150km north of Tokyo, however, ranks artists. We’re always looking. A good record ON THE NET: www.smash-uk.com/frf10 season. In the next few — the epicenter of this annual rock ’n’ roll as the senior Asian rock fest. The headliners it creates interest, but if the artist’s show is no weeks, several of the earthquake continues to be in Japan. announces as early as February each year now good. Then we have to pass,” he says. WHAT: Summer Sonic, with Stevie world’s biggest Both the Fuji Rock Festival, from July 30 to regularly add dates at other concerts in Taiwan But as a camping festival where many of the Wonder, Jay Z, Smashing Pumpkins and names in Aug.
    [Show full text]
  • Music Guide Music HISTORY There Was a Time When “Elevator Music” Was All You Heard in a Store, Hotel, Or Other Business
    Music Guide Music HisTORY There was a time when “elevator music” was all you heard in a store, hotel, or other business. Yawn. 1 1971: a group of music fanatics based out of seattle - known as Aei Music - pioneered the use of music in its original form, and from the original artists, inside of businesses. A new era was born where people could enjoy hearing the artists and songs they know and love in the places they shopped, ate, stayed, played, and worked. 1 1985: DMX Music began designing digital music channels to fit any music lover’s mood and delivered this via satellite to businesses and through cable TV systems. 1 2001: Aei and DMX Music merge to form what becomes DMX, inc. This new company is unrivaled in its music knowledge and design, licensing abilities, and service and delivery capability. 1 2005: DMX moves its home to Austin, TX, the “Live Music capital of the World.” 1 Today, our u.s. and international services reach over 100,000 businesses, 23 million+ residences, and over 200 million people every day. 1 DMX strives to inspire, motivate, intrigue, entertain and create an unforgettable experience for every person that interacts with you. Our mission is to provide you with Music rockstar service that leaves you 100% ecstatic. Music Design & Strategy To get the music right, DMX takes into account many variables including customer demographics, their general likes and dislikes, your business values, current pop culture and media trends, your overall décor and design, and more. Our Music Designers review hundreds of new releases every day to continue honing the right music experience for our clients.
    [Show full text]
  • A New Neighbor, a New Lover
    14 發光的城市 A R O U N D T O W N FRIDAY, JULY 2, 2010 • TAIPEI TIMES COmpiled BY IAN BartHOLOmeW TIDBITS is a sorry state of affairs when the reviews of an event that was disrupted has used his connections to advance country’s top gossip rag is reduced to by heavy rain, time overruns and some Angelbaby’s career in China, where peddling rumors based on tarot card uninspired emceeing. Harlem Yu (庾澄慶) the 21-year-old actress is currently he National Palace Museum’s Itreadings, but the denials of Jay Chou (周 has taken lots of flak since and has even promoting a “photo album” titled (國立故宮博物院文會堂) 杰倫) and former inamorata Jolin Tsai (蔡 promised to swear off future MC gigs. Paradise featuring pics of her extended opening hours, 依林) have offered little room for creative As everyone already knows, pop diva STOP in various states of undress Twhich began yesterday, are (mis)interpretation. Pop Stop reported last Chang Hui-mei (張惠妹), better known as while staying in Guam. 8:30am to 6:30pm (originally 9am week that Tsai had simply replied, “Getting A-mei (阿妹), was the biggest winner of Otaku, eat your hearts out. to 5pm). Silks Palace Restaurant back together? Thanks, but I’m not crazy,” the evening, which according to the afore- Speaking of which, a (故宮晶華), which is located at when asked if she would be rekindling mentioned fortune-teller, was a direct popular band and male mandarin singer, new star has appeared the museum, is serving a dinner romance with Chou after a steamy onstage result of her breakup with basketball respectively, for the first half of this year.
    [Show full text]
  • Hong Kong Cantopop
    Hong Kong Cantopop A Concise History Yiu-Wai Chu Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.org © 2017 Hong Kong University Press ISBN 978-988-8390-57-1 (Hardback) ISBN 978-988-8390-58-8 (Paperback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Hang Tai Printing Co., Ltd. in Hong Kong, China Contents Acknowledgments viii A Note on Romanization x Chapter One Introduction 1 Chapter Two Days of Being Marginalized: The 1950s to the Early 1970s 21 Chapter Three The Rise of Cantopop: The Mid- to Late 1970s 40 Chapter Four An Age of Glory: The 1980s 69 Chapter Five The Best of Times, the Worst of Times: The 1990s 105 Chapter Six After the Fall: The New Millennium 145 Chapter Seven Epilogue: Cantopop in the Age of China 184 Appendix Chronology of Major Events 197 Selected Bibliography 218 Index 226 1 Introduction “Every generation has its own voice,” claimed James Wong 黃霑, the late god- father of Cantopop, in his doctoral thesis on the development of Cantopop.1 The English term “Cantopop”—Cantonese popular songs—did not come into existence until the 1970s, when Billboard correspondent Hans Ebert used it “to describe the locally produced popular music in Hong Kong” in 1978.2 Per James Wong’s remark—which was adapted from the well-known saying of the Qing dynasty master of Chinese culture, Wang Guowei 王國維: “Every dynasty has its own representative form of literature”3 —Cantopop is a musical form from and the voice of contemporary Hong Kong.
    [Show full text]
  • Chinese Television As a Medium of National Interpellation: Diasporic Responses to the CCTV Production of the Spring Festival Gala
    Chinese Television as a Medium of National Interpellation: Diasporic Responses to the CCTV Production of the Spring Festival Gala by Yawei Cui A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Curriculum, Teaching and Learning Ontario Institute for Studies in Education of the University of Toronto © Copyright by Yawei Cui 2009 Library and Archives Bibliothèque et Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l’édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A 0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre référence ISBN: 978-0-494-60941-5 Our file Notre référence ISBN: 978-0-494-60941-5 NOTICE: AVIS: The author has granted a non- L’auteur a accordé une licence non exclusive exclusive license allowing Library and permettant à la Bibliothèque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l’Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans le loan, distribute and sell theses monde, à des fins commerciales ou autres, sur worldwide, for commercial or non- support microforme, papier, électronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L’auteur conserve la propriété du droit d’auteur ownership and moral rights in this et des droits moraux qui protège cette thèse. Ni thesis. Neither the thesis nor la thèse ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent être imprimés ou autrement printed or otherwise reproduced reproduits sans son autorisation.
    [Show full text]
  • A Critical Anaysis of Identity, Media, and Popular Music in the Voice Of
    WHOSE VOICE?: A CRITICAL ANALYSIS OF IDENTITY, MEDIA, AND POPULAR MUSIC IN THE VOICE OF CHINA Xinxin Jiang A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2018 Committee: Alberto González, Advisor Angela Ahlgren Graduate Faculty Representative Katherine Meizel Becca Cragin © 2018 Xinxin Jiang All Rights Reserved iii ABSTRACT Alberto González, Advisor This manuscript explores the relationships among identity, media, and popular music in Chinese society through an examination of a televised singing competition franchise, The Voice of China. I attempt to understand what role popular culture, in the form of a contemporary popular cultural product, plays in Chinese people’s everyday life and how the show is a site where Chinese people articulate, interrogate and negotiate aspects of identity. I provide a textual analysis to interpret the meaningful details of each episode while employing a critical-cultural approach to understand the socio-historical contexts and the online discourse that are conducive to the uniqueness of the international franchise. More specifically, I examine how societal discourses on the blind audition and the voting systems of the show reveal growing public awareness of and concern with issues of equity and fairness in the cultural arena of traditional aesthetic standards as well as the societal arena of electoral politics. I also explore how the show reinforces the ruling Party’s appropriations of nationalism in a sophisticated way to highlight a unified and supreme national voice, how it reflects both a loosening grip of the central government on gender representation and a growing social leniency toward gender diversity, and finally how the voice diversity was constructed by individuals who are in possession of or in need of various forms of social capital and who are from geographically diverse and economically disparate social backgrounds.
    [Show full text]
  • Jay Chou's Zhongguo Feng: Songs and Identity
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Malaya Students Repository JAY CHOU'S ZHONGGUO FENG: SONGS AND IDENTITY SU ZEKAI CULTURE CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2018 JAY CHOU'S ZHONGGUO FENG: SONGS AND IDENTITY SU ZEKAI DESSERTATION SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF PERFORMING ARTS (MUSIC) CULTURE CENTRE UNIVERSITY OF MALAYA KUALA LUMPUR 2018 UNIVERSITY OF MALAYA ORIGINAL LITERARY WORK DECLARATION Name of Candidate: SU ZEKAI (I.C/Passport No: G36371096 ) Registration/Matric No: RGI150018 Name of Degree: MASTER OF PERFORMING ARTS (MUSIC) Title of Project Paper/Research Report/Dissertation/Thesis (“this Work”): JAY CHOU'S ZHONGGUO FENG: SONGS AND IDENTITY Field of Study: Popular Music I do solemnly and sincerely declare that: (1) I am the sole author/writer of this Work; (2) This Work is original; (3) Any use of any work in which copyright exists was done by way of fair dealing and for permitted purposes and any excerpt or extract from, or reference to or reproduction of any copyright work has been disclosed expressly and sufficiently and the title of the Work and its authorship have been acknowledged in this Work; (4) I do not have any actual knowledge nor do I ought reasonably to know that the making of this work constitutes an infringement of any copyright work; (5) I hereby assign all and every rights in the copyright to this Work to the University of Malaya (“UM”), who henceforth shall be owner of the copyright in this Work and that any reproduction or use in any form or by any means whatsoever is prohibited without the written consent of UM having been first had and obtained; (6) I am fully aware that if in the course of making this Work I have infringed any copyright whether intentionally or otherwise, I may be subject to legal action or any other action as may be determined by UM.
    [Show full text]
  • Gigs Picks: Harlem Yu, Parental Control, Shut up & Listen and The
    Tuesday, Dec 23, 2014 Lifestyle SUBSCRIBER LOG IN NEWS PREMIUM LIFESTYLE TECH COMMUNITIES VIDEO MULTIMEDIA MORE Search StraitsTimes.com Home Lifestyle Story EDDINO ABDUL HADI AND GWENDOLYN NG RECOMMEND VIDEOS Gigs Picks: Harlem Yu, Parental Control, Shut Up & Listen and The Steve McQueens PUBLISHED ON OCT 3, 2014 2:22 PM 0 0 0 0 open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com BRAND INSIDER Take a walk down memory lane with Harlem Yu as he sings songs from his latest album, Moonlight That Can't Be Turn Off (2013), as well as his classic hit Can't Help Loving You, the theme song of the 2001 idol drama Meteor Garden. -- PHOTO: HYPE RECORDS See more deals on Qoo10 > HARLEM YU I WANNA GIVE YOU WORLD TOUR IN SINGAPORE Hey, Sandra Bullock Taiwanese show-business veteran Harlem Lied Cleaner home with less Kate Spade card case Yu, 53, may be better known as an eloquent effort - iRobot cleaners 1 and Coach lanyard case lifecoolbeauty.com/sandra-secret variety show host these days, but the judge of day sale from $42.90 popular reality TV singing contest Voice Of Her Fans Are In Shock. Her Huge China is also an award-winning singer- Secret Is Finally Exposed! songwriter. Take a walk down memory lane with Yu as he sings songs from his latest album, Moonlight That Can't Be Turn Off open in browser PRO version Are you a developer? Try out the HTML to PDF API pdfcrowd.com album, Moonlight That Can't Be Turn Off For the fashionista.
    [Show full text]