Holding Allies Accountable
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Inclusion in the Recording Studio? Gender and Race/Ethnicity of Artists, Songwriters & Producers Across 900 Popular Songs from 2012-2020
Inclusion in the Recording Studio? Gender and Race/Ethnicity of Artists, Songwriters & Producers across 900 Popular Songs from 2012-2020 Dr. Stacy L. Smith, Dr. Katherine Pieper, Marc Choueiti, Karla Hernandez & Kevin Yao March 2021 INCLUSION IN THE RECORDING STUDIO? EXAMINING POPULAR SONGS USC ANNENBERG INCLUSION INITIATIVE @Inclusionists WOMEN ARE MISSING IN POPULAR MUSIC Prevalence of Women Artists across 900 Songs, in percentages 28.1 TOTAL NUMBER 25.1 OF ARTISTS 1,797 22.7 21.9 22.5 20.9 20.2 RATIO OF MEN TO WOMEN 16.8 17.1 3.6:1 ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 ‘19 ‘20 FOR WOMEN, MUSIC IS A SOLO ACTIVITY Across 900 songs, percentage of women out of... 21.6 30 7.1 7.3 ALL INDIVIDUAL DUOS BANDS ARTISTS ARTISTS (n=388) (n=340) (n=9) (n=39) WOMEN ARE PUSHED ASIDE AS PRODUCERS THE RATIO OF MEN TO WOMEN PRODUCERS ACROSS 600 POPULAR SONGS WAS 38 to 1 © DR. STACY L. SMITH WRITTEN OFF: FEW WOMEN WORK AS SONGWRITERS Songwriter gender by year... 2012 2013 2014 2015 2016 2017 2018 2019 2020 TOTAL 11% 11.7% 12.7% 13.7% 13.3% 11.5% 11.6% 14.4% 12.9% 12.6% 89% 88.3% 87.3% 86.3% 86.7% 88.5% 88.4% 85.6% 87.1% 87.4% WOMEN ARE MISSING IN THE MUSIC INDUSTRY Percentage of women across three creative roles... .% .% .% ARE ARE ARE ARTISTS SONGWRITERS PRODUCERS VOICES HEARD: ARTISTS OF COLOR ACROSS SONGS Percentage of artists of color by year... 59% 55.6% 56.1% 51.9% 48.7% 48.4% 38.4% 36% 46.7% 31.2% OF ARTISTS WERE PEOPLE OF COLOR ACROSS SONGS FROM ‘12 ‘13 ‘14 ‘15 ‘16 ‘17 ‘18 ‘19 ‘20 © DR. -
Washington Redtails Marketing Plan
Washington Redtails Marketing Plan Anne O’Dell March 16, 2015 Media, Marketing & Communications Dr. John Fenn & Mr. Darrel Kau Instructors Redtails Marketing Plan, p. 1 I. Introduction & Overview of Plan Organizational History The Washington Redskins, which shall be called “The Washington Redtails” for the duration of this plan, is a professional football of the National Football League (NFL). The team was founded in Boston, Massachusetts, in 1933 as the Boston Braves, and owner George Preston Marshall changed its name to the Redskins in 1936 just prior to its move to the Washington, DC, area. Unofficially, the name “Redskins” was chosen in honor of its then coach, William Dietz, who himself claimed Native American ancestry. Dietz had also recruited a number of Native American players to the team when it was still based in Boston as the Braves, so it was thought a fitting name and one that would differentiate the team from the Boston Braves baseball team. The organization was founded as a professional athletic organization to provide entertainment for the public. Today, it has two nonprofits under its umbrella that address various social issues in the region and nationally. This plan will primarily focus on the rebranding of the organization as it would impact its football team. Redtails Marketing Plan, p. 2 Main Goals 1. Improve Organizational Image The organization’s image is increasingly negative to those who are not fans because its current name is considered by many to be a racial slur. This is a deterrent to attracting potential fans. Changing the name to the Washington Redtails would accomplish several indirect objectives. -
Guest Host: Jennifer Lopez Show Date: Weekend of July 5-6, 2014 Disc One/Hour One Opening Billboard: None Seg
Show Code: #14-27 Guest Host: Jennifer Lopez Show Date: Weekend of July 5-6, 2014 Disc One/Hour One Opening Billboard: None Seg. 1 Content: #40 “WASTED” – Tiësto f/Matthew Koma #39 “EMPIRE” – Shakira #38 “BEST DAY OF MY LIFE” – American Authors Commercials: :30 Subway :30 Weinstein/Begin :30 FDA/TheRealCost :30 Caress Outcue: “...bar and body wash.” Segment Time: 13:49 Local Break 2:00 Seg. 2 Billboard: CarMax Content: #37 “I'M READY” – AJR #36 “SHOWER” – Becky G #35 “COUNTING STARS” – OneRepublic #34 “NA NA” – Trey Songz Commercials: :30 CarMax :30 Pier One :30 Taco Bell :30 Experian Outcue: “...Experian Credit Tracker.” Segment Time: 19:31 Local Break 2:00 Seg. 3 Billboard: Geico Content: #33 “LOVE NEVER FELT SO GOOD” – Michael Jackson & Justin Timberlake #32 “CHANDELIER” – Sia #31 “TENNIS COURT” – Lorde On The Verge: “BAILANDO” – Enrique Iglesias f/Sean Paul Commercials: :30 Caress :30 Coca Cola Outcue: “...Cola. Open happiness.” Segment Time: 17:29 Local Break 1:00 Seg. 4 ***This is an optional cut - Stations can opt to drop song for local inventory*** Content: AT40 Extra: “ON THE FLOOR” – Jennifer Lopez Outcue: “…later, who knows?” (sfx) Segment Time: 3:57 Hour 1 Total Time: 59:46 END OF DISC ONE Show Code: #14-27 Show Date: Weekend of July 5-6, 2014 Disc Two/Hour Two Opening Billboard None Seg. 1 Content: #30 “TEAM” – Lorde #29 “MAPS” – Maroon 5 #28 “THE BIG BANG” – Katy Tiz On The Verge: “I WILL NEVER LET YOU DOWN” – Rita Ora Commercials: :30 CarMax :30 Mars/MM's :30 FDA/TheRealCost :30 Geico Base Outcue: “...save you money.” Segment Time: 16:22 Local Break 2:00 Seg. -
Cardi B: Love & Hip Hop's Unlikely Feminist Hero
COMMENTARY AND CRITICISM 1114 References Baer, Hester. 2016. “Redoing Feminism: Digital Activism, Body Politics, and Neoliberalism.” Feminist Media Studies 16 (1): 17–34. Bhatia, Chhavi. 2017. “Instagram Girl Mallika Dua does not Want Govt to Charge #LahuKaLa.” http:// www.dnaindia.com/entertainment/report-watch-instagram-girl-mallika-dua-does-not-want-govt- to-charge-lahukalagaan-2409888. Chhabra, Esha. 2017. Women (And Men) Demand An End To India’s Tax On Sanitary Pads. NPR. http:// www.npr.org/sections/goatsandsoda/2017/05/04/526760551/women-and-men-demand-an-end- to-indias-tax-on-sanitary-pads. Dasgupta, Piyasree. 2017. “Taxes Aren’t The Only Reason Why Indian Women Can’t Get Sanitary Napkins.” Huffington Post India, May 25. http://www.huffingtonpost.in/2017/05/25/gst-neglect-doesnt-even- begin-to-scratch-the-surface-of-indias_a_22105098/. Doshi, Vidhi. 2017. “Campaigners Refuse to throw in the Towel over India’s ‘Tax on Blood.” The Guardian. https://www.theguardian.com/global-development/2017/apr/21/campaigners-refuse-to-throw-in- the-towel-over-indias-tax-on-blood. George, Rose. 2016. “The Other Side to India’s Sanitary Pad Revolution.” The Guardian, May 30, sec. Opinion. https://www.theguardian.com/commentisfree/2016/may/30/idia-sanitary-pad-revolution- menstrual-man-periods-waste-problem. House, Sarah, Thérèse Mahon, and Sue Cavill. 2013. “Menstrual Hygiene Matters: A Resource for Improving Menstrual Hygiene around the World.” Reproductive Health Matters 21 (41): 257–259. Losh, Elizabeth. 2014. “Hashtag Feminism and Twitter Activism in India.” Social Epistemology Review and Reply Collective 3 (3): 11–22. Mathias, Tamara. 2017. “The Tweeter Side to Life: How Indians on Twitter Are Making a Difference.” The Better India, January 27. -
TABOO WORDS in the LYRICS of CARDI B on ALBUM INVASION of PRIVACY THESIS Submitted to the Board of Examiners in Partial Fulfillm
TABOO WORDS IN THE LYRICS OF CARDI B ON ALBUM INVASION OF PRIVACY THESIS Submitted to the Board of Examiners In Partial Fulfillment of the Requirement For Literary Degree at English Literature Department by PUTRI YANELIA NIM: AI.160803 ADAB AND HUMANITIES FACULTY STATE ISLAMIC UNIVERSITY SULTAN THAHA SAIFUDDIN JAMBI 2020 NOTA DINAS Jambi, 25 Juli 2020 Pembimbing I : Dr. Alfian, M.Ed…………… Pembimbing II : Adang Ridwan, S.S, M.Pd Alamat : Fakultas Adab dan Humaniora UIN STS Jambi Kepada Yth Ibu Dekan Fakultas Adab dan Humaniora UIN STS Jambi Di- Tempat Assalamu‟alaikum wr.wb Setelah membaca dan mengadakan perbaikan seperlunya, maka kami berpendapat bahwa skripsi saudari: Putri Yanelia, Nim. AI.160803 yang berjudul „“Taboo words in the lyrics of Cardi bAlbum Invasion of Privacy”‟, telah dapat diajukan untuk dimunaqosahkan guna melengkapi tugas - tugas dan memenuhi syarat – syarat untuk memperoleh gelar sarjana strata satu (S1) pada Fakultas Adab dan Humaniora, UIN STS Jambi. Maka, dengan itu kami ajukan skripsi tersebut agar dapat diterima dengan baik. Demikianlah kami ucapkan terima kasih, semoga bermanfaat bagi kepentingan kampus dan para peneliti. Wassalamu‟alaikum wr.wb Pembimbing I Pembimbing II Dr. Alfian, M.Ed Adang Ridwan, S.S., M.Pd NIP: 19791230200604103 NIDN: 2109069101 i APPROVAL Jambi, July 25th 2020 Supervisor I : Dr. Alfian, M.Ed……………… Supervisor II :Adang Ridwan, M.Pd ………………… Address : Adab and HumanitiesFaculty .. …………State Islamic University ,,,,,,,,,,,,,,,,,,,, ,,,,,,,Sulthan Thaha Saifuddin Jambi. To The Dean of Adab and Humanities Faculty State Islamic University In Jambi Assalamu‟alaikum wr. Wb After reading and revising everything extend necessary, so we agree that the thesis entitled“Taboo Words in the Lyrics of Cardi b on Album Invasion of Privacy”can be submitted to Munaqasyah exam in part fulfillment to the Requirement for the Degree of Humaniora Scholar.We submitted it in order to be received well. -
2019 "BET Awards" to Honor Grammy Award Winning and Oscar-Nominated Actress Mary J
2019 "BET Awards" To Honor Grammy Award Winning And Oscar-Nominated Actress Mary J. Blige With Prestigious Lifetime Achievement Award June 12, 2019 REGINA HALL WILL HOST THE 19TH ANNUAL AWARDS SHOW AIRING LIVE ON SUNDAY, JUNE 23 FROM MICROSOFT THEATER IN LOS ANGELES AT 8PM ET #BETAWARDS NEW YORK, June 12, 2019 /PRNewswire/ -- Today BET Networks announces Grammy Award-winning singer, songwriter, Oscar-nominated actress and philanthropist, Mary J. Blige will be honored with the prestigious Lifetime Achievement Award at the 19th annual "BET Awards." The 2019 "BET Awards" will air LIVE on Sunday, June 23 at 8pm ET from the Microsoft Theater in Los Angeles, CA on BET. With a career of landmark achievements including eight multi-platinum albums, nine Grammy Awards (plus a staggering 32 nominations), two Academy Award nominations, two Golden Globe nominations, and a SAG nomination, Mary J. Blige has remained a figure of inspiration, transformation and empowerment making her one of the defining voices of the contemporary music era and cemented herself as a global superstar. And in the ensuing years, the singer/songwriter has attracted an intensely loyal fan base—responsible for propelling worldwide sales of more than 50 million albums. She began moving people with her soulful voice at the age of 18 when she became Uptown Records youngest and first female artist. Over the years, Blige has helped redefine R&B in the contemporary music era with chart-topping hits like "Be Without You", "No More Drama" and "Family Affair." At the 2018 Academy Awards, Blige made history as the first double nominee across the acting and music categories for Best Song and Best Supporting Actress for her work on Mudbound. -
None of This Would Have Ever Happened If You Had Just Given an Oscar to Jennifer Lopez
NONE OF THIS WOULD HAVE EVER HAPPENED IF YOU HAD JUST GIVEN AN OSCAR TO JENNIFER LOPEZ By Tony Meneses Characters: Hugo Omar Nigel Elijah Yosef (all gay men of color in their 30’s/40’s) Setting: The last recorded Oscar party in gay history Time: February 9th, 2020 Wine. Charcuterie. Fresh fruit that no one’s eating. YOSEF. 1970? ELIJAH. ... Maggie Smith. NIGEL. Good one. YOSEF. 1991. ELIJAH Kathy Bates. HUGO. Also great. YOSEF. 1965! ELIJAH. Julie Andrews. NIGEL. (To Hugo.) Too easy. YOSEF 19... 46? ELIJAH. Joan fucking Crawford. NIGEL. HUGO. Oh my god! Yes ma-ma! NIGEL. That might actually be my favorite one. Mildred Pierce, can’t beat that. HUGO. What! Over Vivien Leigh, Ingrid Bergman, MERYL!?! 1 NIGEL. I stand by my decree. ELIJAH. Give me Elizabeth Taylor any day! YOSEF. 2002? In an instant it all goes quiet. NIGEL. ... What did you just say? YOSEF. 2002. Who won Best Actress in 2002? HUGO. Girl. Are you kidding? NIGEL. Oh god. She’s not. YOSEF. I’m not the biggest awards show gay, I’m sorry. HUGO. Who invited him again? ELIJAH. (Very serious.) 2002. That’s what you’re asking, Yosef? Two thousand, and two? YOSEF. Yes? ELIJAH. ... Halle Berry. Halle Berry won the Oscar that year. YOSEF. Oh. Isn’t that a good thing? We love Halle Berry. Don’t we? NIGEL. What kind of a question is that! 2 HUGO. You’re going to have to leave. ELIJAH. Halle Berry was—and remains to this day—the only woman of color to ever win the Academy Award for Best Actress. -
Waiting for Tonight Page 1 of 1 Easy Internmediate Clogging Line Dance Music: Waiting for Tonight, by Jennifer Lopez (On the G) Choreo: Jeff Driggs P
Waiting For Tonight Page 1 of 1 Easy Internmediate Clogging Line Dance Music: Waiting For Tonight, by Jennifer Lopez (On the G) Choreo: Jeff Driggs P. O. Box 1352, St. Albans, WV 25177 (304)776-9571 www.doubletoe.com A video teach of this routine is available on the DancePack Video series. Call or write for a catalogue of clogging supplies and teaching materials. Step Descriptions Cuers Notes Wait 16 Wait 16 PART A PART A L Shake booty (hands up 2 down 2) S S CLAP Shake, Step Out & Clap R Shake booty (hands up 2 down 2) S S CLAP Turn ¼ left on &5 1 2 3 4 & 5 6 7 8 Repeat to face all four walls PART B PART B L S S S DS R R Astaire, Fancy Double R S(XIF) S(XIB) S(XIF) DS S S & 1 & 3 & 4 &5 &6 & 7 & 8 L DS DS R Kickalot, Stomp Double R K(F) K(B) K(F) STOMP DS S Turn ½ right on stomp &1 2 3 4 5 &6 &7 & 8 Repeat Astaire, Fancy, Kicalot and Stomp Double to front Repeat to Front PART C PART C L DS S S(XIF) DS S R Mountain Goat Fwd., R S(XIF) S S SL R DS S 2 Basics &1 & 2 & 3 & 4 &5 & 6 &7 & 8 L S TCH(O) S TCH(O) DS SL BR Beat It, Karate Turn R TCH(O) S TCH(O) S K(B & ½ L) DS SL Repeat Mountain Goat, Basics, Beat It and Karate Turn to front Repeat to Front PART D PART D L S (HANDS UP) CLAP DS S S S S S Hands Up, Heel Gallop R S(HANDS UP) CLAP R H* R H* R Move fwd on gallop. -
Jennifer Lopez on the Floor (The Remixes) Mp3, Flac, Wma
Jennifer Lopez On The Floor (The Remixes) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Pop Album: On The Floor (The Remixes) Country: UK Released: 2011 Style: House, Electro, Europop MP3 version RAR size: 1722 mb FLAC version RAR size: 1425 mb WMA version RAR size: 1799 mb Rating: 4.6 Votes: 982 Other Formats: VOC VOX AHX MPC AC3 AU WMA Tracklist Hide Credits A1 On The Floor (Main Version) 4:45 On The Floor (Mixin Marc & Tony Svejda Radio Edit) A2 3:18 Remix – Mixin Marc*, Tony Svejda On The Floor (Ralphi Rosario Club Mix) A3 8:43 Remix – Ralphi Rosario On The Floor (DJ Eryck Club Boriqua Mix) A4 6:45 Remix – DJ Eryck On The Floor (Low Sunday Club Mix) B1 6:22 Remix – Low Sunday On The Floor (Josh R Edit) B2 4:47 Remix – Josh R On The Floor (Brian Cua Summer Club Mix) B3 7:37 Remix – Brian Cua On The Floor (Cajjmere Wray Club Mix) B4 6:26 Remix – Cajjmere Wray Credits Featuring – Pitbull Notes Also released on red wax vinyl. Other versions Category Artist Title (Format) Label Category Country Year JLO* Feat. Island Germany, JLO* Feat. Pitbull - On The Records, 00602527663760 00602527663760 Austria, & 2011 Pitbull Floor (CD, Nuyorican Switzerland Single) Productions Jennifer Lopez Jennifer Feat. Pitbull - On Lopez Def Jam none The Floor (Dance none US 2011 Feat. Recordings Remixes) (CDr, Pitbull Promo) Jennifer Lopez Jennifer Feat Pitbull - On Not On Label Lopez PICT 71 The Floor (Part (Jennifer PICT 71 France 2011 Feat 2) (12", Pic, Lopez) Pitbull Unofficial) Jennifer Lopez Jennifer Feat. -
Beyoncé Feminism, Rihanna Womanism: Popular Music and Black Feminist Theory AFR 330, WGS 335 Flags: Cultural Diversity in the US, Global Cultures Spring 2020
The University of Texas at Austin Beyoncé Feminism, Rihanna Womanism: Popular Music and Black Feminist Theory AFR 330, WGS 335 Flags: Cultural Diversity in the US, Global Cultures Spring 2020 Prof: Dr. Traci-Ann Wint Course Description Beyoncé’s fifth live album Homecoming chronicled her performance as the first black woman to headline the Coachella festival. As with Lemonade, the film and performance put Beyoncé’s music in conversation with luminaries such as Toni Morrison and W.E.B. DuBois. Beyoncé’s contemporaries Rihanna and Lizzo similarly center black culture in their music and are unapologetic about their work’s engagement with issues specific to black womanhood. By engaging the music and videos of these and other Black femme recording artists as popular, accessible expressions of African American and Caribbean feminisms, this course explores their contribution to black feminist thought and their impact on global audiences. Beginning with close analysis of these artists’ songs and videos, we read their work in conversation with black feminist theoretical works that engage issues of race, location, violence, economic opportunity, sexuality, standards of beauty, and creative self-expression. The course aims to provide students with an introduction to media studies methodology as well as black feminist theory, and to challenge us to close the gap between popular and academic expressions of black women’s concerns. Course Goals The course aims to provide students with an introduction to Black feminism, Black feminist thought and womanism through an examination of popular culture. At the end of the course students should have a firm grasp on Black Feminist and Womanist theory, techniques in pop culture and media analysis and should be comfortable with the production of scholarly work for a popular audience. -
Musical Artists As Entrepreneurs: Assessing Popular Artists╎ Brand Partnerships, Social Media Usage, and Performance of Id
Western University Scholarship@Western FIMULAW FIMULAW 2019 Mar 22nd, 12:00 PM - 1:30 PM Musical Artists as Entrepreneurs: Assessing Popular Artists’ Brand Partnerships, Social Media Usage, and Performance of Identity Politics Amara Pope Western University Follow this and additional works at: https://ir.lib.uwo.ca/fimulaw Part of the Music Commons, and the Other Film and Media Studies Commons Pope, Amara, "Musical Artists as Entrepreneurs: Assessing Popular Artists’ Brand Partnerships, Social Media Usage, and Performance of Identity Politics" (2019). FIMULAW. 1. https://ir.lib.uwo.ca/fimulaw/fimulaw2019/fimulaw2019/1 This Event is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in FIMULAW by an authorized administrator of Scholarship@Western. For more information, please contact [email protected], [email protected]. Musical artists as entrepreneurs Assessing popular artists’ brand partnerships, social media usage, and performances of identity politics Amara Pope Media Studies, Western University, London, ON, Canada The evolving landscape of the music industry Research questions Methodology The emergence of new technologies and recent changes to the music industry’s business Through processes of articulation and re-articulation to conceptualize how meaning-making model require a reevaluation of the potential power musical artists have to influence culture. Following Dyer’s (1979) theory of a ‘star image’ as the carefully constructed public personality of a film actor curated evolves from context to context, from practice to practice, or from one stage of a practice to through multiple forms of media, I examine the construction of musical artists’ identities in today’s online, branded world. -
Super Bowl Sunday: an Unofficial Holiday for Millions
Embassy of the United States of America Super Bowl Sunday An Unofficial Holiday for Millions Seattle Seahawks quarterback Russell Wilson holds the Lombardi Trophy after the 2014 Super Bowl game. The Seahawks will again vie for the championship in 2015 against the New England Patriots. © AP Images ach year, on a Sunday at the this is because the Super Bowl is a single game each year between end of January or beginning a single game, a winner-take-all their respective champion teams. Eof February, tens of millions contest. Add the televised enter- Because many collegiate football of Americans declare their own tainment that surrounds the game, championships were known as unofficial holiday. Gathered in and Super Bowl Sunday becomes “bowls” for the bowl-shaped sta groups large and small, nearly half an event even for those who are not diums that hosted them, one AFL of all U.S. households participate football fans. owner referred to the new game as vicariously in a televised spectacle a “super” bowl. The name stuck. that has far outgrown its origins as Super Bowl Beginnings Four Super Bowl games were a sporting event. American football is unrelated played before the two leagues The Super Bowl, which deter- to the game most of the world knows merged in 1970 into a single mines the championship of by that name, which Americans National Football League, which American football, is most of all a call soccer. For most of its history, was subdivided into the American shared experience, when Americans professional American football was and National “conferences.” Each choose to watch the game with played within a single National year, the champion teams of each friends.