Creating Natural Form Restorative Art Theory and Application

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Creating Natural Form Restorative Art Theory and Application © 2019 Tuesday Evening Publications. DO NOT COPY, POST OR DISTRIBUTE. Creating Natural Form Restorative Art Theory and Application Benjamin Schmidt Sean Sweetman Briana Garcia Illustrations by Cassandra Springborn © 2019 Tuesday Evening Publications © 2019 Tuesday Evening Publications. DO NOT COPY, POST OR DISTRIBUTE. Contributing Editors: Steve Dawson, Owner Sax Tiedeman Funeral Home and Monarch Cremations Damon de la Cruz, PhD, Associate Professor Cypress College Robert Holmes, PhD Barry Lease, EdD, Program Director Pittsburg Institute of Mortuary Science Timothy Kowalski, MDiv, Instructor Worsham College of Mortuary Science Leili McMurrough, JD, Program Director Worsham College of Mortuary Science Karen Scott, MBA, Program Director Malcolm X College Interior Design: Heather Braatz Cover Design: Amanda King and Cassandra Springborn Copyright © 2019 by Tuesday Evening Publications. All rights reserved. When forms and sample documents are included, their use is authorized only by educators, local school sites, and/or noncommercial or nonprofit entities that have purchased the book. Except for that usage, no part of this book may be reproduced or utilized in any form or by any means, electronic of mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. Printed in the United States of America. © 2019 Tuesday Evening Publications. DO NOT COPY, POST OR DISTRIBUTE. About this book This book is here to provide a resource to both students and practitioners alike. In addition to classic restorative art techniques, this book addresses and expands upon: • Dressing and casketing • Unembalmed bodies • Use of real-world case studies • Incorporation of embalming science into restorative art • Human anatomy • Pathology and its effect on restorative art • Cosmetics • Color theory For more information about this book, please contact us at: [email protected] @mortraqr on Instagram and Twitter www.tuesdayeveningpublications.com © 2019 Tuesday Evening Publications. DO NOT COPY, POST OR DISTRIBUTE. To Arian, Clementine, Grayce, Paige, Ryne, Will, and anyone who comes after. This book is proof your parents are cool. © 2019 Tuesday Evening Publications. DO NOT COPY, POST OR DISTRIBUTE. CONTENTS Section I From Here to There 1. Getting from Here to There ................................................................................. 1 2. Types of Restorative Art and Case Considerations ............................................ 8 3. Tools of the Trade ............................................................................................... 14 4. Building a Base ................................................................................................... 20 5. Bones ................................................................................................................... 23 6. Muscles................................................................................................................ 34 7. Skin and Its Markings ........................................................................................ 41 8. Our Feature Presentation................................................................................... 50 9. EveryBODY Is Different ..................................................................................... 82 Section II Two Sides of the Same Coin: Embalming and Restorative Art 10. Preservative Art ................................................................................................ 121 11. The Prep Room Detective: Investigating the Case ......................................... 131 12. A Little Bit of Pleasantry: Setting Features ..................................................... 140 13. Keeping an Eye on Things: Monitoring Your Injection Procedure ............... 156 14. Incision Closure ................................................................................................ 172 15. Autopsy Preparation......................................................................................... 184 16. Organ and Tissue Donation ............................................................................. 193 Section III What Comes After: Post Embalming Treatments 17. Tissue Building ................................................................................................. 199 18. Compresses ....................................................................................................... 210 19. Waxes and Their Application ........................................................................... 212 20. Tissue Damage .................................................................................................. 217 21. Case Studies ...................................................................................................... 239 Section IV The Final Puzzle Piece: Presentation 22. Can You Make Him Look Like this Again? The Value of Photographs ........ 264 23. Color Theory ..................................................................................................... 274 24. Lighting ............................................................................................................. 278 25. Cosmetics .......................................................................................................... 288 26. Natural Recreation ........................................................................................... 317 27. Haircare ............................................................................................................ 327 28. Laying Facial Hair by Hand ............................................................................. 333 29. Ready for Their Final Party: Dressing and Casketing .................................... 342 30. Preparation of Unembalmed Bodies ............................................................... 355 Glossary ................................................................................................................... 360 List of Figures .......................................................................................................... 367 Index ........................................................................................................................ 370 Author ...................................................................................................................... 380 © 2019 Tuesday Evening Publications. DO NOT COPY, POST OR DISTRIBUTE. I From Here to There “If we knew what it was we were doing, It would not be called research, would it?” —Albert Einstein © 2019 Tuesday Evening Publications. DO NOT COPY, POST OR DISTRIBUTE. Creating Natural Form 1. Getting from Here to There Objectives Describe an overview of restorative art Discuss the objectives of restorative art Distinguish different restorative art procedures and how they relate to the embalming process onsider the photographs above. still require tools in your restorative art tool C These images are the before and box. The scope of this text is to equip you after pictures of a person who died of with some of these tools before you begin a gunshot wound as featured in Case 1. They gaining the experience you will need to are just two pictures, but there is a lot of a become an effective restorative artist. If these knowledge and experience in the space tasks seem daunting at first, that’s okay. between them. This is knowledge and experience that you too will gain throughout We define restorative art as the care of your career as an embalmer and a restorative the deceased to create natural form, color and artist. However, trauma such as this only texture. However, philosophically it is much represents a small portion of restorative art. more than that. In order to become good You will engage in restorative art in some restorative artists, we need scientific manner from the moment you caringly place thinking, community engagement, and the the individual on your embalming room table willingness to try new things. First, scientific to the moment you place them in the ground thinking comes from everything from or crematory. Even if the person is not to be understanding human anatomy, to using embalmed, simply viewed privately by the color theory. Second, one of the most family before burial or cremation, you will beautiful parts of restorative art is that it is a 1 Section I: From Here to There community event, meaning that one gains them, but the goal is to put them in a knowledge through technical learning and restorative art context for you. experience as well as conversations with their fellow embalmers. Third, we must be willing Building a Base to try new things. Through both scientific In order to get from here to there, we will thinking and community engagement, we will start with anatomy. First, we will start with be given new ideas and products to try. terms that describe anatomical directions Please do that, so you can pass your and planes. After that, the fun begins with a experience on to others. That having been brief primer in Latin (bet you didn’t expect to said, let’s look at your pathway from picture learn a new language when you picked up this one to picture two. book did you?). Learning the translation of commonly used Latin words in to English will better help you identify different anatomical Section I: From Here to There structures, how they are shaped, and where they are located. From there, we will examine Case Considerations and Types of the skull and its importance to restorative
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