Matt Corcoran
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ZZTOP Treshombres a Heinous Decision in The'80s to Remix Zztop's Cjassigar:Fy EXCI Tracks Didn't Totally Diminish Frank Beard's Funky Groorles;.Bv!,,:,., LI..JDW
ZZTOP TresHombres A heinous decision in the'80s to remix ZZTop's cJassigar:fy EXCI tracks didn't totally diminish Frank Beard's funky groorleS;.bV!,,:,., LI..JDW it sure was a buzzkill. Fortunately, that call was reversible, and HARD Beard's beauteous beats were presented in all their grltty coL0l glory on a comprehensive 2013 box set. lt's never a bad time {I.sS0: to behold the band's not-so-simple wonders. ' '': a rlrruirr::r l' r:;'.i:r " , ,.!;;r;t .i ,:l:l:ll;r:1ii::ttl $9r by Patrick Berkery ,l $l( I t was one thing for Zzfop b experiment Nothing was worse than I with drum machines, synthesizers, and hearing Frank Beard's once sequencers in the early'80s, in an attempt dry and punchy drums BEK)' tt00 to modernize its swampy boogie-and- dripping wet with unneces NA'L) REBAI blues sound. But it was complete sacrilege sary reverb, noise gates, and the like. when the Little Ol'Band From Texas took Thankfu lly, ZZ Top began righting this "&" of 2, and the "&" of 4. (They fall the sheen of its Eliminator (1983) and sonic wrong on 2003's Chrome, Smoke & between ghost strokes, which sound Afterburner (1985) albums and grafted BBQ box set, where the early tracks so lovely minus the wetness of the Slx those tones onto classic early-Top appeared in their original form, and then Pack remix.) As Gibbons soins his Texas long-players for 1987's remixed Six Pack with the 2006 CD reissue of 1973'sTres roadhouse tale in the verses with a woozy collection, which compiled the trio's first Hombres. -
Zz Top the Studio Albums 1970 – 1990
im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] ZZ TOP THE STUDIO ALBUMS 1970 – 1990 VÖ: 7. Juni ZZ Top hoch 10! Alle ZZ Top-Alben von 1970-1990 jetzt in einer Box! Seit ihrem First Album aus dem Jahr 1971 gehören ZZ TOP zu den Ikonen der Rockmusik. Nicht nur aufgrund ihrer exorbitanten Bärte, die zu ihrem Markenzeichen wurden, sondern vor allem wegen ihres ur-texanischen Humors und der Verbindung von kräftigen Blues-Riffs und den geschickt eingesetzten Synthesizern. Heute, über 30 Jahre später und nach Millionen verkaufter Alben, sind ZZ TOP eine der wenigen klassischen Rockbands, die die Jahrzehnte im Original- Line-Up überstanden haben: Billy Gibbons (Vocals), Dusty Hill (Bass) und Frank Beard (Drums) rocken weiter wie eh und je. Mit ZZ Top – The Studio Albums 1970-1990 liegt eine 10-CD-Box vor, die es wirklich in sich hat, nämlich alle zehn Album-Klassiker aus den Warner Bros.-Jahren. Das aufwändige Box-Set erscheint in einer stabilen Clamshell-Verpackung, in der jedes Album in einem Pappschuber steckt, der dem Artwork des jeweiligen Original-Vinylcovers entspricht. Selbst Tre Hombres und Tejas befinden sich in einem Mini-Klappcover, das eine Replik des Originals darstellt. Spektakulär ist zudem die Tatsache, dass zum ersten Mal die Original-Audio-Tape-Versionen von drei der Alben auf CD erhältlich sind, nämlich von First Album, Rio Grande Mud und Tejas. Auch die Original-Master von Tres Hombres und Fandango sind in der Box enthalten! Die Mitte der achtziger Jahre erschienenen -
Biografia Imprensa Fatos
Foto Guto Marcondes Biografia Imprensa Fatos “Será que o novo rei do Blues é domiciliado no Brasil?” (Andy Grieg, editor Realblues Magazine, Austrália) O melhor guitarrista de blues do Festival Internacional de Jazz de Montreal. Daniel Lachapelle, Ciblues Pense em Jimmy Page em “I can’t quit you baby”. Guitar Player Magazine / EUA , agosto 1994, sobre o disco Long Distance Blues "Um presente à canção brasileira" (Revista Cult) "Uma surpresa em larga escala", (Carta Capital) ", "Um dos discos mais saborosos do ano " (Jornal O Estado de São Paulo) "Melhores do ano” (crítico Pedro Alexandre Sanches) Sobre álbum “Outros Nunos” de 2005 1991 Gravou seu segundo disco, “Long Distance Blues”, pela gravadora Movieplay. Contou com a participação especial de Larry Mc Cray, ex guitarrista da banda de Gary Moore, e J.J. Milteau, o gaitista mais importante da França e um dos mais importantes da Europa. Este trabalho chamou a atenção da mídia nacional, colocando Nuno como um músico de porte que passou a integrar festivais de blues ao lado de nomes como Robert Cray, Otis Clay, Ronnie Earl, Lonnie Brooks e Bo Didley. 1994 Veio o reconhecimento internacional pela revista “Guitar Player” americana, destacando Nuno numa reportagem sobre o disco “Long Distance Blues. Nela, o então editor Jas Obrecht, uma das maiores autoridades de blues do mundo, compara Nuno a Jimmy Page. Outro destaque ocorre em maio de 1998, quando Mindelis é eleito o “Melhor Guitarrista de Blues” segundo o concurso mundial de aniversário de 30 anos da mesma revista. 1995 Nuno apresentou-se em Austin, Texas, na comemoração do Vigésimo Aniversário da lendária gravadora Antone’s, abrindo para nomes como Junior Wells e Guy Forsite. -
Psaudio Copper
Issue 142 AUGUST 2ND, 2021 Is there a reader among us who doesn’t dig ZZ Top? We mourn the passing of Joseph Michael “Dusty” Hill (72), bassist, vocalist and keyboardist for the tres hombres. Blending blues, boogie, bone-crushing rock, born-for-MTV visuals, humor and outrageousness – they once took a passel of live animals on stage as part of their 1976 – 1977 Worldwide Texas Tour – Hill, drummer Frank Beard and guitarist Billy F. Gibbons have scorched stages worldwide. As a friend said, “it’s amazing how just three guys could make that much sound.” Rest in peace, Mr. Hill. In this issue: Anne E. Johnson gets inspired by the music of Renaissance composer William Byrd, and understands The Animals. Wayne Robins reviews Native Sons, the superb new album from Los Lobos. Ray Chelstowski interviews The Immediate Family, featuring studio legends Waddy Wachtel, Lee Sklar, Russ Kunkel and others, in an exclusive video interview. I offer up more confessions of a record collector. Tom Gibbs finds much to like in some new SACD discs. John Seetoo winds up his coverage of the Audio Engineering Society’s Spring 2021 AES show. Ken Sander travels through an alternate California reality. WL Woodward continues his series on troubadour Tom Waits. Russ Welton interviews cellist Jo Quail, who takes a unique approach to the instrument. In another article, he ponders what's needed for sustaining creativity. Adrian Wu looks at more of his favorite analog recordings. Cliff Chenfeld turns us on to some outstanding new music in his latest Be Here Now column. -
Zz Top Tres Hombres Album
1 / 2 Zz Top Tres Hombres Album The 12 greatest concept albums ranked: 12. Find clues for Removes ... The top ranked albums by ZZ Top are Eliminator, Tres Hombres and Degüello. The Kinks: .... LickLibrary's Classic Albums: ZZ Top - Tres Hombres, is available now at this location. A video trailer can be found below. In this course .... As a kid I remember cracking open my father's copy of ZZ Top's 1973 album Tres Hombres, opening the gatefold sleeve to check out that .... -P. com Fragile was Yes' breakthrough album, propelling them in a matter of ... ZZ Top - Tres Hombres (PBTHAL 24/96 VINYL RIP) Posted by pbthal in Music .... I think I've held off as I wanted to be positive about this album, but in truth I can't, as it's really disappointing. It's one of my favourite ZZ Top albums, but in this .... On the surface, there's nothing really special about the record, since it's just a driving blues-rock album from a Texas bar band, but that's what's .... Named The Moving Sidewalks, they played psychedelic rock and in 1969 released an album, Flash. folderub8. During this time, Gibbons became .... Tres Hombres Tracklist · Waitin' For The Bus Lyrics · Jesus Just Left Chicago Lyrics · Beer Drinkers and Hell Raisers Lyrics · Master Of Sparks Lyrics.. Breakthrough album for the Texas trio. Meat & potatoes rock boogie, no frills, no muss, no fuss, very direct, honest, and obvious: 1. Waitin' For ... Want to learn how to play the best ZZ Top songs on the guitar? This unique rock guitar lesson course teaches you how to play every Billy Gibbons riff and solo ... -
Radio Itapema FM Floria
A B C 1 2 Razão social: Radio Itapema FM Florianópolis Ltda CNPJ: 79.224.614/0001-07 3 Nome fantasia: Rádio Itapema FM - 93.7 Cidade: Florianópolis - SC 4 5 PROGRAMAÇÃO MUSICAL DIÁRIA DIA/MÊS/ANO: 01/08/2020 6 Música Intérprete Execução 7 SONÍFERA ILHA MARIA LUIZA / TITAS 2 8 EVENING SHADOWNS VAN MORRISON / JOEY DEFRANCESCO 2 9 WINEGLASS WOMAN MAYER HAWTHORNE 2 10 A MAN AND A WOMAN U2 / BONO VOX 2 11 SCREAM PAOLO NUTINI 2 12 LONELY AVENUE MICK HUCKNALL / SIMPLY RED / STEPHEN MARLEY 2 13 BREAK APART BONOBO / RHYE 2 14 MEIO DE CAMPO GILBERTO GIL 2 15 I'M FREE ROLLING STONES / MICK JAGGER 2 16 MY OWN WAY AMY WINEHOUSE 2 17 UNCHAIN MY HEART WILLIE NELSON / WYNTON MARSALIS 2 18 DIFERENTE GOTAN PROJECT 2 19 NÃO CONSIGO NEY MATOGROSSO 2 20 BOHANNON FAT FREDDYS DROP 2 21 HA HA HA THE EXCITEMENTS 2 22 TROPICALIA BECK 2 23 FOTO VIVA LEILA PANTEL / MO'HORIZONS 2 24 SMOKE AND MIRRORS JAMIROQUAI 2 25 ACROSS THE UNIVERSE SPEECH / RUFUS WAINWRIGHT / BEATLES 2 26 I HAD A DREAM BLANK AND JONES / HOWARD WERTH 2 27 THE CALLING SANTANA / ERIC CLAPTON 2 28 QUE HORAS NÃO SÃO VITOR RAMIL / MARCOS SUZANO / KATIA B 2 29 FLOW L.A. THOMAS 2 30 ISN'T SHE LOVELY LIVINGSTON TAYLOR / KEB'MO' / STEVIE WONDER 2 31 VIDEO INDIA DOT ARIE 2 A B C 32 ESCAPE JACK JOHNSON 2 33 SE EU FOSSE UM DIA O TEU OLHAR NUNO MINDELIS 2 34 I FEEL THE EARTH MOVE THE MOLESKINS 2 35 FORGET BEN WATT / EVERYTHING BUT THE GIRL 2 36 LOVE IS GONNA BRING US BACK ALIVE RICKIE LEE JONES 2 37 HUSH ANGUS AND JULIA STONE 2 38 RONCO DA CUÍCA CEU / JOAO BOSCO 2 39 HERE THERE AND EVERYWHERE DAVID GILMOUR / PINK FLOYD 2 40 BLUE ZUCCHERO / SHERYL CROW 2 41 A IDADE DO CEU PAULINHO MOSKA / ZELIA DUNCAN 2 42 HUMAN LOSS AND GAIN CLUB DES BELUGAS / BAJKA 2 43 DO I QUALIFY? LYNDEN DAVID HALL 2 44 HYPNOSIS DAMIEN RICE 2 45 MY BABY JUST CARES FOR ME IMELDA MAY / BLUE HARLEM / NINA SIMONE 2 46 I WILL BE FOUND JOHN MAYER 2 47 BREAK ON THROUGH DJ DISSE / THE DOORS 2 48 ANIMA MILTON NASCIMENTO 2 49 GOOD THINGS SPENGLER 2 50 SWEET L.A. -
Aspan Clockwerks in La Grange
Aspan Clockwerks in La Grange 840 6th Ave, La Grange, IL 60525 Cross Streets: Near the intersection of 6th Ave and E 51st St (708) 352-1345 La Grange tab by ZZ Top. This song is about a Texan whorehouse called "The chicken ranch" and/or "Miss Edna's boarding house" in La Grange. The song is from the "Tres Hombres" album, released in 1973. Bass player Dusty Hill admitted in interviews that he went there when he was 13. This was the place where boys went when it was time to become men. ZZ Top La Grange guitar tabs. The place was well known among locals, but the ZZ Top song drew so much attention to the place that they had to close. The activities were after all illegal. James Denno La Grange, IL 60525 Sunbelt Rentals 6260 Joliet Rd, La Grange, IL 60525 Odm Tool & Mfg Co Inc 9550 Joliet Rd, La Grange, IL 60525 Countryside IL Locksmith Store 10901 Joliet Rd, La Grange, IL 60525 Menards 6100 East Avenue, La Grange, IL 60525 Ben's Rental & Sales 51 E Plainfield Rd, La Grange, IL 60525 Action Threaded Products 5422 Dansher. Rd, La Grange, IL 60525 Aspan Clockwerks 840 S 6th Ave, La Grange, IL 60525 Kegcraft 9000 67th St, La Grange, IL 60525 Event Equipment Rental 9000 67th St, La Grange, IL 60525 More Results. Click to Cycle. Action Threaded Products, 5422 Dansher Rd, La Grange, IL 60525. Aspan Clockwerks, 840 S 6th Ave, La Grange, IL 60525. Kegcraft, 9000 67th St, La Grange, IL 60525. La Grange is a home rule-class city in Oldham County, Kentucky, in the United States. -
“Covering” the Bluesman from a Distance
Introduction In many ways, my journey towards this thesis topic began with my brother’s music collection. Throughout my teens he would introduce me to a wide range of local and international acts, many of which were influenced by African-American blues artists. This influence is evident in both their construction of sound and the old songs that they rerecorded. From there I began tracing musical influences from song credits and interview excerpts—a path often travelled by musicians and fans alike—that would eventually lead me to an appreciation of blues music. The penultimate step towards this topic came in the form of my honours thesis—a creative project that involved rerecording several tracks from the catalogue of an early Australian country music artist, one of which was titled “Blue Mountain Blues”.1 From there I turned to blues music in Australia. Initially conceived as a history of “Australian blues”, it became apparent that this proposed sub-genre struggled to unify and explain the disparate musical styles contained therein. Although each artist was clearly addressing the musical characteristics and influences I had come to recognise as “blues music”, it all sounded different. In the meantime, I developed a keen interest in a fellow colleague’s thesis topic that addressed the role of “covers” within the Australian music industry (Giuffre, 2005). My epiphany—and catalyst for the current thesis topic—eventually presented itself while viewing a live performance from Peter Green Splinter Group. The concert was split into two courses: an acoustic entrée featuring several Robert Johnson “covers”; and, an electric main with side dishes of early Fleetwood Mac material—the band Green had help found many years ago. -
1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 the Time Machine 2004
#'s 1200 Micrograms 1200 Micrograms 2002 Ibiza Heroes of the Imagination 2003 Active Magic Numbers 2007 The Time Machine 2004 1349 Beyond the Apocalypse 2004 Norway Hellfire 2005 Active Liberation 2003 Revelations of the Black Flame 2009 36 Crazyfists A Snow Capped Romance 2004 Alaska Bitterness the Star 2002 Active Collisions and Castaways 27/07/2010 Rest Inside the Flames 2006 The Tide and It's Takers 2008 65DaysofStati The Destruction of Small 2007 c Ideals England The Fall of Man 2004 Active One Time for All Time 2008 We Were Exploding Anyway 04/2010 8-bit Operators The Music of Kraftwerk 2007 Collaborative Inactive Music Page 1 A A Forest of Stars The Corpse of Rebirth 2008 United Kingdom Opportunistic Thieves of Spring 2010 Active A Life Once Lost A Great Artist 2003 U.S.A Hunter 2005 Active Iron Gag 2007 Open Your Mouth For the Speechless...In Case of Those 2000 Appointed to Die A Perfect Circle eMOTIVe 2004 U.S.A Mer De Noms 2000 Active Thirteenth Step 2003 Abigail Williams In the Absence of Light 28/09/2010 U.S.A In the Shadow of A Thousand Suns 2008 Active Abigor Channeling the Quintessence of Satan 1999 Austria Fractal Possession 2007 Active Nachthymnen (From the Twilight Kingdom) 1995 Opus IV 1996 Satanized 2001 Supreme Immortal Art 1998 Time Is the Sulphur in the Veins of the Saint... Jan 2010 Verwüstung/Invoke the Dark Age 1994 Aborted The Archaic Abattoir 2005 Belgium Engineering the Dead 2001 Active Goremageddon 2003 The Purity of Perversion 1999 Slaughter & Apparatus: A Methodical Overture 2007 Strychnine.213 2008 Aborym -
Design Guideline for the Reintroduction of Wood Into Australian Streams
Design guideline for the reintroduction of wood into Australian streams DR ANDREW P. BROOKS Acknowledgements This Guideline is dedicated to the memory of the late Edwin Smith on whose property many of these trial works were undertaken. Special thanks also to Naida Smith and the Woodward family for their ongoing support and access to their land. Much of the research on which these guidelines are based was done under LWA projects MQU9 and GRU27; and ARC Linkage Project LP0346918. This project would never have proceeded without the generous support of Allan Raine from the NSW Department of Natural Resources and Sharon Vernon from the then Hunter Catchment Management Trust who were instrumental in facilitating the adoption of this experimental program within their respective organisations. Special thanks to Rod Gleeson for much of the survey work, the Dungog Work Crew and Rob Argent for their efforts implementing the rehabilitation works. Thanks also to Brian Woodward, Matt Taylor and John Jansen for data collection and analysis; Brian Woodward for the 3D Autocad drawings; Dean Oliver for drafting many of the figures and to John Spencer for GIS analysis. Special thanks to Peter Gehrke for undertaking the initial fish survey work, and to Bob Creese for his support of Tim Howell in undertaking the subsequent monitoring. The project has benefited from the efforts of numerous field assistants over the years, in particular, the NSW Fisheries crew — Simon Hartley, Andrew Bruce, Tony Fowler, Debrah Ballagh, Michael Rodgers, Ian Wooden and Tom Rayner. Thanks also to Scott Babakaiffe and Chris Gippel for their input into the development of the study design. -
Union Radio (In Print) Soon
UNION RADIO (IN PRINT) SOON For something Uke a year our committee It is likely that licence applications will has been worldng towards obtaining a radio be called for within two months. Anyone broadcasting licence, to provide students wishing to help, put new ideas forward or with an altemative to the teeny bopper 4IP become involved in any way, should con nonsense, and the 4KQ easy listening format. tact me through Union Office or attend a With the victory of the F.M. decision in meeting of the committee on Wednesday, favour of V.H.F. (in which our group exten May 29th, at 1.10 p.m. in the office of sively lobbied politicians and made sub miss Semper Floreat (top floor, Union Bldg.) ions to relevant authorities) and Labor's victory on Saturday, it is now quite likely Jim Beatson, Ihat when we make our submission for a Chairman, UNIVERSITY NEWS licence, we will be siiccessful. Union Media Committee. MAJESTIC MALENY " RIM OF THE WORLD " (i ,500 ft. above sunshine coast, 60 miles north of Brisbane.) IMPOSING one year old architecturally designed home set in % acres of Parkland gardens amidst tall shade trees. Soaring roof line, exposed beams, lovely sitting room, feature brick wall, fireplace, separate dining room, very efficient kitchen, dishwasher, pantry etc., breakfast area. Master bedroom' has feature brick wall, ensuite walk-in robes, and own bathroom, loft • study, other two bedrooms alt built-ins. Tited bath room. Garden courtyards, full length verandah, commanding sweeping views of Glasshouse Mountainsand ocean from all rooms. Double garage, separate workshop. -
'Suck More Piss'
[PB 14.2 (2013) 120-139] Perfect Beat (print) ISSN 1038-2909 doi:10.1558/prbt.v14i2.120 Perfect Beat (online) ISSN 1836-0343 Paul Oldham ‘Suck more piss’: how the confluence of key Melbourne-based audiences, musicians, and iconic scene spaces informed the Oz rock identity Paul Oldham is a researcher at the University of University of South Australia South Australia. He is currently working on a PhD GPO Box 2471 thesis about the fashion-oriented Australian sub- Adelaide, South Australia 5001 culture known as sharpies (1964–1980). He has Australia been a practising professional popular music and [email protected] culture journalist since 1993. Abstract Australian pub rock began in Melbourne in late 1969/early 1970 and became the nation’s most successful penetration into the international rock market and audiences. While commendable work has been written about Australia’s scene spaces (particularly Homan 2003; Stratton 2007), most remain Sydney-centric and typically overlook the equally (if not more) important Mel- bourne rock scene. In all cases the fermentative period of pub rock—and especially the com- bined roles played by its early audiences, musicians and venues—remains under-examined. This article will explore Australian pub rock’s beginnings through the lens of the career trajec- tory of Billy Thorpe & The Aztecs, and how that influenced, and was influenced by, the specific demands of Melbourne’s fluid audiences and venues leading up to the Oz rock era, using the key case studies of Mulgrave’s Village Green Hotel and Nunawadings’s Whitehorse Hotel. Keywords: Billy Thorpe & The Aztecs; Melbourne; Oz rock; pub rock; sharpies In the beginning… Oz rock was Australia’s hegemonic style of pub rock from the early 1970s to the mid-1980s and arguably the first distinctly Australian form of popular music.