Call for Contributions

Call for Contributions Treatise on Legal Visual Semiotics 6 volumes Publisher: SPRINGER

EDITORS: Anne Wagner and Sophie Cacciaguidi-Fahy

Submission guidelines and timeline Expression of interest should be addressed by e-mail to both [email protected] and [email protected]

Please make sure that the document clearly indicates on a separate page your name, affiliation, and contact information

Date of submission: Abstracts of 2 pages to be submitted by 15 January 2009 Decision for authors: 15 March 2009 Full paper submission: Full papers to be submitted by 15 December 2009 Final version of selected papers: Revised and final version of paper to be submitted by 15 March 2010 Length of chapters: between 7,500 words and 10,000 words

All submitted chapters will be reviewed on a double-blind review basis

The visual is above all a means of communicating and understanding. In general terms, symbols, images and gestures have the potential to convey multiple levels of meaning and often represent concepts that are challenging to articulate explicitly due to their complexity, novelty or lack of specificity. When we have recourse to the visual, the subtleties and possibilities of communication increase exponentially.

The overall aim of the proposed two volumes is to fill the gap between law, semiotics and visuality. As an original project, its aim is to provide a comprehensive analytical overview of legal visual semiotics. The two volumes will endeavor to adopt a comparative perspective with a view to identifying a common ground for semiotics analyses of the converging and/or merging aspects of law and the visual. The project seeks to harness the diverse and innovative work to date in the fields of visuality and semiotics, anchoring them in the legal context. It will seek to bring together the cumulative research traditions of these related areas as a prelude to identifying fertile avenues for research going forward.

Contributions should reflect the interdisciplinary nature of legal semiotics research. They should focus on:  Theories and conceptualization of legal visual semiotics  Pictorial semiotics and law  Visuality of legal language  Media and the law

These might include but are not limited to analyses on:

 Interface between text, images and oral signs  Globalisation, time, space and place and its impact on media and law  Law and architecture, specifically architecture and criminology;  Law and landscapes  Cartoons and the law  Gesture and the law  Dress codes and the law  Religion and law: e.g. images, icons, representation of the sacred, etc.  Legal construction, interpretation of legal subjects and objects through the mediation of images e.g. cultural objects and the law; the body as a legal object etc.  Aesthetics and the law: e.g. aesthetics and psychoanalytic jurisprudence; Deleuze, art and law; painting and the law; murals and the law; aesthetics and indigenous representation of customary law, specifically native American and African  Digital technologies and law: e.g. surveillance and law, specifically use of images for forensic evidence; law, advertising and the production of meaning etc.  Digital media, law and culture: e.g. technology in the courtroom and the law classroom; digital images and law, internet and the law, including pornography  Media, culture and the law: e.g. cinema, popular culture and law; representation of law and/or legal events in media, specifically the representation of human rights, criminal trials in films and/or historical documentaries; representation of victims, perpetrators etc.