Soiree for Hope in the City of Light

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Soiree for Hope in the City of Light Friday, November 13 Boston Park Plaza Patron and Sponsorship opportunities, Soiree for Hope in the City of Light. November 13, 2015 • Boston Park Plaza • Boston o $25,000 Arc De Triomphe Patron — Evening Sponsor (includes 12 tickets and Complimentary Valet) o $15,000 Diner on the L'Avenue Des Champs Elysees — Dinner Sponsor (includes 10 tickets) o $12,500 Aperitif A Maxims — Cocktail Reception Sponsor (includes 10 tickets) o $10,000 Vouge — Photo Booth Sponsor (includes 10 tickets) o $7,500 Moulin Rouge — Program Sponsor (includes 6 tickets and reserved seating) o $5,000 Midnight in Paris — Entertainment Sponsor (includes 2 tickets) o $4,000 Fleur-De-Lis — Benefactor (includes 8 tickets) o $2,500 Rendezvous — Registration Sponsor (includes 2 tickets) o $2,500 Let Them Eat Cake — Cafe Sponsorship (includes 2 tickets) o $2,500 Provence Troupe — 4 VIP Tickets with Complimentary Valet o $400 Madam or Monsieur o $300 Mademoiselle or Monsieur Under 35 o I cannot attend this year, but would like to make a tax-deductible donation in support of cancer care at Winchester Hospital $______________. $ ______________ T O TA L Name: ______________________________________________________________ Title: _________________________________________ Company: ____________________________________________________________________________________________________________ Address: _____________________________________________________________________________________________________________ City: _____________________________________________________ State: ______________ Zip: _____________________________ Phone: _________________________________________ Email: _____________________________________________________________ Recognition Name as you would like it to appear on event signage and in the 2015 Annual Report: _______________________________________________________________________________________________________________________ □ Please send me an invoice to be paid prior to November 1. □ I have enclosed a check payable to the Winchester Hospital Foundation. □ Please charge my credit card. □ Visa □ MasterCard □ American Express Name on Card: _______________________________________________________________________ Exp. Date: ___________________ Card Number: ________________________________________________________________________________________________________ Please email this form to [email protected] by August 1 to ensure you are recognized on printed materials. For questions regarding tickets, sponsorship opportunities or information about the Center for Cancer Care or Breast Care Center, please call the Winchester Hospital Foundation at 781.756.2156 or email: [email protected]..

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Dissecting Orpheus in Baz Luhrmann's Moulin Rouge!
Dissecting Orpheus in Baz Luhrmann’s Moulin Rouge! At the opening—and again at the closing—of Moulin Rouge!, Henri Toulouse- Lautrec sings “Nature Boy.” Dressed as the Magic Sitar in the fictional theater production of Spectacular! Spectacular!, he chants “The greatest thing you'll ever learn / Is just to love and to love in return.” These verses frame and emphasize the overarching theme of passionate love through the medium of music. That some form of personification of Love and Music lies at the heart of the Orpheus myth will be no surprise to classically trained reader. But what might be surprising is that in the publicity surrounding Moulin Rouge!, Baz Luhrmann insisted that this film was his expression of the Orpheus and Eurydice myth. Strong scholarly work on the classical allusions in Moulin Rouge! has already been begun, especially in detailing the counterpoints in allegory between both character and plot. My contribution to this subject, however, takes the analysis to a more abstract level. I argue that Luhrmann wanted not only to combine plot and character in order to create a new story, but that he used the idea of love emerging from music as an aesthetic theory in itself, emblematic for the very creative process of his original, cinematic production. This aesthetic philosophy and method creates a creative framework for the theme of rebirth in this ancient myth. I believe that Luhrmann was contemplating the Dionysiac ritual of sparagmos, central to the theory of drama and musical drama, as a working aesthetic for this film. This presentation will focus on musical composition of the film (rather than the static visual hybrids or the cinematic editing techniques), and in particular on duets sung between the Orpheus character Christian and the Eurydice character Satine.
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Toulouse-Lautrec and Montmartre the Art Institute of Chicago July 16–October 10, 2005 Exhibition Checklist—Chicago Only
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